Tag: France

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Features Live Action Movies

Rodeo
(Rodéo)

Director – Lola Quivoron – 2022 – France – Cert. 15 – 105m

***

Le Fast et la Furieuse. A young woman bike thief makes her mark on a group of bikers living in a bike repair shop run from a prison by its incarcerated owner – out in UK cinemas and exclusively on Curzon Hone Cinema on Friday, April 28th following its appearance in the BFI London Film Festival 2022

Julia (Julie Ledru) loves motorbikes. She loves riding them. And she loves stealing them. At various points in the narrative, she follows up ‘bike for sale’ ads, goes to see the seller, impresses them with her considerable knowledge, persuades them to let her test drive the bike by riding it alone for a certain distance then rides off with it. She’s also poor and living on a rundown housing estate, an environment beloved of a certain strata of French cinema (e.g. Two Of Three Things I Know About Her, Jean-Luc Godard, 1967, La Haine, Mathieu Kassovitz, 1995; District 13, Pierre Morel, 2004). Not that you see much of this environment after the opening reel. She represents a very French form of anti-hero, and if you don’t have any problem with her sense of entitlement and the fact that she sees nothing wrong with stealing, this is a rollicking good yarn.… Read the rest

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Features Live Action Movies

Three Colours: Red
(Trois Couleurs: Rouge)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 99m

*****

An up-and-coming model strikes up a friendship with a retired judge after her car accidentally runs over his dog one night – 4K restoration is out in UK cinemas on Friday, April 14th

This represents the third part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I interviewed Kieślowski for this back in 1994, the second time I’d interviewed him. The first was in 1993 for Three Colours: Blue.

Like Three Colours: Blue and Three Colours: White before it, Three Colours: Red is about human connection or lack of it. As if to underscore the point, it starts off with an international phone call which fails to connect. In a nod to Dial M For Murder (Alfred Hitchcock, 1953) where a phone call is shown via images of telephony, little mechanisms springing into brief action to make a phone call happen, Kieślowski has his camera race along telephone cables on the ground, at one point following them down a beach into the sea and out again onto land on the other side of a lake or ocean.… Read the rest

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Features Live Action Movies

Cairo Conspiracy,
(original title:
Boy From Heaven,
Walad Min Al Janna,
صبي من الجنة)

Director – Tarik Saleh – 2022 – Sweden, France, Finland – Cert. 12a – 126m

***

A naive, young, Egyptian student at a top Islamic university is recruited as a spy for the secret police – out in UK cinemas on Friday, April 14th

Adam (Tawfeek Barhom), a bookworm born and raised in rural Egypt where he works as a fisherman like his father before him, visits the local mosque where his trusted Imam gives him a letter informing him he’s been accepted into Cairo’s prestigious Al-Azhar University, the top seat of Sunni Muslim learning and thought. He’s worried his widowed father won’t let him go, but his father fatally accepts it as the Will of Allah. In his university dorm, Adam finds his bed taken by fellow student Raed (Ahmed Laissaoui) and winds up in the bunk below. (The university is for men only: no women. At least, we see none here.)

Unexpectedly, the Grand Imam, the head of the university, dies and a successor must be chosen. At the security forces building, the General (Mohammad Bakri) listens to the analysis by Colonel Ibrahim (Fares Fares) of the possible candidates, throwing all files on the floor except one – the one with whom the President’s views align, the candidate who must win.… Read the rest

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Features Live Action Movies

Three Colours: White
(Trois Couleurs: Blanc)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 92m

****

A Pole down on his luck and facing legal proceedings from his French wife, smuggles himself on a plane from Paris to Warsaw in order to get his life and dignity back – 4K restoration is out in UK cinemas on Friday, April 7th

This represents the second part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). Or perhaps it’s not as straightforward as that – at least, that’s what actress Julie Delpy suggested when I interviewed her about the film in 1994.

There are some curious editing decisions at the start – bits of stories told in fuller detail later on, such as shots of a suitcase on an airport conveyor belt, and a glimpse of a happy bride (Julie Delpy) in her white bridal dress leaving the church building for the fresh air and bright sunlight outside to meet waiting guests as, in front of her, a host of pigeons take off, an image to which the editing returns several times during what follows.… Read the rest

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Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

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Three Colours: Blue
(Trois Couleurs: Bleu)

Director – Krzysztof Kieślowski – 1993 – France – Cert. 15 – 94m

*****

A woman who survives the car crash which kills both her composer husband and their young daughter finds herself financially secure and free to do…nothing – 4K restoration is out in UK cinemas on Friday, March 31st

This represents the first part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I first saw the film on its UK release back in 1993, for which I interviewed Kieślowski. It’s possible I’ve seen it again in the interim. These days, the trilogy is elevated to the status of a cinematic masterwork. As a young thirtysomething, I remember feeling quite mixed about it. But your perception of these things can change with time, and watching the film again in 2023, in full, restored 4k glory prior to reissue on Blu-ray, I was far more impressed with it than when I first saw it.

