Category: Features

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Features Live Action Movies

When Worlds Collide

Director – Rudolph Maté – 1951 – US – Cert. U – 79m

***

UK PAL laserdisc review, 1997.

Originally published on London Calling Internet.

Made the year before European-born producer George Pal’s The War Of The Worlds (Byron Haskin, 1953), this science-fictional disaster outing stages the end of the world by a star and orbiting planet Zyra rushing headlong towards the Earth. A handful of scientists build a Space Ark to save a chosen few humans via a perilous voyage to Zyra. But who will go – and who will stay behind and face annihilation?

From its opening Bible with destruction quotations to match, right through to its New Start For Humanity In A New World finale, this is infused with Pal’s Christian sensibilities. The script never allows that to get in the way of the story, however: the result is a compelling yarn that remains almost unique in the annals of SF cinema.

Director Rudolph Maté was a former cameraman whose prior experience included shooting Foreign Correspondent (Alfred Hitchcock, 1940) which features one of the most spectacular plane crashes in the movies. Together with lensing Dante’s Inferno (Harry Lachman, 1935), this stood him in good stead for pulling off the outstanding special effects work required for When Worlds Collide.… Read the rest

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Features Live Action Movies

Possessor

The irredeemable flesh

Possessor
Directed by Brandon Cronenberg
Certificate 18, 103 minutes
Released 27 November

The controversial director David Cronenberg has long been an exponent of something he calls ‘the new flesh’, ways that humanity might transcend its bodies. His son Brandon is the same, his new film Possessor concerning the world of cybernetic industrial espionage. Tasya Vos (Andrea Riseborough) is an assassin working for a company run by Girder (Jennifer Jason Leigh), which injects her consciousness into other people as host personalities so that, wearing the clothing of their minds and bodies, she can kill designated targets before being extracted…

His father’s notorious Crash (1996) was restored for reissue in November… [Read more]

Read the full review in Reform.

Read my alternative review here.

Trailer:

Categories
Features Live Action Movies

Bori
(나는보리)

Director – Kim Jin-yu – 2017 – South Korea – Cert. – 109m

***

Pre-teenager Bori feels alienated from her little brother, mum and dad because she’s the only one who isn’t deaf – available to watch from 10am-11pm on Thursday November 12th as the Online Closing Gala of the London Korean Film Festival (LKFF).

Pre-teenager Bori (Kim Ah-song) lives by the sea with her close and loving family – a dad who often works nights on ships, a devoted mum, a little brother Jeungwoo (Lee Rin-ha) who’s brilliant offensive futsal player. Her best friend Eun-jeong (Hwang Yoo-rim) is the daughter of the delivery man at the local takeaway restaurant, whose very reasonably priced black bean noodle dishes the family avail themselves of often. Bori’s dad, mum and little brother are all deaf, so at home they communicate in sign language.

The family go to a firework display where Bori slips away from the edges of a crowded tent where she can’t really see anything and goes to talk to an immigrant stallholder about his jewellery. But then she can’t find the family and after wandering around, hands herself in at the local police station where her family later find her.… Read the rest

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Features Live Action Movies

To The Ends
Of The Earth
(Tabi No Owari
Sekai No Hajimari,
旅のおわり、
世界のはじまり)

Director – Kiyoshi Kurosawa – 2019 – Japan – 120m

****

As a Japanese TV journalist works with a Japanese camera crew in Uzbekistan, she meditates on her life and career – from the BFI London Film Festival 2019 and the London East Asia Film Festival (LEAFF) 2019 – and from Wednesday, November 11th on MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa

Yoko (Atsuko Maeda) is a TV journalist working with a production company trying to find magazine format stories as they travel around Uzbekistan. None of them speak Uzbek, so they rely on a local interpreter Temur (Adiz Rajabov). When not shooting, Yoko explores the local city.

