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The Young Taoism Fighter
(Ying Yang Qi Bin,
阴阳奇兵)

Director – Chen Chi-Hwa – 1986 – Taiwan – Cert. 15 – 84m

***1/2

A lazy martial arts student experimenting with magic finds himself helping a girl warrior against a sorcerer and his master – on Blu-ray from Monday, September 23rd

At the Taoist martial arts training school Ying Yang Hall, two students are wont to skip rigorous training to hang out with the drunken sorceror in the

It’s probably a mistake to attempt to describe this in terms of its plot, because while it borrows lots of staple generic ideas from all over the place, it frequently abandons one to go off and develop another. It’s ostensibly a story about students from a martial arts school confronted by an evil sorcerer, but it’s nothing like as coherent as, say, the Mr. Vampire films. In fact, it’s just an excuse to throw together fight scenes, special effects and knockabout humour, all of which, against the odds, somehow cohere into some sort of whole to prove spectacularly entertaining.

Two slacker students bunk off to hang out with a drunken master in the kitchen, in the course of which he momentarily sets one of them on fire while the other one pulls a live snake from his trousers, and prepares it as a culinary delicacy.… Read the rest

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DÌDI (弟弟,
translates as
‘little brother’)

Director – Sean Wang – 2023 – US – Cert. 15 – 94m

*****

A young, Taiwanese-American teenager must deal with issues of ethnicity, family and love in 2008, when social media has become a significant element of growing up – out in UK cinemas on Friday, August 2nd

2008. California. Summer. 13-year-old Taiwanese-American Chris (Izaac Wang), who prefers to go by the nickname Wang Wang, is rebelling. Mandarin is spoken at home by Nai Nai (‘grandma’; Chang Li Hua) and mum (Joan Chen), but that doesn’t stop mega-sweary English language shouting contests at the supper table between Wang Wang and elder sister Vivian (Shirley Chen) who is due to attend UCSD later in the year. When she’s out, Wang Wang hangs out in her room and posts as her on her Facebook (about which, amazingly, she never comes back to him). In the bathroom, he pees into her moisturising cream (leading to her threatening to period him in the mouth if he ever does it again).

Outside the house, he hangs out with his peers Farhad Mahmood (Raul DIal) and Jimmy Kim aka SOUP (Aaron Chang). Egged on by them in the manner of pubescents everywhere, he attempts to hang out with Madi (Mahaela Park), the girl he fancies.… Read the rest

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Lust, Caution
(Se, Jie,
色, 戒)

Director – Ang Lee – 2007 – China, Taiwan, US – Cert. 18 – 158m

*****

A Chinese student joins an assassination plot against a high-up Japanese collaborator, for which she must sleep with him – originally published in Third Way, to coincide with 4th January 2008 UK cinema release.

Some will consider this erotic espionage thriller a no-go area, while others will want to see it for its director. Mandarin Chinese language outing Lust, Caution is based on a short story which highly regarded Chinese author Eileen Chang spent decades honing. Taiwanese-American director Ang Lee (award winner for both Brokeback Mountain, 2005, and Crouching Tiger, Hidden Dragon, 2000) claims he hasn’t so much adapted Chang’s tale as, in collaboration with his cast, re-enacted it. Given her story concerns the activity of a troupe of actors, perhaps this isn’t so surprising.

Shanghai 1942. Mrs Mak, waiting for a rendezvous in a café, is not who she appears. She recalls how in China 1938 she was shy Wong Chia Chi (Tang Wei) who as a university student got involved with a drama group to encourage patriotism under Kuang Yu Min (Wang Leehom). Acting before an enraptured audience, she realises she has found her métier.… Read the rest

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Animation Documentary Features Live Action Movies Top Ten

Top Ten Movies
(and more,
excluding re-releases)
2022

Work in progress – subject to change. Because I am still watching movies released in 2022, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add.

All films received either a theatrical or an online release in the UK between 01/01/22 and 31/12/22. Prior to 2020, I’d never included online releases (well, maybe the odd one or two as a special case) but that year saw the film distribution business turned upside down by COVID-19. The movie business is still changing, and the dust hasn’t yet settled.

This version excludes re-releases (Psycho, Paris, Texas and Pickpocket, not to mention the first six Bond movies, would top everything here). It has been an amazing year for re-releases including one or two incredible, old movies being released in the UK for the first time on Blu-ray. This is the year I get to rank all 25 Eon Bond movies, and why not? A link to that longer list will be added here in due course.

In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2022.… Read the rest

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Animation Features Movies

No.7 Cherry Lane
(Jiyuantai Qihao,
繼園臺七號)

Director – Yonfan – 2019 – Hong Kong – Cert. 12A – 125m

*****

The tutor of an 18-year-old girl falls for her mother who hired him against the background of the 1967 protest marches in Hong Kong – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event

Insofar as this is like anything else – which it really isn’t – it’s like a reworking of The Graduate (Mike Nichols, 1967) filtered through In The Mood For Love (Wong Kar-wai, 2000). Oh, and it’s 3D rendered then 2D animated. Broadly speaking, The Graduate is about a young man seduced by a much older, bored housewife before later becoming romantically involved with her daughter. In The Mood For Love is set in early 1960s Hong Kong and includes a sequence on a sloping pedestrian street where a man passes a women walking in the opposite direction, the whole thing charged with a sense of romantic longing. There;’s a similar scene in No.7 Cherry Lane, although it’s considerably less central to the plot than the one in In The Mood For Love.

