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Enter The Dragon

Director – Robert Clouse – 2018 – Hong Kong – Cert. 18 – 94m (cut)

£6.99, Dist Warner Screen Classics

***

Reviewed on VHS for Manga Mania sometime in the late 1990s.

Now over twenty years old, this 1973 offering holds up pretty well as an average HK martial arts movie and remains a milestone in terms of Western involvement in the HK film industry. The plot, which owes more than a little to Ian Fleming’s Dr.No, has Bruce Lee sent to the island home of despot Han, a trafficker in opium and young women who has disgraced Lee’s temple and killed Lee’s sister. Han doesn’t allow guns on his island and recruits fighting talent by putting on martial arts contests with intent to employ the best entrants (an idea reworked later with supernatural trimmings in Mortal Kombat, Paul W.S. Anderson, 1995) – among them the unknown Jim Kelly (sporting embarrassing period afro) and the young John Saxon.

Much of the proceedings are taken up with one on one contest fights, with numerous yellow or white clad extras clapping politely after every blow or kick. The stunts remain impressive, but this current release isn’t in widescreen (unless you count titles, credits, and two fight scenes duplicated in widescreen at the start of the tape) with the result that essential parts of the fight sequences (e.g.… Read the rest

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Animation Features Live Action Movies

Joker
Folie à Deux

Director – Todd Phillips – 2023 – US – Cert. 15 – 138m

****1/2

Get Happy… Get Ready for the Judgement Day! Prison movie, courtroom drama, musical… the new Joker movie is something of a wild card – out in UK cinemas on Friday, October 4th

The big surprise about this sequel to Joker (Todd Phillips, 2019), if indeed it is a sequel rather than another standalone film reimagining the same character, is not one but two big surprises. In no order of anything… One, it is a courtroom drama. Two, it is a musical. This is extraordinary. Less of a surprise is that, like its predecessor, it is also a character study. More of a surprise is that it completely breaks the mould as to what a comic book superhero – or, in this case, supervillain – movie might be.

Warner Bros. / DC appear to have unearthed a unique asset. DC Comics have a long tradition of alternate histories, something capitalised on in their Elseworlds imprint which have, for example, recast Batman on different occasions in as diverse roles as an historic American Civil War participant and a vampire. Thinking about such volumes in terms of the movies, such shifts of context as a musical built around a character like Joker makes perfect sense.… Read the rest

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Documentary Features Live Action Movies

The Battle for Laikipia

Directors – Daphne Matziaraki, Peter Murimi – 2024 – US, Kenya, Greece – Cert. 12a – 94m

**

Disagreements in Kenya between indigenous, pastoralist herdsmen and white immigrant farmers come to a head during a severe drought exacerbated by climate change – out in UK cinemas on Friday, October 4th

Shot mostly between 2017 and 2019 – so before the COVID pandemic – this is a brave attempt to relate two opposing and seemingly irreconcilable sides to a specific conflict.

Laikipia is a large, wildlife conservation area of Kenya, and the film was made some 60 or so years after Kenyan independence.

On the one hand, indigenous Kenyan tribesmen have been grazing their herds of goats and cattle on the land, simply wandering around and letting the animals graze at any suitable pasture they find. There is no concept of land ownership, except the unspoken idea that this is their country and this is therefore their land, which seems reasonable enough.

On the other hand, the early part of the twentieth century saw white British settlers awarded large areas of land to set up farms on the more profitable, Western capitalist business model. These people have now lived in the country and run their farms as enclosed ranches for some four generations.… Read the rest

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Features Live Action Movies

Hellboy
The Crooked Man

Director – Brian Taylor – 2023 – US – Cert. 15 – 99m

**1/2

Hellboy must confront a dark labyrinth of hills, the Crooked Man who tricks people out of their souls, and some unresolved family matter from his own past– latest franchise reboot is out in UK cinemas on Friday, September 13th

1959. Hellboy (Jack Kesy), his assistant Jo (Adeline Rudolph) and an FBI man are transporting a deadly spider in a boxcar across the Appalachians to a lab where Jo can subject it to further study when the creature goes berserk, busts out of its crate, precipitating a terrible struggle in which the FBI man is killed and their boxcar is thrown down a steep embankment. They have arrived in a place where, we later learn in dialogue, a network of mining tunnels acts like veins to the living creature that is the hills, and the authorities have built a church atop the hills in the exact place where a portal used to connect a world of demonic forces with our own world.

The area is frequently visited by the Crooked Man (Martin Bassindale), who carries with him numerous coins, each one representing a soul he has tricked into selling him- or herself to the Devil.… Read the rest

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Features Live Action Movies

The Substance

Director – Coralie Fargeat – 2024 – US – Cert. 18 – 140m

****1/2

Hollywood star Elisabeth Sparkle (Demi Moore) hosts a network TV keep fit show, but she’s getting on in years – and so is her audience. The show’s producer Harvey (Dennis Quaid) has decided that younger talent is needed in order to attract a younger audience, and gives her the elbow. By a quirk of fate or screenplay, a mailshot about something called The Substance arrives in her penthouse apartment. It’s some sort of beauty product, although the high-end design of the blurb doesn’t explain exactly what it is or what it does. There’s a phone number.

