Category: Features

The Dissident

Spiritual wickedness

The Dissident
Directed by Bryan Fogel
Certificate 12 (Amazon advisory), 119 minutes
Released on Amazon Prime Video in the UK and Ireland from April 1st 2021

On 2 October 2018, the Washington Post journalist Jamal Khashoggi entered the Saudi consulate in Turkey to obtain a marriage licence. He never came out. It later transpired that Khashoggi had been murdered on the premises by Saudi officials and his body dismembered, taken away and disposed of.

This fast-paced and frankly mind-boggling documentary examines a good deal more than the murder…[read more]

Full review in Reform magazine.

See my alternate, longer review on this site.

Trailer:

Features Live Action Movies

The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)

Post author By Jeremy Clarke
Post date 1 March 2021
No Comments on The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

The H Man (lit. Beauty And The Liquid People) was scripted by Takashi Kimura, who, as Jasper Sharp notes in the accompanying booklet, wrote monster movies for Honda where the monsters were liquid, gas (The Human Vapor, 1960) and mutant man-mushrooms (Matango, 1963). All these can be read as the elements constituting the clouds – or mushroom clouds – of nuclear bombs dropped on Japan or tested near it.

Yet after opening with nuclear explosion stock footage, the film swiftly morphs into a police procedural in which various characters mysteriously disappear… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda Blu-ray double bill of The H Man and Battle In Outer Space.

Features Live Action Movies

Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争,
lit. The Great Space War)

Post author By Jeremy Clarke
Post date 31 March 2021
No Comments on Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争,
lit. The Great Space War)

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Battle In Outer Space is one of those films that paints on a bigger canvas and sacrifices character development in favour of big-screen visual spectacle, brought to life with state-of-the-art special effects. According to Kalat, the film owes much to the bigger Hollywood 1950s SF feature film films made in colour. These include not only films by former Puppetoon animation creator George Pal such as The War Of The Worlds (1953) and Conquest Of Space (1955) but also This Island Earth (1955) and Forbidden Planet (1956).

Honda’s film wades straight in to alien war scenarios… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda Blu-ray double bill of The H Man and Battle In Outer Space.

Tags 1950s, alien, America, astronaut, Battle In Outer Space, bombardment, cinema building, Cinerama, Columbia, conference, Conquest Of Space, damsel in distress, East Germany, Eiji Tsubaraya, Etsuko Shiraishi, Forbidden Planet, freezing, gags, gender bias, George Pal, George Whitman, Godzilla, Golden Gate Bridge, Great Space War, India, Iran, Ishiro Honda, Japan, Kyoko Anzai, landscape, life form, meteors, mind control, moon, Mothra, New York, nuclear tests, Philippines, position of women, Puppetoons, ray, rover, Ryu Ikebe, San Francisco, science, science fiction, scientist, SF, Shinichi Sekizawa, ship, space torpedoes, space travel, special effects, The H Men, The War Of The Worlds, This Island Earth, Toho, Tokyo, UFO, US, weightlessness, Yoshio Tsuchiya, zero gravity

Features Live Action Movies

Ishiro Honda
Double Feature
The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)
and
Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争)

The H Man

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

Battle in Outer Space

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Alongside the standalone release of Mothra (1961) comes a double bill of two more Toho science fiction movies directed by Ishiro Honda with special effects by Eiji Tsuburaya: , The H Man (1958) and Battle In Outer Space (1959). The Toho studio is associated more with monster movies than any other genre, notably Godzilla (1954) and Mothra. The superior entries in this cycle tend to be the ones they directed, including the initial 1954 film which ticked all the right boxes to prove a massive success.

When no-one at Toho was quite sure what had made Godzilla work, the pair collaborated on a number of different SF films before everything came together on Mothra. The H Man is a monster film dressed up in gangster trappings while Battle in Outer Space is an epic with space stations, flying saucers, rocket ships, an alien moon base and alien mind control… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda double bill Blu-ray.

Tags 1950s, alien, America, astronaut, Battle In Outer Space, bombardment, cinema building, Cinerama, Columbia, conference, Conquest Of Space, cops, cops and robbers, damsel in distress, detective, East Germany, Eiji Tsubaraya, Etsuko Shiraishi, Forbidden Planet, freezing, gags, gangster, gas, gender bias, George Pal, George Whitman, ghost, Godzilla, Golden Gate Bridge, Great Space War, India, inspector, Iran, Ishiro Honda, Japan, Jasper Sharp, Kaiju, Kyoko Anzai, landscape, life form, liquid, Matango, meteors, mind control, monster, moon, Mothra, mushroom, mutant, New York, nuclear tests, Philippines, police, police procedural, position of women, Puppetoons, ray, rover, Ryu Ikebe, sailor, San Francisco, science, science fiction, scientist, SF, Shinichi Sekizawa, ship, singer, song, space torpedoes, space travel, special effects, Takashi Kimura, The H Man, The H Men, The Human Vapor, The War Of The Worlds, This Island Earth, Toho, Tokyo, trauma, UFO, US, Warning From Space, weightlessness, Yoshio Tsuchiya, zero gravity

