Tag: guitar

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Features Live Action Movies

Broken Arrow
(1996)

Director – John Woo – 1996 – US – Cert. 15 – 108m

***

Woo’s second US outing pits Christian Slater against nuclear stealth bomber co-pilot turned bad John Travolta in the Arizona desert – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

The first project to see the light of day from WCG Entertainment, whose initials stand for Woo Chang Godsick. This triumvirate of names belongs to respectively the director of A Better Tomorrow (1986), The Killer (1989), and Hard Boiled (1992), his longstanding Hong Kong producer Terence Chang, and former agent Christopher Godsick – whose William Morris client list had included Woo himself and the director’s onscreen alter-ego Chow Yun‑fat.

Like his earlier successful action blockbuster Speed (Jan de Bont, 1991), Graham Yost’s script was initially written for producer Mark Gordon. After Woo’s more modestly budgeted US debut Hard Target (1993) was followed by disappointing setbacks on other American projects; Yost’s screenplay was exactly the entry into the US blockbuster market Woo needed. While the resultant film may be ultimately less satisfying than Woo’s best work, it quickly established him as a top Hollywood A-list director.… Read the rest

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Documentary Features Live Action Movies

Harder Than The Rock
The Cimarons Story

Director – Mark Warmington – 2024 – UK – Cert. 12a – 100m

****

The story of Cimarons, the first British reggae band, who were formed in 1967 – out in UK cinemas on Thursday, October 3rd

As teenagers, they came from sun-soaked Jamaica to the UK to be confronted with a climate that was “rain, dull and gray.” In the 1960s, one of the areas that Jamaican immigrants came to in London was Harlesden, in Brent, and it was at Harlesden Methodist Church Youth Club in 1967 where Losely Guichy (guitar), Franklin Dunn (bass), Maurice Ellis (drums), and Carl Levi (organ) first met up and started playing music together, a site today commemorated with a blue plaque. They went through s number of singers over the years, notably Winston Reedy between 1974 and 1983.

By 1968 they were gigging as Cimarons. A performance at Paddington’s Q Club saw an A&R rep from Trojan Records in attendance, which led to a recording contract, their first album appearing in 1974, recorded in part as the Jamaican studio of the legendary Lee ‘Scratch’ Perry. Before that, they worked mainly as session musicians, appearing uncredited on numerous singles by black British reggae artists. The film isn’t particularly clear on the matter, but it’s mentioned that they lacked management and got hardly any royalties out of all this.… Read the rest

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Documentary Features Live Action Movies

Big Banana Feet

Director – Murray Grigor – 1976 – UK – Cert. 12 – 77m

****1/2

The camera follows comedian Billy Connolly to Dublin and Belfast for the final dates of his 1975 tour – 2K restoration is out in UK cinemas on Friday, May 10th, and on BFI Blu-ray/DVD (Dual Format Edition) and digital from Monday, May 20th

This played the Scala Cinema a few times back in the day. I always thought there must be a reason why, and now, with its release in a restored form by the BFI, I get to find out. I must admit to mixed feelings prior to viewing – I’m not someone who particularly enjoys stand-up comedy; indeed, watching videos of comedians doing their material onstage has been known to bore me to tears, even as it enthralls fans.

Although this has clips of Billy Connolly performing on stage – comic routines, songs with banjo and guitar – it’s essentially a fly-on-the-wall piece that captures his personality as he, with the help of his seemingly tireless road manager Billy Johnson, plays dates in Dublin and Belfast on the final leg of his 1975 tour. Watching it, you feel you get to know Connolly well, at least at the period of his career being filmed.… Read the rest

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Features Live Action Movies

Your Mother’s Son
(Anak Ka Ng Ina Mo)

Director – Jun Robles Lana – 2023 – Philippines – Cert. none – 100m

****

An intense cocktail of two uneasy, polyamorous relationships erupts into jealousy, betrayal and violence – sexually explicit political allegory of nepotism in Filipino politics plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

A candidate’s electoral vans belts out loud-hailer exhortations to secure votes in an upcoming election, but no-one in the poor rural locality through which they pass pays any attention. Everyone is struggling to make ends meet. Middle-aged Sarah (Sue Prado) puts all her efforts into both running a laundry business, providing ad hoc employment for much younger Amy (Elora Españo) who lives nearby, and teaching students online. Sarah’s son Emman (Kokoy De Santos) has just lost his job at a restaurant because it closed down. He doesn’t seem to share her work ethic, and would rather lounge around in bed all day than actually have to do anything of an employed nature.

