Tag: mother

Categories
Features Live Action Movies

Furiosa
A Mad Max Saga

Director – George Miller – 2024 – Australia – Cert. 15 – 148m

*****

Kidnapped by a biker gang she attacks, young Furiosa must make her way in the desert wasteland populated by despots, bikers, and gas truck drivers – out in UK cinemas on Friday, May 124h

In the forest where fruit is plentiful near her home, young Furiosa (Alyla Browne, the lead in the upcoming Sting, LINK, Kiah Roache-Turner, 2023) spots a group of bikers who capture her as she tries to cut their bikes’ fuel lines. Her mother Mary Jabasa (Charlee Fraser) sets off across the desert in pursuit, stealing a bike from one of their number, only to be captured and crucified. Furiosa is taken to the biker’s despotic and nomadic leader Dementus (Chris Hemsworth), later escaping and falling in with gas truck driver Praetorian Jack (Tom Burke). Furiosa becomes a young woman (Anya Taylor-Joy) who as Jack’s protégé learns everything he knows.

The desert economy, where gasoline is the most precious commodity, consists of a wasteland in which are situated three strongholds: Gas Town, The Citadel and The Bullet Farm.

This prequel to Mad Max: Fury Road (George Miller, 2015) was essentially written at the same time as that film as part of the process of understanding the backstory of Imperator Furiosa (Charlize Theron).… Read the rest

Categories
Features Live Action Movies

Monster
(Kaibutsu,
怪物)

Director – Hirokazu Kore-eda – 2023 – Japan – Cert. 12a – 126m

****

The mother of a school pupil believes her son is being abused by his teacher, who in turn protests his own innocence, yet the truth is more complex – out in UK cinemas on Friday, March 15th

A movie at once spellbinding and infuriating, as a seemingly straightforward narrative is retold from different points of view and shifts subtly as further details emerge. It’s not a film to see if you’re tired, as it requires considerable attention on the part of the audience.

It starts off with a child’s feet walking along a patch of wasteland at night, sirens in the distance and then a blazing urban building which his single-parent mother Saori Mugino (Sakura Ando from Godzilla Minus One, 2023; Shoplifters, 2018 and Love Exposure, 2008) summons her son Minato (Soya Kurokawa) out onto their flat’s balcony to watch. Overheard conversation later suggests that not only was there a hostess bar on the third floor of the burning building, but that Minato’s teacher Mr. Hori (Eita Nagayama from Toshiaki Toyoda’s 9 Souls, 2003 and Blue Spring, 2001) used to go there.… Read the rest

Categories
Features Live Action Movies

American Fiction

Director – Cord Jefferson – 2023 – US – Cert. 15 – 117m

*****

A black, American college Literature professor, unexpectedly finds celebrity via an anonymous alter-ego when he writes a cliché-ridden book about ‘the black experience’ – out in UK cinemas on Friday, February 2nd

College professor Thelonius ‘Monk’ Ellison (Jeffrey Wright) is a black academic at a white university. He teaches literature. While he’s teaching a class on the literature of the American South, a young, white, female student objects to the “N-word”, walks out of the class, and – in due course – gets him put on an unpaid Sabbatical. He’s a published novelist who hasn’t had anything published for years, including a manuscript currently doing the rounds through his agent Arthur, whereas other, white, faculty members publish work he considers beneath him yet which also sell in volume in airports.

His Sabbatical ties in with the fact of his going to a Literature Festival in his home city of Boston, where he finds his seminar poorly attended because it’s up against one by rising publishing sensation Sintara Golden (Issa Rae), author of We’s Lives in Da Ghetto, which, when he investigates her session, turns out to be what he considers pandering to black stereotypes of living in poverty, crime and misery.… Read the rest

Categories
Animation Features Live Action Movies

Eraserhead

Director – David Lynch – 1977 – US – Cert. 15 – 89 mins

*****

A look at where Eraserhead came from – and where its weirdness led. First published in 1996.

The current vogue for Special Editions and Director’s Cuts prompts David Lynch to rerelease Eraserhead with a Dolby Stereo sound remix.

The pre-existing gem of a soundtrack was textured by Lynch and collaborating sound designer Alan Splet to incorporate a host of industrial noises alongside such unforgettable effects as the hero’s girlfriend’s mother gargling during a dinner table fit. Eraserhead remains arguably the most original and innovative vision the last twenty years of American cinema have produced.

Not that film or director came from the mainstream. Abandoning painting as an art student, Lynch began making animation / live action films with the brief loop Six Men Getting Sick (1967) with the four minute The Alphabet (1969) and the half hour The Grandmother (1970) funded by American Film Institute grants. The AFI then funded Eraserhead, which mushroomed to feature length and required completion finance from elsewhere. Reactions to the result vary between boredom, revulsion, or admiration (this writer aligns with the latter).

Invited to his girlfriend Mary’s (Charlotte Stewart) for dinner, “Printer – on vacation” Henry (Lynch regular Jack Nance) learns she is pregnant.… Read the rest

Categories
Features Live Action Movies

The Land
Where Winds
Stood Still
(Zhel Toqtaghan Zher)

Director – Ardak Amirkulov – 2023 – Kazakhstan – Cert. none – 108m

*****

A Kazakh mother made homeless by Soviet policy must protect her two sons in the harsh environment of the Steppes – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

An historical, period, survival movie. In the wake of the Russian Revolution, Soviet forced collectivisation polices, intended to have a levelling effect, instead forced Kazakh peasants off the land and led to the famine of the early 1930s. People were reduced to eating livestock essential for agricultural production, not to mention each other.

