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Disclosure Day

Director – Steven Spielberg – 2026 – US – Cert. 12A – 145m

The first two hours *****

The last half hour ***

Hoping to reveal to mankind the hitherto censored truth about aliens visiting Earth, a man and a woman flee their pursuers across the United States – out in UK cinemas on Wednesday, June 10th

The plot is in the title. This is the day we find out. The day when everything is revealed. As in the film’s posters. The man (Josh O’Connor from Rebuilding, Max Walker-Silverman, 2025; The History of Sound, Oilver Hermanus, 2025; La Chimera, Alice Rohrwacher, 2023) and the woman (Emily Blunt from The Fall Guy, David Leitch, 2024; Oppenheimer, Christopher Nolan, 2023; A Quiet Place, John Krasinski, 2018)) saw a deer and a bird. The implication is that that encounter caused them to see and understand; the title further suggests that they want to disseminate that understanding to the wider world. All this sounds very evangelical to me: receive the message, get the word out. You shall know the Truth, and the Truth shall set you free.

Daniel (O’Connor) has been caught with a rucksack containing a bunch of objects.… Read the rest

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Köln 75
(Köln 75)

Director – Ido Fluk – 2025 – Germany – Cert. 15 – 112m

*****

How an 18-year-old girl came to stage what would become the biggest selling jazz album in history – narrative feature is out in UK cinemas on Friday, June 5th

At a party honouring her career as a music promoter, 50-year-old Vera Brandes (Suzanne Wolff) is upbraided by her dentist father (Ulrich Tukur from The White Ribbon, Michael Haneke, 2009; The Lives of Others, Florian Henckel Von Donnersmarck, 2006; Solaris, Steven Soderbergh, 2002; Lulu, George Moorse, Peter Zadek, TV movie, 1991) that she never amounted to anything. In a quasi-documentary sequence, she intervenes as narrator to talk about this being a really bad start, and proceeds to play, like a presenter in a music documentary, some music takes abandoned by bad starts from, among others The Cramps and Bob Dylan.

The film starts again, this time with 18-year-old Vera Brandes (Mala Emde) who enjoys hanging out with friends at jazz venues, such as the one where English club owner Ronnie Scott (Daniel Betts from September 5, Tim Fehlbaum, 2024; Alien Romulus, Fede Alvarez, 2024; Allied, Robert Zemeckis, 2016) is playing. Getting his attention by buying him an ice cream cone, Vera chats with him and, by the time she has walked her bicycle with him to his hotel has been commissioned to book him a European tour “because I can’t imagine anyone saying no to you.”… Read the rest

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Masters
of the Universe
(2026)

Director – Travis Knight – 2026 – UK – Cert. 12a – 132m

***1/2

Prince Adam must recapture Castle Grayskull and the throne of Eternia after his parents, the king and queen, have been deposed by the evil Skeletor – out in UK cinemas on Wednesday, June 3rd

As his father King Radnor (James Purefoy from High-Rise, Ben Wheatley, 2015; Ironclad, Jonathan English, 2011; Solomon Kane, M.J. Bassett, 2009) of Eternia and his trainer Duncan the Man-at-Arms (Idris Elba from A House of Dynamite, Kathryn Bigelow, 2025; Pacific Rim, Guillermo Del Toro, 12013; The Wire, TV series, 2002-4) know only too well, young Prince Adam (Artie Wilkinson-Hunt from Good Luck, Have Fun, Don’t Die, Gore Verbinski, 2025; Strike, TV series, 2017) is a bit of a wimp and generally fares badly at Duncan’s open air group combat training classes in the grounds of ancestral home Castle Grayskull. Adam’s best friend and Duncan’s daughter Teela (Eire Farrell from The Wasp, Guillem Morales, 2024; Barbie, Greta Gerwig, 2023) is much better at learning this stuff than he is.

