Tag: US

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Features Live Action Movies

The Dark Knight
The IMAX Experience

Director – Christopher Nolan – 2008 – US – Cert. 12a – 152m

*****

If you see The Dark Knight in an ordinary cinema rather than IMAX 70mm, you haven’t seen it at all – review originally published in Third Way in 2008.

The Caped Crusader is as significant a figure in the media landscape as he is on the Gotham City skyline. Ever since revisionist graphic novel The Dark Knight Returns (1986) suggested that the methods of a so-called hero who went around beating up villains might in fact be less than heroic, the complexity of the character has become increasingly apparent. In print, the high point has been the Red Rain trilogy (1991-98), which reinvented the character as a vampire! Hollywood has jumped on the bandwagon in the last two decades with two quirky Tim Burton movies, two vacuous, family-friendly Joel Schumacher sequels and two darker Christopher Nolan outings (Batman Begins and this one).

Nolan’s entries have focused on Batman / Bruce Wayne (Christian Bale) rather than simply on Batman, whose masked vigilante is less a fabrication than his everyday millionaire playboy alter-ego. Bruce is trapped between wanting to protect the city from criminals and the dubious methods he employs to do so as Batman.… Read the rest

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Features Live Action Movies

Are You
There God?
It’s Me,
Margaret.

All stills: Dana Hawley / courtesy of Lionsgate UK

Director – Kelly Fremon Craig – 2023 – US – Cert. PG – 105m

****

An 11-year-old girl navigates the difficult waters of religion and womanhood, talking privately to God as she does so – bestselling novel adaptation is out on digital Tuesday, July 18th and on Blu-ray & DVD Monday, August 7th

Is God there, can you talk to God, and does doing so make any difference? 11-year-old Margaret Simon (Abby Ryder Fortson) talks to God, beginning with the “Are You There?” question and then continuing to talk to God as if God’s presence were real. Whether God is real or not, the practice of talking with God has a history in certain Christian traditions, and probably in other religious traditions with which I’m less familiar too. It does not, of itself, prove the existence or non-existence of God one way or the other.

In terms of organised religion, Margaret finds herself in a confusing place. She is the sole child of Jewish father Herb (Benny Safdie) and Christian mother Barbara (Rachel McAdams) Simon. It’s a good marriage and the Simons are a very happy family, living in a cramped New York apartment with his Jewish mother Sylvia Simon (an hilariously dour yet joyous Kathy Bates).… Read the rest

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Documentary Features Live Action Movies

Brainwashed:
Sex-Camera-Power

Director – Nina Menkes – 2022 – US – Cert. 18 – 107m

***1/2

A lecture on how movies treat male and female bodies differently, augmented with interviews from female directors, actresses, critics and others, using numerous film clips – on BFI Player from Monday, July 17th

This is a film based on a lecture given by director Menkes under the title: Sex and Power, the Visual Language of Cinema. As far as I can tell from the evidence here presented, it is (or was) something like a TED Talk but much longer. It’s possible it may have worked better as a live lecture than as a film. I’m guessing also there’s something of the band Talking Heads’ Stop Making Sense (Jonathan Demme, 1984) concert film about this: a live performing act wanting a film of their performance so it can reach a wider audience without the necessity of the performers physically touring the act. But where Stop Making Sense is a masterpiece of the filmed performance (or, technically, in that film’s specific case, the filmed music concert) genre, Brainwashed: Sex-Camera-Power is not. Even if you’re broadly in tune with its thesis (which I like to think I am), it does feel like you’re being repeatedly told the same thing and somewhere (perhaps around the 75 minute mark) you get fed up with it.… Read the rest

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Features Live Action Movies

Mission: Impossible
Dead Reckoning
Part One

Director – Christopher McQuarrie – 2022 – US – Cert. 12a – 163m

*****

Tom Cruise’s seventh and director Christopher McQuarrie’s third Mission: Impossible outing delivers globetrotting action and one of the most incredible stunts ever committed to film – out in UK cinemas on Monday, July 10th

It seems almost fatuous to attempt to synopsise this latest Mission: Impossible effort because it basically boils down to various parties including Ethan Hunt (Tom Cruise) and his allies chasing after a key which most of them don’t know what it opens. I tell a lie, actually two halves of a key (this sounds a lot like the ancient artefact in this year’s Indiana Jones movie, which I’m sure is pure coincidence) each one of which can be used to verify that the other is the genuine article and not a fake. This MacGuffin, the thing all the characters want and which propels them through the story, in turn provides producer and star Tom Cruise, director Christopher McQuarrie and their collaborators with the excuse for a series of exhilarating, bravura set-pieces.

