Tag: urban

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Features Live Action Movies

Free Guy

Director – Shawn Levy – 2021 – US – Cert. 12a – 115m

***1/2

A non-player character in a mayhem-riddled video game decides to take matters into his own hands after meeting the girl of his dreams – out in cinemas on Friday, August 13th

Guy (sic) (Ryan Reynolds) works in Free City. In a bank. Every day he selects the same shirt from his wardrobe, gets a coffee from the same barista, goes to work. Where, at specific times like clockwork, there are robberies. He and his buddy, a security guard named Buddy (sic) (Lil Rel Howery) drop to the floor where they then chat about life, love and other issues.

Then, one day, he meets Molotov (Jodie Comer), a gun-carrying girl with a British accent. He feels as if he’s known her forever, like she’s the missing piece in his life. But she’s a Specs. She wears specs. People who wear specs do things people who don’t don’t. Guy decides he’s going to steal specs from the first bank robber who comes along.

What Guy doesn’t know is that he’s an NPC (non-player character) in a video game called Free City. The game is made by a company called Soonami run by Antwan (Taika Waititi).… Read the rest

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Features Live Action Movies

Undergods

Director – Chino Moya – 2020 – UK – Cert. N/C 18+ – 91m

**1/2

Overlapping narratives unfold within a mysterious city which resembles something out of Eastern Europe – in cinemas from Monday, May 17th

In a grey urban environment resembling an unspecified city somewhere in Eastern Europe or possibly Russia, two lorry drivers go about their daily routine of picking up corpses from the street. These two characters form the frame story of what is to follow, although exactly what that is isn’t clear from the narrative’s meandering nature. There are stories within stories wherein the character you think is the main character is suddenly usurped by a different character. Several times over.

That’s a pity because they are potentially very interesting stories, so it’s frustrating to see them consistently half-baked. The anthology film is, after all, a tried and tested format and this film attempts do something radical and new with it. The problem is though, to make that form work you really need to understand its rules before you play around with them, break them, or abandon them altogether. This film seemingly lacks that understanding, or thinks you can throw away the framework and everything will still somehow work.… Read the rest

Categories
Live Action Movies Shorts

Hello

Director – Chan Lok-yi – 2017 – Hong Kong – Cert. N/C 12+ – 23m

*****

A schoolgirl looking for her first alcoholic drink falls in with a poor, unemployed man who likes to drink – online and Free To View in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

A schoolgirl (Chan Wing Sum) eyes up the canned alcoholic beverage section of the local 7-Eleven. She’s aware of the man (Ng Kam-chuen) at the counter asking, pleading, almost pathetically, “can I pay you next time, please?” Both are losers. After class, her teacher takes her aside and tells her, “unless you do something, you will fail.” 

The man, meanwhile, gets short shrift when he enters a local warehouse looking for work. The extremely busy and smartly dressed manager doesn’t seem to like the look of him but is quite happy to tell someone else, “you’ve come just in time.” 

Our man hangs around the streets near the school.  He’s grateful when a group of self-proclaimed Christians turn up to hand out food to the needy and enjoys a quiet meal out of fast food cartons on a bench in a deserted urban area as a result.… Read the rest

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Documentary Features Live Action Movies

Dick Johnson
Is Dead

Director – Kirsten Johnson – 2020 – US – 89m

*****

The director imagines the death of her dad in a film which celebrates both the man himself and the art of cinema – on Netflix worldwide from Friday, October 2nd

I was alerted to this movie both because not only was Johnson’s prior Cameraperson (2016) excellent but also the subject matter of this new film looked promising. Johnson spent three decades as the cameraperson on numerous documentaries (among them Farenheit 9/11, Michael Moore, 2004 and Citizenfour, Laura Poitras, 2014) before making her previous feature out of interesting bits and pieces of footage she had lying around. Her new film is highly personal and almost fits into the home movies or personal diary school of film making – lent an inevitable, additional gravitas given Johnson’s prior artistic and technical career.

C. Richard Johnson (b. 1932 – ) is Kirsten Johnson’s dad. One day, like all of us, he is going to die. So his daughter decided that while he was still alive she would make a film about his dying, filming his possible deaths and staging his funeral service ahead of time.

There’s a huge contradiction at the heart of this idea.… Read the rest

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Features Live Action Movies

Barking Dogs
Never Bite
(Flandersui Gae,
플란다스의 개)

Director – Bong Joon Ho – 2000 – South Korea – 110m

****1/2

Available exclusively on Curzon Home Cinema from Friday, September 18th.

Lecturer Yun-ju (Lee Sun-jae) is looking out the window of his apartment in a block of flats and having been recently passed over for a professorship is on the phone to a colleague, but can’t concentrate because of a persistent dog barking. He resolves to do something about it. Chancing later upon a dog without an owner near his front door, he takes it up to the roof but then, unable to drop it off the balcony, takes it down to a basement corridor and traps it in an old wardrobe.

Maintenance office worker Park Hyun-nam (Doona Bae) is visited by a little girl in a yellow waterproof to get her missing dog posters officially stamped so that they won’t get taken down.

Hen-pecked by his working, pregnant wife Eun-sil (Kim Ho-jung), Yun-ju learns from a colleague that the person who got the professorship has died so the position should now be his – for a $10 000 bribe. And the barking hasn’t stopped – he got the wrong dog because the little girl’s posters mention that the missing dog can’t bark following a throat op.… Read the rest

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Animation Features Movies

Kill It And Leave This Town

Director – Mariusz Wilczynski– 2020 – Poland – 88m

****1/2

From the Annecy 2020 Online Animation Festival

From its opening of a man smoking in the dark to its closing image of giants tied down on a beach like felled Gullivers in Lilliput, this is awash with the sort of gloomy imagery readily associated with East European art pictures. That’s not to say it isn’t highly effective though. Set partly in a grey, heavily industrialised town where chimneys constantly belch out smoke and partly in a seaside resort, it has a narrative through line but constantly weaves around that with a series of episodes, dreams and memories. Nevertheless it possesses its own, coherent inner logic.

An old woman (Krystyna Janda) wishes her husband (Andrzej Chyra) goodbye as he takes their son Janek (Maja Ostaszewska) out. Later she visits the shops where, although she makes a point of explaining that she has the correct change, no one seems to be interested in actually serving her. Indeed, these are strange shops. Sometimes the fishmonger’s assistant (Malgorzata Kozuchowska) guts fish and sometimes she guts little humans who are around the same size.

At one point a man (Daniel Olbrychski) whose hat conceals that he has the head of a cat delivers an unsettling line about his purposes in the world to do with power, evil and good.… Read the rest

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Features Live Action Movies

Witness

UK PAL laserdisc review.

Originally published on London Calling Internet.

Distributor Pioneer LDCE

£19.99

BBFC Certificate 15

Director Peter Weir (1985)

Starring Harrison Ford, Kelly McGillis, Lukas Haas, Danny Glover

Running Time 108 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

First American movie by Australian director Weir was also Ford’s first attempt at serious acting (for all those who think the star didn’t have his work cut out on the Indiana Jones or Star Wars films which previously made his name). The piece shifts constantly between a generally unremarkable gun-laden, American cop thriller on the one hand and an utterly unique portrait of Amish life on the other – so unique, in fact, that most people who have heard of the Amish have done so through this film.

The simple respect afforded the Amish – an extreme post-Anabaptist, post-Mennonite Christian tradition that abhors post-industrial material in favour of a pre-industrial community lifestyle – is quite extraordinary given Hollywood’s usual smack-in-the-face / pat-on-the-head attitude towards Christianity. Here, Weir just notes and observes, making no judgements one way or the other, leaving us rather to make up our own minds.

What Weir does do, though – and to remarkable effect – is juxtapose this clean and idealistic world with a foul-mouthed, urban universe of corrupt cops.… Read the rest