Elizabeth’s identity is bound up with the former show. She calls the number. She engages in conversation with the unseen voice on the other end of the phone. She decides to give The Substance a try. She is told to write down an address. Later, she is sent locker card key number 503 and instructed to collect her package from that address. It turns out to be a derelict entrance with a shutter that only opens part way to about a yard in height, meaning you have to duck under it.… Read the rest

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Features Live Action Movies

Revenge

Director – Coralie Fargeat – 2017 – US – Cert. 18 – 108m

****

It’s a man’s world. Or is it? A predictable male fantasy switches gear to bloody thrill ride when a woman turns the tables on a group of men perpetrating violence against her – available on VoD from Monday, September 10th following UK cinema release on Friday, May 11th 2018

Flown in by private helicopter pilot, Frenchman Richard (Kevin Janssens) takes Jen (Matilda Lutz) to his luxury home in the middle of the desert for a day or so. He is clearly rolling in money, she appears to be in love with him, but perhaps she’s play-acting: something of the gold-digger in her, maybe. She wears skimpy clothing, emphasising sexual aspects of her body. She comes on strong to him. Passion ensures. All of which is a lot less fun to watch than it sounds: the male is little more than a caricature of the sort often found in the less carefully made end of French action and gangster movie production while the girl displays every patriarchal cliché in the book in the way she moves, dresses, acts and interacts.

Director Fargeat has a very different agenda, however.Read the rest

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Features Live Action Movies

Lee

Director – Ellen Kuras – 2023 – UK – Cert. 15 – 116m

****

Former fashion model Lee Miller, played by producer Kate Winslet, reinvents herself as a war photographer for London Vogue at the start of World War Two – out in UK cinemas on Friday, September 13th

It’s all too easy to assume (as per the ‘auteur’ theory espoused by the French ‘Cahiers du Cinema’ critics of the 1950s) that films are the works of directors. If one had to pick a single creative force behind this film, however, it would be the person who put it all together as producer before any director or writer were involved as collaborators.

That producer was the actress Kate Winslet who wanted to make a film about Vogue model turned photographer Lee Miller. Winslet doesn’t look much like the tall statuesque beauty that Lee Miller was in her younger days, and it didn’t occur to her to portray Lee Miller herself until some way into the process of putting the film together.

To direct the film, Winslet has chosen former cinematographer Ellen Kuras, an appropriate choice since Kuras has worked on documentaries shooting such musicians as David Byrne, Bob Dylan, Lou Reed and Neil Young, lensed narrative features on the such diverse cultural figures as Jane Goodall and Andy Warhol, and worked with unique film director Michel Gondry.… Read the rest

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Animation Features Live Action Movies

Beetlejuice Beetlejuice

Director – Tim Burton – 2024 – US – Cert. 12a – 104m

***1/2

The hyperactive ghost from the afterlife returns, along with a number of characters from the original – sequel to the 1988 film is out in UK and Ireland cinemas on Friday, September 6th

When the original Beetlejuice (Tim Burton, 1988) came out, no-one had quite worked out what Tim Burton was about, and the film was arresting, shocking, completely out there, utterly bonkers and like nothing anyone had ever seen. It’s difficult to know exactly what one could do to achieve that same effect in a sequel, or whether one should even try that approach. In the interim, Burton has had a lengthy and successful Hollywood career, arguably the system’s resident maverick director. When he’s good he’s very good; when he’s not, you wait for the next one and it’s usually an improvement.

In the event, perhaps inevitably, Beetlejuice Beetlejuice doesn’t have the same shock of the new as its predecessor, but it’s similarly out there and bonkers and recognisably a sequel. It takes a while to get going – the first hour lumbers along with flashes of brilliance, such as a memorable, 3D-animated passenger aircraft crash at sea sequence, but the final third or so (from the point where one of the characters is lured in to the afterlife by another who turns out to be a ghost) is much more effective.… Read the rest

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Animation Features Live Action Movies

Beetlejuice

Director – Tim Burton – 1988 – US – Cert. 15 – 92m

***1/2

A recently deceased couple hire a bio-exorcist to rid their former house of its new, yuppie occupants – review originally published in Samhain, 1988

Whilst its opening shot recalls the aerial opening of The Shining (Stanley Kubrick, 1980) segueying into that of The Witches Of Eastwick (George Miller, 1987), this film has been described as a reworking of Ghostbusters (Ivan Reitman, 1984) and The Exorcist (William Friedkin, 1973) (!) from the ghost’s point of view. The plot concerns a couple (Geena Davis and Alec Baldwin) who die and then find that their house – which they have to live in as ghosts – is bought by an horrific collection of yuppie trendies.

The couple try to carry on as normal, picking up the occasional useful tip from a weighty tome entitled ‘The Handbook for the Recently Deceased’ (or diseased, as they first pronounce it!) and despite warnings from their afterlife caseworker Juno (played by veteran Hollywood actress Sylvia Sidney) they decide to employ the self-styled bio-exorcist Beetlegeuse (Michael Keaton) to frighten off the new occupants.

The single most memorable image of Beetlejuice is that of a desert landscape peopled by sea monster-like worms, reminiscent of nothing so much as a surrealist version of Frank Herbert’s Dune.… Read the rest

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Features Live Action Movies

Hard Miles

Director – R.J. Daniel Hanna – 2023 – US – Cert. 12a – 108m

****1/2

A youth facility social worker takes a group of troubled young men on a transformative team bicycle ride – out on Blu-ray, DVD & Digital Monday, September 2nd

Day-to-day life is one thing after another for Colorado medium-security correction school staff member Greg Townsend (Matthew Modine). He is in court defending, failing to get the court to see one of his charges as a human being rather than someone who committed an offence. Leaving, he finds someone has stolen his bicycle (it later gets found by the police, having sustained only minor damage). He is fielding calls from his prison-incarcerated brother about their father, who is in a care home and may not have much longer to live, and with whom Greg has not had contact for years. He is at the school, pulling boys apart as they attack each other for the most trivial remark.

However, not everything is about work and family responsibility. Greg is a cycling enthusiast, and is looking forward to taking his booked holiday of a week or more off cycling 1 000 (well, 762) miles to the Grand Canyon. Except that his boss Skip (Leslie David Baker) wants him to fill in that week, which Greg isn’t going to do.… Read the rest