The prodigious Kiyoshi Kurosawa is best known for his horror films Cure (1997) and Pulse/Kairo (2001) yet has dabbled in a wide variety of genres. This one is, for want of a better description, a travelogue with a hint of a musical. The heroine desperately wants to be a singer, but has found herself in the job of roving TV presenter – not exactly what she wanted to do, but it’s certainly show business. She wonders if she’s lost her way. Her boyfriend Ryo who we never see is a firefighter working back at Tokyo harbour with whom she periodically communicates by text.… Read the rest

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Features Live Action Movies

Lucky Grandma

Director – Sasie Sealy – 2019 – US – Cert. 15 – 87m

***1/2

An old woman in New York’s Chinatown happens upon a bag of mob money and hires a bodyguard from a rival gang to protect herself – on VoD including BFI Player from Monday, November 9th

Grandma Wong (Tsai Chin) goes to have her fortune read. “Carps jumping over the Dragon’s Gate”, says the lady fortune teller. “So auspicious”. But Grandma’s life doesn’t feel that way. Fiercely independent, she lives in a small flat in New York’s Chinatown. Yes, she wins the occasional bag of rice as the 88th customer of the bank. And she goes on a day trip with a bunch of like-minded old people to the casino, where she does okay.

And then, on the three hour coach journey back, she sits next to a man who quietly dies in his sleep, leaving a bag of money. Ignoring the dragon tattoo on his neck, she surreptitiously takes the bag home.

From then on, two Red Dragon gangsters Little Handsome and Pock-mark start showing up to ask about the money. So she approaches the rival Zhongliang Gang to hire a bodyguard, beating the boss down from $8 000 to first $5 000 then $2 000 for the services of gentle giant Big Pong (Ha Hsaio-yuan).… Read the rest

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Animation Features Movies

Underdog
(언더독)
aka
A Dog’s Courage

Directors – Lee Choon-baek, Oh Sung-yoon – 2018 – South Korea – Cert. U – 102m

****

An abandoned dog falls in with a pack of wild dogs with whom he learns to survive – animated feature plays online from 2pm Friday, November 6th to 2pm Monday, November 9th, book here, from the Animation strand of the London Korean Film Festival (LKFF)

In a genuinely heartbreaking opening, a man drives out to nowhere, tells his dog he’s totally free and leaves him a big bag of dog biscuits. The man throws a tennis ball and while the dog runs to fetch it, he drives away. We pull out to vast landscapes, emphasising the dog is alone.

Before long, the dog Moong-Chi (voice: Do Kyung-soo) runs in to a pack of similarly abandoned dogs who are living in a derelict building which they share with the newcomer. That isn’t going to last though: a digger moves in to demolish it. Moong-chi must be rescued by pack member and small scots terrier Jjang-a (voice: Park Cheol-min) from the hunter, a cruel biker who catches and imprisons dogs for the sole purpose of breeding them for profit. As bitch Ba-mi (voice: Park So-dam, from Parasite, Bong Joon Ho, 2109) puts it, it’s a dog factory.… Read the rest

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Features Live Action Movies

Intimate Strangers
(Wanbyeokhan Tain,
완벽한 타인)

Director – Lee Jae-kyoo – 2018 – South Korea – Cert. 15 – 115m

****

Four couples attend a dinner party where a game with mobile phones threatens to revel all their intimate secrets – online from 2pm Friday, November 6th to 2pm Monday, November 9th, book here, from the Special Focus: Friends and Family strand of the London Korean Film Festival (LKFF) taking place right now

A group of male friends since childhood and their wives and girlfriends meet for a house-warming of one of their number. One of the wives suggests a game. Why don’t they all put their mobile phones on the table and share any call, text, email or data that comes in?

Actually, it turns out there are some very good reasons why not – as they will all discover during the course of the evening. Indeed, the film’s final five minutes or so (and, strangely, this is not a spoiler) shows the couples driving home separately and contentedly after a pleasant evening where they wisely declined to play the game. All’s right with the world.

