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Features Live Action Movies

The Woman King

Director – Gina Prince-Bythewood – 2022 – US – Cert. 15 – 135m

****

The warrior women of Dahomey defend their people against capture by neighbouring nations for the white foreigners’ slave trade – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

Outside of the Greek myth of the Amazons, we don’t really think of armies as being made up of women rather than men prior to the last few decades, yet historically this actually occurred in a West African country, the Kingdom of Dahomey (further info: National Geographic; wikipedia) between the middle of the seventeenth and the end of the nineteenth centuries. These warrior women are the subject of this film which takes place in 1823.

A prologue shows a small unit of the women in action under their General Nansica (an unforgettable Viola Davis) as they attack and slaughter a unit of (male) soldiers from the neighbouring Oyo kingdom who have invaded one of their villages. These women are fearsome indeed and fly in the face of the representational norms of female or military.

After this compelling, action-packed opening, the narrative shifts to follow rebellious, young Dahomey girl Nawi (Thusu Mbedo) whose traditionalist father attempts to marry her off to an older man.… Read the rest

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Features Live Action Movies

Godland
(Vanskabte Land)

Director – Hlynur Pálmason – 2022 – Denmark, Iceland – Cert. 12a – 138m

***1/2

Winter is coming. In the late nineteenth century, a Danish priest who is also an amateur photographer travels to an Icelandic island to oversee the construction of a church before Winter comes – out to rent on Amazon Video, Sky Store, Chili, Rakuten TV, BFI Player and Curzon Home Cinema from Friday, May 5th

The late nineteenth century. Lutheran priest Lucas (Elliott Crosset Hove) meets with his Church of Denmark bishop regarding his forthcoming ministry to a remote village in Iceland where he is to oversee the construction of a church building before the harsh winter sets in. While that’s his official, designated task, the young man being something of an enthusiast for the newly emerging art of photography decides to take a camera and tripod with him to document his journey, and to this end, rather than take the simplest, safest and quickest route to his destination, he resolves to travel cross-country. (Although the film is a work of fiction, it was inspired by an actual series of photographs taken on a similar journey around this period.) He is allocated an Icelandic guide Ragnar (Ingvar Sigurðsson) to accompany him.… Read the rest

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Features Live Action Movies

Rodeo
(Rodéo)

Director – Lola Quivoron – 2022 – France – Cert. 15 – 105m

***

Le Fast et la Furieuse. A young woman bike thief makes her mark on a group of bikers living in a bike repair shop run from a prison by its incarcerated owner – out in UK cinemas and exclusively on Curzon Hone Cinema on Friday, April 28th following its appearance in the BFI London Film Festival 2022

Julia (Julie Ledru) loves motorbikes. She loves riding them. And she loves stealing them. At various points in the narrative, she follows up ‘bike for sale’ ads, goes to see the seller, impresses them with her considerable knowledge, persuades them to let her test drive the bike by riding it alone for a certain distance then rides off with it. She’s also poor and living on a rundown housing estate, an environment beloved of a certain strata of French cinema (e.g. Two Of Three Things I Know About Her, Jean-Luc Godard, 1967, La Haine, Mathieu Kassovitz, 1995; District 13, Pierre Morel, 2004). Not that you see much of this environment after the opening reel. She represents a very French form of anti-hero, and if you don’t have any problem with her sense of entitlement and the fact that she sees nothing wrong with stealing, this is a rollicking good yarn.… Read the rest

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Documentary Features Live Action Movies Music

In The Court
Of The
Crimson King:
King Crimson
At 50

Director – Toby Amies – 2022 – UK – Cert. 15 – 86m

****1/2

Life behind the scenes members of the latest iteration of the band King Crimson, the revolving door institution helmed for half a century by musician Robert Fripp, as they rehearse and perform a tour – out in UK cinemas from Friday 7th April

Rather like the band King Crimson, what you see here is at once what you get and something entirely different.

The phrase “Toby’s camera” (which I’ll use later) seems apt. One doesn’t usually speak so personally of a director, and it’s not the case that I personally know Toby Amies or anything like that. Yet there’s a beguiling intimacy about this documentary. From the evidence here, King Crimson founder, guitarist and keyboard player Robert Fripp is a perfectionist liable to be thrown if something isn’t quite right: he describes all previous iterations of the band, something of a revolving door in which he’s been the sole constant member over the years, as painful and tells us that the current version of the band (together since 2013) is the one with which his experience has been happiest.

At one point, Toby mentions that he feels like he’s interviewing for the job of making the film as he’s shooting it.… Read the rest

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Features Live Action Movies

No Bears
(Khers Nist,
خرس نیست)

Director – Jafar Panahi – 2022 – Iran – Cert. 12a – 106m

*****

An Iranian film director banned from leaving his country rents a house close to the border with Turkey, in which country he is remotely directing a film – available on the following rental streaming services from Monday, March 27th: Amazon Prime, Google Play Movies, YouTube (all £3.49), Apple TV (£4.49), BFI Player (£4.50), and Curzon (£4.99)

In a busy, metropolitian street somewhere in Iran, woman restaurateur Zara (Mina Kavani) is greeted by her partner Bakhtiar (Bakhtiar Panjei), who has secured a fake passport for her. She has only three days to use it before the passport, stolen from a tourist, is stopped. But she doesn’t want to travel outside the country without him: he is the only thing that makes her life bearable.

Then we realise we are watching a movie shoot not in Iran but in neighbouring Turkey. The director is Jafar Panahi (playing himself) and he is not allowed out of Iran, so he is renting a room in an Iranian village not far from the Turkish border and watching the shoot remotely via his computer. He’s been assured that the local internet reception is good, but it isn’t and keeps cutting out, making his job all but impossible, although his first assistant director, cast and crew are doing a good job of getting the shots in the can even when they don’t hear from him.… Read the rest

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The Son

Director – Florian Zeller – 2022 – UK – Cert. 15 – 123m

****1/2

A man and his wife must deal with the mental illness of his son by a previous marriage when he moves in with them – in cinemas from Friday, February 17th

Peter (Hugh Jackman) is a successful New York lawyer with a wife Beth (Vanessa Kirby) and a small child Theo. One day, his ex-wife Kate (Laura Dern) turns up at his apartment door to inform him that, as she’s just found out, their teenage son Nicholas (Zen McGrath) has not been to school for one month. She has tried to talk to the boy but got no sense out of him. When Peter goes to visit them, the boy insists he’d like to come and live with his dad.

New mum Beth is understandably hesitant, but nevertheless the couple agree to have Nicholas stay. It quickly becomes apparent that he has grievances against his father and step-mother for leaving his mother and becoming involved with his married father respectively. While Nicholas has never got over his parents’ break-up, Peter has continued in a career which leaves him increasingly less time for family. That looks like getting worse, too, because he has the chance of being part of the team of an electoral candidate.… Read the rest

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Features Live Action Movies

Decision To Leave
(Heojil Kyolshim,
헤어질 결심)

Director – Park Chan-wook – 2022 – South Korea – Cert. 15 – 138m

*****

A married detective investigating the death of a climber becomes obsessed with the victim’s wife, who looks increasingly like the murderer – back in cinemas for one night only Monday, 13th February, on MUBI since Friday, 9th December

Any sexual or romantic energy that once existed between city-based detective Hae-joon (Park Hae-il from Heaven: To The Land Of Happiness, Im Sang-soo, 2021, The Fortress, Hwang Dong-hyuk, 2017, The Host, 2006, Memories Of Murder, 2003, both Bong Joon ho) and seaside town-based wife (Jung Yi-seo, bit parts in Samjin Company English Class, Lee Jong-pil, 2020; Parasite, Bong Joon ho, 2019) has long since evaporated.

Investigating the fatal fall of skilled amateur climber Ki Do-soo (Yoo Seung-mok from The Gangster, The Cop, The Devil, Lee Won-Tae, 2019, also The Host, Memories Of Murder) where the man’s Chinese-born wife Seo-rye (Tang Wei, from Lust, Caution, Ang Lee, 2007) is a murder suspect, he falls for her…
[Read the full review at Dmovies.org]

Trailer:

Decision To Leave is back in cinemas for one night only Monday, 13th February, on MUBI from Friday, 9th December.

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Features Live Action Movies

Peter Von Kant
(Peter Von Kant)

Director – François Ozon – 2022 – France – Cert. 15 – 85m

***1/2

A re-imagining of R.W. Fassbinder’s all-female-cast The Bitter Tears Of Petra Von Kant, with the three central gay characters switched from female to male – plays in cinemas from Friday, 30th December

Köln, 1972. Peter von Kant (Denis Ménochet) is a successful film director who resides in his apartment with his personal assistant Karl (Stefan Crepon). He is visited by his old friend, the singer Sidonie (Isabelle Adjani), whose blown up picture adorns one of his walls. She introduces him to young man of Arab extraction and actor wannabe Amir Ben Salem (Khalil Gharbia) with who Peter becomes besotted and who subsequently moves in with him.

Their passionate relationship is, however, doomed, with Amir suddenly leaving some months later on the pretext of visiting his wife when she unexpectedly phones him from a nearby city. After Aamir has left him, Peter becomes an emotional wreck. On his birthday, he waits on the phone, hanging up in seconds when he realises the caller isn’t Amir. He vents his emotional distress on his three birthday visitors: his mother Rosemarie (Hanna Schygulla), his boarding school student daughter Gabrielle (Aminthe Audiard) and Sidonie.… Read the rest

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Features Live Action Movies

Rimini
(Rimini)

Director – Ulrich Siedl – 2022 – Austria, France, Germany – Cert. 18 – 114m

*****

A singer of romantic songs performs to elderly female fans (in more ways than one) in an off-season seaside town as his past catches up with him – in cinemas from Friday, December 9th following its screening in the BFI London Film Festival 2022

An old man (Hans-Michael Rehberg, who died in 2016 and whose last lensed appearance on film this performance, split between this film and Siedl’s Sparta, 2022, represents) is lost in a care home where he’s a patient. None of the doors will open. His son (Michael Thomas) arrives and takes him to the man’s wife’s funeral.

His son travels to the off-season, Italian seaside resort of Rimini for bookings as Richie Bravo (presumably his stage rather than his real name, although this is never clarified) at hotels to sing romantic songs to his admiring, elderly, female fan base. The dull, monolithic hotel buildings have exotic names like Soleil and 007 belying their inherent blandness.

In between those performances and traipsing around through heavy rain and snow, he engages in sexual congress in hotel rooms with a small number of his most devoted fans including the single Anna (Claudia Martini) and the married Emmi (Inge Maux).… Read the rest

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Documentary Features Live Action Movies

Doctor Who Am I

Director – Matthew Jacobs, Vanessa Yuille – 2022 – UK – Cert. 12a – 80m

****

Screenwriter Jacobs’ entry into US Dr. Who fan subculture follows his scripting of the 1996 Dr. Who TV movie that was supposed to launch the franchise Stateside but floppedout in UK cinemas on Thursday, October 27th and Blu-ray, DVD & Digital Download Monday, November 28th

What the hilarious narrative feature Galaxy Quest (Dean Parisot, 1999) did for Star Trek, this heartfelt yet hugely entertaining documentary does for Dr. Who. Matthew Jacobs, whose work includes the screenplay for Paperhouse (Bernard Rose, 1988) and the original story for offbeat Disney cartoon The Emperor’s New Groove (Mark Dindal, 2000), also wrote the script for the US network TV movie Doctor Who (1996) which was supposed to relaunch the BBC franchise in the US, a goal it spectacularly missed when no series proved forthcoming.

In retrospect, Jacobs considers that his script made two major errors in terms of the Doctor Who legacy. One, it recast the hitherto entirely alien Time Lord as half-human, and, two, it allowed him to kiss a member of the opposite sex, something no previous version of the doctor had ever been seen to do.… Read the rest