Tag: rich

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The Body
(2024)
(Il Corpo)

Director – Vincenzo Alfieri – 2024 – Italy – 115m

*****

The body of a rich industrialist’s wife vanishes from the morgue after her death – stylish giallo premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

An unashamed genre piece, The Body is a giallo – an Italian crime and murder mystery named after the yellow book covers of their literary equivalents. While it absolutely fits into that very specific Italian genre, it’s actually the fourth remake of Spanish murder mystery The Body (Oriol Paulo, 2012) following remakes in India (twice, as Game, A.M.R. Ramesh, 2016 and The Body, Jeethu Joseph, 2019) and South Korea (The Vanished, Lee Chang-hee, 2018).

The current version juxtaposes stock elements from gialli and popular fiction with some highly original ideas which may or may not have been used in the earlier versions as yet unseen by this writer. The stock elements include: the womaniser suspected of murdering his wife, the hard-bitten inspector investigating the case, the man who has married into wealth, and the university professor having an affair with a student. The highly original ideas: a man running out in front of a car, a corpse disappearing from a morgue, and a married woman who is also a practical joker.… Read the rest

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The Crime is Mine
(Mon Crime)

Director – François Ozon – 2023 – France – Cert. 12a – 102m

*****

Two young women, an actress and a lawyer, take advantage of casting couch sex abuse of the former to boost both of their fledgeling careers – sharp period comedy with more to it underneath the surface is out in UK and Ireland cinemas on Friday, October 25th

A swimming pool. A lavish, art deco mansion. Out of a door staggers a clearly distressed, young blonde woman. Leaving the estate, she walks down the street, bumping into people. The setting and her clothes indicate the 1930s.

Meanwhile, a middle-aged M. Pistole (Franck de Lapersonne) calls on young brunette tenant Pauline (Rebecca Marder) to demand 3 000 Fr for five months’ back rent. A qualified lawyer, she manages to negotiate 48 hours’ respite on the grounds that a hotshot producer wants to put her flatmate Madeleine in his new play, and money will follow once the contract is signed. However, once Madeleine (Nadia Tereszkiewicz from Only The Animals, Dominik Moll, 2019) comes in to spill her tale of woe – in a manner closer to screwball comedy than rape or crime drama – it rapidly becomes obvious that the situation has changed.… Read the rest

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Revenge

Director – Coralie Fargeat – 2017 – US – Cert. 18 – 108m

****

It’s a man’s world. Or is it? A predictable male fantasy switches gear to bloody thrill ride when a woman turns the tables on a group of men perpetrating violence against her – available on VoD from Monday, September 10th following UK cinema release on Friday, May 11th 2018

Flown in by private helicopter pilot, Frenchman Richard (Kevin Janssens) takes Jen (Matilda Lutz) to his luxury home in the middle of the desert for a day or so. He is clearly rolling in money, she appears to be in love with him, but perhaps she’s play-acting: something of the gold-digger in her, maybe. She wears skimpy clothing, emphasising sexual aspects of her body. She comes on strong to him. Passion ensures. All of which is a lot less fun to watch than it sounds: the male is little more than a caricature of the sort often found in the less carefully made end of French action and gangster movie production while the girl displays every patriarchal cliché in the book in the way she moves, dresses, acts and interacts.

Director Fargeat has a very different agenda, however.… Read the rest

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The Holdovers

Director – Alexander Payne – 2023 – US – Cert. 15 – 133m

*****

A teenage pupil must remain at school in the care of his strict and widely despised Ancient History teacher over the 1970 Christmas holidays – out in UK cinemas on Friday, January 19th

A school movie with a difference: this takes place not in term time, but in the holidays. Specifically, a New England boys’ boarding school in the 1970 Christmas holidays, when, for various reasons, five pupils – three teenage, two younger – are unable to go home for the seasonal break, so must instead be looked after by a member of staff at the school. That task falls to ancient history teacher Paul Hunham (Paul Giamatti), who is filling in for the member of staff who made up a story about a difficult family health situation to get out of being lumbered with the task. Paul is put upon for jobs like this because he’s the guy who can’t say no; he’s also a stickler for hard work and discipline who is disliked by fellow teaching staff and pupils alike.

Once the other staff and students have left, one other person remains on the premises: the head cook Mary Lamb (Da’Vine Joy Randolph) who has a connection to the institution beyond her employment.… Read the rest

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Mean Girls (2024)

Directors – Samantha Jayne, Arturo Perez Jr. – 2024 – US – Cert. 12a – 112m

**

A reimagining as a musical of the eponymous, 2004 US High School movie in which the new girl finds herself up against a girl clique – out in UK cinemas on Friday, Wednesday, January 17th

Raised and homeschooled on the open plains of Kenya, 16-year-old Cady Heron (Angourie Rice) is in for a shock when her mum suddenly decides the family is moving back to the US. The shock comes specifically in terms of High School, which she swiftly discovers to be a hostile world of exclusive cliques.

Two outsiders Janis (Auli’i Cravalho) and Damian (Jaquel Spivey) take it upon themselves to explain who’s who and against their advice, she falls in with the Plastics: Regina George (Reneé Rapp), Gretchen (Bebe Wood), and Karen (Avantika), a group of three rich, bitchy and style-obsessed girls who regard themselves as superior to everyone else.

Cady swiftly puts a foot wrong by falling head over heels for Regina’s boyfriend Aaron Samuels (Christopher Briney), and the narrative swiftly develops into a conflict between her and the other three Plastics, particularly Regina. It’s a musical, too: cue song and dance numbers.… Read the rest

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Tinker Ticker
(Deulgae,
들개,
lit. Wild Dog)

Director – Kim Jung-hoon – 2013 – South Korea – Cert. 18 – 102m

*****

A university professor’s aide who in his spare time builds bombs and sends them to people free of charge connects with a spoiled student prepared to detonate them – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

High school student Park Jung-gu (Byun Yo-han) makes bombs as a hobby. Ten years later, he’s on the internet, sending bombs out free of charge to any interested parties. However, people who receive his bombs do nothing with them.