Or, at least, that’s how things appear outwardly.

When his mother finally prises Emman from his bed so that he can go out looking for work – which might include a contact she has who may, possibly, be able to help him – he instead hangs out at the house of Amy who, like his mother, has a strong work ethic, to have sex with her at every opportunity, and do drugs.… Read the rest

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Features Live Action Movies

Lunana:
a Yak in the Classroom
(ལུང་ནག་ན)

Director – Pawo Choyning Dorji – 2022 – Bhutan – Cert. PG – 109m

****

A young man trapped in and frustrated with a teaching career is sent to a remote village, which turns out to be the best thing that’s ever happened to him – 2022 Oscar-nominated film for Best International Feature is out in UK cinemas on Friday, March 10th

Bhutan operates a system of National Service, and for Ugyen (Sherab Dorji) this means five years working in education. His heart was never in it, and he finds it something of an ordeal. His grandmother (Tsheri Zom) constantly berates him for not getting up early enough, while the State education system is less than impressed with his record. If he had his own way, he’d give it all up, take his guitar and go to Australia to try and set himself up as a singer. He’s still required to finish his five years first, though.

That’s bad enough, but then this die-in-the-wool urbanite addicted to his mobile phone and music listening on headphones finds that the system is so fed up with him, it sends him to an unexpected Autumn term teaching placement he’s in no position to refuse, much as he might wish to do so.… Read the rest

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Animation Features Movies

Inu-Oh
(Inu-Oh,
犬王)

Director – Masaaki Yuasa – 2021 – Japan – Cert. – 98m

***1/2

In fourteenth century Japan, a blind musician and a deformed, masked dancer shake up the culturally staid world of Noh theatre by forming a hugely popular rock band – out in UK cinemas on Wednesday, September 28th

You never quite know what you’re going to get with an animated feature by Masaaki Yuasa (Ride Your Wave,2019; Lu Over the Wall, 2017; Mind Game, 2004) as he has a tendency to break with tradition. Here, he takes on periods of Japanese history but rather than go with power struggles as to who rules Japan, he focuses on two outcasts, an orphaned musician and a deformed dancer, who join together to form a rock band with an emphasis on theatrical showmanship to upend the artistic conventions of the day and become an overnight sensation until the ascendant ruler, determined to control the historical narrative, has the musician killed, and the dancer emasculated, forbidden to perform anything but state-approved material, and that only in the Imperial court.

It’s a triptych, one long story split into three sections. In the first section, after a prologue detailing the decisive Battle of Dan-No-Ura towards the end of the twelfth century, in which the Heiji clan were defeated by the Genji and the formers warriors threw themselves into the sea and perished, two centuries later in the period of the Northern and Southern Courts, Northern would be Kyoto-based, shogunate emperor Ashitaka decides that the power to rule demands he acquire three sacred treasures, one of which is a sword buried in the lake at Dan-No-Ura.… Read the rest

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Features Live Action Movies

The Feast
(Gwledd)

Director – Lee Haven Jones – 2021 – UK (Wales) – Cert. 18 – 93m

**

The well-heeled wife of a local MP hires a maid to serve a meal for guests, but then things go horribly wrong – shot in the Welsh language and out in cinemas on Friday, August 19th

It’s unusual to see a film executed completely in the Welsh language, and for pulling that off, the makers of The Feast are to be congratulated. Unfortunately, apart from that element and its striking visual palette, this fails to engage.