In a barren Steppes landscape loosely reminiscent of the Spaghetti Western, mother Jupar and her two pre-teenage sons Jolan and Boshay must survive mounted gunmen, starvation, extreme weather, wolves, and hungry fellow human beings. Jupar carries a concealed knife within her clothing and will stop at nothing to protect her kids in one of the most powerful expressions of motherhood ever to grace the screen.

Their seeming nomadic existence is however not without purpose; she has to get them to the eponymous Land, the village where she was born, and safety. Yet the dangers they face on the way are legion.… Read the rest

Categories
Features Live Action Movies

Moebius
(Moebiuseu,
뫼비우스)

Director – Kim Ki-duk – 2013 – South Korea – Cert. 18 – 99m

*****

An extreme film even by Korean enfant terrible Kim Ki-duk’s own standards, Moebius is an oedipal cocktail of sex and violence shot without dialogue. Traversing (among other things) castration and gang rape, it’s a character study involving a family: an adulterous father, a jealous mother and (from early in the first reel) a castrated son with the father and son becoming involved with the former’s otherwise unattached lover. An essay employing psychological archetype to great effect, it holds the viewer in its vice-like grip from start to finish. A key work from a master, highly recommended, although definitely not for the faint-hearted.

Capsule review for Film Review Annual.

Trailer:

Categories
Features Live Action Movies

Return to Seoul
(Retour à Séoul)

Director – Davy Chou – 2022 – France, Belgium, Germany, South Korea – Cert. 15 – 118m

****1/2

A woman born in South Korea and fostered by parents in France unexpectedly returns to the land of her birth – on MUBI from Friday, July 7th

Although it looks at first glance like a South Korean movie, this is actually a predominantly European production, and within that, predominantly French. Its central character is South Korean by birth, but adopted at a very young age and raised by foster parents in France, who she considers her parents. She also may look Korean, but considers herself French. She speaks French, and English too, pretty well, but no Korean. (In South Korea, English appears to function as the go-to language for communicating with foreigners.) She feels French. The film takes place in South Korea, and most (but not all) of the characters are South Korean.

Freddie aka Frédérique Benoît (Park Ji-min) sits chatting in the restaurant of the Francophile guest house with her new-found friends Tena (Guka Han) and Dongwan (Son Seung-beom). They explain you don’t pour yourself soju – you wait for your friends to pour it, because if they don’t keep you supplied, what kind of friends would they be?… Read the rest

Categories
Features Live Action Movies

Evil Dead Rise

Director – Lee Cronin – 2022 – New Zealand, Ireland – Cert. 18 – 97m

****

When the Necoromicon is opened in a tower block, demons bloodily attack and possess members of an all-female nuclear family who try to fight them off – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

The first bookend: the sound of a fly buzzing around the auditorium, is if to state that this is a film about technique. Almost immediately, a POV shot travelling rapidly along a river then a lake recalls The Evil Dead (Sam Raimi, 1979). If you know the original, you’ll feel like you’re in good hands. The camera homes in on the characters as they interact with one another (a girl trying to relax on the pier, a boy goofing around nearby) and you get a strong idea of who they are. The acting is surprisingly good. Which means that, when people start being possessed by demons (which they do pretty quickly), you have a sense of what’s been lost, what’s been taken away. Pretty swiftly, you have to emotionally let the possessed go and get on the side of those still alive trying to survive the possessed demons.… Read the rest

Categories
Features Live Action Movies

Allelujah

Director – Richard Eyre – 2022 – UK – Cert. 12a – 98m

***

While a small NHS hospital in Wakefield, Yorkshire is in danger of being closed down by the government as inefficient, it seeks to care for its geriatric patients– out in UK cinemas on Friday, March 17th

Based on the 2018 stage play by Alan Bennett, this multiple plot- and character-drama follows the day-to-day lives of assorted, mostly terminal, geriatric patients in The Beth, or the Bethlehem Hospital to give it its full name, in Wakefield, Yorkshire. Dr. Valentine (Bally Gill) whose real Indian name no-one can pronounce (really?) provides a framing device, a man who in an engaging, opening voice-over makes it clear that he genuinely cares for the elderly and who closes the film in a couple of scenes that don’t really work. Of which, more later.

Because what follows is for the most part character- rather than plot-driven, the character of Dr. Valentine doing his rounds and grappling with the inevitable day-to-day crises as they come up provides the main structural spine of the story.

I say ‘the main’ line, but in fact there is one other character who serves a similar function not to mention several subsidiary plots, one of which is considerably weightier than the others.… Read the rest

Categories
Art Documentary Features Live Action Movies

Exhibition on Screen:
Mary Cassatt:
Painting
the Modern Woman

The Tea (c. 1880)

Director – Ali Ray – 2023 – UK – Cert. U – 93m

*****

A look at an often overlooked member of the Impressionists, a US-born, female painter and printmaker who moved from Philadelphia to live in France – out in UK cinemas for one day only on Wednesday, March 8th (International Women’s Day)

I had never heard of Mary Cassatt when I came to this documentary. I’m not really sure why not (apart from the obvious reason, the widespread exclusion of numerous women artists from the annals of art history until recently) and feel indebted to this remarkable study for introducing me to her work. It comes as no surprise that the film was produced by Phil Grabsky for his excellent Exhibition On Screen series about art, although what IS a surprise here is that all the interviewees in this instance are women. Nothing at all wrong with that if they have something of value to say, which they clearly do.

One could argue that the piece has a very strong feminist leaning with its emphasis on women being free to live their lives as they choose. It’s tempting to say that one could forget the gender bias here and simply say that all the interviewees have important insights to share and do a good job.… Read the rest