Categories
Animation Features Movies

Dragonkeeper
(Gardiana de Dragones)

Director – Li Jianping, Salvador Simó – 2023 – Spain, China – Cert. PG – 98m

****

Faced by powerful forces of empire and a ruthless traitor, a girl must accompany an old dragon to ensure the survival of its egg – out in UK cinemas on Friday, September 27th

Ancient China. As revealed in a voice-over and an ancient, panoramic, wall-hanging scroll, the empire of the humans united with the dragons to successfully defeat necromancy. But then, the Emperor turned on the dragons, hunting them.

A long time after these events have occurred, a hard-nosed trader Master Lan (voice in the English language version: Tony Jayawardena) and his wallas are receiving some goods at a trading post when they stumble upon an abandoned baby girl. One of the wallas notices strange, blue-lit rocks floating near the baby. The group take the girl back across mountain ranges and vast plains to their small town.

Around eight years later, Ping (voice: Mayalinee Griffith) is living in that town, in the care of an old lady Lao Ma (voice: Sarah Lam), and feeding her pet rat Hua Hua (non-dialogue voice: Jonathan David Mellors) who lives in a hole in a storehouse and often goes with her in her jacket or any container or bag she might be carrying.… Read the rest

Categories
Features Live Action Movies

Ghostbusters
Frozen Empire

Director – Gil Kenan – 2023 – US – Cert. 12a – 115m

****

Back in New York, running the family Ghostbusters business out of the old fire station, the Spenglers must thwart an evil entity who possesses the power to freeze things – out in UK cinemas on Friday, March 22nd

This sequel to Ghostbusters Afterlife (Jason Reitman, 2021), written by the same three-man writing team of father and son Ivan and Jason Reitman and Ghostbusters geek Gil Kenan, picks up and runs with some of the strengths of its predecessor even as it dispenses with others. One thing it dumps is the previous entry’s completely out-there originality; instead, it follows the time-honoured principle of Hollywood movie sequels: go out and make the first movie again.

It’s basically a rehash of the original Ghostbusters (Ivan Reitman, 1984) with the younger generation of Spenglers standing in for the old, and with Winston Zeddemore (Ernie Hudson), Ray Stantz (Dan Ackroyd), Janine Melnitz (Annie Potts) and Peter Venkman (Bill Murray) from the original helping the newer characters out. There is not, perhaps, as much of Bill Murray as one would like, and his heart doesn’t seem to be in it. Otherwise, though, fans of the franchise will probably be happy.… Read the rest

Categories
Animation Features Movies

Son
Of The White Mare
(Fehérlófia)

Director – Marcell Jankovics – 1981 – Hungary – Cert. 12 – 86m

*****

The Hungarian animated epic Son Of The White Mare (1981) is one of the great, largely unknown treasures of animation, if not of cinema. Its late director Marcell Jankovics (1941-2021) made a number of shorts and commercials before his two features at the Pannoia Film Studio. Eureka!’s Blu-ray contains both features, as well as some of his most significant shorts. While Son Of The White Mare remains his indisputable masterpiece, the other films on the disc go a long way to explaining how he got there. [Read the full article at All The Anime]

See my longer review on this site

and my shorter review for Reform magazine.

Son Of The White Mare is out on Eureka! Video Blu-ray.

Trailer:

Festivals

2021

Annecy

Categories
Features Live Action Movies

Shazam!
Fury Of The Gods

Director – David F. Sandberg – 2023 – US – Cert. – 130m

***1/2

Three Daughters of Atlas enter present day Philadelphia to repossess a staff which contains power that has been stolen from them; immature teenager recast as adult superhero Shazam! and his six superhero companions must stop them – out in UK cinemas on Friday, March 17th

Something of an oddity in the DC Comics canon, Shazam! concerns Philadelphia teenager Billy Batson (Asher Angel) who inadvertently absorbs superpower energy which enables him to transform into the adult superhero Shazam! (Zachary Levi) by merely uttering the word “Shazam!” However, despite the adult physique, he still thinks like a teenager. Outside of superhero life, he is one of seven orphans who, since the end of the original Shazam! (David F. Sandberg, 2019), have had the same thing happen to them. So, seven children, seven superheroes. And their two put-upon foster parents, Rosa and Victor Vásquez (Marta Milans and Cooper Andrews).

To be honest, I could take or leave the title character (as played by teenager Angel and adult Levi) but the other kids are likeable enough at least to the extent that their characters are fleshed out here… and some are fleshed out far more than others in the narrative.… Read the rest

Categories
Documentary Features Live Action Movies

Fadia’s Tree

Directors – Sarah Beddington, Susan Simnett – 2021 – UK – Cert. U – 84m

***1/2

A friendship between British artist Sarah and Palestinian refugee Fadia sparks the former into a search for a tree in the latter’s village to which she is currently unable to return – out in UK cinemas on Friday, August 5th

Sometimes less is more. This takes what is essentially a very simple idea and runs with it to its logical conclusion. Fadia Loubani is a Palestinian born and living in Beirut’s Barajneh refugee camp. Her refugee status prevents her from visiting the part of what was then Palestine and now Northern Israel from which her family originally came. Even though the village of Sa’Sa’ is only about 15 miles away, it can only be accessed by a far longer round trip, the final part of which involves crossing a border which her status won’t permit. In this village is her father’s house and a mulberry tree that sits opposite it. If Fadia could achieve one thing in her life, it would be to visit Sa’Sa’ and find both the tree and the house.

