Categories
Features Live Action Movies

Teenage Mutant
Ninja Turtles
(UK: Teenage Mutant
Hero Turtles)

Director – Steve Barron – 1990 – US, UK – Cert. PG – 91m 38s (cut) – 93m 25s (cuts waived for 2003 reclassification) BBFC info here

** 1/2

What can you say about four turtles who accidentally wandered into radioactive material, which caused them to grow unnaturally large and speak strange words? Like “pizza!” Or who serve a ninja master in the form of a giant, talking, four foot rat named Splinter (voice and performer: Kevin Clash)?

Whatever else they might be, the turtles are certainly different. While they might well fight for Truth, Justice and the American Way, they certainly know where their priorities lie, and never give up their other, equally important aims – to party and to seek out that essential slice of pizza.

This is the final film on which the late, great puppet master Jim Henson (The Muppets TV series, 1976-81; The Dark Crystal, 1982) worked. Here, his directorial protégé Steve Barron brings to life not only Leonardo (voice: Brian Tochi, performer: David Foreman), Michelangelo (voice: Robbie Rist, performer: Michelan Sisti), Raphael (voice and performer: Josh Pais) and Donatello (voice: Corey Feldman, performer: Leif Tilden), but also the crazy, teen crime-ridden city under which they live.… Read the rest

Categories
Animation Features Live Action Movies

Mavka
The Forest Song
(Mavka.
Lisova Pisnya,
Мавка.
Лісова пісня)

Directors – Oleh Malamuzh, Oleksandra Ruban – 2022 – Ukraine – Cert. PG – 99m

Ukrainian language dubbed version with English subtitles ****1/2

English language dubbed version ****

#Mavka

Can the love of a brave and essentially honest youth for Mavka the forest spirit succeed in the face of the enmity between humans and nature? – Ukrainian animation is out in UK cinemas on Friday, July 28th

Long ago, events flared into a terrible winter war between the Guardian (voice in Ukrainian: Nazar Zadniprovskyi; in English: Marc Thompson) of the forest beyond the Dark Mountain and a sawmill owner who initially wanted to obtain one drop of the Source of Life to heal his sick daughter but then became greedy and brought an army to seize the rest of the Source of Life for himself. Seeing the terrible devastation wrought upon the forest in the conflict, the Guardian decreed that no human should ever again set foot in the forest.

Many years later, as young forest spirit Mavka (voice in Ukrainian: Natalka Denysenko; in English: Laurie Hymes) awakens from her winter sleep to spread the new life of Spring, in the nearby village where flautist Lucas (voice in Ukrainian: Artem Pyvovarov; in English: Eddy Lee) is performing with fellow musicians, the late sawmill owner’s daughter Kilina (voice in Ukrainian: Olena Kravets; in English: Sarah Natochenny) returns promising well paid work.… Read the rest

Categories
Features Live Action Movies

Talk To Me

Director – Danny Philippou, Michael Philippou – 2022 – Australia – Cert. 15 – 94m

**

Under peer pressure, a teenager takes her turn contacting undead spirits at a party, with devastating consequences – out in UK cinemas on Friday, July 28th

For me, this was probably always going to be an uphill struggle: people wilfully contacting undead spirits really isn’t my idea of fun (and I knew that going in). It starts off really well, with a Halloween (John Carpenter, 1978) vibe as a lengthy widescreen shot effortlessly glides around a teenage party culminating in an horrific knife murder and suicide.

After this, it switches to other characters. Mia (Sophie Wilde) hasn’t got over the death of her mother two years ago, and goes to a party with her friend Jade (Alexandra Jensen) where the host produces the embalmed hand of a psychic.