In rural Wales, well-heeled Glenda (Nia Roberts) is preparing to have guests over for the evening. Unfortunately, the girl she usually hires from the pub is unavailable, so she’s taken a replacement, Cadi (Annes Elwy), another girl who works there and comes highly recommended. However, Cadi is an unknown quantity and the woman doesn’t really trust her – and won’t do so unless Cadi can do something to earn that trust.

The woman and her family don’t feel like the sort of people you’d want to have anything to do with if you could avoid them. From Cadi’s point of view, she is most definitely not trusted by the woman who hired her, and feels most definitely an outsider.… Read the rest

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Animation Features Live Action Movies

a-ha The Movie

Directors – Thomas Robsahm, Aslaug Holm – 2021 – Norway, Germany – Cert. 12a – 108m

***

The rise and career of the enduring, three-piece, Norwegian band a-ha – out in cinemas on Friday, May 20th

Norwegian trio a-ha are arguably best known for two songs. They swept to fame on the strength of their first hit Take On Me, which features extensively in this documentary. They were later asked to do the title for Bond movie The Living Daylights (John Glen, 1987), which gets only a few minutes screen time somewhere in the middle here, so I’ll get that out of the way first. The band write their own material and found themselves having to work with legendary Bond composer John Barry as their producer on this gig who, as they saw it, was used to having musical input and getting his own way. They talk about recording the song in such a way as to get round him.

Perhaps what this best illustrates is that musicians (artists, composers, bands) often work and operate within their own sealed worlds and if they have to work with rivals, sometimes it works, sometimes it doesn’t. In this instance, it doesn’t sound a good experience for either party.… Read the rest

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Features Live Action Movies

Spaghetti Code Love
(Supagetikodo Rabu,
スパゲティコード
・ラブ)

Director – Takeshi Maruyama – 2021 – Japan – 96m

***1/2

The intersecting lives of several young Tokyoites suggests they don’t know how to communicate with one another – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

A young woman hangs out in an amusement arcade. Suddenly she’s aware of a young boy. Running, shouting, “why me”. He needs something. She steps into the breach and – for a moment, at least – provides it by holding him tight, a surrogate mother, an understanding human connection.

How far this understanding goes, it’s impossible to say. We never find out the source of the boy’s malaise, we never learn anything more about the woman who holds him in the arcade. However they have connected on some level – physically and emotionally. And that’s what this film seems to be about.

It’s basically a series of character study vignettes in which the characters occasionally cross paths which could well have been written or conceived as a half dozen of so short films. They connect with or become alienated from one another. It’s set in Tokyo with a title suggestive of complex networks and computer language with the catch-all ‘love’ tacked on the end.… Read the rest

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Features Live Action Movies

The Offering
(L’Ofrena)

Director – Ventura Durall – 2020 – Spain – Cert. 18 tbc – 111m

**

When two former lovers run into one another, the fallout theatens to derail both their marriages – out in cinemas, virtual cinemas and VoD from Friday, July 30th

This starts off with webcam porn actress Rita (Verónica Echegui) giving a come on to an unseen viewer in American English, which is pretty odd because everything else is in Spanish. Surely not a cheap shot by the producers to sell the film to the English-speaking world? Anyone who thinks they’re in for an internet exposé along the lines of Cam (Daniel Goldhaber, 2018) is however in for a disappointment. Apart from a line later on where Rita is asked her job and replies, “I used to be a porn actress”, the whole sequence is gratuitous.

More relevant is the scene’s interruption by the arrival of Jan (Alex Brendemühl), sent by a relative to deliver the first of the narrative’s two eponymous offerings, a tall box containing a message or artefact from a deceased loved one. This has echoes of the Violet Evergarden anime series and its spin-off feature (Taichi Ishidate, 2020) in which the heroine works for a company which helps dying or terminally ill clients to write a letter or in some cases a lengthy series of letters to their loved ones to be delivered after the client’s death.… Read the rest