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Nightwatch
(Nattevagten)

Director – Ole Bornedal – 1994 – Denmark – Cert. 18 – 107m

*****

Strange goings-on take place in a morgue after a law student takes on the nightwatchman’s job – out on Shudder UK from Friday, May 17th

Two male students Jens (Kim Bodnia) and Martin (Nikolaj Coster Waldau) make a pact: they are to challenge one another to a series of outrageous acts, and the first one who fails to follow though must marry his girlfriend. One evening, they and respective girlfriends Kalinka (Sofie Gråbøl) and Lotte (Lotte Andersen) are in a bar when two louts appear and hassle the two women as they return from the ladies room. Martin challenges Jens to stand up to them, which he does and gets assaulted for his pains. Jens later challenges Martin to go with 17-year-old prostitute Joyce (Rikke Louise Andersson), an encounter Jens facilitates in a restaurant, pinning his own name on Martin as a cover. Their swapping of names will later prove highly significant.

To save some money for his and Kalinka’s future, Martin takes on a job as a nightwatchman in a morgue, an easy enough job provided you don’t mind being the only living person on the premises along with a batch of corpses, which often includes murder victims since a murderer is currently at large in the area.… Read the rest

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Nightwatch:
Demons Are Forever
(Nattevagten –
Dæmoner Går i Arv)

Director – Ole Bornedal – 2023 – Denmark – 110m

****1/2

A law student’s daughter takes on his old morgue nightwatchman’s job to find out about the killer who traumatised her parents – out on Shudder UK from Friday, May 17th

WARNING: don’t watch this sequel until you’ve seen the original Nightwatch (1994). That’s easy enough to do, since both films are currently on Shudder.

SPOILER ALERT: if you’ve not (yet) seen the original, watch that before reading this review.

Almost thirty years on, Bornedal’s sequel is almost a retread of his original film. Almost, but not quite. Martin (Nikolaj Coster Waldau) has never totally got over his wife Kalinka’s suicide, caused by the fear of arrested killer Peter Wörmer. Several times a week, in scenes described but never shown, Martin visits the summerhouse where she hanged herself and talks to her. Martin’s friend Jens has long since disappeared to Thailand, while his girlfriend Lotte (played by a different actress, Vibeke Hastrup) still works as a vicar. Martin hasn’t heard from either of them in years.

Mental patient Bent (Casper Kjær Jensen) is a likewise incarcerated killer, a copycat. Later on, both he and Wörmer will escape their hospitals.

Martin lives with his med student daughter Emma (Fanny Leander Bornedal, the director’s daughter who is terrific here) who wants to find out exactly what happened to her parents.… Read the rest

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Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)

Directors – Axel Danielson, Maximilien Van Aertryck – 2023 – Norway, Sweden, Denmark – Cert. 15 – 88m

****

An idiosyncratic history of moving image technology and its increasingly pervasive role in human society, from camera obscura to smartphones and social media – out in UK cinemas on Friday, April 19th

To understand what this movie is about, which I’m not sure I did going in, you have to understand its title. The fantastic machine in question is, in part, the camera. That might lead you to anticipate a history of photography, but that’s not quite what this is about. You’d be forgiven for believing that, though, for the first few minutes when we see a contemporary, on the street, walk-in exhibit of the camera obscura or pinhole camera, a natural optical phenomenon whereby light passes through a simple pinhole onto a surface or screen beyond to recreate an inverted image of where the light came from. As a visitor marvels of the resultant, real time moving image of people outside the exhibit walking around, “it’s upside down”. As a human guide to the exhibition explains, that’s how the human eye works. Our brains correct the upside down image so that appears the right way up.… Read the rest

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Animation Documentary Features Live Action Movies Top Ten

Top Ten Movies
(and more)
2023

Work in progress – subject to change. Because I am still watching movies released in 2023, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add / sort.

All films received either a theatrical or an online release in the UK between 01/01/23 and 31/12/23.

This version includes re-releases, but those aren’t numbered. It’s hard to imagine movies improving on Powell and Pressburger’s i know where i’m going or The Red Shoes, Powell’s Peeping Tom or Von Trier’s Melancholia.

In addition to re-releases, this version also includes films seen in festivals which haven’t had any other UK release in 2023.

The star ratings may occasionally differ from the star rating I gave a particular film at the time of review.

Beyond the first 25 numbered titles, there may be numerous errors (missing links to reviews where I wrote one, year of release, country, and maybe more). All this will be fixed in time, but I wanted to get something online in the holidays.

Finally, last year’s list is here.

Top Ten Movies (and more) 2023

Please click on titles to see reviews. (Links yet to be added.)… Read the rest

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Features Live Action Movies

Melancholia
(2011)

Director – Lars von Trier – 2011 – Denmark, France, Germany, Sweden – Cert. 15 – 135m

*****

End of the world drama concerns two sisters who must confront unspeakable disaster – original UK release date Friday, September 9th 2011 and back out again on Friday, September 1st 2023 as part of the season: Enduring Provocations: The Films Of Lars Von Trier.

There have been end of the world movies before, but this one, by Danish enfant terrible Lars von Trier, breaks the mould. It comes in three parts: a prelude of apocalyptic imagery including a view of the planet Melancholia crashing into and obliterating the planet Earth, followed by two lengthy sections concerning two sisters.

The first section has the newly-wed Justine (Kirsten Dunst) making a mess of her lavishly planned, obscenely expensive wedding party at the house of her sister Claire (Charlotte Gainsbourg) and Claire’s wealthy husband John (Kiefer Sutherland).