Apparently, if you grasp the hand and say first “talk to me” then “I let you in”, the first spirit in the vicinity will possess you. “It’s always different,” says the girl who produced the hand, who also informs them that it mustn’t last more than 90 seconds, because after that the possessing host can’t be sent back to the place from whence it came.… Read the rest

Categories
Features Live Action Movies

Ride On
(Longma Jingshen,
龙马精神)

Director – Larry Yang – 2023 – China – Cert. PG – 126m

****

Ageing stuntman Jackie Chan must fight to retain ownership of the horse he has befriended and trained since rescuing it at birth – out on Blu-ray, DVD & Digital in the UK on Monday, July 24th following its release in UK, Irish, Chinese and US cinemas on Friday, April 7th

Why does one go to see a Jackie Chan movie? The usual reasons are the incredible stunts coupled with the likeable, knockabout comedy which is his trademark. Perhaps the star’s winsome personality also plays a part. His best films over the years have probably contained a mixture of all three. While these elements, notably Jackie’s personality, are all present to some degree here, they aren’t really its strengths – which are (1) the depiction of a career, reviewed by a person who is old, past their prime, and forced to confront the fact and (2) the relationship of a man with a horse which he has known from the time of its birth.

The day Ride On was released in both the UK and China was also Jackie Chan’s 69th birthday. While I don’t doubt he keeps himself in good condition, he is clearly no longer the young man he once was.… Read the rest

Categories
Features Live Action Movies

Oppenheimer

Director – Christopher Nolan – 2023 – US – Cert. 15 – 180m

*****

Drama about the father of the atomic bomb, shot with IMAX cameras and best watched in IMAX 70mm format – out in UK cinemas on Friday, July 21st

There are certain hallmarks to Christopher Nolan’s feature length movies. Since The Dark Knight (Nolan, 2008), his second Batman movie, he has been shooting a proportion of each one with IMAX cameras. Seen projected on a screen the size of three double-decker London buses at London’s BFI Waterloo IMAX, these are larger than life experiences in a way that movies shown in the viewer’s own home on a screen, even a large one, can never be. And while Nolan is interested in character and performance, most of his movies in the IMAX format, even the historically inspired WW2 movie Dunkirk (Nolan, 2017), contain memorable action, exploiting the vastness of the IMAX screen to great kinetic effect whether it’s Batman roaring along on the Batbike, co-conspirators free floating inside a falling transit van in Inception (Nolan, 2010) or British WW2 soldiers trapped inside a flooding ship.

There is, however, a problem with watching Nolan’s IMAX-intended films in a lesser theatrical cinema format: the framing.… Read the rest

Categories
Documentary Features Live Action Movies

My Name Is
Alfred Hitchcock

Director – Mark Cousins – 2022 – UK – Cert. 15 – 120m

*****

Idiosyncratic documentary is a personal journey through Hitchcock’s movies narrated by the legendary director himself – out in UK cinemas on Friday, July 21st

Hitchcock having been dead for over four decades, he doesn’t actually narrate this film. The voice over is instead a convincing impression by Alistair McGowan and even though you know it’s a trick, you soon settle in to the idea that Hitch genuinely recorded a voice over for this film. Cousins even plays along with the odd, “yes, Mr. Hitchcock.”

Cousins has these days established himself as a documentarian of cinema, covering subjects as integral as the act of looking itself (The Story Of Looking, 2021) and key directors such as Orson Welles (The Eyes Of Orson Welles, 2018). He’s very knowledgeable on cinema and numerous other subjects, and the effect is rather like spending a pleasant evening chatting in the pub with a friend possessing these skillsets (albeit a pub equipped with the ability to unobtrusively show film clips as and when needed). He’s also very much his own man, a superb communicator with his own unique way of looking at things, so you’d expect a film about as well known a director as Hitch to be not only well-informed about its subject but also to offer some unique insight or perspective that mark the production out as coming out of Mark Cousins’ head.… Read the rest

Categories
Features Live Action Movies

The Brand New
Testament
(Le Tout Nouveau
Testament)

Director – Jaco Van Dormael – 2015 – Belgium – Cert. 15 – 113m

*****

Review originally published in Reform, read the full review here.

Showing on BFI Player from Thursday, July 20th, 2023

At the end of Time Bandits (Terry Gilliam, 1981), the Supreme Being (Ralph Richardson) bumbles around in a lounge lizard suit mumbling, “I think it has to do with free will, or something.” A similar sense of whimsy pervades the latest film from Flemish director Jaco Van Dormael (Toto The Hero/1991, The Eighth Day/1996) who reworks God The Father as a slobbish despot. Many people in contemporary Western culture struggle with the idea of a loving, patriarchal God so if you’re going to have a crack at exploring Christian theology for the unchurched, this is not a bad place to start… [Read the rest]

Review originally published in Reform, September 2016, to coincide with the film’s UK DVD release.

