Categories
Animation Documentary Features Live Action Movies

My Extinction

Director – Josh Appignanesi – 2022 – UK – Cert. 15 – 80m

***

In which director Appignanesi chronicles both his unease at the climate crisis and what happens when he joins Extinction Rebellion to do something about it – world premiere on Thursday, June 29th at the Curzon Mayfair, out in UK cinemas on Friday, June 30th

As well as making small British narrative features (Female Human Animal, 2018; The Infidel, 2010), Aappignasi makes little diary films about his life. The previous two, in which his wife, the author and academic Devorah Baum, is credited as co-director, chart impending parenthood (The New Man, 2016) and their relationship (Husband, 2022). This third entry sees Josh hit a professional lull after a planned feature film falls apart and he wonders if his career as a film maker is over. Actually, he reiterates variants of this question at various points throughout the film.

At the same time, environmental activists Extinction Rebellion (XR) are on the TV news for bringing parts of London to a standstill. Cue a title sequence montage of collapsing ice shelf, burning tar sands, gridlocked London traffic, industrial pollution, a bewildered kangaroo with outback ablaze behind it, a flooded street with parked cars, a polar bear stranded on an ice floe, the UK government declaring a climate emergency in response to XR and Greta Thunberg’s “I want you to… act as if your house was on fire” speech.… Read the rest

Categories
Features Live Action Movies

You Can Live
Forever

Directors – Mark Slutsky, Sarah Watts – 2022 – Canada – Cert. 15 – 96m

***

A not especially religious 17-year-old sent to live with her Jehovah’s Witnesses uncle and aunt becomes smitten with a devout Witness girl her own age – out in UK cinemas and on SvoD and EST streaming platforms from Friday, June 16th

Following the breakdown of her mother (who we never see), 17-year-old Jaime (Anwen O’Driscoll), pronounced Jamie, is sent to live with her aunt Beth (Liane Balaban) and uncle Jean-Francois (Antoine Yared). She’s the sort of girl who wears Siouxsie And The Banshees or New Order t-shirts, prompting a remark by her uncle that he went to see the former many years ago, but these days he doesn’t do such things. That’s because the couple are Jehovah’s Witnesses (JWs) and consider such things worldly. Like the Witnesses in Apostasy (Dan Kokotajlo, 2017), they are waiting with eager anticipation for the Return of Christ and the establishment of the New System, when all things will be renewed and made good. The couple have decided not to have children until that state of things comes to pass, which they believe it will soon.

It’s easy enough to get time away from them, though, and Jaime hangs out on her own in the fabulous countryside, accidentally losing her portable music player when it falls off the bridge parapet on which she’s perched into the river below.… Read the rest

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Features Live Action Movies

The Blue Caftan
(Le Bleu Du Caftan)

Director – Maryam Touzani – 2022 – Morocco – Cert. 12a – 122m

****

A love triangle between a gay dressmaker, his wife and the man’s new apprentice, a movie which deserves to be cherished for a wide variety of reasons – out in UK cinemas and on BFI Player (rental) from Friday, May 5th

Halim and Mina (Saleh Bakri and Lubna Azabal) run a traditional clothing store in the street of one of the oldest medinas in Morocco. He inherited the store from his father, a maleem or master craftsman, and laments the fact that, with the rise of modern technology, the old skilled craftsman is dying out as people can buy the same products, made instead by machines, for lower cost. He gets very excited when his new apprentice Youssef (Ayoub Missioui) turns out to possess a rare aptitude and enthusiasm to learn those skills.