Yonfan, here making his first film in ten years, would certainly agree that filmic and literary references abound in the film.… Read the rest

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Till We Meet Again
(Yue Lau,
月老)

Director – Giddens Ko – 2021 – Taiwan – Cert. 15 – 128m

***1/2

A man ripped from his true love by a fatal lightning strike partners with another dead person as gods of love linking romantic souls together – out in cinemas on Friday, March 11th

A young man is struck by lightning in a thunderstorm and dies. When you die, it seems, you have the choice of reincarnating and going through another life (in whatever form that might take for you) or of staying behind as a god to help people during their lifetimes. For instance, you could be a god of love who helps people to find their soul mate.

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 82

At least this is what happens to lightning-struck Alan Shi (Kai Ko from The Road To Mandalay, Midi Z, 2016) who discovers parts of his face burned off and allocated a bureaucratic caseworker in echoes of movies as diverse as Beetlejuice (Tim Burton, 1988) and After Life (Horokazu Kore-eda, 1998). After some indecision and an encounter with the none too happy girl Pinky (Gingle Wang from Detention, John Hsu, 2019) in the next compartment, he opts to become a god of love and starts training as such.… Read the rest

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Detention
(Fanxiao,
返校)

Director – John Hsu – 2019 – Taiwan – 12A – 103m

****

Two Taiwanese students find themselves trapped in their school overnight under that country’s White Terror regime in 1962 – on Shudder (US, Canada) from Monday, February 21st

This is a real oddity: an adaptation of a video game set in a specific historic period of political turmoil. That period is Taiwan’s White Terror (1949-87) under which, among other things, numerous books were banned by the ruling Kuomintang party on the grounds of promoting left-wing or Communist ideas. Merely reading some of these books could provide grounds for execution.

Like the video game, the film is set in the Greenwood High School. It’s 1962 and boy and girl students Fang Ray-shin (Gingle Wang) and Wei Chong-ting (Tseng Jing-Hua) find themselves trapped overnight in the school building after flood waters destroy the access road to the school. What follows isn’t particularly linear in terms of its narrative as school corridors, walkways, rooms and halls are visited by various supernatural beings and become scenes of terror, torture and execution.

The elliptical and sometimes repetitive nature of the storytelling and its component images mean that the film isn’t always that easy to follow, at least not to Western audiences familiar with mainstream Hollywood narrative.… Read the rest

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Features Live Action Movies

My Missing Valentine
(Xiao Shi
De Qing Ren Jie,
消失的情人節)

Director – Chen Yu-Hsun – 2020 – Taiwan – 119m

*****

A woman unexpectedly finds she’s both missed Valentine’s Day and become mysteriously sunburned – charming and hilarious comedy from the London East Asia Film Festival (LEAFF), on now

A woman enter a police station to report an incident. She went to bed and woke up, but and somehow skipped a day. Also, she is mysteriously sunburned. Does it really matter?, asks the somewhat baffled officer. From her demeanour, it clearly does.

Yang Hsaio-chi (Patty Lee Pei-yu) has always lived life that little bit ahead, that little bit faster than anybody else. One day, she runs into her dad as he’s on his way out to buy some tofu pudding, and she talks him into buying one for her too. It’s the last time she or any of her family see him. He just vanished.

Hsaio-chi works at a post office counter. She and her colleague are familiar with the different types of customer. There are the wife hunters, mothers who bring their sons in so they can eye up the marriage potential. There’s the weird guy who turns up like clockwork at about the same time every day to post a letter to the same P.O.… Read the rest

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Get The Hell Out
(Tao Chu Li
Fa Yuan,
逃出立法院)

Director – Wang I-Fan – 2020 – Taiwan – 96m

**1/2

The Taiwanese Parliament must contain a zombie outbreak caused by a rabies outbreak at a chemical plant (!) – playing in the UK as part of the Chinese Visual Festival which runs until Sunday, July 25th

Hsiung Ying Ying (Megan Lai) got into the Taiwanese Parliament as an MP to fight gangster politician Li Kuo-Chung (Chung-Huang Wang) over an environmentally unfriendly chemical plant where she lives which she wants to shut down. And now it’s spawned a rabies outbreak which infected the President on an official visit. Things are already pretty heated in the Parliament building when the President goes full zombie and the infection spreads rapidly throughout the large meeting room which is promptly sealed with those people inside.

In a six months earlier flashback, the hot-tempered Ying Ying gets into a fight with a security guard Wang You-wei (Bruce Ho) on the premises while the media’s cameras are present. As a result, she is forced to resign and a by-election held. Wishing to retain the power of an MP, she persuades the basically honest but naive Wang who is secretly in love with her to stand as her ‘puppet’ to support her fight against the plant.… Read the rest

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The Eight Hundred
(Ba Bai,
八佰)

Director – Guan Hu – 2019 – China – Cert. 15 – 149m – IMAX

****1/2

Hopelessly outnumbered Chinese soldiers take a last stand against the Japanese in a Shanghai warehouse – – available to rent online in the UK & Ireland as part of the Domestic Hits strand in the Chinese Cinema Season 2021 which runs until Wednesday, May 12th

1937, the Sino-Japanese War. The Chinese have fallen back to , Shanghai as the Japanese advance. Rounding up Chinese deserters, Colonel Xie (Du Chun) and his men of the National Revolutionary Army (NRA) hole up in the Sihang warehouse on the other side of the Souzou Creek from the International Concession from which the horrified civilians compulsively watch the conflict unfold.

A Western movie covering such a subject would likely introduce us to specific soldier characters at some length, possibly derailing the larger narrative to do this. The Chinese here do it rather differently. They take the overall sweep of the story and drop the characters in to it. There are deserters, there are brave and heroic fighters and there are men who move from the former to the latter group. The writers also sketch civilian characters living across the river.… Read the rest