By day, Park works forBaek (Kim Jong-goo from Exit, Lee Sang-geun, 2019; Poetry, Lee Chang-dong, 2010; Nowhere To Hide, Le Myung-se, 1999), a lecturer in business studies at the local university, and watches arrogant, rich kid Lee Hyo-min (Park Jong-min from LKFF 2023 Closing Night Film Dr. Cheon And The Lost Talisman, Kim Seong-sik, 2023; Decision To Leave, Park Chan-wook, 2022; Deliver Us From Evil, Hong Won-chan, 2020; Netflix series Hellbound, Yeon Sang-ho, 2021) argue coherently against Baek’s pro-consumerist lecture and get failed in the course for his trouble.… Read the rest

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Bodies Bodies Bodies

Director – Halina Reijn – 2022 – US – Cert. 15 – 94m

*

A make-believe party game of murder turns into horrifying reality when pretend dead bodies turn out to be really dead and the genuine body count continues to mount – out in UK cinemas on Friday, September 9th

Five women, three couples, two exes, one single. Seven people. Six twentysomethings. They gather in the house of one of their number David (Peter Davidson), whose absent parents are rich and the house and grounds reflect that. Sophie (Amandla Stenberg) and Bee (Maria Bakalova) have been together maybe six weeks. David and Emma (Chase Sui Wonders) longer. Alice (Rachel Sennott) and fortysomething Greg (Lee Pace) a mere two weeks. Jordan (Myha’la Herrold) is not coupled.

This is a hurricane party – a party held following a hurricane warning where power outages are likely, so people gather together to pool their perishable resources e.g. food from switched off fridges and avoid the need to travel over several days. The script assumes the audience knows all this, but to people living outside the US this may be a completely new concept; the script here makes much use of power outages but completely fails to exploit the shared resources and lack of travel aspects of the phenomenon.… Read the rest

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Black Medicine

Director – Colum Eastwood – 2021 – Ireland – Cert. 15 – 90m

*****

A black market Belfast anaesthetist finds herself crossing people it would be unwise to cross – this edge-of-the-seat thriller is out on digital platforms on Monday, July 12th

Jo (Antonia Campbell-Hughes from Bright Star, Jane Campion, 2009; Albert Nobbs, Roderigo Garcia, 2011; Kelly + Victor, Kieran Evans, 2012; Storage 24, Johannes Roberts, 2012; The Canal, Ivan Cavanagh, 2014;) drives her car up the levels of a Belfast multi-storey car park. At the top, she gets out and contemplates the drop to the street below. She smokes to calm her nerves. She drops the cigarette, watching it fall the several storeys. She contemplates climbing the railings. A woman and child come out of a door and walk along a wall. Jo backs off.

By this point, I’m completely hooked. Who is this woman? What is going on? The genius of this movie is that having gripped the viewer from the get-go, it never relaxes for the rest of its entire 90 minute running length. (Also, a minor carp: why is the car number plate PIA 1? That’s a wee bit too showy.)

Then Stevie (Lalor Roddy from Robot Overlords, Jon Wright, 2014) phones.… Read the rest

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Capital
In The
21st Century

Director – Justin Pemberton – 2019 – France, New Zealand – Cert. 12 – 103m

*****

An adaptation of Thomas Piketty’s controversial economic treatise Capital In The 21st Century – in cinemas from Friday, September 25th

The content of French economist Thomas Piketty’s eponymous book couldn’t be more relevant. Far from being dry economics, Piketty’s thesis begins that there has always been a minority of wealthy people whose wealth derives from nothing more than being born into wealth. They have done nothing to merit wealth. They do not own it because of any sort of achievement.

The industrial revolution, he argues, gave those with capital (financial assets) the means to substantially increase the amount of capital they own.

Throughout history, the rich have not looked after the whole of society but rather have merely defended their own interests, i.e. maintaining and if possible increasing their position of wealth. They have shown a disdain for the other 99% of people. In the eighteenth and nineteenth centuries, society was broken into those two groups, wealthy and poor.

The rise of the middle class after World War One changed everything, with middle class people wanting their say in how things were run. Changes since the 1970s however threaten the power of the middle class and we may be seeing a return to a majority of very poor people beholden to a wealthy minority – unless we take the action necessary to prevent it.… Read the rest

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A Good Year

Director – Ridley Scott – 2006 – US – 12A – 118 mins

***1/2

A ruthless, successful Square Mile bond trader travels to Provence to sort out the estate he’s inherited from his late uncle – UK release date 27/10/2006

Back in the 1980s, British TV commercials spawned a number of hugely successful feature film directors, with Scott arguably the most talented. A great visual stylist, his impressive filmography includes the seminal (Alien, 1979; Blade Runner, 1982; Thelma & Louise, 1991), the blockbuster (1492: Conquest Of Paradise, 1992; Gladiator, 2000; Kingdom Of Heaven, 2005) and the forgotten (Black Rain, 1989; White Squall, 1996; G.I. Jane, 1997). Scott is perhaps the archetypal ‘style over content’ director: his impressive visuals often threaten to overpower everything else, yet his sense of style invariably makes anything he does worth a look. A film-maker, in other words, of extreme contradictions.

The end of that same era saw highly regarded London advertising man Peter Mayle relocate to the South Of France to pen a series of books about that region starting with the bestselling A Year In Provence.

Scott and Mayle have known each other since the eighties advertising boom.… Read the rest