Category: Live Action

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Documentary Features Live Action Movies

The Reason I Jump

Director – Jerry Rothwell – 2020 – UK – Cert. 12a – 82m

*****

The inner world of the autistic, explored through the writings and lives of autistic people and innovative cinematography and sound design – in cinemas from Friday, June 18th (Autistic Pride Day)

Originally this was a remarkable book in which autistic teenager Naoki Higashida communicated to the rest of the world in prose what it’s like to be autistic. It had already been widely read in Japan when author David Mitchell and his wife Keiko Yoshida, whose son is autistic, were so taken with it that they undertook an English translation. International acclaim followed. For Mitchell, the book provided the opportunity to understand his son’s interior world like nothing before it.

A film is a very different media from a book. That begs the question, if you wanted to make the book into a film, how would you go about it? Seasoned documentary filmmaker Jerry Rothwell (Deep Water, co-directed with Louise Osmond, 2006; How To Change The World, 2015) had some innovative ideas. One was to use Higashida’s writings as a through line for the film, augmenting it with the experiences of several other autistic people.… Read the rest

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Animation Documentary Features Live Action Movies

Archipelago
(Archipel)

Director – Félix Dufour-Laperrière – 2021 – Canada – 72m

****

A journey along an estuary traversing its archipelago, perhaps real, perhaps imagined, a trip into an obscure territory of the mind – from the Annecy 2021 Animation Festival in the Official Competition Contrechamp section

Defying easy categorisation, this is a conversation between a woman on a journey and a man trying to convince her of her non-existence. The woman’s shape first appears as a framing device – through the moving shape that defines her we see locations, places and more. Eventually we see her too, as her representation changes from a moving window shape to a simple animated line drawing defining her features against what can be seen through the window of her shape.

Numerous elements jostle for attention as the film proceeds. On one level, it’s a journey along the Gulf of St Lawrence in the French-speaking part of Canada, the estuary of the river which connects the Great Lakes with the Atlantic Ocean. A train journey is represented by the view through a carriage window. There are numerous islands, some of which may be real. There are clips from black and white and occasionally colour travelogue documentary films.… Read the rest

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Animation Documentary Live Action Movies Music Shorts

Blondie:
Vivir En La Habana

Director – Rob Roth – 2021 – US – 18m

*****

Watch an incredible collision of cultures as new wave band Blondie tours Havana – from Sheffield DocFest 2021

Shot in several aspect ratios by multimedia artist and Blondie collaborator Roth (Doom Or Destiny music video, cert. 18, 2017; creative director on lead singer Debbie Harry’s memoir Face It, 2019), this is a vibrant, visual account of the band’s March 2019 tour of Havana. There are clips from songs recorded at several gigs here (with Harry sporting a variety of striking outfits) that make you wish you’d been there. For some songs, the band’s sound is augmented by Cuban musicians giving the likes of The Tide Is High a completely new lease of life.

Rather than going the obvious route and simply producing a film of the concerts – which I’m sure would be well-received by the band’s admirers, among whom I number myself – Roth has mashed the digitally produced concert footage up with Super 8 and 16mm footage of both Havana itself and members of the band.

He’s also had a lot of fun augmenting numerous live action shots with 2D animation drawn directly onto the moving images adding another layer to the already complex imagery.… Read the rest

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Features Live Action Movies

Possessor

Director – Brandon Cronenberg – 2020 – Canada – Cert. 18 – 103m

*****

A woman possesses other people’s bodies via technology to assassinate selected targets – on Shudder from Thursday, June 10th, as well Digital HD or BFI Player rental

Anyone who’s seen Brandon Cronenberg’s earlier Antiviral (2012) will know that he is a force to be reckoned with, operating in much the same area as his father David (whose Crash, 1996, is currently out on VoD and is released on UHD and BD on December 14th) but with his own, highly individual slant. And equally impressive.

His protagonist here is assassin Tasya Vos (Andrea Riseborough) whose boss Girder (Jennifer Jason Leigh) inserts Vos’ consciousness into others so she can carry out hits on designated targets while occupying their bodies and consciousnesses. Lately, though, things haven’t been going quite to plan. In the body of Holly (Gabrielle Graham), Vos picks up a cutlery knife then repeatedly and bloodily stabs her target with it rather than simply shooting him with the supplied gun. Although Vos gives all the right answers in the psychological evaluation tests following her return, Girder is concerned.

He fears are raised further when Vos asks for time off with her partner Michael (Rossif Sutherland) and young son Ira (Gage Graham-Arbuthnot).… Read the rest

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Features Live Action Movies

Muscle

Director – Gerard Johnson – 2019 – UK – Cert. 18 – 110m

****

Pump it up! A man dissatisfied with his life comes under the influence of a manipulative bodybuilding trainer – on Sky and NOW from Tuesday, June 1st

Newcastle, UK. Simon (Cavan Clerkin) is at a dead end working days in a dodgy telesales job he hates and coming home at night to his partner Sarah (Polly Maberly) who no longer loves him. Whatever attracted her to him has gone. Looking for a way to move forward, Simon sees a man walk confidently out of a doorway and on realising it’s a local gym, decides to join. It’s not long before he’s under the influence of fellow member Terry (Craig Fairbrass), an ex-forces type who takes him under his wing as a personal trainer to help him transform his body. Under Terry’s influence, Simon changes his diet, reduces his drinking with colleagues to virtually nil and is suddenly achieving top sales at work. None of that is enough to stop Sarah leaving him.

Terry is however not what he initially seems. He suggests first he then his friend Crystal (Lorraine Burroughs) move into Simon’s house to help pay the bills then instigates increasingly orgiastic parties with his friends as if the place was his own.… Read the rest

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Features Live Action Movies

One Cut Of The Dead
In Hollywood
(Kamera
Wo Tomeruna!,
supin-ofu:
Hariuddo Daisakusen,
カメラ
を止めるな！
スピンオフ
ハリウッド大作戦)

Director – Yuya Nakaizumi – 2019 – Japan – Cert. 15 – 57m

The first 16 minutes **1/2; the rest ***1/2

A zombie film being shot in one long, single take and set in a restaurant in Hollywood is attacked by zombies… or is it? – out as an extra on a One Cut Of The Dead Hollywood Edition Blu-ray on Monday, May 31st

Spoiler alert. The film is basically a copy of the first film, slightly tweaked but not really adding anything much to it. Similarly, this review is basically a copy of the review of the first film.

With a title that translates literally as “Don’t Stop The Camera! Spin-off: a great strategy for Hollywood!”, this is another loving homage to both the movie shot in one take and to the zombie movie. Or so it appears for its first 16 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 16 minutes. “6 Months after the tragedy, Chinatsu is a waitress in Hollywood. Struck dumb, she died her hair blond (sic) and renamed herself Holly.” Thus reads the opening title as waitress Holly / Chinatsu (Yuzuki Akiyama) ignores customer comments about her inability to speak.… Read the rest

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Features Live Action Movies

One Cut Of The Dead
(Kamera
Wo Tomeruna!,
カメラ
を止めるな！)

Director – Shinichiro Ueda – 2017 – Japan – Cert. 15 – 96m

The first 37 minutes *****; the rest ***1/2

A zombie film being shot in one long, single take and set in an abandoned warehouse is attacked by zombies… or is it? – on a Hollywood Edition Blu-ray on Monday, May 31st

With a title that translates literally as “Don’t Stop The Camera!”, this is a loving homage to both the movie shot in one take and the zombie movie. Or so it appears for its first 37 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 37 minutes. Chinatsu (Yuzuki Akiyama) is defending herself with an axe from her boyfriend Ko (Kazuaki Nagaya) who has turned into a zombie. However, like the girl facing a knife-wielding maniac at the start of Blow Out (Brian De Palma, 1981) the actress playing her is not very good and the illusion of the film collapses much as the illusion of Blow Out does when the actress delivers the most pathetic scream you’ve ever heard.

As the film delivers its first revelation – that this is not a woman defending herself against a zombie but the shooting of a movie scene of an actress portraying a woman defending herself against an actor playing a zombie – director Higurashi (Takayuki Hamatsu) storms into the scene to berate her for her shortcomings.… Read the rest

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Features Live Action Movies

The Killing
Of Two Lovers

Director – Robert Machoain – 2020 – UK – Cert. 15 – 84m

****1/2

A family man separated from his wife who has agreed they can each see other people is consumed with hate for the other man she is now seeing – in cinemas and on Curzon Home Cinema from Friday, June 4th

Morning. She sleeps soundly, a man beside her in bed. A second man stands at the the foot of the bed pointing a revolver at her. The first two are unaware of this. Someone can be heard using the bathroom. The second man leaves through the bedroom window.

Small town America. Welcome to David’s world. He (Clayne Crawford) and wife Nikki (Sepideh Moafi) are experiencing marital problems. They have four kids, a teenage girl and three younger boys. As agreed, David has moved out to live with his infirm, widower dad a hundred yards down the road. The couple have agreed that, while they try and work things out between them, it’s okay for either of them to see other people.

However while David assents to this on an intellectual level, he doesn’t accept it at all on an emotional one. He has discovered his wife is seeing a man named Derek (Chris Coy) and is furious about it.… Read the rest

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Features Live Action Movies

A Quiet Place

Director – John Krasinski – 2018 – UK – Cert. 15 – 90m

*****

A family live on an isolated farm on an Earth where alien predators hunt by sound – out on DVD, Blu-ray and selected online services

NB This is the original film, not A Quiet Place Part II currently in cinemas.

The world is a changed place. Civilization as we know it has broken down. Earth’s population has been decimated by alien predators. Evelyn Abbot (Emily Blunt) goes through the meds on a shelf in a deserted store in town, where her youngest son Beau (Cade Woodward) becomes attracted to a model spaceship because “that’s how we’ll get away from here”. When his dad Lee (John Krasinski, the film’s co-writer and director as well as Blunt’s real life husband) sees this, he removes batteries from the toy and forbids his son to take it. However, his daughter Regan (Millicent Simmonds) takes pity on Beau and slips it to him when her dad isn’t looking. And in similar fashion, when she isn’t looking the boy also takes the batteries. An act which will have fatal consequences for him and, going forward, a huge impact on the relationship dynamics within this family.… Read the rest

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Features Live Action Movies

A.I. Rising

Original title: Ederlezi Rising

Director – Ladar Bodroza – 2018 – Serbia – 18 – 86 mins

****

Serbian Sci-Fi shot in the English language in which a male astronaut becomes dissatisfied with the female android programmed to satisfy his every desire on a deep space mission – on Amazon and iTunes

You’ve got to admire the sheer ambition of A.I. Rising, a Serbian sci-fi movie shot in the English language with production values and visual effects on a par – mostly – with anything Hollywood at its most lavish can offer.

I say mostly because there’s an early rocket launch sequence which cries out for exterior shots of the rocket on its launch pad and then taking off, but all we get is an admittedly impressive view from space of the distant ship ascending into the atmosphere. It’s the only time the production misses a trick like this and it doesn’t detract from what follows.

The plot concerns one man and his dealings with women – well, one woman in particular. Milutin (Sebastian Cavazza) is given a new assignment by the Ederlezi corporation. Prior to his flight into deep space, a woman social engineer (Marusa Majer) explains the nature of his mission and that he’ll be required to work in a team of two, the other member being an android modelled after a human woman “but unlike a human woman, she’ll be unable to hurt you.”… Read the rest