For one thing, on this occasion I’m not seeing it for the first time, so the brief appearance (in the courtroom sequence) of Karol Karol (Zbigniew Zamachowski) and Dominique (Julie Delpy) immediately conjures the second film Three Colours: White (1994) in which those characters are the two main protagonists, which wasn’t the case on first viewing when no-one knew what was coming in the second and third films, the third being Three Colours: Red (1994).… Read the rest

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Krzysztof Kieślowski
talks about
Three Colours: Blue

Transcript of interview from 1993 when Kieślowski was promoting Three Colours: Blue. At the time, the other two films in the trilogy had yet to be screened to press.

How far do you consider Three Colours: Blue a separate entity in its own right, and how far the first part of a planned trilogy? “I think it’s a film in its own right.”

Did the initial inspiration come as this film, or rather as the three films? “Well, we started from ideas, from scripts – and since the original idea was such as it was, that included three films. So then we had to answer three questions because there were obviously three problems. We decided fairly early on in our working to make the three separate films, which of course have certain common elements to them. But these are quite carefully camouflaged links, representing my playing around with games for the viewer who also indulges in such games. If the viewer doesn’t like such games, then he’ll just see three entirely different stories. If the viewer likes these, then the films become something more.”

These’ll be something to look forward to later on. “Yes, a few of those feature in Blue, but there aren’t all that many of them.… Read the rest

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Documentary Features Live Action Movies

Getting Away
With Murder(s)

Director – David Nicholas Wilkinson – 2021 – UK – Cert. 15 – 175m

*****

Most of the perpetrators of the Holocaust were never prosecuted: this documentary attempts to understand why not – on BD/DVD combo from Monday, March 27th following its debut on various streaming platforms UK, USA, Canada and Australia on Friday, January 27th 2023 (Holocaust Memorial Day)… Full details below review:

There’s something about the enormity of the issues involved here that makes this a very tough watch. (If it wasn’t, there would be something wrong. The Holocaust is not an easy issue to deal with. Films about it can consequently be tough to watch. And so they should be.) That combined with the near three-hour running time (this is not a complaint, honest) means it sat on my pending review pile for quite a while before I finally sat down and watched it.

I suspect Wilkinson is aware of this problem. As the film starts, he takes you (as it were) gently by the hand as he walks into Auschwitz and matter-of-factly discusses its horrors, helped by a man who works in the museum there and has probably helped numerous people before and since to come to terms with the implications of the place as they go round it.… Read the rest

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The Cow
Who Sang
A Song
Into The Future
(La Vaca
Que Cantó
Una Canción
Hacia El Futuro)

Director – Francisca Alegria – 2022 – Chile, France, US, Germany – Cert. 15 – 98m

***1/2

A dead woman emerges resurrected from a polluted river to reconnect with her husband, children and grandchildren – out in UK cinemas on Friday, March 24th

The banks of a river cutting through a forest, strewn with dead fish. The sound of a strange song, a mournful chorale. Bubbles. A woman (Mia Maestro) rises from the water, dripping wet and clad in overalls and a helmet as if she’s been riding a motorcycle. She makes her way to the bank, collapses, coughs up water. She feels a joy in being, being back, being on land. She walks along a leaf-covered train track. She boards a bus, paying the driver not with the money for the fare but with a touch of her hand.

She doesn’t speak a word. The whole scenario doesn’t feel quite right. Is she real? Is she an apparition? She’s certainly unexpected in town, when her decades older husband Enrique (Alfredo Castro), collapses after seeing her from the inside of a shop window. Bernardo (Marcial Tagle) phones Cecilia (Leonor Varela) with the news that their father claims to have just seen their late mother, his wife Magdalene, which is, of course, impossible.… Read the rest

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Art Documentary Features Live Action Movies

Exhibition on Screen:
Mary Cassatt:
Painting
the Modern Woman

The Tea (c. 1880)

Director – Ali Ray – 2023 – UK – Cert. U – 93m

*****

A look at an often overlooked member of the Impressionists, a US-born, female painter and printmaker who moved from Philadelphia to live in France – out in UK cinemas for one day only on Wednesday, March 8th (International Women’s Day)

I had never heard of Mary Cassatt when I came to this documentary. I’m not really sure why not (apart from the obvious reason, the widespread exclusion of numerous women artists from the annals of art history until recently) and feel indebted to this remarkable study for introducing me to her work. It comes as no surprise that the film was produced by Phil Grabsky for his excellent Exhibition On Screen series about art, although what IS a surprise here is that all the interviewees in this instance are women. Nothing at all wrong with that if they have something of value to say, which they clearly do.

One could argue that the piece has a very strong feminist leaning with its emphasis on women being free to live their lives as they choose. It’s tempting to say that one could forget the gender bias here and simply say that all the interviewees have important insights to share and do a good job.… Read the rest