At the same time, Halim has a secret: in a conservative Muslim country where homosexual acts constitute a punishable offence, he is a gay man. He loves his wife dearly and would do anything for her, but his preference is for those of his own gender. She has learned to live with the fact.… Read the rest

Categories
Animation Features Live Action Movies

Monty Python’s
Life Of Brian

Director – Terry Jones – 1979 – UK – Cert. 12a – 93m

****

An absurdist comedy about of Brian, Jesus Christ’s next-door neighbour, who falls in with left-wing activists, develops a religious following and ends up crucified – back out in UK cinemas in Glorious Standard Definition on Friday, April 7th

Like The Last Temptation Of Christ (Martin Scorsese, 1988), a Biblical epic made by a New Yorker who tries to bring first century Palestine to life on the screen by filling it with actors who speak as if they’re on the streets he knows, so too Monty Python’s Life Of Brian, made by the Monty Python team, nurtured first by Oxbridge student drama society culture then by British radio and television, attempts a comic equivalent of the Christian Gospel narrative by filling it with characters possessing such quintessentially English names as Brian and Reg and sporting English accents. For the Pythons and their audience, this strategy works because of its familiarity from Britain’s hugely popular Monty Python’s Flying Circus television show, made for the BBC. It’s what everyone attending the film in the UK expected.

The Monty Python team (Terry Jones, Terry Gilliam, John Cleese, Graham Chapman, Eric Idle & Michael Palin) all wrote the film between them and take on multiple acting roles, with Jones also directing, animator Gilliam also taking on production design, and Chapman, who had studied medicine, also taking on the role of set medic.… Read the rest

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Features Live Action Movies

Women Talking

Director – Sarah Polley – 2022 – US – Cert. 15 – 104m

*****

Should we stay or should we go? Following an incident of mass sexual abuse in an isolated religious community, its women debate the question, stay and fight – or leave? – out in UK cinemas on Friday, February 10th

Here’s a film that defies the rule that, by rights, a bunch of people talking to one another in one location ought to make for tedious cinema. (Such outings usually work very well on the stage, a medium about a bunch of people talking in one location.) Yet Sarah Polley’s adaptation of the novel Women Talking proves electrifying. It’s based on a novel by Canadian author Miriam Toews which is in turn based on horrifying real life events (although the book is “an imagined response to real events”, rather than an attempt to actually conjure or describe those events).

Between 2005 and 2009, in an isolated Mennonite community in Bolivia, over a hundred girls and women were raped in their sleep. Their discoveries were initially dismissed by the community’s menfolk until it came to light that a small group of men had sprayed the interiors of the victims’ houses with animal anaesthetic to render them and their families unconscious.… Read the rest

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Features Live Action Movies

Holy Spider
(Ankabut-e Moqaddas,
عنکبوت مقدس)

Director – Ali Abassi – 2022 – Denmark, Norway, Sweden, France, Germany – Cert. 18 – 116m

*****

An Iranian lady crime journalist poses as a prostitute in an attempt to uncover the identity of a serial killer justifying his killing spree in the name of Islam – out in UK cinemas on Friday, January 20th and on MUBI from Friday, March 10th

2000. The Holy City of Mashhad, Iran. Leaving her small daughter at home, a woman goes out into the night. She changes into high heels in a lavatory then goes onto the streets to ply her trade as a prostitute. She tells a streetcrawler to “fuck off”. In any encounter with male sexuality, violence is never far away; in a frenzied coupling in an apartment littered with the awards of a successful entrepreneur, a client tells her, “I’m going to tear your pussy apart.”

Another man refuses to pay more than half for a blow job when police are seen near the car in which she’s performing the service, preventing him from climaxing. A further man asks her onto his bike, but later in the stairwell to his apartment she thinks she may have made a mistake and tries to excuse herself.… Read the rest

Categories
Features Live Action Movies

Holy Spider
(Ankabut-e Moqaddas,
عنکبوت مقدس)

In God’s name

Holy Spider
Directed by Ali Abassi
Certificate 18, 116 minutes
Released 20 January (UK cinemas), 10 March (MUBI)

The year 2000. The Holy City of Mashhad, Iran. Prostitutes are being targeted by a killer who is justifying his crimes with Islamic rhetoric. With the notable exception of her editor Sahrifi (Arash Ashtiani), the journalist Rahimi (Zar Amir-Ebrahimi) investigating the case encounters sexism wherever she goes, and it’s hard not to draw parallels between these everyday attitudes of men towards most women and the atrocities being inflicted on a small number of them on the social margins.

A number of the killings are shown, in unpleasant detail, and are difficult to watch. (This film is an 18 for a reason.) [Read the full review at Reform magazine…]

[Read my longer review on this site…]

Holy Spider is out in cinemas in the UK on Friday, January 20th and on MUBI from Friday, March 10th.

Trailer:

Categories
Animation Features Movies

Guillermo del Toro’s
Pinocchio

Directors – Guillermo del Toro, Mark Gustafson – 2022 – US – Cert. PG – 114m

*****

Created as a puppet by a bereaved, religious woodcarver father, a little wooden boy must make his way in a world of ruthless show business, Fascism and war – stop-frame puppet movie is out on Netflix on Friday, December 9th

Co-helmed by Will Vinton alumnus Gustafson, del Toro’s Carlo Collodi adaptation sees him return to the theme of the Catholic Church collaborating with Fascism that he previously explored in Pan’s Labyrinth (2006). The story roughly follows the familiar template of Disney’s Pinocchio (1940), even down to punctuating the action with songs, but with the loosely defined place and time of a fairytale shifted to a very specific Italy before (briefly) and during World War II, with Pleasure Island replaced by a boys’ military training camp. The emphasis has shifted, too, from the notion of the narrator cricket character as conscience to coming to terms with mortality, although the idea that just because things appear to be fun they may not necessarily be good is knocking around in there too.

A narrator who will later identify himself as Sebastian J. Cricket (voice: Ewan McGregor) introduces us to churchgoing woodcarver Gepetto (voice: David Bradley), who is working on a statue of Jesus Christ crucified for the local church, raising dutiful son Carlo (voice: Gregory Mann), an equally religious child with a true sense of wonder at the world around him, including planes in the sky.… Read the rest

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Features Live Action Movies

Come Come Come
Upward
(Aje Aje Bara Aje,
아제 아제 바라 아제)

Director – Im Kwon-taek – 1989 – South Korea – Cert. 18 – 121m

***1/2

As a young woman attempts to live as a Buddhist monk, she embarks on a series of increasingly physical sexual relationshipspart of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Soon Nyeo (Kang Soo-yeon) enters a monastery as a novice. She reflects on her earlier life. Alienated from her mother, who she accuses of living off the interest of money made exploiting poor people, she develops a habit of following men on their travels. First up is a monk who knew her father who suggests that the latter failed as a monk. After she’s walked with him a while, he deliberately puts her back on a train.

As a student, she becomes fascinated by her class’ teacher Hyeon Jong, 29, (Chon Yoo-in) who, she learns later, lost his wife when she was killed in the Gwangju uprising while eight months pregnant. Uninvited, Soon accompanies Hyeon in his train travels around the country investigating sites of historical interest relating to a peasant uprising having promised his late wife he would one day write about this for her.… Read the rest

Categories
Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Hopper:
an American Love Story

Director – Phil Grabsky – 2022 – UK – Cert. 12a – 94m

*****

The story of American painter Edward Hopper, and how his artistic career was facilitated by his fellow artist wife Jo – originally out in UK cinemas on Tuesday, October 18th 2022, now available on home video (see bottom of review)

The latest entry in Grabsky’s generally excellent Exhibition On Screen series about art and artists covers the career of Edward Hopper to tie in with a major Hopper exhibition (Edward Hopper’s New York) at the Whitney Museum of American Art, New York. The big (and most welcome) surprise is that it charts not just Hopper’s life and work but also that of fellow artist Josephine Nivison, later his wife Josephine Nivison Hopper, whose career was largely eclipsed by his during his lifetime. To be fair, it doesn’t really go into her life before the point at which she became involved in his.

Hopper was born in 1882 and raised in the Nyack, New York house his parents had built (an enviable state, indicative of their and his time, which must surely influence one’s outlook on life). Religion and church were important to the Hoppers, but theirs was the brand of Christianity unafraid to engage with the outside world which at that time meant vast quantities of books and periodicals; the young Edward acquired a love of books from his avid reader father.… Read the rest