Month: May 2022

Categories
Animation Features Movies

Boonie Bears
Back To Earth
(Xiong Chu Mo
Chong Fan
Di Qiu,
熊出沒·重返地球)

Director – Lin Huida – 2022 – China – Cert. PG – 100m

****

The latest movie in this long-running, animated Chinese franchise, hugely successful at the Chinese (and therefore global) box office, is the first to get a UK cinema release – in a dubbed format for family audiences – out in UK cinemas on Friday, May 27th

Urban bear superhero Bramble (voiced in the English language version by Joseph S. Lambert) successfully battles and defeats a monster formed from the garbage that people in the city have failed to properly throw away, lapping up the ensuing admiration from local child and cute animal residents until rudely awakened from his urban daydream by the human Vick (voice: Paul ‘Maxx’ Rinehart), who wants him to clean up the litter in the rest area of the Pine Tree Mountain forest / national park where they live.

Motivated by the promise of an ice cream on completion, Bramble speedily undertakes the task by racing around gathering the detritus in his arms only to come a cropper at the very end, spilling all the collected rubbish at its allotted bins. Although he has the best intentions and tries hard, Bramble is not the smartest bear in the woodlands.… Read the rest

Categories
Documentary Features Live Action Movies

The Coup D’État
Factory
(A Fantástica
Fábrica
De Golpes)

Directors – Victor Fraga, Valnei Nunes – 2021 – UK, Brazil – 105m

****

An exploration of the role played by Brazilian media conglomerate Globo in various right wing Brazilian coup d’états over the decades – UK premiere on Sunday, May 29th 2pm at BFI Southbank followed by a discussion with special guests: Baroness Christine Blower, Jean Wyllys, Marcia Tiburi alongside the filmmakers

For the Brit, there’s something quite unnerving about coming to this documentary about the Brazilian political system and the role played within it by media conglomerate Globo, which controls the country’s most popular TV channel, newspapers and more. We think we have media bias problems here in the UK, but in this country we at least have a certain amount of press regulation enshrined in law and through such ethical bodies as the Press Council and institutions such as public service broadcasting.

That doesn’t appear to be the case in Brazil where, it seems, the media can do pretty much what they like without anyone holding them to account. Which also means that those outside of the country aren’t well-informed as to what goes on inside it since much of the information (or misinformation) about events from within the country is skewed.… Read the rest

Categories
Features Live Action Movies

Benediction

Director – Terence Davies – 2021 – UK – Cert. 12a – 137m

****

The life of First World War poet Siegfried Sassoon, his homosexual lifestyle and his heterosexual marriage – out in cinemas on Friday, May 20th

It’s been five years since Davies’ previous film A Quiet Passion (2016) and the curious thing is, both these films have been about poets and poetry. The earlier film was about Emily Dickinson, with its discussion about religion and Christianity very much to the fore; the new film is about Siegfried Sassoon and while the Catholicism he embraced in later years is in the mix, alongside that element Davies’ research revealed others of far greater interest to the writer-director, notably that Sassoon was gay. As you might expect, the first half hour or so concentrates on the First World War, but more time is spent in the middle of the film exploring some of Sassoon’s gay relationships with a small section towards the end skimming over his later years and heterosexual married life.

Siegfried Sassoon (Jack Lowden) saw action in the First World War and had the utmost respect for the men under his command – and they for him. He was appalled by the conditions under which they found themselves serving.… Read the rest

Categories
Animation Features Live Action Movies

a-ha The Movie

Directors – Thomas Robsahm, Aslaug Holm – 2021 – Norway, Germany – Cert. 12a – 108m

***

The rise and career of the enduring, three-piece, Norwegian band a-ha – out in cinemas on Friday, May 20th

Norwegian trio a-ha are arguably best known for two songs. They swept to fame on the strength of their first hit Take On Me, which features extensively in this documentary. They were later asked to do the title for Bond movie The Living Daylights (John Glen, 1987), which gets only a few minutes screen time somewhere in the middle here, so I’ll get that out of the way first. The band write their own material and found themselves having to work with legendary Bond composer John Barry as their producer on this gig who, as they saw it, was used to having musical input and getting his own way. They talk about recording the song in such a way as to get round him.

Perhaps what this best illustrates is that musicians (artists, composers, bands) often work and operate within their own sealed worlds and if they have to work with rivals, sometimes it works, sometimes it doesn’t. In this instance, it doesn’t sound a good experience for either party.… Read the rest

Categories
Features Live Action Movies

The Innocents
(De Uskyldige)

Director – Eskil Vogt – 2021 – Norway – Cert. 15 – 117m

***

A small group of pre-teen children begin to explore their supernatural powers with devastating results – out in cinemas on Friday, May 20th

Two children live with their parents on a very ordinary housing estate near woodlands leading to a footbridge over a nearby motorway. Ida (Rakel Lenora Fløttum) enjoys going outside to play with other kids of her own age, seven or eight. Often, though, her mum will ask her to take her autistic, older sister Anna (Alva Brynsmo Ramstad), 11, with her, which Ida doesn’t really like having to do.

Anna is autistic and lives largely in her own internal world. When Ida goes outside to play, knowing Anna will likely sit happily in the same place for several hours if left to her own devices, Ida will leave Anna on her own while Ida plays with other kids her own age – Ben (Sam Ashraf) or Aisha (Mina Yasmin Bremseth Asheim). Ida assumes that Anna will still be there when she comes back.

