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Ride On
(Longma Jingshen,
龙马精神)

Director – Larry Yang – 2023 – China – Cert. PG – 126m

****

Ageing stuntman Jackie Chan must fight to retain ownership of the horse he has befriended and trained since rescuing it at birthout on Blu-ray, DVD & Digital in the UK on Monday, July 24th following its release in UK, Irish, Chinese and US cinemas on Friday, April 7th

Why does one go to see a Jackie Chan movie? The usual reasons are the incredible stunts coupled with the likeable, knockabout comedy which is his trademark. Perhaps the star’s winsome personality also plays a part. His best films over the years have probably contained a mixture of all three. While these elements, notably Jackie’s personality, are all present to some degree here, they aren’t really its strengths – which are (1) the depiction of a career, reviewed by a person who is old, past their prime, and forced to confront the fact and (2) the relationship of a man with a horse which he has known from the time of its birth.

The day Ride On was released in both the UK and China was also Jackie Chan’s 69th birthday. While I don’t doubt he keeps himself in good condition, he is clearly no longer the young man he once was.… Read the rest

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Return to Seoul
(Retour à Séoul)

Director – Davy Chou – 2022 – France, Belgium, Germany, South Korea – Cert. 15 – 118m

****1/2

A woman born in South Korea and fostered by parents in France unexpectedly returns to the land of her birth – on MUBI from Friday, July 7th

Although it looks at first glance like a South Korean movie, this is actually a predominantly European production, and within that, predominantly French. Its central character is South Korean by birth, but adopted at a very young age and raised by foster parents in France, who she considers her parents. She also may look Korean, but considers herself French. She speaks French, and English too, pretty well, but no Korean. (In South Korea, English appears to function as the go-to language for communicating with foreigners.) She feels French. The film takes place in South Korea, and most (but not all) of the characters are South Korean.

Freddie aka Frédérique Benoît (Park Ji-min) sits chatting in the restaurant of the Francophile guest house with her new-found friends Tena (Guka Han) and Dongwan (Son Seung-beom). They explain you don’t pour yourself soju – you wait for your friends to pour it, because if they don’t keep you supplied, what kind of friends would they be?… Read the rest

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Animation Features Live Action Movies

Spider-Man
Across
The Spider-Verse

Directors – Joachim Dos Santos, Kemp Powers, Justin K. Thompson – 2023 – US – Cert. PG – 140m

*****

Assorted Spider-Men and -Women interact across many multiverse worlds as an elite Spider force attempts to prevent their interactions causing disaster – out in UK cinemas on Friday, June 2nd

The first part of a two-part sequel to Spider-Man Into The Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, 2018) with the conclusion Spider-Man Beyond The Spider-Verse due for release next year. So be warned: Across ends mid-story with a To Be Continued… legend plastered across the screen.

Having played around with the multiverse concept in Into, Across ramps it up to overload, introducing new worlds with titles that appear on screen before you’ve worked out where you are, making you want to hit pause and stop and take it in. You can’t do that in a public cinema, where the image and sound is sharper than it is in the home but you have no personalised remote control, and that’s a defining characteristic of the theatrical cinema medium.

You can of course go back and see a movie again and again for successive viewings, and I imagine that will be happening a lot with Across during its theatrical run because its visuals are consistently amazing, but once it’s available on a home platform where you can freeze it, go back, look at bits of scenes again, this movie will take on a whole new life as the viewers interact with it at their own pace.… Read the rest

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Features Live Action Movies

The Boogeyman

Director – Rob Savage – 2023 – US – Cert. 15 – 98m

*** 1/2

Two sisters recently bereaved of their mother start to imagine something nasty waiting for them in the darkness of night – Stephen King adaptation is out in UK cinemas on Friday, June 2nd

An uninvited man Lester Billings (David Dalmachian) turns up at the home-based office of therapist Will Harper (Chris Messina) wanting to talk. His family died, and he is suspected of murdering them… but, he claims, it wasn’t him who did it. Harper has recently lost his wife, so it’s inevitable that Billings’ story will resonate with him. While Harper excuses himself to covertly call the police, Billings starts wandering round the home in which Harper lives with his two daughters – the teenage Sadie (Sophie Thatcher) and the much younger Sawyer (Vivien Lyra Blair).

The scene in the office is the Stephen King short story (published in his Night Shift collection) and only a small part of the movie. It is, however, a highly significant part – the incident that sparks everything else off. Billings claims his family was slain by a hideous monster, and the impressionable Sawyer is at the age of childhood where she imagines monsters lurking in the closet or hiding beneath the bed.… Read the rest

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Features Live Action Movies

Hypnotic

Director – Robert Rodriguez – 2023 – US – Cert.15 – 93m

**

A police detective stumbles upon a conspiracy involving people with mind-bending powers – out in UK cinemas on Friday, May 26th

An underlying insistent rhythm opens Hypnotic, the clicking of a pen in a hand. It belongs to the therapist of Danny Rourke (Ben Affleck) and disturbs his recurring memory. He’s in the park watching his seven-year-old daughter. For a moment, his attention wanders. Then he realises she’s gone. Before that, he saw a man, who he is sure must have kidnapped her. The therapist wants to know, does he feel fit enough for active duty?

