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Mother’s Kingdom
(Uhm-mah-ui
Wahng-gook,
엄마의 왕국)

Director – Lee Sang-hak – 2024 – South Korea – LKFF Cert. 15 – 97m

*****

A Christian mother, her ‘Christian book’ author son, and her local pastor brother-in-law are haunted by traumas from their collective past – suspense thriller from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

I don’t often preface a film review with a piece of verbal, religious text, but in this exceptional case, the following Old Testament quote may be pertinent, particularly the phrase in bold:

The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children’s children, to the third and the fourth generation.”

– Exodus 34:6–7

Ji-wook (Han Ki-jang) lives with his mother Kyung-hee (Nam Kee-ae), and although he’s earning a respectable living working from home as a writer of self-help motivational books, in many ways he seems deeply unqualified to be peddling such advice to a wider public.… Read the rest

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Terminator 2
Judgement Day

Director – James Cameron – 1991 – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

What makes the film work is the mother and son element. Sarah is a believer in Terminators, the coming war against the machines, and humanity’s fightback in a world where such beliefs are dismissed as delusions.… Read the rest

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Terminator 2
Judgement Day
3D

Director – James Cameron – 1991 (3D version 2017) – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – remastered 3D version of James Cameron’s classic is out in UK cinemas from Tuesday, August 29th 2017

Painstakingly remastered in 3D, this plays as well in its current rerelease as it did back in 1991. In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

Unlike the 3D conversion of the same director’s Titanic (1997) which proved 3D to be a greatly improved, astonishing revelation, the improvements afforded T2 by 3D are comparatively minor (though they’re peerlessly executed).… Read the rest

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The Weak and the Wicked

Director – J. Lee Thompson – 1954 – UK – Cert. 12 – 88m

***1/2

A woman spends 12 months in prison after being convicted of fraud – one of two J. Lee Thompson movies out on UK Blu-ray, DVD and Digital in August, 2024

Jean (Glynis Johns) is marched from her cell and up the stairs into the courtroom to hear the judge’s verdict. She gets 12 months for fraud, and is sent to HM Prison Blackdown. Her crime is detailed in flashback – she has a gambling problem, which costs her her doctor boyfriend Michael Hale (John Gregson) who walks out on her. She pays for chips at a casino with a cheque, for which she hadn’t the funds in the bank. In this office, the owner Mr. Seymour (Edwin Styles) tells her he has his own way of dealing with debts, as she’ll shortly find out.

Her friend Pam (Ursula Howells) gets her a job in a clothing store, but it turns out Pam is actually working for Mr. Seymour and steals a family heirloom from Jean’s handbag the first chance she gets. Jean claims the insurance money only for two policemen to arrest her the day the money comes through, going into her home and finding a pawn ticket for the allegedly stolen item tucked into the back of a mirror.… Read the rest

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The White Ribbon
(Das Weiße Band)

Director – Michael Haneke – 2009 – Germany – Cert. 15 – 144m

Reviewed for Third Way magazine to coincide with UK release date 13/11/2009.

Haneke’s first period drama for the big screen is set in 1913-14 in a Northern German Protestant village where strange accidents befall the community. A doctor (Rainer Bock), out riding a regular route, is brought down and injured by a wire between two trees. The wife of a farm labourer is killed when factory floorboards give way beneath her. Children are abducted. A baby’s window is left open in Midwinter. A building burns. But who is – or are – responsible?

The film sets out its cast of characters in terms of the social hierarchy. The landowning classes are represented by the local Baron (Ulrich Tukur), his wife (Ursina Lardi) and their child; the professional classes by a widowed doctor, the midwife (Susanne Lothar) “who has made herself useful to him”, the Baron’s steward (Josef Bierbichler), the village Pastor (Burghart Klaussner) and the local teacher (Christian Friedel) – also as an old man the narrator (Ernst Jacobi) – who is courting the nanny of the Baron’s son; the working classes by numerous agricultural labourers who generally feature less prominently in the story.… Read the rest

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In Broad Daylight
(Bak Yat Ji Ha,
白日之下)

Director – Lawrence Kwan Chun Kan – 2023 – Hong Kong – Cert. 15 – 106m

***1/2

A woman uncovers a catalogue of abuse visited upon the residents of the Hong Kong care home in which her grandfather lives – out in UK cinemas on Friday, January 19th

This opens and closes to the strains of ‘We’ll Meet Again’ and images of Hong Kong buildings reaching towards the sky.

