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Teenage Sex and Death
at Camp Miasma

Teenage Sex and Death at Camp Miasma

Director – Jane Schoenbrun – 2026 – US – Cert. 15 – 106m

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A film director given the job of rebooting the Camp Miasma horror franchise finds her life turned upside-down by the reclusive star of the original film – out in UK cinemas on Friday, August 21st

Once upon a time, there was a series of slasher movies about Camp Miasma in which Little Death – a possibly male figure wearing an air vent on their head and wielding a long, pointed, metal spear – would appear from the lake and kill people. Such as, for instance, the hapless, dog-walking elderly couple of whom the man is turned into a ludicrously high fountain of blood. 29-year-old Indie filmmaker Kris (Hannah Einbinder) has picked up the job of making the latest instalment in the popular horror franchise which she has watched since its inception.

In order to put together a pitch for the series’ producers, she travels to the off the beaten track home of the original film’s final girl Billy (Gillian Anderson). En route, she’s thrilled to pick up a DVD copy of the sixth entry in the franchise from a roadside store where she stops to buy Gummies and other confectionery.… Read the rest

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Features Live Action Movies

Tron: Ares

Director – Joachim Rønning – 2025 – US – Cert. 12a – 119m

A CEO uses robots and vehicles from the digital world, which disintegrate after 29 minutes, to hunt down his corporate rival – out in UK cinemas on Friday, October 10th

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Third movie in Disney’s Tron franchise doesn’t presuppose much knowledge of the original film (Steven Lisberger, 1982) beyond Jeff Bridges vanishing into the world of computer games, and coloured motorbikes leaving instantly recognisable colour trails behind them in the computer graphics-styled grid world. In its day, when computer graphics effects were few and far between in the cinema, it’s visuals were memorable. Which instantly states the problem for any contemporary Tron movie: it has to stand out from the crowd of CG-augmented movies released in contemporary Hollywood cinema.

The plot here is pretty flimsy (I don’t say that as an adverse criticism: the movie is what is is, a serviceable, effects-laden Hollywood blockbuster) and is as follows. Two big corporations are vying for market dominance in the area of realising computer programmes from the CG world into our own. Dillinger Systems, run by the youthful and ruthless Julian Dillinger (Evan Peters), shows shareholders at a flashy presentation how he can bring the ultimate, obedient, robot warrior Ares (Jared Leto) into our world to provide buyers with the most effective soldier imaginable.… Read the rest