Animation Features Movies

Lotus Lantern
(Bao Lian Den,
宝莲灯)

Post author By Jeremy Clarke
Post date 30 March 2021
No Comments on Lotus Lantern
(Bao Lian Den,
宝莲灯)

Director – Chang Gwang Xi – 1999 – China – Cert. N/C U – 85m

*1/2

A boy must rescue his goddess mother from Heavenly wrath invoked when she fell for his father, a mortal – available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

Immortal Goddess Sanshengmu (voice: Xu Fan) falls in love with mortal man Liu Yanchang and leaves Heaven to pursue love with him on Earth. This goes down badly with her brother Yang Jian (Jiang Wen) since it’s against the Law of Heaven, so he sends an army of hounds down to earth in pursuit. She is however able to evade capture by keeping a lotus lantern close to her to make sure it’s not accidentally lit as this would give away her location.

Seven years later, while boating on a river with her young son Chenxian (Yu Pengfei), the lantern’s accidental lighting reveals her whereabouts to her brother, who promptly whisks the boy to heaven. When she arrives to demand her son’s return, her brother instead imprisons her in a mountain. … Read the rest

Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.

Tags 18th century, action, actors, age, alphabet, apartheid, architecture, artefact, artist, Bible, biographies, body part, book, boundaries, buildings, catalogue, category, children, classicist, classificatory systems. reports, colour, compendium, conception, confines, consumption, country house, Dante, David Attenborough, David Rudkin, device, directory, division, documentation, drawing, dying, editing, entries, exhibition, falling, fatality, food, footnote, garden design, grid, historian, identities, index, journey, law, letter, library, lists, maps, motivation, multimedia, narrative, natural history, numbers, obsession, open plan, order, page, painting, Patricia Morison, Peter Greenaway, photocopy, photographs, poet, political prisoners, production, pseudonymous, random, real time, rectangle, Rembrandt, rhythm, screen, seamstress, season, secret, sex, Shakespeare, South Africa, speaking, stomach, storytelling, subjects, suitcases, taboo, talking heads, text, Tom Phillips, UK, verbal, video editing, visual frame, volume, website, whimsy, wife, window, word, YouTube

Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest

Features Live Action Movies

Shape Of Red
(Red)

Director – Yukiko Mishima – 2020 – Japan – Cert. N/C 15+ – 122m

****1/2

A woman trapped in a stultifying marriage experiences freedom and laughter in both returning to work and pursuing an extramarital relationship – played online in the Japan Foundation Touring Film Programme 2021 in the UK

Married to Shin (Shotaro Mamiya) with a six-year-old girl Midori, Toko (Kaho – Our Little Sister, Hirokazu Kore-eda, 2015) is a stay-at-home mum. Shin works with a trading company and judging by the size of the house is not lacking financially. Shin’s mother is a constant fixture in their home and the first time we see Shin come in from work of an evening, he rejects the meal his wife has prepared because he’s “not hungry” only to readily accept a favourite dish his mother has prepared.

That doesn’t bode well for the marriage. In bed she dutifully performs a blow job on him which satisfies him but not her. As she wipes away the results with a tissue, you feel that she’s not so much a wife, more a sort of sexual skivvy.

As his wife, Toko accompanies Shin to various work social events where she similarly appears to be little more than an appendage.… Read the rest

Features Live Action Movies

Custody
(Jusqu’à La Garde)

Post author By Jeremy Clarke
Post date 18 March 2021
No Comments on Custody
(Jusqu’à La Garde)

The Pain Of Separation

Custody

Directed by Xavier Legrand.

Certificate 15, 93 minutes

Released 13 April 2018

Husband Antoine (Denis Ménochet) and wife Miriam (Léa Drucker), whose marriage has fallen apart, attend a custody hearing regarding their son Julien (Thomas Gioria) who is 11. Their daughter Joséphine (Mathilde Auneveux) being almost 18 will soon be considered an adult under French law and is therefore legally regarded as able to take care of herself.

Antoine wants custody so he can look after and spend time with Julien at weekends. Miriam doesn’t want to grant him this. She wants as little to do with Antoine as possible. Each partner makes accusations against the other. As the judge says, it’s a question of who is telling the bigger lies. But the judge must make her decision based on this brief hearing. So Antoine will be allowed custody at weekends… [Read more]

Full review published in Reform magazine, 2018.

Trailer:

Tags abuse, accusations, bad father, custody, custody hearing, Denis Ménochet, family court, France, husbands and wives, judge, Léa Drucker, lie, marriage, parents and children, separation, Thomas Gioria, thriller, violence, Xavier Legrand

Features Live Action Movies

One Night
(Hitoyo,
ひとよ)

Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m

****1/2

A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring Film Programme 2021 in the UK

A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.

Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest