Tag: horror

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Features Live Action Movies

The Latent Image

Director – Alexander McGregor Birrell – 2022 – UK – Cert. 15 – 82m

***1/2

A mystery thriller writer working alone in a secluded cabin in the woods is interrupted by the arrival of a stranger – out in UK cinemas and on digital platforms from Sunday, October 8th

Developed from his 20 minute, 2019 short of the same name and starring the same two leads, Birrell’s debut feature is a curious mixture of innovation and genre cliché. Yet, enough of what’s going on here works sufficiently to hold the viewer’s attention.

Ben (Joshua Tonks, who co-wrote the screenplay with director Birrell), who isn’t named until quite some way into the film, has rented a cabin in the woods in order to write his latest novel, “if you can call it that” – he’s working in horror, thriller fiction. Tonight, he becomes engrossed in writing about his antagonist – a mysterious stranger – he suddenly becomes convinced that there is someone lurking outside the cabin. When he looks, he can see no-one. Nevertheless, his gut instinct is correct: someone is watching the cabin from the darkness.

What follows skilfully walks a knife edge between someone writing or imagining a story about being terrorised by a stranger whilst staying at a cabin in the woods and someone actually being terrorised by a stranger whilst staying at a cabin in the woods.… Read the rest

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Animation Features Live Action Movies

Tetsuo:
the Iron Man
(Tetsuo,
鉄男)

Director – Shinya Tsukamoto – 1989 – Japan – Cert. 18 – 67m

*****

On Arrow Channel from Friday, September 22nd.

Previously on BFI Player as part of Japan 2020.

This review originally appeared in Manga Mania.

A metals fetishist (played by director Shinya Tsukamoto) inserts a metal tube into his leg and the resultant infection causes him to run through the streets where he’s run over by a car. A jazz sax score and the words “new world” accompany his passage into to what appears to be another dimension, from which he proceeds to terrorise an unfortunate woman on a subway platform, possessing her hand by metallicising it with spare parts.

The car’s driver, sitting next to her on the platform – who has already discovered a miniscule electronic component on his face while shaving – is pursued by the possessed woman. Later, the driver is sodomised by his girlfriend’s mechanical penis before his own penis develops into a lethal drill.

Flashbacks reveals the pair copulating in the park just after the hit-and-run accident. As he becomes more and more metallicised, he finds himself locked in combat with his crash victim, and the two eventually become fused into one, accompanying their birth into the New World.… Read the rest

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Animation Features Live Action Movies

Tetsuo II:
Body Hammer
(鉄男II
Body Hammer)

Director – Shinya Tsukamoto – 1992 – Japan – Cert. 18 – 83m

*****

The Iron Man Tetsuo is back… and this time, he’s got a wife and child – sequel to the cyberpunk classic was first released November 10th 1992, when this review appeared in Manga Mania.

On Arrow Channel from Friday, September 22nd.

Where Tetsuo: The Iron Man is shot in raw black and white, Tetsuo II: Body Hammer‘s bigger budget enables a thematic reworking with not only colour film stock but also vast improvements in special effects technique (although these retain the no-budget, hands-on quality that renders them so compelling). The sleazy sexual imagery is jettisoned, the terrorized salaryman (Tomoroh Taguchi again) paired with more respectable wife Kana (played by Nobu Kanaoka, Iron Man’s subway attacker) replacing the terminally randy girlfriend. The couple now have a young child.

Tetsuo II thus launches its attack on nuclear family rather than single salaryman, with the infant kidnapped (and subsequently rent asunder) before his eyes early on in the proceedings by muscle-bound heavies hailing from the local smelting factory (occasioning much imagery of both high fetishist body building and equally high temperature molten metal varieties). Once again, Tsukamoto himself plays one of the salaryman’s opponents, on both occasions wearing a vest marked with an “X”.… Read the rest

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Features Live Action Movies

Talk To Me

Director – Danny Philippou, Michael Philippou – 2022 – Australia – Cert. 15 – 94m

**

Under peer pressure, a teenager takes her turn contacting undead spirits at a party, with devastating consequences – out in UK cinemas on Friday, July 28th

For me, this was probably always going to be an uphill struggle: people wilfully contacting undead spirits really isn’t my idea of fun (and I knew that going in). It starts off really well, with a Halloween (John Carpenter, 1978) vibe as a lengthy widescreen shot effortlessly glides around a teenage party culminating in an horrific knife murder and suicide.

After this, it switches to other characters. Mia (Sophie Wilde) hasn’t got over the death of her mother two years ago, and goes to a party with her friend Jade (Alexandra Jensen) where the host produces the embalmed hand of a psychic.

Apparently, if you grasp the hand and say first “talk to me” then “I let you in”, the first spirit in the vicinity will possess you. “It’s always different,” says the girl who produced the hand, who also informs them that it mustn’t last more than 90 seconds, because after that the possessing host can’t be sent back to the place from whence it came.… Read the rest

Categories
Features Live Action Movies

Medusa
(Medusa)

Director – Anita Rocha de Silveira – 2021 – Brazil – Cert. 15 – 127m

***

Pro-purity, fundamentalist, Christian church girl band singer indoors by day; slut-shaming, Evangelical, vigilante group member outdoors by night… a woman is haunted by a facially disfigured figure from the past – out in UK cinemas also available on PVOD and ESVOD on Friday, July 14th, and to rent on BFI Player from Friday, July 21st

Night. An exotic dancer, bent over backwards so both hands and feet touch the floor. Writhing.

A young woman, watching this on her smartphone on the bus at night. She reaches her stop, gets off and starts walking. A gang of white masked, female vigilantes on the prowl, suddenly, behind her. She walks faster, they catch her, surround her, slut-shame her, call her a homewrecker, threaten her into “serving the Lord”. Afterwards, the female vigilantes walk off in a line across the road. On the wall, posters depicting a fist and a snake.

To better herself, another young woman Clarissa (Bruna G.) is taken our of an ordinary school and sent by her aunt to an up-market, fundamentalist, evangelical Christian church school where she’s quite nervous about fitting in: but Clarissa needn’t worry – she’s soon befriended by Mariana aka Mari (Mariana Oliveira) who takes the newcomer under her wing.… Read the rest

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Animation Movies Shorts

Flesh Of God
(Carne De Dios)

Director – Patricion Plaza – 2022 – Argentina, Mexico, Columbia – France 16+ – 21m

*****

When a travelling monk falls prey to a fever, the folk remedy administered by an old woman causes him to experience bizarre hallucinations – from the 2023 Annecy International Animation Festival in the Official Competition section

(Warning: not suitable for work or for those of a sensitive disposition. Potentially offensive to religious i.e. Christian viewers. Also, spoilers.)

In a prologue, a young girl races through a field of crops but runs into a monk, who squishes the mushrooms she’s carrying in her bag with his foot, feels her face and checks out her teeth before she flees.

Some time later (or perhaps some time earlier), the profusely sweating monk falls off on his donkey beside his walking guide and wakes in a nearby hovel, or it might be a church, tended by an old woman muttering unintelligible rituals as she attempts to heal him. The perpendicular bars of the roof’s sole window form a makeshift cross on which hangs a Christ figure, but when mushrooms resembling the ones trampled at the start are placed in the initially reluctant monk’s mouth, glowing sprites exit his body and enter the Christ figure, which assumes a monstrous aspect and attacks him.… Read the rest

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Features Live Action Movies

The Boogeyman

Director – Rob Savage – 2023 – US – Cert. 15 – 98m

*** 1/2

Two sisters recently bereaved of their mother start to imagine something nasty waiting for them in the darkness of night – Stephen King adaptation is out in UK cinemas on Friday, June 2nd

An uninvited man Lester Billings (David Dalmachian) turns up at the home-based office of therapist Will Harper (Chris Messina) wanting to talk. His family died, and he is suspected of murdering them… but, he claims, it wasn’t him who did it. Harper has recently lost his wife, so it’s inevitable that Billings’ story will resonate with him. While Harper excuses himself to covertly call the police, Billings starts wandering round the home in which Harper lives with his two daughters – the teenage Sadie (Sophie Thatcher) and the much younger Sawyer (Vivien Lyra Blair).

The scene in the office is the Stephen King short story (published in his Night Shift collection) and only a small part of the movie. It is, however, a highly significant part – the incident that sparks everything else off. Billings claims his family was slain by a hideous monster, and the impressionable Sawyer is at the age of childhood where she imagines monsters lurking in the closet or hiding beneath the bed.… Read the rest

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Features Live Action Movies

Enys Men

Director – Mark Jenkin – 2022 – UK – Cert. 15 – 96m

*****

A lady environmentalist working on an uninhabited island off the Cornish coast becomes subject to powerful, localised forces from the area’s past – out on UK Blu-ray/DVD combi and on BFI Player on Monday, May 8th

NB The title is pronounced “Enys Main”, the eponymous “Men” being as in “menhir”.

A radio receiver. A bird. An island. A woman in a red coat (Mary Woodvine). A flower. Jenkin seems to love the process of putting little bits of film together to make a whole that’s altogether larger than the sum of its constructed parts. If that same process was evident in his earlier, equally Cornish if less fantastical and black and white Bait (2019), his new film is radically different and, moreover, it’s in colour.

Enys Men is being touted as a horror film – presumably with Jenkin’s blessing if the trailer is any indication – but I’m not sure that’s exactly what this film is. Some horror fans may well come away wondering while they bothered, while viewers put off by the term ‘horror’ may well respond positively to Jenkin’s latest – provided they can be persuaded into the cinema to see it.… Read the rest

Categories
Animation Features Movies

Junk Head

All images: ©2021 MAGNET/YAMIKEN

Director – Takahide Hori – 2021 – Japan – Cert. 15 – 101m

****1/2

A cyborg is dropped from the planet’s surface into its depths by his immortal but impotent masters to investigate the beings who have evolved in the levels below – feature length, stop-frame epic is out in UK cinemas on Monday, April 24th

More, I suspect, by accident than design, Junk Head looks and feels like the wandering little sister of Mad God (Phil Tippett, 2021). The latter was made by a top Hollywood stop-frame effects animator as a 34-year, independent, labour of love, the former by a Japanese visionary as a seven-year, independent, labour of love. Hori had worked on puppetry at Tokyo Disneyland and became obsessed with stop-motion, inspired by Motoko Shinkai’s one-man debut 2D animated production Voices of A Distant Star (2002). He made a half hour version Junk Head 1 in 2013, and used it as a building block to this version, which he completed in 2017.

The production mode of stop-frame can be a solitary one involving one person alone in a room with a camera and armatured puppets, the approach typified by Willis O’Brien, Ray Harryhausen, the bolexbrothers, Jiri Trnka, Kihachiro Kawamoto, the early David Lynch and many others – a single person or very small number of people producing the work, either complete films or stop-frame effects sequences within live action films.… Read the rest

Categories
Features Live Action Movies

Sick Of Myself
(Syk Pike)

Director – Kristoffer Borgli – 2022 – Norway – Cert. 15 – 95m

*****

Fed up with the attention her successful artist partner is getting, a woman deliberately consumes dangerous prescription drugs to make herself the centre of attention– out in UK cinemas on Friday, April 21st

Young Oslo couple Thomas (Eirik Sæther) and Signe (Kristine Kujath Thorp from Ninjababy, Ingvild Sve Flikke, 2021; The Burning Sea, John Andreas Andersen, 2022) have an unhealthy relationship. He is a compulsive thief, stealing luxury items such as expensive wine and designer furniture from restaurants and showrooms, respectively. She is a compulsive liar and attention seeker. They somehow co-exist in a state of unstable equilibrium. They are on a collision course because he has a potential celebrity career while she does not. He is an artist having his first show at a major gallery, while she works at an ordinary coffee shop.

At a celebratory gathering with friends, she is constantly belittling him, constantly talking down his achievement through judicious use of fact coupled with any fiction she might care to invent. At a restaurant meal with his gallery owner and assorted invited guests, she invents an allergy, ‘absent-mindedly consumes a small amount of Thomas’ food and suffers an allergy attack, immediately becoming the focus of attention on what should be his evening rather than hers.… Read the rest