However, in between that coda and the opening, 34 years earlier prologue in which the four men’s childhood selves catch fish through a hole in the ice of a frozen river then spend the evening together round a camp fire in the dark, the four couples do indeed play this game at the present day house-warming.… Read the rest

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Features Live Action Movies Music

Mogul Mowgli

Director – Bassam Tariq – 2020 – UK – Cert. 15 – 90m

****

A UK British Pakistani rap artist is stopped in his career tracks by an auto-immune system suppression illness – in cinemas from Friday, October 30th and on BFI Player Subscription Exclusive from Friday, February 5th

This opens with British Pakistani rapper Zed (Riz Ahmed, who also co-wrote the film) waiting in the wings then going on stage to perform before a massively enthusiastic New York crowd. I had fairly high expectations and my heart sank. Ahmed’s performance as the singer was leaving me absolutely cold. (To be fair, I’m not a huge fan of rap music.) Happily I was much more impressed with almost everything that followed.

This opening performance turns out to be the final leg of a tour. Zed has a major European Tour planned imminently. Back in Britain, he gets into a street fight with a fan/stalker and in the course of the resultant fight starts to experience severe stomach pains. He wakes up in the local hospital to learn that he’s suffering from an auto-immune system suppression illness and consequently will be unable to tour. He’s horrified by the the suggestion from his trusted manager Vaseem (Anjana Vasam) that his admirer and rival performer RPG (Nabhaan Rizwan), whom Zed despises, can cover for him on the European Tour.… Read the rest

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Features Live Action Movies

Shirley

Director – Josephine Decker – 2020 – US – Cert. 15 – 107m

****

Notorious author Shirley Jackson and her professor husband are seen through the eyes of a young couple invited to stay in their house – in cinemas and on Curzon Home Cinema from Friday, October 30th

The real life Shirley Jackson was an author who wrote fiction. She’s known to cinemagoers for the book The Haunting Of Hill House (1959) that was filmed twice for the movies as The Haunting, once brilliantly (Robert Wise, 1963) and once killed dead by an overabundance of gratuitous special effects (Jan de Bont, 1999) and more recently was turned into a Netflix TV series (Mike Flanagan, 2018). That book may not be mentioned here, but the piece of her writing that does get a mention is The Lottery, her notorious short story which appeared in 1948 in The New Yorker Magazine, where she published much of her fiction.

This new film adapts Susan Scarf Merrell’s comparatively recent, fictional book Shirley: A Novel (2016) in which she examines Shirley Jackson and her academic professor husband Stanley Edgar Hyman through the eyes of a young, pregnant woman who moves into their household along with her husband who is hoping to secure an assistant literature professor’s post at the local college in Bennington, Vermont under Stanley.… Read the rest

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Features Live Action Movies

Every Time I Die

Director – Robi Michael – 2019 – US – 97m

***1/2

Reality disintegrates around a man tormented by the accidental, childhood death of his sister – on VoD from Monday, October 26th

People who’ve apparently died then come back to life have often reported the sensation of going down a dark tunnel towards the light, which they then haven’t reached because they’ve been brought back to life. That motif is realised a repeated, clumsy special effect at various points in Every Time I Die, along with more subtle and arguably more successful variants on the same theme, such as a child waking up in a hospital room where the door is slightly ajar revealing a light source beyond.

Other elements recur too: protagonist Sam (Drew Fonteiro) repeatedly feels a pain in his head and blacks out, only to repeatedly come to or wake up in another scenario. He wakes as a young lad of eight (Kenneth Moronta), a camera on the table in front of him, in the hospital room with the door ajar and the light beyond, Then he wakes up, in that device we’ve seen so many times in movies where it was all a dream. Here he wakes staring at the face of Mia (Melissa Macedo) who has spent the night with him and now must leave early to go back to her husband Tyler (Tyler Dash White), a soldier recently returned from several months away on active duty.… Read the rest