Ben is troubled by a strange ability he possesses which he doesn’t understand. He can control people. Alone in the woods with Ida, he explains this to her.… Read the rest

Categories
Features Live Action Movies

Miami Blues

Director – George Armitage – 1990 – US – Cert. 18 – 97m

Fred Ward produced and starred in an adaptation of the first of Charles Willeford’s Hoke Moseley crime novels in 1990

****

Review from TNT magazine, March 1990, republished here on the death of actor Fred Ward, May 2022

To anyone already familiar with Charles Willeford’s hard-boiled novel Miami Blues, writer/director George Armitage’s screen version races through its opening so fast that numerous elements which set up what follows are omitted. Add to this the unlikely casting of Fred Ward (also one of the executive producers here) as Police Sergeant Hoke Moseley and Alec Baldwin as the killer Freddy Frenger Junior, and the end result is quite some distance from the original.

Frenger’s initial assault on a Krishna at Miami Airport – who dies of shock after his finger is broken by being bent backwards – is reduced to a one-off incident rather than an important link in Willeford’s complex chain of events. Prostitute/college student Susan Waggoner (Jennifer Jason Leigh), with whom Junior gets involved, is no longer the sister of the Krishna victim. Gone, too, are Junior’s observations about Japanese haikus, in which his readings of the Japanese poems reveal his utter paucity of vision.… Read the rest

Categories
Features Live Action Movies

Tremors

Director – Ron Underwood – 1990 – US – Cert. 15 – 96m

*****

Review from TNT magazine, June 1990, republished here on the death of actor Fred Ward, May 2022

If Alien (Ridley Scott, 1979) was Jaws In Outer Space, Tremors is Jaws In The Nevada Desert. As such, the film represents a return to the production values of the desert bound sci-fi of fifties alien invasion staple It Came From Outer Space (Jack Arnold, 1953). In place of the shark from Jaws (Steven Spielberg, 1975) is a species of malevolent giant worm which burrows under the earth like something out of Frank Herbert’s Dune (most recent version: Denis Villeneuve, 2021).

It’s never explained where these monsters have come from, but then you tend not to worry about such things when one of them is about to knock down your home. Hapless victims disappear into sudden holes formed in the sand like a rerun of Blood Beach (Jeffrey Bloom, 1980); then muppet-like snakes grab people, bite them, and tug them under the ground, finally the full-grown beasties get to attack.

Producer-writers Brent Maddock and S.S. Wilson plunder numerous other sources too, but the emerging whole is infinitely better than the sum of its parts.… Read the rest

Categories
Features Live Action Movies

Tremors 2
Aftershocks

Director – S.S. Wilson – 1996 – US – Cert. 12 – 92m

Video rental release

Tremors’ Fred Ward and Michael Gross (the survivalist Burt Gummer) joined by self‑styled “new guy” Christopher Gartin are again beset by underground beasties who, as before, outsmart the humans – here mutating into CGI bipeds created by top Jurassic Park effects man Phil Tippett. Highly inventive sequel – recommended.

Capsule review from Manga Mania, 1996, republished here on the death of actor Fred Ward, May 2022.

Trailer:

Categories
Features Live Action Movies

Vortex

Director – Gaspar Noé – 2021 – France – Cert. 15 – 142m

*****

An elderly man struggles to care for his ailing wife who has dementia – out in cinemas on Friday, May 13th

Discounting the lengthy titles detailing among other things the various film clips and images used, this throws us a series of images in a pillarboxed 4:3 format with curved corners at the edges (suggesting a projected slide show or physical, analogue photographs mounted in an album) then the young Françoise Hardy singing “Mon Amie La Rose” loads irony into the proceedings: the rose is fresh and speaks to us of love, the singer young and yet to be ravaged by the passage of time. (It’s not mentioned here, but last year, Hardy announced she could no longer sing as a result of cancer treatments, which lends the video a certain poignancy today – even more so in the context of this film.)

Then the man we’ll call the father (Dario Argento, director of such Italian gialli as Suspiria, 1977; Tenebrae, 1982) waves through windows across a courtyard at the woman we’ll call the mother (Françoise Lebrun from The Mother And The Whore, Jean Eustache, 1973) and they meet up for a glass of wine on their balcony.… Read the rest

Categories
Features Live Action Movies

Father Stu

Director – Rosalind Ross – 2022 – US – Cert. 15 – 124m

***

A boxer turned actor who fancies a Catholic girl is drawn into first the church and then the priesthood – out in cinemas Friday, May 13th

Stuart Long (Mark Wahlberg) is stuck. His career as a boxer has been going nowhere for three years, then comes the news from his doctor that he needs to pack it in. That’s okay, though – he always wanted to be an actor, so he moves to LA and lands himself a job serving on a supermarket meat counter. This seems to him as good a place as any to get discovered. That doesn’t go anywhere, but what DOES happen is that he sees a girl he likes, Carmen (Teresa Ruiz).

However, Carmen is a Catholic and won’t date anyone who isn’t. So, to make something happen, he first of all finds her church and attends services there just to see her, then pretty soon he’s signing up to classes to get baptised into the faith. This seems to have the desired effect and they become a couple with marriage on the horizon sometime in the future. It has a further effect on Stuart that he didn’t bargain for: being around religious people and studying what Catholics believe, he starts to become one himself and develop a genuine faith.… Read the rest