Nothing has prepared either of the pair for real combat, such as when, out of nowhere, Castle Grayskull is attacked by the villainous Skeletor (Jared Leto from Tron: Ares, Joachim Rønning, 2025; House of Gucci, Ridley Scott, 2021; Blade Runner 2049, Denis Villeneuve, 2017; Dallas Buyers Club, Jean-Marc Vallée, 2013) and his forces who defeat the King and his Queen Marlena (Charlotte Riley from London Has Fallen, Babak Najifi, 2016; Edge of Tomorrow, Doug Limon, 2014; Easy Virtue, Stephan Elliot, 2008) and take over the castle even as Duncan, armed with various inventive items of weaponry, helps the two children to escape.… Read the rest

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Being Towards Death
(10 Jian Gan Si Dui,
10间敢死队,
lit. 10 Fearless Squad)

Director – Sicheng Chen – 2026 – China – Cert. 12a – 120m

**

The terminally ill patients thrown together in hospital Ward 10 decide to adopt a positive attitude towards both life and death – out in UK cinemas on Friday, June 5th

This has one of those weird Oriental movie titles that doesn’t translate that easily into Western languages, the number 10 referring to the ward for terminally ill patients in a particular hospital and the rest meaning a sort of optimistic equivalent of a suicide squad, but less a military type do or die operation than a determination to live in the inevitable face of inescapable, imminent death. The translators have settled on a term borrowed from philosopher Martin Heidegger which probably works better in German than in English, in which language it feels incredibly clunky. It refers to the act of living authentically in the face of death, which is very much what this movie is about. Somewhere in the middle of the narrative, Ward 10’s occupants, who feel increasingly like a close-knit family, name themselves (in the English subtitled version) the Ward 10 Fearless Squad, which would perhaps have been a better title.

Director Sicheng Chen (Detective Chinatown 3, 2021; Detective Chinatown, 2015) opens with that old cliché, the man about to jump off the top of a building.… Read the rest

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The Misfits

Director – John Huston – 1961 – UK – Cert. – 125m

****

As the Old West fades, a woman tries to navigate the men who appear to be dying with it in the final film of both Marilyn Monroe and Clark Gable – back out in UK cinemas on Friday, June 5th; the season Marilyn Monroe: Self Made Star plays BFI Southbank throughout June and July

Reno, Nevada. Local resident Isabelle (Thelma Ritter from Rear Window, Alfred Hitchcock, 1954; Pickup on South Street, Sam Fuller, 1953; All About Eve, Joseph L. Mankiewicz, 1950) meets garage tow truck driver Guido (Eli Wallach from The Good, The Bad and the Ugly, Sergio Leone, 1966; The Magnificent Seven, John Sturges, 1961; Baby Doll, Elia Kazan, 1956) as he inspects the damage to the car of Roslyn (Marilyn Monroe) who claims, from an upstairs window, that it was caused by men bumping into her vehicle to get her attention.

The worldly Isabelle attempts to coach the hapless Roslyn as to what to say in the divorce court, a service Isabelle would appear to have performed for previous house guests. Following the hearing, and a brief encounter with Roslyn’s ex Raymond (Kevin McCarthy from Invasion of the Body Snatchers, Don Siegel, 1956), the two women head out to a cocktail lounge to celebrate.… Read the rest

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We’re Nothing
at All
(Ngo Mun
Bat Si Sam Mo,
我們不是什麼)

Director – Herman Yau – 2026 – China, Hong Kong – Cert. 18 – 128m

*****

A seasoned forensics expert pieces together the story behind a bus bombing as the lives and motives of those responsible is revealed in interweaving serial flashbacks – out in UK and Ireland cinemas on Friday, May 29th

A police procedural but not exactly a thriller. This starts off with an unforgettable sequence as, below us, a bus silently weaves its way through streets. And then, without warning, explodes. You’d be forgiven for thinking that, after this bravura opening, you’re in for yet another Hong Kong cops and robbers action movie. And yet, while this is undeniably a police procedural, and contains enough gore and grisly bits to earn it a BBFC 18 certificate, it’s far from your standard HK action outing. Given that Herman Yau’s previous work has included a thriller about a cannibal serial killer The Eight Immortals Restaurant – the Untold Story aka Bunman – the Untold Story (1993) and cops and robbers bomber thriller Shock Wave (2017), this is something of a surprise.

Rather, it’s a drama. If you will, a police forensics drama. The matter of fact, real time nature of the opening sequence introduces no characters whatsoever.… Read the rest

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Power Ballad

Director – John Carney – 2025 – Ireland – Cert. 15 – 98m

*****

A rock musician reduced to playing weddings but happy with his lot meets a former boy band star who steals one of his songs – out in UK cinemas on Friday, May 29th

High heeled feet head for the dance floor. “Cel – e – brate Good Times – Come On.” The happy couple are enjoying themselves. You seem like a good crowd, says the frontman Rick (Paul Rudd from Teenage Mutant Ninja Turtles: Mutant Mayhem, Jeff Rowe, Kyler Spears, 2023; Ghostbusters: Afterlife, Jason Reitman, 2021; Ant-man, Peyton Reed, 2015), of the standards band (Rory Keenan from The Guard, John Michael McDonagh, 2011; Ella Enchanted, Tommy O’Haver, 2004; Reign of Fire, Rob Bowman, 2002; Keith McErlean from Flora and Son, 2023, Sing Street, 2016, both John Carney; Paul Reid from Flora and Son). Here’s a song from my last album.