Ling Hu Kay (Jennifer Wu from The Shadows, Glenn Chan, 2020; Tracey, Li Jun, 2018) enters the Rainbow Bridge Care Home in search of her grandfather Chow Kin-Tong (David Chiang from Election, Johnnie To, 2005; The Adventurers, Ringo Lam, 1995; Once Upon a Time in China II, Tsui Hark, 1992; Yes, Madam!, Corey Yuen, 1985; Shaolin Temple, Chang Cheh, Wu Ma, 1976) who she hasn’t visited for a while as she’s been abroad in Canada. He doesn’t remember her. Chow’s roommate is the amiable Shui (Woo Fung). Shocked at finding a dead rat in their room, she finds the manager Cheung Kim-wah (a memorable Bowie Lam The Crossing, 2014; Hard Boiled, 1992, both John Woo) who informs her both that while they are always understaffed, the place is like a family where everyone pitches in.… Read the rest

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Observing
(Opazovanje)

Director – Janez Burger – 2023 – Slovenia, Italy, Croatia, North Macedonia – Cert. none – 83m

*****

A paramedic must deal with the aftermath of a man being kicked unconscious after people watch the incident on social media livestreaming – plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The sounds of a man (Vito Weiss) being beaten up by others. No images. Mercifully.

If you lived in Slovenia, you’d be familiar with a news story about a man who was beaten up by others who livestreamed the event over social media, picking up an audience of 20 000, out of whom only a negligible number, maybe a handful, thought to call the police. That incident was the starting point for this film, which is an attempt to come to term with such events.

It’s a drama based around the three-person ambulance detail who find themselves picking up the victim of the livestreamed attack. He’s in a bad way and winds up in intensive care. Most of the ambulance pickups either die on the way to or in hospital, or they make a full recovery; this man, however, remains stable but unconscious in the ICU with no sign of either recovery or lapse.… Read the rest

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Medusa
(Medusa)

Director – Anita Rocha de Silveira – 2021 – Brazil – Cert. 15 – 127m

***

Pro-purity, fundamentalist, Christian church girl band singer indoors by day; slut-shaming, Evangelical, vigilante group member outdoors by night… a woman is haunted by a facially disfigured figure from the past – out in UK cinemas also available on PVOD and ESVOD on Friday, July 14th, and to rent on BFI Player from Friday, July 21st

Night. An exotic dancer, bent over backwards so both hands and feet touch the floor. Writhing.

A young woman, watching this on her smartphone on the bus at night. She reaches her stop, gets off and starts walking. A gang of white masked, female vigilantes on the prowl, suddenly, behind her. She walks faster, they catch her, surround her, slut-shame her, call her a homewrecker, threaten her into “serving the Lord”. Afterwards, the female vigilantes walk off in a line across the road. On the wall, posters depicting a fist and a snake.

To better herself, another young woman Clarissa (Bruna G.) is taken our of an ordinary school and sent by her aunt to an up-market, fundamentalist, evangelical Christian church school where she’s quite nervous about fitting in: but Clarissa needn’t worry – she’s soon befriended by Mariana aka Mari (Mariana Oliveira) who takes the newcomer under her wing.… Read the rest

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Infinity Pool

Director – Brandon Cronenberg – 2023 – Canada, Hungary, France – Cert. 18 – 117m

*****

WARNING: NSFW

A man holidaying abroad at a resort with his wealthy wife is lured into a series of crimes, punishable locally by death unless you’re rich enough to buy your way out – in UK cinemas from Friday, March 24th

An infinity pool is a swimming pool designed so that at least one edge appears to go on forever, blending into a seascape or waterscape such as an ocean or lake. It’s limitless. One character in this film once installed such a pool for a local hotel, but that’s really not the point. Which is, something that has no boundary, that appears to extend into infinity. Like the moral transgressions in this film, once the preventative edges of incurred punishment are removed from the perpetration of criminal acts, for which the idea of the infinity pool stands as a metaphor. This may not make sense now, but it will once you’ve watched the film and thought about it.

James (Alexander Skarsgärd) and Em (Cleopatra Coleman) Foster are holidaying at a resort. To date, he is a one-book writer: his book was published to rotten reviews and sank without trace and he can’t seem to find an idea for the second one.… Read the rest

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Piggy
(Cerdita)

Director – Carlota Pereda – 2022 – Spain – Cert. 18 – 99m

*****

Director – Carlota Pereda – 2018 – Spain – 13m

*****

Fat-shaming, bullying, overbearing mothers, growing up as the local butcher’s daughter, and more – feature based on short is out in UK cinemas on Friday, January 6th

Sara (Laura Galán) is attempting to navigate the difficult waters of adolescence. It isn’t much fun if you’re different and cliques of your contemporaries gang up on you. In Sara’s case, she isn’t just fat, she’s also introverted and shuns people, which compounds the amount she gets teased. She often works in her father’s butchers shop, so bullies can easily put together insults based on fat and flesh and pork and meat. A clique of three, thinner girls – Roci (Camille Aguilar) and Maca (Claudia Salas) and their unwilling hanger-on Claudia aka Clau (Irene Ferreiro) – call her Piggy.

It’s Summer, and everyone is going down to the Madrigal (Waterfall) festivities at the pool on the river, where a mysterious out-of-towner is lounging about, but Sara sneaks down there later for a swim when she hopes nobody is around. She’s just getting into the water when the stranger (Richard Holmes) surfaces innocently, startling her.… Read the rest