See also alternative review originally published in (the final issue of) Third Way, May 2016, to coincide with the film’s UK theatrical release.

Showing on BFI Player from Thursday, July 20th, 2023.

Trailer:

Categories
Features Live Action Movies

The Dark Knight
The IMAX Experience

Director – Christopher Nolan – 2008 – US – Cert. 12a – 152m

*****

If you see The Dark Knight in an ordinary cinema rather than IMAX 70mm, you haven’t seen it at all – review originally published in Third Way in 2008.

The Caped Crusader is as significant a figure in the media landscape as he is on the Gotham City skyline. Ever since revisionist graphic novel The Dark Knight Returns (1986) suggested that the methods of a so-called hero who went around beating up villains might in fact be less than heroic, the complexity of the character has become increasingly apparent. In print, the high point has been the Red Rain trilogy (1991-98), which reinvented the character as a vampire! Hollywood has jumped on the bandwagon in the last two decades with two quirky Tim Burton movies, two vacuous, family-friendly Joel Schumacher sequels and two darker Christopher Nolan outings (Batman Begins and this one).

Nolan’s entries have focused on Batman / Bruce Wayne (Christian Bale) rather than simply on Batman, whose masked vigilante is less a fabrication than his everyday millionaire playboy alter-ego. Bruce is trapped between wanting to protect the city from criminals and the dubious methods he employs to do so as Batman.… Read the rest

Categories
Features Live Action Movies

Are You
There God?
It’s Me,
Margaret.

All stills: Dana Hawley / courtesy of Lionsgate UK

Director – Kelly Fremon Craig – 2023 – US – Cert. PG – 105m

****

An 11-year-old girl navigates the difficult waters of religion and womanhood, talking privately to God as she does so – bestselling novel adaptation is out on digital Tuesday, July 18th and on Blu-ray & DVD Monday, August 7th

Is God there, can you talk to God, and does doing so make any difference? 11-year-old Margaret Simon (Abby Ryder Fortson) talks to God, beginning with the “Are You There?” question and then continuing to talk to God as if God’s presence were real. Whether God is real or not, the practice of talking with God has a history in certain Christian traditions, and probably in other religious traditions with which I’m less familiar too. It does not, of itself, prove the existence or non-existence of God one way or the other.

In terms of organised religion, Margaret finds herself in a confusing place. She is the sole child of Jewish father Herb (Benny Safdie) and Christian mother Barbara (Rachel McAdams) Simon. It’s a good marriage and the Simons are a very happy family, living in a cramped New York apartment with his Jewish mother Sylvia Simon (an hilariously dour yet joyous Kathy Bates).… Read the rest

Categories
Documentary Features Live Action Movies

Brainwashed:
Sex-Camera-Power

Director – Nina Menkes – 2022 – US – Cert. 18 – 107m

***1/2

A lecture on how movies treat male and female bodies differently, augmented with interviews from female directors, actresses, critics and others, using numerous film clips – on BFI Player from Monday, July 17th

This is a film based on a lecture given by director Menkes under the title: Sex and Power, the Visual Language of Cinema. As far as I can tell from the evidence here presented, it is (or was) something like a TED Talk but much longer. It’s possible it may have worked better as a live lecture than as a film. I’m guessing also there’s something of the band Talking Heads’ Stop Making Sense (Jonathan Demme, 1984) concert film about this: a live performing act wanting a film of their performance so it can reach a wider audience without the necessity of the performers physically touring the act. But where Stop Making Sense is a masterpiece of the filmed performance (or, technically, in that film’s specific case, the filmed music concert) genre, Brainwashed: Sex-Camera-Power is not. Even if you’re broadly in tune with its thesis (which I like to think I am), it does feel like you’re being repeatedly told the same thing and somewhere (perhaps around the 75 minute mark) you get fed up with it.… Read the rest