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Point Break
(1991)

Director – Kathryn Bigelow – 1991 – US – Cert. 15 – 122m

*****

A rookie FBI man goes undercover with a group of surfers, believing them to be a gang of bank robbers who disguise themselves as former US Presidents – milestone action movie is out in a 4K Restoration in UK cinemas on Friday, November 8th as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

At a cursory glance, there’s nothing particularly remarkable about Point Break, a crime movie about bank robbers, surfers and undercover cops, except perhaps the juxtaposition of surfers on the one hand with cops and robbers on the other except as a route into making a film about cops undercover. Certainly, that juxtaposition pervades the film, with fresh out of training school, undercover FBI man Johnny Utah (Keanu Reeves) coming up against accomplished surfer Bodhi (Patrick Swayze) and his new age-y philosophy of life, which is all about living in the moment and experiencing the biggest rush. Those two concepts happen to embody elements that could potentially make a great action film. Point Break does exactly that. Even though it’s a 35-year-old film, it feels as fresh today as it did on initial release.… Read the rest

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Twisters

Director – Lee Isaac Chung – 2024 – US – Cert. 12a – 117m

Film ***1/2

Special Effects (the twisters themselves) *****

A young woman attempts to compensate for failed “twister taming” which caused the tragic deaths of three of her friends, by further pursuing tornadoes – out in UK cinemas on Wednesday, July 17th

In the very first moments, Kate (Daisy Edgar Jones from Where the Crawdads Sing, Olivia Newman, 2022) stands in a field of tall grass. It’s an image that could almost have come out of director Chung’s previous film, the intensely personal Oscar-winner Minari (2020). Almost, but not quite: apart from one briefly seen-child, this is not a film populated with Korean-Americans. It doesn’t attempt any kind of ethnic statement, but then, why should it? People either come to this because they saw Twister (Jan de Bont, 1996) and want a rerun or, if they’re younger, because they want the same thing that pulled audiences into the first film: mayhem caused by the awe-inspiring, unstoppable force of nature that is a tornado, aka a twister.

The title implies there are more than one, and there are indeed, but then, there were in the first film too.… Read the rest

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Documentary Features Live Action Movies

Eternal You

Directors – Hans Block, Moritz Reisewieke – 2024 – US – Cert. – 87m

*****

People deal with bereavement with the help of interactive versions of their deceased, loved ones recreated by AI – out in UK cinemas on Friday, June 28th

In a rare visual shot in this mostly verbally based documentary, an aerial shot of a graveyard, with light creating lots of little blocks of shadow as it falls on the ranks of gravestones, resembles a slice of internal computer electronics. It’s a pertinent pictorial moment that stands out from almost everything else here.

“Is there some reason you wouldn’t believe me?,” a woman asks her boyfriend. “You died,” comes the sceptical reply. Joshua, from Ontario, Canada, had to endure the trauma of watching the life support machines that were keeping her alive being switched off. After she died, about two weeks short of high school graduation which she was expected to pass, he got the school to graduate her. He later explains this by written chat to her interactive AI.

Psychiatrist Sherry Turkle talks about the problems people face coping with grief in the modern world, where they often live on their own following the death of a partner and don’t have an extended network of family around them like they would have done in former times.… Read the rest

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The Teachers’ Lounge
(Das Lehrerzimmer)

Director – Ilker Çatak – 2023 – Germany – Cert. 12a – 98m

**** 1/2

A new teacher at a school where petty thefts have been taking place for some time makes some bad decisions which put her in a very difficult place – out in UK cinemas on Friday, April 12th

Schoolboy Lukas (Okar Mats Zickur) is being questioned about recent thefts in the school. Does he have any suspicions as to which of the pupils might be doing this? A girl sits beside him, a class representative, to make sure everything is being done properly. “You don’t have to speak if you don’t want to”, teacher Carla Nowak (Leonie Bedesh) assures him. Nevertheless, her male colleague pressurises the boy. First, he gives him a printed list of names with checkboxes and asks the child to tick any relevant boxes. When that doesn’t work, he goes down the list with his finger and asks the boy simply to nod at any suspicious name. He gets a nod.

Teaching in class, with a number of the kids stumped by the current algebra problem, star pupil Oskar Kuhn (Leonard Stettnisch) works through a proof on the blackboard, way in advance of the capabilities his age would suggest.… Read the rest

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Yannick
(Yannick)

Director – Quentin Dupieux – 2023 – France – Cert. – 67m

*****

An audience member, unhappy with the play currently being performed, hijacks it with a gun to write something more entertaining himself – on Mubi UK from Friday, April 5th

NSFW. Absolutely worth seeing.

A play, The Cuckold, is being performed at a two-thirds empty Paris theatre. In the play, the husband (Marmaï Pio from Daaaaaali!, Quentin Dupieux, 2023) had learned from his wife (Blanche Gardin from Smoking Causes Coughing, Quentin Dupieux, 2022) that she is seeing another man. Couldn’t she wait until the weekend to tell him?

Worse, the man is ill, having picked up some sort of stomach bug from Kenya. Finally, the man – Bruno (Sébastien Chassagne from Mars Express, Jérémie Périn, 2023; The Truth, Hirokzu Kore’eda, 2019; Eden, Mia Hansen-Løve, 2014) – comes back from the lavatory. The wife wants to leave with Bruno. The husband tries to talk him into staying. Perhaps a bite from the fridge? The wife doesn’t want him to open the fridge.

