Tag: Catholic

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Features Live Action Movies

One Of Our Aircraft
Is Missing

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1942 – UK – Cert. PG – 103m

*****

Forced to bail out following an otherwise successful mission in which one engine is disabled, a British bomber crew must find their way across occupied Holland to return to the safety of Britain – part of major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger from Monday, October 16th at BFI Southbank, also on BFI Blu-ray; other films in the season can be found on BFI Player

Made at the height of World War II, the first Powell and Pressburger / The Archers movie to deploy that verbal credit as such – but without their later trademark opening shot of an arrow striking its target – is in essence a propaganda exercise in the guise of a narrative feature film made to bolster wartime morale at home. However, the pair pull the whole thing off with such verve and inventiveness that it feels less an exercise in propaganda and more a rattling good yarn (without compromising either way).

It opens like a bizarre ghost story (as bizarre as the curse upon the Lairds of Kiloran in the castle ruins of “i know where I’m going!”… Read the rest

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Features Live Action Movies

Killers
Of The Flower Moon

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

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Features Live Action Movies

Are You
There God?
It’s Me,
Margaret.

All stills: Dana Hawley / courtesy of Lionsgate UK

Director – Kelly Fremon Craig – 2023 – US – Cert. PG – 105m

****

An 11-year-old girl navigates the difficult waters of religion and womanhood, talking privately to God as she does so – bestselling novel adaptation is out on digital Tuesday, July 18th and on Blu-ray & DVD Monday, August 7th

Is God there, can you talk to God, and does doing so make any difference? 11-year-old Margaret Simon (Abby Ryder Fortson) talks to God, beginning with the “Are You There?” question and then continuing to talk to God as if God’s presence were real. Whether God is real or not, the practice of talking with God has a history in certain Christian traditions, and probably in other religious traditions with which I’m less familiar too. It does not, of itself, prove the existence or non-existence of God one way or the other.

In terms of organised religion, Margaret finds herself in a confusing place. She is the sole child of Jewish father Herb (Benny Safdie) and Christian mother Barbara (Rachel McAdams) Simon. It’s a good marriage and the Simons are a very happy family, living in a cramped New York apartment with his Jewish mother Sylvia Simon (an hilariously dour yet joyous Kathy Bates).… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Vermeer
the Greatest Exhibition

)

Director – David Bickerstaff – 2023 – UK – Cert. PG – 90m

****

A tour around the Rijksmuseum’s current, sold out Closer to Johannes Vermeer exhibition, with comments from museum staff members and an art critic – out in cinemas both in the UK and around the world from Tuesday, April 18th

The latest instalment in producer Phil Grabsky’s excellent Exhibition On Screen series about art might be seen as something of a blockbuster: its subject is at once a famous artist and the current unprecedented, likely never to be repeated, comprehensive exhibition of that artist’s work. This allows the film to navigate the painter’s entire career in a chronological journey both through his images and, in a secondary, incidental journey, through the gallery itself. The latter journey is just there, visible but never described. Visitors tends to go to an art gallery to see its contents, or as in this case, a particular exhibition, not the gallery itself.

The blockbuster is the current exhibition at the Rijksmuseum in Amsterdam, entitled Closer To Johannes Vermeer, which runs from Friday, February 10th to Sunday, June 4th 2023 and is completely sold out. Vermeer (1632-1675) lived in the Dutch town of Delft, and in his active years as an artist painted only two or three pictures a year.… Read the rest

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Features Live Action Movies

EO
(IO)

Director – Jerzy Skolimowski – 2022 – Poland – Cert. 15 – 88m

*****

Forced to leave his home in the circus, a donkey undergoes a series of adventures – on BFI Player as a Subscription Exclusive along with three other Skolimowski titles on Monday, April 3rd, following its release in UK cinemas on Friday, February 3rd

After an absence of some seven years from the cinema, Skolimowski has chosen to make a movie with an animal as its central character rather than a human being. EO is a donkey (played by some six donkeys over different parts of the film) who undergoes a series of adventures as things happen around him. He starts out as a performer in a circus with a girl called Kasandra (Sandra Drzymalska), who takes good care of him and treats him with genuine affection.

Life is good. But then he finds himself co-opted by (and Kasandra arguing with) another circus person Wasyl (Maciej Stepniak) who uses a whip on him to get him to drive a cart of rubbish to the local tip. These two episodes set the tone for what is to follow: while all the humans here use the animal for their own ends, some treat him with kindness while others don’t, rather using him as a means to an end without any sense of his being a conscious creature.… Read the rest

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Animation Features Movies

Guillermo del Toro’s
Pinocchio

Directors – Guillermo del Toro, Mark Gustafson – 2022 – US – Cert. PG – 114m

*****

Created as a puppet by a bereaved, religious woodcarver father, a little wooden boy must make his way in a world of ruthless show business, Fascism and war – stop-frame puppet movie is out on Netflix on Friday, December 9th

Co-helmed by Will Vinton alumnus Gustafson, del Toro’s Carlo Collodi adaptation sees him return to the theme of the Catholic Church collaborating with Fascism that he previously explored in Pan’s Labyrinth (2006). The story roughly follows the familiar template of Disney’s Pinocchio (1940), even down to punctuating the action with songs, but with the loosely defined place and time of a fairytale shifted to a very specific Italy before (briefly) and during World War II, with Pleasure Island replaced by a boys’ military training camp. The emphasis has shifted, too, from the notion of the narrator cricket character as conscience to coming to terms with mortality, although the idea that just because things appear to be fun they may not necessarily be good is knocking around in there too.

A narrator who will later identify himself as Sebastian J. Cricket (voice: Ewan McGregor) introduces us to churchgoing woodcarver Gepetto (voice: David Bradley), who is working on a statue of Jesus Christ crucified for the local church, raising dutiful son Carlo (voice: Gregory Mann), an equally religious child with a true sense of wonder at the world around him, including planes in the sky.… Read the rest

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Features Live Action Movies

Il Buco

Director – Michelangelo Frammartino – 2021 – Italy – Cert. U – 93m

**1/2

A Calabrian cowherd nears the end of his life while a group of explorers journey down a deep hole to find out how deep into the ground it descends – out in cinemas on Friday, June 10th

Literally, ‘The Hole’. Frammartino again brings to the cinema the style that made his earlier Le Quattro Volte (2010) so special. He sets up the camera, often at a great distance from the action, then leaves it there to record whatever happens. The narrative of Il Buco is actually pretty simple, a recreation of an expedition by a group of young, amateur speleologists into a hole in the ground in Calabria. (Speleology is the branch of science involved in mapping and measuring the interiors of caves, natural underground systems, and the like.)

It’s 1961. We’re first introduced to the place in a shot looking out of the ground at the edge of the hole as, eventually, the heads of two bulls come into view over the ridge. An elderly cowherd watches over the grazing cattle from a position halfway up a forty degree incline hillside. As the bus leaves the rich, urban developments of Northern Italy for the still unspoiled Southern region of Calabria, we watch it slowly make its way along rounds, through a small rural town where the party stops for the night to bed down in sleeping bags in the local, Catholic Church alongside statues of monks and the crucified Christ lying on his back, across open country until it arrives at the vast plain where the explorers will set up camp.… Read the rest

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Features Live Action Movies

Pickpocket

Director – Robert Bresson – 1959 – France – Cert. PG – 76m

*****

Why is a man compelled to pursue acts of petty thievery – acclaimed, arresting, existential drama is out in cinemas on Friday, June 3rd

I have just rewatched Bresson’s classic and am still not entirely sure I have its measure. Perhaps that’s the thing about great works of art. Oh, to have seen it on its original release, had I been old enough, and watch it without the baggage of it being proclaimed a cinematic masterwork.

Words on the screen proclaim at the outset that this is not the thriller its title might suggest; it’s rather a study of a man who repeatedly commits crimes which is trying to understand why he would do that.

The characters, of whom the main protagonist Michel (Martin LaSalle) is the one who gets most screen time and indeed, is scarcely if ever off the scree, are played deadpan, with Bresson doing his utmost to ensure that his cast perform the roles without acting. He doesn’t want the actors’ craft to come between us and his images of people doing, being, talking. He seeks to avoid the artificiality of acting thereby allowing his performers to realise his images without any acting technique mediating them.… Read the rest

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Father Stu

Director – Rosalind Ross – 2022 – US – Cert. 15 – 124m

***

A boxer turned actor who fancies a Catholic girl is drawn into first the church and then the priesthood – out in cinemas Friday, May 13th

Stuart Long (Mark Wahlberg) is stuck. His career as a boxer has been going nowhere for three years, then comes the news from his doctor that he needs to pack it in. That’s okay, though – he always wanted to be an actor, so he moves to LA and lands himself a job serving on a supermarket meat counter. This seems to him as good a place as any to get discovered. That doesn’t go anywhere, but what DOES happen is that he sees a girl he likes, Carmen (Teresa Ruiz).

However, Carmen is a Catholic and won’t date anyone who isn’t. So, to make something happen, he first of all finds her church and attends services there just to see her, then pretty soon he’s signing up to classes to get baptised into the faith. This seems to have the desired effect and they become a couple with marriage on the horizon sometime in the future. It has a further effect on Stuart that he didn’t bargain for: being around religious people and studying what Catholics believe, he starts to become one himself and develop a genuine faith.… Read the rest

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Features Live Action Movies

Belfast

Director – Kenneth Branagh – 2021 – UK – Cert. 12a – 98m

*****

1969, Belfast, Northern Ireland. The life of a young boy and his family is impacted by The Troubles as Christian sectarianism explodes into violence on their street – out in cinemas on Friday, January 21st

Bookended by colour images of contemporary Belfast, Northern Ireland, this swiftly traverses a colour montage to pan up a wall to the black and white photographed 1969 beyond. The closing moments also feature the genuinely touching legend, “For the ones who stayed, For the ones who left, And for the ones who were lost.”

Elsewhere, apart from family trips to the cinema to see the likes of Chitty Chitty Bang Bang (Ken Hughes, 1968), where the clips from the movie and light reflected from it onto the black and white audience are in colour, everything else (including other aspects of the family cinema-going experience) is entirely in black and white.

The first ten minutes are a particularly tough watch, as images of kids playing footy, hopscotch or knights in armour (wooden swords and dustbin lids) in the streets give way to nine-year-old Buddy (ten-year-old Jude Hill) returning home to find men with clubs breaking windows on his street, hurling Molotov cocktails and shouting, “get these fockers off your street.”… Read the rest