The second has Claire, John, their pre-teen son Leo (Cameron Spurr) and Justine awaiting what may turn out to be either the close passing by of Melancholia to the Earth or the fatal collision of the larger planet with the smaller. Depending on whether the prelude’s pictured events are actually going to happen or merely an imagined worst case scenario.… Read the rest

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Dogme 2:
The Idiots
(Idioterne)

Director – Lars von Trier – 1998 – Denmark – Cert. 18 – 117m

*****

A woman joins a community of free-spirited, self-designated ‘spassers’ – people who pretend to be mentally handicapped in order to free their ‘inner idiot’ – back out in UK cinemas on Friday, Aug 18th

NSFW

After he had wowed the film world with Breaking The Waves (1996), von Trier in company with fellow Danish director Thomas Vinterberg set out the film making manifesto Dogme 95 and an accompanying ‘vow of chastity’ in an attempt to throw off the constraints and limitations with which conventional, commercial film production had become encumbered. The manifesto itself was a set of rules, or, if you will, constraints, aimed at freeing up filmmaking practice for the purposes of creativity. These included the direct recording of sound, shooting only in the Academy 35mm format, no set building or augmenting sound or image in post-production but only using locations, and no director’s credit. The vow of chastity eschewed good taste along with the idea of the ‘artist’ and their ‘work’ in favour of “forcing the truth out of characters”.

Some 35 films were shot and ratified under this manifesto between 1998 and 2005.… Read the rest

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Breaking The Waves

Director – Lars von Trier – 1996 – Denmark, Sweden, France, Norway, Finland, Italy, Germany, US – Cert. 18 – 160m

*****

NSFW.

A mentally vulnerable, young woman in an austere Scots religious community marries an outsider only for her husband to be severely injured working on an oil rig – out in a 4K restoration in UK cinemas on Friday, Aug 4th

Divided into a series of chapter headings in which locked off camera shots are accompanied by popular 1970s rock songs which cut off or fade out before they reach their end, like much of von Trier’s work this is not a film for the faint-hearted.

Young woman Bess McNeill (Emily Watson) is questioned by the priest (Jonathan Hackett) of the local, austere Calvinist community before its elders as to her understanding of matrimony and warned against entering into that institution with an outsider. Nevertheless, she proceeds to marry non-religious oil rig worker Jan Nyman (Stellan Skarsgård). Their relationship is extremely carnal and she is deliriously happy until the time comes, as it must, for Jan to return to work on the rig. She finds his absence almost unbearable.

Then disaster strikes, with Jan seriously injured in a rig accident whilst trying to help an injured fellow worker.… Read the rest

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Godland
(Vanskabte Land)

Director – Hlynur Pálmason – 2022 – Denmark, Iceland – Cert. 12a – 138m

***1/2

Winter is coming. In the late nineteenth century, a Danish priest who is also an amateur photographer travels to an Icelandic island to oversee the construction of a church before Winter comes – out to rent on Amazon Video, Sky Store, Chili, Rakuten TV, BFI Player and Curzon Home Cinema from Friday, May 5th

The late nineteenth century. Lutheran priest Lucas (Elliott Crosset Hove) meets with his Church of Denmark bishop regarding his forthcoming ministry to a remote village in Iceland where he is to oversee the construction of a church building before the harsh winter sets in. While that’s his official, designated task, the young man being something of an enthusiast for the newly emerging art of photography decides to take a camera and tripod with him to document his journey, and to this end, rather than take the simplest, safest and quickest route to his destination, he resolves to travel cross-country. (Although the film is a work of fiction, it was inspired by an actual series of photographs taken on a similar journey around this period.) He is allocated an Icelandic guide Ragnar (Ingvar Sigurðsson) to accompany him.… Read the rest

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Getting Away
With Murder(s)

Director – David Nicholas Wilkinson – 2021 – UK – Cert. 15 – 175m

*****

Most of the perpetrators of the Holocaust were never prosecuted: this documentary attempts to understand why noton BD/DVD combo from Monday, March 27th following its debut on various streaming platforms UK, USA, Canada and Australia on Friday, January 27th 2023 (Holocaust Memorial Day)… Full details below review:

There’s something about the enormity of the issues involved here that makes this a very tough watch. (If it wasn’t, there would be something wrong. The Holocaust is not an easy issue to deal with. Films about it can consequently be tough to watch. And so they should be.) That combined with the near three-hour running time (this is not a complaint, honest) means it sat on my pending review pile for quite a while before I finally sat down and watched it.

I suspect Wilkinson is aware of this problem. As the film starts, he takes you (as it were) gently by the hand as he walks into Auschwitz and matter-of-factly discusses its horrors, helped by a man who works in the museum there and has probably helped numerous people before and since to come to terms with the implications of the place as they go round it.… Read the rest

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Holy Spider
(Ankabut-e Moqaddas,
عنکبوت مقدس)

Director – Ali Abassi – 2022 – Denmark, Norway, Sweden, France, Germany – Cert. 18 – 116m

*****

An Iranian lady crime journalist poses as a prostitute in an attempt to uncover the identity of a serial killer justifying his killing spree in the name of Islam – out in UK cinemas on Friday, January 20th and on MUBI from Friday, March 10th

2000. The Holy City of Mashhad, Iran. Leaving her small daughter at home, a woman goes out into the night. She changes into high heels in a lavatory then goes onto the streets to ply her trade as a prostitute. She tells a streetcrawler to “fuck off”. In any encounter with male sexuality, violence is never far away; in a frenzied coupling in an apartment littered with the awards of a successful entrepreneur, a client tells her, “I’m going to tear your pussy apart.”

Another man refuses to pay more than half for a blow job when police are seen near the car in which she’s performing the service, preventing him from climaxing. A further man asks her onto his bike, but later in the stairwell to his apartment she thinks she may have made a mistake and tries to excuse herself.… Read the rest