Tag: incarceration

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Documentary Features Live Action Movies

The Contestant

Director – Clair Titley – 2023 – UK – Cert.12a – 90m

*****

How a man’s incarceration in a room, broadcast on TV, became a media sensation in Japan– out in UK cinemas on Friday, November 29th

Before The Truman Show (Peter Weir, 1998), which would be released later the same year, a couple of years before Big Brother and the start of the UK’s reality TV phenomenon, a Japanese TV show breaks new boundaries. A man is put in a room where he had to earn a million yen in prizes from magazine competitions before being released. The facilities are basic – there is a sink unit and a gas ring, but no cooking utensils. The whole situation is filmed by two cameras. The man in the room, Nasubi, knows it is being filmed, but has been told by the producer that most of it will be thrown away. He is completely unaware that this setup is being edited into a weekly, six-minute TV spot and going out on the weekly, magazine format, endurance TV show Denpa Shonen.

The Denpa Shonen show is the brainchild of TV producer Tsuchiya, who for this segment auditions a dozen or so male hopefuls and chooses one of them, Nasubi, by lottery.… Read the rest

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Features Live Action Movies

Face/Off

Director – John Woo – 1997 – US – Cert. 18 – 138m

*****

John Woo’s third US film, his strongest to date, has FBI agent John Travolta switching faces with villain Nic Cage – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

When screenwriters Mike Werb and Michael Colleary collaborated on original screenplay Face/Off, they had in mind such classic films as post-war gangster tale White Heat (Raoul Walsh, 1949)and identity change outing Seconds (John Frankenheimer, 1966). Only after completing an initial draft did Colleary see a John Woo movie – The Killer (1989) – at which point he immediately knew the pair had found the perfect director for their material.

This was clearly reciprocal – if Woo had already astounded Hong Kong audiences with A Better Tomorrow (1986) and crossed over internationally with The Killer and Hard Boiled (1992), he had yet to win comparable critical acclaim in America, even though his modest budget American debut Hard Target (1993) had had its admirers and his first blockbusting actioner Broken Arrow (1996) had impressed Hollywood with its box office.

These films both felt like the work of a director for hire not an auteur, and while Woo, like numerous Hollywood immigrants before him, could probably have continued in similar vein, the Face/Off script contained exactly the elements the director needed to take up in Hollywood where he’d left off in Hong Kong.… Read the rest

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Alienoid
(Oegye+in 1bu,
외계+인)

Director – Choi Dong-hoon – 2022 – South Korea – LKFF Cert. 12 – 142m

*****

In Part One of a proposed double feature, aliens incarcerate prisoners in human brains and time travel between present day and fourteenth century Korea and mayhem ensues – from LKFF, the London Korean Film Festival 2022;

Part Two Alienoid: Return to the Future plays in LKFF 2024

The first film of a two-part adventure, which would be more sensibly released as Alienoid – Part One (which may already be the case in some territories), this revolves around multiple protagonists in two separate timelines divided by six or seven centuries. In the fourteenth century, Guard, who morphs between true robot and fake human appearances not unlike the T-1000 of Terminator 2 Judgement Day (James Cameron, 1991), and his even more confusing companion Thunder, who is sometimes a car, sometimes a flying pod and sometimes any number of human manifestations (both / all played by Kim Woo-bin), fail to save a woman from dying after an alien escapes incarceration within her brain, however Thunder rescues the woman’s baby.

The pair travel forward in time to raise Lee Ahn (Choi Yu-ri) in the twenty-first century where she sees what she’s not supposed to: the impregnation process whereby alien prisoners are incarcerated in human brains, a memory wiped immediately afterwards from the humans used for this purpose, meaning people wander around not knowing there are aliens trapped inside their heads.… Read the rest

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Terminator 2
Judgement Day

Director – James Cameron – 1991 – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – plays as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

What makes the film work is the mother and son element. Sarah is a believer in Terminators, the coming war against the machines, and humanity’s fightback in a world where such beliefs are dismissed as delusions.… Read the rest

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Terminator 2
Judgement Day
3D

Director – James Cameron – 1991 (3D version 2017) – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – remastered 3D version of James Cameron’s classic is out in UK cinemas from Tuesday, August 29th 2017

Painstakingly remastered in 3D, this plays as well in its current rerelease as it did back in 1991. In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

Unlike the 3D conversion of the same director’s Titanic (1997) which proved 3D to be a greatly improved, astonishing revelation, the improvements afforded T2 by 3D are comparatively minor (though they’re peerlessly executed).… Read the rest

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Animation Features Live Action Movies

Joker
Folie à Deux

Director – Todd Phillips – 2023 – US – Cert. 15 – 138m

****1/2

Get Happy… Get Ready for the Judgement Day! Prison movie, courtroom drama, musical… the new Joker movie is something of a wild card – out in UK cinemas on Friday, October 4th

The big surprise about this sequel to Joker (Todd Phillips, 2019), if indeed it is a sequel rather than another standalone film reimagining the same character, is not one but two big surprises. In no order of anything… One, it is a courtroom drama. Two, it is a musical. This is extraordinary. Less of a surprise is that, like its predecessor, it is also a character study. More of a surprise is that it completely breaks the mould as to what a comic book superhero – or, in this case, supervillain – movie might be.

Warner Bros. / DC appear to have unearthed a unique asset. DC Comics have a long tradition of alternate histories, something capitalised on in their Elseworlds imprint which have, for example, recast Batman on different occasions in as diverse roles as an historic American Civil War participant and a vampire. Thinking about such volumes in terms of the movies, such shifts of context as a musical built around a character like Joker makes perfect sense.… Read the rest

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Hard Miles

Director – R.J. Daniel Hanna – 2023 – US – Cert. 12a – 108m

****1/2

A youth facility social worker takes a group of troubled young men on a transformative team bicycle ride – out on Blu-ray, DVD & Digital Monday, September 2nd

Day-to-day life is one thing after another for Colorado medium-security correction school staff member Greg Townsend (Matthew Modine). He is in court defending, failing to get the court to see one of his charges as a human being rather than someone who committed an offence. Leaving, he finds someone has stolen his bicycle (it later gets found by the police, having sustained only minor damage). He is fielding calls from his prison-incarcerated brother about their father, who is in a care home and may not have much longer to live, and with whom Greg has not had contact for years. He is at the school, pulling boys apart as they attack each other for the most trivial remark.

However, not everything is about work and family responsibility. Greg is a cycling enthusiast, and is looking forward to taking his booked holiday of a week or more off cycling 1 000 (well, 762) miles to the Grand Canyon. Except that his boss Skip (Leslie David Baker) wants him to fill in that week, which Greg isn’t going to do.… Read the rest

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The Count of Monte Cristo
(Le Comte de Monte-Cristo)
(2024)

Directors – Alexandre de La Patellière, Matthieu Delaporte – 2024 – France – Cert. 12a – 173m

*****

An innocent Frenchman framed and imprisoned as a Napoleonic partisan escapes to impose justice on his false accusers – new Dumas adaptation is out in UK cinemas on Friday, August 30th

There have been numerous adaptions of The Count of Monte Cristo for the screen, not to mention radio and other media, over the years; this latest one is directed by the screenwriters of The Three Musketeers: D’Artagnan and The Three Musketeers: Milady (both Martin Bourboulon, 2023), who clearly have a strong feel for Alexandre Dumas’ works.

Much of what’s here is familiar: shortly after the fall of Napoleon, on the day of his wedding to sweetheart Mercédès (Anaïs Demoustier from The New Girlfriend, François Ozon, 2014), ship’s crew member Edmond Dantès (Pierre Niney from Frantz, François Ozon, 2016) is arrested for Bonapartism, falsely accused by another crew member Danglars (Patrick Mille from the two 2023 Three Musketeers movies and Love Crime, Alain Corneau, 2010). Neither the crown prosecutor Villefort (Laurent Lafitte) nor Dantès’ friend Fernand de Morcef (Bastien Bouillon from Jumbo, Zoé Wittock, 2020) refute these allegations, although both know them to be untrue, since both have their own reasons for doing so: the prosecutor because Dantès could unwittingly ruin him, Fernand because he too is in love with and wishes to marry Mercédès.… Read the rest

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The Weak and the Wicked

Director – J. Lee Thompson – 1954 – UK – Cert. 12 – 88m

***1/2

A woman spends 12 months in prison after being convicted of fraud – one of two J. Lee Thompson movies out on UK Blu-ray, DVD and Digital in August, 2024

Jean (Glynis Johns) is marched from her cell and up the stairs into the courtroom to hear the judge’s verdict. She gets 12 months for fraud, and is sent to HM Prison Blackdown. Her crime is detailed in flashback – she has a gambling problem, which costs her her doctor boyfriend Michael Hale (John Gregson) who walks out on her. She pays for chips at a casino with a cheque, for which she hadn’t the funds in the bank. In this office, the owner Mr. Seymour (Edwin Styles) tells her he has his own way of dealing with debts, as she’ll shortly find out.

Her friend Pam (Ursula Howells) gets her a job in a clothing store, but it turns out Pam is actually working for Mr. Seymour and steals a family heirloom from Jean’s handbag the first chance she gets. Jean claims the insurance money only for two policemen to arrest her the day the money comes through, going into her home and finding a pawn ticket for the allegedly stolen item tucked into the back of a mirror.… Read the rest

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Sorcery (Brujería)

Director – Christopher Murray – 2023 – Chile, Mexico, Germany – Cert. 15 – 100m

*****

When the father of an indigenous Christian convert is murdered by her German Christian employer’s dogs, her thirst for justice leads her to employ occult folk magic against his family – out in UK cinemas on Friday, June 14th

1881. Chiloé, the Northernmost island of an archipelago off the coast of Chile. Indigenous, 13-year-old Rosa (Valentina Véliz Caileo) works as a maid for German immigrant Stefan (Sebastian Hülk from All Quiet on the Western Front, Edward Berger, 2022; Little Joe, Jessica Hausner, 2019; The White Ribbon, Michael Haneke, 2009) who together with his wife (Annick Durán) runs a sheep farm. The couple have two young boys, Thorsten (Matías Bannister) and Franz (Iker Echevers). The family are Christians, and Rosa is a convert to that religion.

One day, Stefan’s sheep lie dead in his field, with woven garlands of vegetation round their necks. With tensions understandably high, Rosa’s father approaches Stefan holding a knife, and Stefan releases his two dogs upon him, killing the man. Rosa later places a makeshift cross of two sticks bound together on his basic grave, which she and Stefan’s family visit, Stefan’s wife pointing out that the man wasn’t a Christian.… Read the rest