She originally struck up a friendship with Sarah Beddington in a Beirut restaurant, subsequently introducing the artist to the community in her refugee camp.… Read the rest

Categories
Animation Features Movies

Maquia:
When
The Promised
Flower Blooms
(Sayonara
No Asa
Ni Yakusoku
No Hana
O Kazaro,
さよなら
の朝に約束
の花を
かざろう)

Director – Mari Okada – 2018 – Japan – Cert. 15 – 115m

***

Like a virgin. A refugee girl from an immortal race adopts an orphaned human baby to raise as her own until he leaves her as an adult – plays in the Anime season April / May 2022 at BFI Southbank

The Iolph are the Clan Of The Separate: they live for hundreds of years but remain in their isolated enclave cut off from the rest of humanity. They weave fabric called the Hibiol on looms; the Hibiol contains within it the storylines of their lives which the Iolph can feel and read.

Maquia and Leilia are friends. Leilia is the tomboy, getting into trouble. One day, Mezarte riders on dragons called the Renato attack and decimate the Iolph colony. Leilia is taken prisoner to be married off to the invading Mezarte prince while Maquia escapes on a Renato which goes beserk infected with the disease Red Eye, literally crashing and burning in a forest miles from home. She takes refuge in a village which has similarly been attacked and finds a baby which she prises free from the rigor mortis grip of its mother’s corpse and names the boy Erial.… Read the rest

Categories
Animation Art Features Movies

Son
Of The White Mare
(Fehérlófia)

Director – Marcell Jankovics – 1981 – Hungary – Cert. 12 – 86m

*****

Based on Hungarian folk legends, tells the story of three sons of the white mare who must free three princesses from their dragon husbands and restore the kingdom from chaos – from the Annecy 2021 Animation Festival in the Special Screenings – Annecy Classics section

This has a script sourced from Hungarian folk tales. While it’s very cinematic, the writing is similar to religious texts like the Bible or mythological stories like the Iliad where events are related in a paired down, straightforward way no matter how far removed from everyday experience they might be. Thus, there’s a prologue about three princes begging their father for their inheritance so they can marry, only for their foolish new brides to disobey the patriarch and explore all the castle’s locked doors until they unwittingly unleash a dragon and are sucked into its domain.

In the ensuing chaos, the only hope comes when the white mare births two sons then escapes into the woods pregnant with a third. She weans him for eight years until her milk makes him strong enough to uproot a tree. Drained of milk, she dies.… Read the rest

Categories
Animation Features Movies

Nezha
Conquers
The Dragon King
(Nezha
Nao Hai,
哪吒闹海)

Directors – Wang Shuchen, Yan Dingxian, Xu Jingda – 1979 – China – Cert. N/C PG – 61m

*****

A boy born out of a lotus flower must defeat the dragon king who enjoys eating live human children – available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

The four dragons rise out of the sea to wreak havoc with fire and tornado over China. In his palace, General Li awaits news of his wife’s delivery. Is it a boy or a girl? His servant is unsure: after three years, the General’s wife has birthed… a lotus flower. The petals open to reveal a boy, already walking, of diminutive size. The General’s servants and his wife’s ladies in waiting are immediately entranced and an old sage Taiyi Zhenren flies in on a crane to name the boy Ne Zha and take him under his wing as a student.

After the local people anger the Dragon King Ao Guang in his undersea crystal palace by sending him food offerings when he’d rather eat live human children, the boy happens to saunter down to the beach for a swim just as Ao Guang’s Sea Warrior has arrived to abduct some tasty boys and girls and steals one of Ne Zha’s playmates.… Read the rest

Categories
Features Live Action Movies

The Lord
of the Rings:
The Return
of the King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m (263m)

*****

(NB Extended Edition, in cinemas from Monday, August 10th 2020, 263m in cinemas due to extended frame rate = 252m version released on DVD 2004.)

This review of the 201m theatrical version was originally published in Third Way.

A much shorter review appeared in What’s On In London.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Tolkien’s The Lord Of The Rings is a labour of love by a brilliant academic obsessed by myth and language better at creating an alternate world than at story construction. Nowhere in the trilogy is this more evident than in The Return Of The King. Frodo’s trip to Mount Doom to unmake Sauron’s One Ring builds up incredibly to a climactic pivotal event running little more than a paragraph. This is followed by another hundred pages or so tying up loose ends, including a sequence in which evil wizard Saruman turns the Shire into a post-industrial dictatorship that’s trivial compared with the geographic enormity of what has gone before.

Jackson and co-writers wisely omit that sequence; indeed, in its last weeks of post-production his The Lord Of The Rings: The Return Of The King has chopped its scenes of Saruman (Christopher Lee) at Isengard – on the grounds that it slowed down the start.… Read the rest

Categories
Features Live Action Movies

The Lord
of the Rings:
The Return
of the King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m

*****

(NB Extended Edition, in cinemas July 2020, 252m version released on DVD 2004)

This review was originally published in What’s On In London.

A much longer review appeared in Third Way.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Peter Jackson and co-screenwriters Boyens and Walsh rise admirably to the considerable challenges posed by The Lord of the Rings’ third and last volume. Gandalf comments early on that Saruman no longer has any real power, jettisoning that evil wizard (and Christopher Lee) plus related Scouring Of The Shire plot strand to make Tolkien’s lengthy section following the Mount Doom climax more manageable

However all the book’s requisite material is here, brilliantly condensed. The Mount Doom scene itself – far too quick in Tolkien after the incredible build up preceding it – is expanded and so given the necessary dramatic weight. Liberties taken with The Paths Of The Dead likewise serve the narrative well. Jackson’s opening is as unexpected and stunning as that of The Two Towers, while his finale effectively pictures Tolkien’s closing metaphor for life after death.… Read the rest