At this point, audience member Yannick (Raphaël Quenard from Jeanne du Barry, Maïwenn, 2023; Smoking Causes Coughing) stands up.… Read the rest

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Documentary Features Live Action Movies

Disconnect Me

Director – Alex Lykos – 2023 – Australia – Cert. 12 – 87m

***1/2

A man attempts to live for 30 days without the use of his smartphone, tablet or computer – out on digital from Monday, April 1st

This documentary opens with an advisory to keep your phone handy during the screening, as you may be required to use it at some point. In the UK, it’s only available on digital platforms… but even so, that advisory marks it out as different from most films.

Lykos, who narrates his documentary, is old enough to have grown up without a smartphone or other digital devices, but kids today handle smartphones from a younger and younger age. What would happen, wonders Alex, if I disconnected myself for an entire month? His and his wife’s home contains their two smartphones, two tablets, and a TV. Learning that Alex wakes and checks his smartphone three or four times a night, Alex’s doctor wires him for a sleep test.

Like many of us, Alex finds himself spending an hour on social media and wondering, what just happened? He and others admit to feelings of envy when others post about good things in their lives. A near-tearful divorcee talks about it being hard seeing people having a good time with partner or family.… Read the rest

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Features Live Action Movies

The Brand New
Testament
(Le Tout Nouveau
Testament)

Director – Jaco Van Dormael – 2015 – Belgium – Cert. 15 – 113m

*****

Review originally published in Reform, read the full review here.

Showing on BFI Player from Thursday, July 20th, 2023

At the end of Time Bandits (Terry Gilliam, 1981), the Supreme Being (Ralph Richardson) bumbles around in a lounge lizard suit mumbling, “I think it has to do with free will, or something.” A similar sense of whimsy pervades the latest film from Flemish director Jaco Van Dormael (Toto The Hero/1991, The Eighth Day/1996) who reworks God The Father as a slobbish despot. Many people in contemporary Western culture struggle with the idea of a loving, patriarchal God so if you’re going to have a crack at exploring Christian theology for the unchurched, this is not a bad place to start… [Read the rest]

Review originally published in Reform, September 2016, to coincide with the film’s UK DVD release.

See also alternative review originally published in (the final issue of) Third Way, May 2016, to coincide with the film’s UK theatrical release.

Showing on BFI Player from Thursday, July 20th, 2023.

Trailer:

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Fast X

Director – Louis Leterrier – 2023 – US – Cert. 12a – 141m

*1/2

In this latest entry in the Fast & Furious franchise, the son of a crime lord killed ten years ago sets out to exact his revenge on daredevil driver Dom Toretto and his family and associates – out in UK cinemas on Friday, May 12th

The tenth installment in the Fast & Furious franchise turns out to be the first part of a two-parter, with Fast X Part 2 now in preproduction. So don’t be surprised when this ends on a cliffhanger (actually a couple of cliffhangers).

Ten years ago, in Rio de Janeiro, crime lord Hernan Reyes was pursuing along a lengthy bridge two cars which had physically ripped the vault containing all his monetary wealth out of the middle of his headquarters building before dragging it behind them, during which Dom Toretto (Vin Diesel) turned back to swing the vault on its chain to crush the crime lord to death in his car Hernan’s son Dante (Jason Momoa) survived the incident, and has sworn to inflict suffering and death upon Dom and his family. This is the move (or at least the first of two) in which he gets to work that out.… Read the rest

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Features Live Action Movies

Pulse
(Kairo)

Director – Kiyoshi Kurosawa – 2001 – Japan – Cert. 15 – 119m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also, currently streaming on BFI Player as part of the BFI Japan 2021 programme

Pulse aka Kairo (2001) has long been considered one of the key J-Horror films of the late 1990s and early 2000s alongside Ring (1998) and The Grudge (2002). It remains one of the two films for which director Kiyoshi Kurosawa is most highly regarded, the other being his earlier Cure (1997).

In a fascinating forty minute-odd interview on Arrow’s new, extras-stuffed release Kurosawa describes Pulse as a rehash of Ring. That observation doesn’t spring immediately to mind. Ring is about a VHS videotape, a death threat by phone and a deadly ghost named Sadako who crawls creepily out of a TV set. Pulse is about internet and mobile phone images before present day smartphones with their image-sending capabilities became commonplace. People seeing these images slowly lose their grip on reality and vanish into thin air by for example turning into a stain which then falls off the wall as little particles to be blown away on an air current.… Read the rest

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Yes, God, YES

A plea for honesty

Yes, God, YES
Directed by Karen Maine
Certificate 15, 77 minutes
Released digitally on 17 August

Despite its provocative title suggesting a racy sex comedy about religion, this is actually a gentle independent film exploring the everyday inadequacies of American teenagers growing up within a conservative Catholic tradition. Essential life issues, including sex, truth telling, lying and religion, come up.

There’s a rumour going round Alice’s Catholic high school that she (Natalie Dyer) has been “salad tossing”. Having no idea what this means, she spends much of the film trying to find out. Impressed that Nina (Alisha Boe) has been on a four-day camp and seems to have her life together, Alice signs up.

The camp takes place at a Catholic retreat centre staffed by a nun and Father Murphy (Timothy Simons). Alice is immediately attracted to Chris (Wolfgang Novogratz), the camp leader and school football team captain. When Nina asks Alice to surrender her watch and mobile phone “because you’re on Jesus’ time”, Alice keeps her phone hidden to play games on it… [Read the rest]

I review Yes, God, YES for Reform.

Available to view on Amazon Prime and iTunes.

Trailer: