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Find This
Dumb Little #Bitch
And Throw Her
Into A River
(Vind Die
Dome #Trut
En Gooi Haar
In De Rivier)

Director – Ben Brand – 2017 – Holland – 87m

****

Privacy in the age of internet exposure. An act of animal cruelty on a video goes viral with terrible, unforeseen consequences – from the Schlingel International Film Festival 2018

One sunny afternoon, in a forest, Lizzy (Senna Fokke) picks up several puppies one by one and throws each into a nearby river. Her brother Remco (Nino den Brave) films the act on his mobile and, in an attempt to impress his peers, posts the video online. It goes viral.

Although the scene and the video we see here were recreated for the film, with special effects and editing making it appear that this actually took place when it didn’t, this Dutch film is based on a genuine video which went viral, with Hollywood director Michael Bay, no less, briefly offering a $50 000 reward for finding the girl. Director Brand has constructed a narrative around the recreated video, which he uses as his starting point. He elicits extraordinary performances from his cast of (mostly) young actors.

The children’s father Wim (Wim Opbrouck) runs an illegal business chipping puppies for sale on the internet. Since some of these arrive from his suppliers ill or injured and therefore not fit for sale, they need to be disposed of.… Read the rest

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Hurricane

Director – David Blair – 2018 – Poland, UK – Cert. 15 – 107m

****

In cinemas from Friday 7th September

Review originally published in DMovies.org

It’s too easy to take most British WW2 movies (e.g. Dunkirk, Christopher Nolan, 2017) and claim they bolster the idea of Brexit – Britain alone against the world, defeating the dastardly Germans and so on. Hurricane is different. Its Royal Air Force (RAF) pilots are refugees from the Polish Air Force, wiped out by the Luftwaffe in a mere three days and kept on ice by Britain’s xenophobic War Office following their arrival in England.

When they’re finally allowed into the air, these Poles turn out to be much better fighter pilots than the majority of Brits who are being slaughtered by the enemy at an alarming rate. Indeed, it’s the Polish pilots that turn the Battle of Britain around.

Hurricane is named after the RAF’s most widely used fighter aircraft…

Full review at DMovies.org.

Trailer:

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The Third Murder
(Sandome
No Satsujin,
三度目の殺人)

Director – Hirokazu Kore-eda – 2017 – Japan – Cert. 15 – 124m

*****

For a director usually associated with family dramas like I Wish, Like Father, Like Son and After The Storm, Hirokazu Kore-eda’s The Third Murder might seem like a change of direction. It begins with a murder, and focussed on a lawyer trying to uncover what actually happened, a narrative template familiar from countless films about journalists in search of a story, detectives trying to solve crimes and courtroom dramas of lawyers at work.

Yet there are plenty of Kore-eda concerns evident here. Ambitious young lawyer Shigemori (Masaharu Fukuyama from Like Father Like Son and John Woo’s thriller ManHunt) is a workaholic estranged from his wife. His daughter commits petty offences like shoplifting. His client Misumi (Koji Yakusho) was imprisoned for a murder over thirty years ago, but since his release has confessed to a second murder. He, too, has a daughter, but she wants nothing to do with him.

As for the murder victim, [Read the remainder of the review at All The Anime…]

Trailer:

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Apostasy

Disfellowshipped

Apostasy
Written and Directed by Dan Kokotajlo
Certificate PG, 96 minutes
Released 27 July (Cinemas and On Demand)

Now on Amazon, BFI Player and Curzon Home Cinema.

Review first published in Reform magazine.

In Dan Kokotajlo’s debut feature film Apostasy, student sisters Alex (Molly Wright) and Luisa (Sacha Parkinson) and their working mum Ivanna (Siobhan Finneran) are Jehovah’s Witnesses in Manchester waiting for the New System, when Christ will return and paradise will be restored on earth. Alex has a blood condition and is only alive because a hospital nurse gave her a transfusion after birth before her mum and the elders were aware of it: now she’s 18 and must decide for herself whether she will allow transfusion in the event of a life-threatening emergency. She’s a model Witness, attending Urdu Bible classes in order to take the Word to the local ethnic minority community.

Luisa, in contrast, gets pregnant… [Read the rest]

Now on Amazon, BFI Player and Curzon Home Cinema.

Review first published in Reform magazine.

Trailer:

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Live Action Movies Trailers

The Endless

Directors – Justin Benson, Aaron Moorhead – 2017

Never go back. Watch a kaleidoscopic marvel, the extraordinary, online trailer for the latest film by (and featuring) independent filmmakers Justin Benson and Aaron Moorhead – in cinemas and digital HD on Friday, June 29th 2018

Quote: “I was told… that they were all going to kill themselves… and THAT’S why we left the cult.” The opening words on the soundtrack of the new trailer for The Endless. Directors Justin Benson and Aaron Moorhead (Resolution/2012, Spring/2014) play two brothers named Justin and Aaron. Tension between them. A thunderclap and a flashing image of a man putting a gun to his head. Light, eerie music. Sun-soaked rocks in a daylight American desert. A yearning. “They were our family. I want to go back.” A car journeying across Western desert country, then the image flipped so the sky is beneath and the land above, with no car… and superimposed over this, logos from half a dozen major film festivals. The brothers’ car passing a beatifically smiling man standing beside a sign that reads: ‘Camp Arcadia’. A videotape features strange circular images in a landscape. A man in a group of people round a table asks, “what video?”… Read the rest

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The Endless

Directors – Justin Benson, Aaron Moorhead – 2017 – US – Cert. 15 – 111m

*****

Second time lucky? Two brothers who escaped from a strange desert cult decide to go back for a second look, which may prove to be their undoing – in cinemas & digital HD on Friday, June 29th and on Blu-ray & DVD from Monday, 2nd July

The third film from independent US directors Benson & Moorhead following Resolution (2012) and Spring (2014) sees them cast themselves as characters with their own first names. Here, Justin and Aaron are brothers whose lives seem to have lost direction since they escaped to L.A. from an isolated cult out in the desert some years ago. Specifically, Justin pulled the pair out of there when he became convinced that the cult members were about to enact a mass suicide. However, Aaron is not convinced that Justin’s suspicions were correct.

These tensions surface with the arrival through the post of an old videotape from the cult which suggests its members are still very much alive. Aaron has fond memories of great cooking and a family of sorts so wants to go back and visit; Justin hesitantly agrees provided they stay one night only and then leave.… Read the rest

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2001:
A Space Odyssey
(50th anniversary,
70mm)

Director – Stanley Kubrick – 1968 – UK – Cert. U – 149m

*****

“Dave, do you mind if I ask you a personal question?” Fifty years after its original release, the SF movie considered by many the greatest ever made returns to UK cinemas in 70mm – exclusively at Picturehouse Central for two weeks from Friday 18th May, 2018

2001: A Space Odyssey is back in a brand new 70mm print struck from new printing elements made from the original camera negative. Like known champion of physical celluloid over digital print Christopher Nolan who was involved in the process, I saw the film in a cinema as a boy with my father, although in my case I saw one of its many reruns in the seventies. Nevertheless, I relish the chance to go back and see this brand new ‘unrestored’ 70mm print because it recreates what audiences saw on release, no remastering, re-edits or redone effects… [Read more]

2001: A Space Odyssey (70mm)is back out in the UK on Friday, May 18th. Watch the film trailer below:

Review originally in DMovies.org.

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Animation Features Live Action Movies

Ready Player One

Director – Steven Spielberg – 2018 – US – 12a – 140m

*****

Get your game on. Spielberg heads back to the future using Tye Sheridan as his avatar inside a visually lavish virtual world stuffed with 80s pop culture references and dirtylicious resonances – now on Netflix

Spielberg has long been happy to move between big-budget spectaculars like Jurassic Park (1993) which push the boundaries of what’s possible in film and culturally significant stories like Schindler’s List (1993) which rely less on special effects or reshaping the blockbuster medium. Following Bridge Of Spies (2015) and The Post (2017), Spielberg now brings audiences Ready Player One which represents something he’s been trying to make for years – a movie which gets into the heads of gamers.

Among his earlier forays, The Lost World: Jurassic Park (1997) felt like a funny mixture of a sequel and an attempt at realising the gamer world (think: racing through fields in vehicles surrounded by numerous running dinosaurs). Subsequent films A.I. (2001) and Minority Report (2002) both boast futuristic environments that might not look out of place in a state of the art video game. Further, the experience of watching The Adventures Of Tintin (2011) recalls the process of actually playing a computer game.… Read the rest

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Wings Of Eagles

Serving the true God

Wings Of Eagles
Directed by Stephen Shin, Michael Parker
Certificate 12, 108 minutes
Released 12 March 2018

A sequel of sorts to Chariots of Fire, Wings Of Eagles tells the story of Eric Liddell’s missionary years in China. He’s played here by Joseph Fiennes, an actor who has grappled with one aspect or another of Christianity in several stories (Risen, The Handmaid’s Tale, Luther) and seems to thrive on roles like this. The film’s focus on British missionary work in China evokes The Inn of the Sixth Happiness about Gladys Aylward.

Liddell famously refused to run an Olympic race on Sunday, believing that no work should be done on the Lord’s Day. Later, he went to China with the London Missionary Society, taking his family with him, then sending them home after the Japanese invaded… [Read the rest]

Trailer:

Review originally published in Reform, March 2018.

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The Post

Director – Steven Spielberg – 2017 – US – 12a – 116m

*****

The White House versus the press. Set in the 1970s, Steven Spielberg’s journalistic epic tells the story of The Washington Post and the Pentagon Papers – available for digital streaming

In 1971, The New York Times broke the story of the Pentagon Papers. These documents detailed how the incumbent Nixon administration and its predecessors had increased the scale of the US involvement in the unwinnable war in Vietnam for political gain rather than the national good. The administration’s response was swift and repressive: within two days, a legal injunction prevented the paper from publishing further details. The Washington Post (often shortened to The Post, as in the film title), at the time more a local paper than a national one, stepped into the breach with its reporters hunting down the New York Times’ source so that it could publish more of the story as it emerged. Having just floated on the New York Stock Exchange, the paper found itself in the tricky situation of being accountable to conservative shareholders who didn’t like the idea of exposing their investment to risks with the potential to close the paper down for good.… Read the rest