There’s also the visual pleasure of this franchise’s usual amount of people wearing photorealistic masks to disguise themselves as other people, and later ripping off (or having others rip off) their fake faces to reveal their real ones.… Read the rest

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Features Live Action Movies

Indiana Jones
And The
Dial Of Destiny

Director – James Mangold – 2022 – US / UK – Cert. 12a – 154m

*****

In the late 1960s, the newly-retired archaeologist is dragged by his goddaughter into a globetrotting adventure involving Nazis and ancient artefacts – out in UK cinemas on Wednesday, June 28th

In 1945 in Europe, at the close of the Second World War, whilst fighting Nazis led by archaeologist Dr. Voller (Mads Mikkelsen) both in a castle and on a train, archaeologists Henry Jones (Harrison Ford) and Basil Shaw (Toby Jones) gain possession of an ancient artefact, the Archimedes Dial aka the Antekythera mechanism.

Over two decades later in 1969 in New York, on the day of his retirement from academia, Jones is approached by his late colleague’s daughter – his goddaughter – Helena Shaw (Phoebe Waller-Bridge) who, following her research into her father’s obsession with the artefact, believes she knows the location of one half of the dial, broken into two separate pieces by its maker Archimedes to prevent it falling into unsuitable hands.

She’s wrong though: Jones has it, although possibly not for long as a cabal of Dr. Voller plus Nazis including the trigger-happy Klaber (Boyd Holbrook), the 7’2 Hauke (Olivier Richters) and a CIA agent Mason (Shaunette Renée Wilson) turn up to regain its possession.… Read the rest

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Documentary Features Live Action Movies

Hello, Bookstore

Director – A.B. Zax – 2022 – US – Cert. PG – 86m

*****

A small town US bookstore and its enthusiastic, bookworm owner are seen in good times and bad, bad being the global pandemic when it’s just getting by, profits plunge and the business is threatened with closure – out in UK cinemas and on demand on Friday, June 30th

Shot in a mixture of colour and black and white, this documentary about a bookstore (or bookshop, as we call them in the UK) in Lenox, Massachusetts – called, quite literally, The Bookstore – and its owner of 40 years Matt Tannenbaum opens with a short sequence in black and white showing the premises under pandemic lockdown, making this film an addition to that small but welcome group of movies that don’t pretend the pandemic never happened.

The genial Tannenbaum has to explain to callers that he’s not letting anyone in, “not for browsing, just for kerbside” and has lengthy conversations on the phone. He admits a masked delivery man with the latest shipment of books, but that’s all. “It’s so hard, it’s so boring, it’s so different,” he says. Clearly he prefers non-pandemic times, when people come into the store, and he can talk to them, find out what they like, and supply books suitable for their tastes.… Read the rest

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Features Live Action Movies

Asteroid City

Director – Wes Anderson – 2023 – US – Cert. 12a – 104m

***

A stage play frames a tale of various characters in a 1950s US desert town, built on the site of an asteroid impact, which becomes the centre of a cover-up after an alien appears – out in UK cinemas on Friday, June 23rd

Iconoclast Anderson’s latest is being sold as one thing by its trailer, when it’s actually something else. And watching the film, that something else completely threw me. What we are being sold via the standard letterboxed movie framed image is, a 1950s family trapped in the town of Asteroid City, USA when their car irreparably breaks down, then the entire (not very large) population including visitors imprisoned there following an incident with an extra-terrestrial spaceship and an alien. The overall tone is of whimsy, but maybe there’s something unsettling and disturbing about it too.