In Rick’s mind, he and his band are on a night stage at a music festival playing to a vast, enthusiastic and indeed magical crowd holding smartphone torch lights. The wedding party don’t share his enthusiasm, however, and the floor is clearing as he inadvertently brings the evening to an end.… Read the rest

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Leonora
in the Morning Light
(Leonora
im Morgenlicht)

©Mirjam Kluka, Dragonfly films, Alamode Film

Directors – Thor Klein, Lena Vurma – 2025 – Germany, Romania, Mexico, UK – Cert. 15 – 103m

**

In Mexico, France, Spain and the England of her childhood, Surrealist painter Leonora Carrington must confront her personal demons – out in UK and Ireland cinemas on Friday, May 29th

Deserted hillsides, a sliver of a road, eventually a tiny red car moving along it, to the accompaniment of a pulsating electronic score suggesting the present day. Another stretch of road: the car drops off the woman, in stylish trousers and blouse, who smokes observing the landscape. The driver gets out to photograph her, much to her displeasure, but he’s run out of film.

An illustrated title card: Death. Xilitla, Mexico, 1951. The man takes her to the rooming house of Edward (Ryan Gage), leaving her as he promises to look after their son. Outside the window, she can hear the two men discuss all that has happened to her. Her madness.

©Mirjam Kluka, Dragonfly films, Alamode Film

She and Edward are riding with others in the back of a lorry on a road. In Spanish, she asks a woman on the lorry (Yasmira Escárrega) about her amulet – “a sacred stone that illuminated the path through the underworld”.… Read the rest

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Father Mother
Sister Brother

© Vague Notion 2024 Yorick Le Saux

Director – Jim Jarmusch – 2025 – US – Cert. 12a – 110m

*****

Three separate stories follow visits by three separate sets of adult siblings to, respectively, an elderly father, an elderly mother, and a deceased parents’ cleared home – streams exclusively on MUBI from Friday, May 29th

This harks back to a couple of earlier Jarmusch movies which similarly consist of a small number of stories: Night on Earth (1991) with five cabbies on one night in different cities and Mystery Train (1989) with its three linked stories set during one night in Memphis. There’s no suggestion that the three stories in Father Mother Sister Brother – set in rural North America, Dublin and Paris – are taking place simultaneously, international time differences notwithstanding, but they could well be, because all three take place in similarly good weather conditions. The first is rural, with snow on the ground, while the latter two are urban.

All three of FMSB’s stories feature similarities which link them beyond the overall siblings / parent(s) theme. These are both expected – car journeys to the home of the parent or parents, time spent in their presence or absence – and unexpected – skateboarders seen from the can en route, a Rolex watch.… Read the rest

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Star Wars
The Mandalorian
and Grogu

Director – Jon Favreau – 2026 – US – Cert. 12A – 132m

****

The mercenary Mandalorian and his infant charge, the Yoda-like Grogu, must rescue the young Rotta the Hutt who has been kidnapped by gangsters – out in UK IMAX cinemas on Friday, May 22nd

The character of the MandalorIan resembles a bounty hunter from the early Star Wars films but is, in fact, a Mandalorian warrior sworn not to remove his mask. And he has an apprentice Grogu, who is to all intents and purposes a baby version of Yoda, the character who first appeared in The Empire Strikes Back, although Grogu isn’t actually Yoda, but a different character of a later generation. For those completely new to Star Wars, Yoda was both a Jedi Master skilled in harnessing the Force and a diminutive, otherworldly creature performed by a puppeteer. Audiences immediately warmed to him. Unlike Yoda, Grogu is too young to talk (although he does make suspiciously verbal sounding utterances from time to time) and you might think he would be unbearably cute and make the film difficult to watch. But he isn’t, not at all.

When franchise creator George Lucas still owned Lucasfilm, Star Wars: Episode I – The Phantom Menace, George Lucas, 1999 introduced the irritating, kiddie-oriented character of Jar Jar Binks, widely regarded as an error of judgement. … Read the rest