Then he’s in the squad car with police partner Nicks (JD Pardo), responding to a tip off about an imminent armed robbery of a safe deposit box in a bank. From the CC TV van at the site, he spots two armed security van guys before panning over to the suspicious man (William Fichtner) speaking to a woman on a park bench. She rises and, suddenly convinced there’s a heatwave, starts peeling off layers of clothing as she walks. He says something to the two van guys. After Rourke has talked his way into the bank vault and discovered a Polaroid of his vanished daughter bearing the name Dellrayne inside the safe deposit box, the suspicious man says something to a bank teller, who admits him and the two van guys to the vault.… Read the rest

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Three Colours: Red
(Trois Couleurs: Rouge)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 99m

*****

An up-and-coming model strikes up a friendship with a retired judge after her car accidentally runs over his dog one night – 4K restoration is out in UK cinemas on Friday, April 14th

This represents the third part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I interviewed Kieślowski for this back in 1994, the second time I’d interviewed him. The first was in 1993 for Three Colours: Blue.

Like Three Colours: Blue and Three Colours: White before it, Three Colours: Red is about human connection or lack of it. As if to underscore the point, it starts off with an international phone call which fails to connect. In a nod to Dial M For Murder (Alfred Hitchcock, 1953) where a phone call is shown via images of telephony, little mechanisms springing into brief action to make a phone call happen, Kieślowski has his camera race along telephone cables on the ground, at one point following them down a beach into the sea and out again onto land on the other side of a lake or ocean.… Read the rest

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Features Live Action Movies

The Whale

Director – Darren Aronofsky – 2022 – US – Cert. 15 – 117m

***

An obese man nearing his death must confront people from his past as well as incidental visits from the present– out in UK cinemas on Friday, February 3rd

A dysfunctional body, a dysfunctional family, a dysfunctional world. Charlie (Brendan Fraser) has so abused his body that his obesity is on the verge of killing him. He is bereaved of his gay partner for whom he left his wife and eight-year old daughter and earns his living as an online English language tutor for high school students. His nurse friend and unpaid carer Liz (Hong Chau) visits him at regular intervals, but can’t get him to go to hospital since he doesn’t have a healthcare plan and anyway resents pouring money into the healthcare system.

The healthcare element will look a little weird to anyone living in the UK with its “free at the point of need” National Health Service.

His other visitors in the course of the film are his estranged teenage daughter Ellie (Sadie Sink), his wife Mary (Samantha Morton), a suited missionary (Ty Simpkins) and fast food delivery boy (Sathya Sridharan), the latter mostly heard at the door and only finally glimpsed towards the end.… Read the rest

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Peter Von Kant
(Peter Von Kant)

Director – François Ozon – 2022 – France – Cert. 15 – 85m

***1/2

A re-imagining of R.W. Fassbinder’s all-female-cast The Bitter Tears Of Petra Von Kant, with the three central gay characters switched from female to male – plays in cinemas from Friday, 30th December

Köln, 1972. Peter von Kant (Denis Ménochet) is a successful film director who resides in his apartment with his personal assistant Karl (Stefan Crepon). He is visited by his old friend, the singer Sidonie (Isabelle Adjani), whose blown up picture adorns one of his walls. She introduces him to young man of Arab extraction and actor wannabe Amir Ben Salem (Khalil Gharbia) with who Peter becomes besotted and who subsequently moves in with him.

Their passionate relationship is, however, doomed, with Amir suddenly leaving some months later on the pretext of visiting his wife when she unexpectedly phones him from a nearby city. After Aamir has left him, Peter becomes an emotional wreck. On his birthday, he waits on the phone, hanging up in seconds when he realises the caller isn’t Amir. He vents his emotional distress on his three birthday visitors: his mother Rosemarie (Hanna Schygulla), his boarding school student daughter Gabrielle (Aminthe Audiard) and Sidonie.… Read the rest

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Rimini
(Rimini)

Director – Ulrich Siedl – 2022 – Austria, France, Germany – Cert. 18 – 114m

*****

A singer of romantic songs performs to elderly female fans (in more ways than one) in an off-season seaside town as his past catches up with him – in cinemas from Friday, December 9th following its screening in the BFI London Film Festival 2022

An old man (Hans-Michael Rehberg, who died in 2016 and whose last lensed appearance on film this performance, split between this film and Siedl’s Sparta, 2022, represents) is lost in a care home where he’s a patient. None of the doors will open. His son (Michael Thomas) arrives and takes him to the man’s wife’s funeral.

His son travels to the off-season, Italian seaside resort of Rimini for bookings as Richie Bravo (presumably his stage rather than his real name, although this is never clarified) at hotels to sing romantic songs to his admiring, elderly, female fan base. The dull, monolithic hotel buildings have exotic names like Soleil and 007 belying their inherent blandness.

In between those performances and traipsing around through heavy rain and snow, he engages in sexual congress in hotel rooms with a small number of his most devoted fans including the single Anna (Claudia Martini) and the married Emmi (Inge Maux).… Read the rest

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Emergency Declaration
(Bisang Seoneon,
비상선언)

Director – Han Jae-rim – 2021 – South Korea – 147m

*****

A rogue biochemist smuggles a deadly virus onto a commerical flight and releases it, leaving those on board fighting for survival– from the London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th

At the same time as his wife has had enough and decides to fly off to Hawaii on her own for a break, Police Sgt. Koo (Song Kang-ho from Parasite, 1019; Snowpiercer, 2013; Memories Of Murder, 2003; all Bong Joon ho) finds himself investigating an upload to the internet which is probably a hoax in which a man threatens a terrorist attack on a plane. He tracks this man to his apartment from which the open door emits the smell of putrefaction. A search of the premises reveals a corpse sealed in polythene who has died of burst blood vessels caused by a virus.

Meanwhile at Incheon Airport, the man, Ryu Jin-seok (Yim Si-wan, singer of huge K-pop band KZ-A) has a run in with a booking agent who won’t tell him what the busiest route is, insulting her. Next, he enters the toilets to open and insert a phal into his armpit but is spotted from a cubicle by young girl Soo-min (Kim Bo-min) using the wrong toilets.… Read the rest