Anderson’s movies have never been about photorealism as much as artifice, which is part of their undeniable charm. Perhaps that’s even more true of Asteroid City than most. The costumes, the production design, have gone for a very particular, stylized look. This is fifties American desert romanticised into pastel-shaded eye candy, and if all that were required of going to a movie were to sit down in your seat and soak up the scenery, then provided you’re not the type to insist on photo-representational accuracy, this would be a winner hands down.… Read the rest

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Documentary Features Live Action Movies

Memories To Choke On,
Drinks
To Wash Them Down
(Ye Heung,
Yuen Yeung,
Sham Shui Po,
夜香・鴛鴦・深水埗)

Directors – Leung Ming Kai, Kate Reilly – 2019 – Hong Kong – Cert. N/C 15+ – 77m

**1/2

Four stories from contemporary Hong Kong comprise three dramas and a closing documentary segment – plays Focus Hong Kong 2023 on Saturday, June 24th at 3.30pm

An anthology of four stories from contemporary Hong Kong – three fiction and one documentary – showing the city’s diversity: Forbidden City, Toy Stories, Yuen Yeung and It’s Not Going To Be Fun.

Forbidden City features an old lady (Leong Cheok-mei) and her immigrant carer (Mia Mungil). The first time ‘grandma’ mentions that her son is now a big shot but used – as the not quite right subs put it –to scratch his wee-wee when he was young, it’s funny. The second and third times, it becomes obvious she has dementia and keeps repeating the same phrases over and over. Mia initially refuses to accompany her charge to a reunion in town, but after taking a video of the old lady swearing that she won’t take her carer to her son’s office (“if I do that he’ll fire me,” the carer says), she agrees to accompany her on the bus into town.… Read the rest

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Features Live Action Movies

Inland Empire

Director – David Lynch – 2006 – US – Cert. 15 – 180m

*****, *, or somewhere in between

Immersing herself in the role she plays in the movie she’s currently shooting, an actress loses herself in it as she becomes increasingly divorced from reality – 4K remaster is out in UK cinemas on Friday, May 26th then Blu-ray / DVD on Monday, June 19th

I first watched this when it came out in 2007. I wasn’t sure what to make of it then and, revisiting it for the first time in roughly a decade and a half, I’m still not sure what to make of it now. It’s a Hollywood film in the sense that Lynch is highly respected in Hollywood, yet it’s not a Hollywood film in the sense that it steadfastly refuses to play by any rules other than Lynch’s own – and whatever those rules are, they are almost certainly made to be broken.

To attempt to impose a plot on the film is probably a mistake. Most commercially produced movies have a script, characters, a plot and can be judged on their narrative coherence, technical expertise and the actor’s performances. Technical expertise may be a good place to start.… Read the rest

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Features Live Action Movies

The Flash

Director – Andy Muschietti – 2023 – US – Cert. 12a – 144m

*****

Tormented by the death of his mother, The Flash goes back in time to try and save her – out in UK cinemas on Wednesday, June 14th

Barry Allen (Ezra Miller) is running late for work again. The girl that usually makes his special sandwich at the shop near his workplace isn’t in today, so instead he has to deal with someone who needs to be talked through the order. On top of that, he gets a call from Alfred (Jeremy Irons) at the Batcave because no other Justice League superhero is available: could The Flash please attend to rescuing staff and patients from the explosives-rigged Gotham City Hospital?

So he races over there and while Batman (Ben Affleck) pursues criminals on the Batbike. Barry / The Flash, a superhero with the ability to move at incredible speed, saves falling babies and their ward sister from a collapsing, high-rise, maternity ward. The pursuit is mostly over when Wonder Woman (Gal Gadot) turns up at a fight on at a bridge to save the day and wield the Lasso of Truth.

Barry has parental issues: specifically, he is trying to get his wrongly convicted father Henry (Ron Livingstone) exonerated for the crime of killing Barry’s mother (Maribel Verdú from Pan’s Labyrinth, Guillermo del Toro, 2006; Y Tu Mamá También, Alfonso Cuarón, 2001) in their home when, as he claims, he was out buying a can of tomatoes at the time.… Read the rest