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I, the Song

Director – Dechen Roder – 2024 – Bhutan, Norway, Italy, France – 112m

*****

A woman fired from her teacher’s job for appearing in an online sex video she claims is of someone else sets out to find her doppelgänger and clear her name – winner of Best Director in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

This starts off deceptively with singing children’s voices, cutting into accompanying images of a school play with the children costumed as various types of flowers. The camera moves slowly to the back of the school hall where watching teacher Nima (Tandin Bidha) is told she is urgently needed in the office of the principal (Kezang Dorjee aka Kazee), where she finds herself being fired because of the video, now widely seen online, in which she appears. She protests that the person in the video isn’t her, but the principal says he can’t have her seen on school premises with so many parents about today.

She phones her boyfriend Penjor (Dorji Wangdi), who is in the middle of a gig hosting traditional Bhutanese folk plays. She goes to see him. His reaction is, “so, I’m not the only person who thinks it’s you.”… Read the rest

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Features Live Action Movies

Are You
There God?
It’s Me,
Margaret.

Director – Kelly Fremon Craig – 2023 – US – Cert. PG – 105m

****

An 11-year-old girl navigates the difficult waters of religion and womanhood, talking privately to God as she does so – bestselling novel adaptation is out on digital Tuesday, July 18th and on Blu-ray & DVD Monday, August 7th

Is God there, can you talk to God, and does doing so make any difference? 11-year-old Margaret Simon (Abby Ryder Fortson) talks to God, beginning with the “Are You There?” question and then continuing to talk to God as if God’s presence were real. Whether God is real or not, the practice of talking with God has a history in certain Christian traditions, and probably in other religious traditions with which I’m less familiar too. It does not, of itself, prove the existence or non-existence of God one way or the other.

In terms of organised religion, Margaret finds herself in a confusing place. She is the sole child of Jewish father Herb (Benny Safdie) and Christian mother Barbara (Rachel McAdams) Simon. It’s a good marriage and the Simons are a very happy family, living in a cramped New York apartment with his Jewish mother Sylvia Simon (an hilariously dour yet joyous Kathy Bates).… Read the rest

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Features Live Action Movies

The Cow
Who Sang
A Song
Into The Future
(La Vaca
Que Cantó
Una Canción
Hacia El Futuro)

Director – Francisca Alegria – 2022 – Chile, France, US, Germany – Cert. 15 – 98m

***1/2

A dead woman emerges resurrected from a polluted river to reconnect with her husband, children and grandchildren – out in UK cinemas on Friday, March 24th

The banks of a river cutting through a forest, strewn with dead fish. The sound of a strange song, a mournful chorale. Bubbles. A woman (Mia Maestro) rises from the water, dripping wet and clad in overalls and a helmet as if she’s been riding a motorcycle. She makes her way to the bank, collapses, coughs up water. She feels a joy in being, being back, being on land. She walks along a leaf-covered train track. She boards a bus, paying the driver not with the money for the fare but with a touch of her hand.

She doesn’t speak a word. The whole scenario doesn’t feel quite right. Is she real? Is she an apparition? She’s certainly unexpected in town, when her decades older husband Enrique (Alfredo Castro), collapses after seeing her from the inside of a shop window. Bernardo (Marcial Tagle) phones Cecilia (Leonor Varela) with the news that their father claims to have just seen their late mother, his wife Magdalene, which is, of course, impossible.… Read the rest

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Features Live Action Movies

Mama’s Affair
(A Ma You Zuo
Di Er Ge,
阿媽有咗第二個)

Director – Kearen Pang – 2022 – Hong Kong – Cert. PG – 127m

**

A former music business exec tries to get back into the game managing a boy singer while her jealous teenage son takes his exams – out in UK cinemas on Friday, August 19th

Essentially a three-hander, this centres around middle-aged mother Mei-fung (Teresa Mo Shun-kwan from Hard Boiled, John Woo, 1992; Over My Dead Body, Ho Cheuk Tin, 2022), her son, Jonathan (Jer Lau) who is doing exams and hopes to study at the UK’s Cambridge and similarly aged youth Fang Ching (Keung To). The two teenagers are played by members of phenomenally successful Cantopop boy band Mirror, arguably the production’s main selling point. It also has an unashamed music industry focus. Mei-fung, whose marriage is on the rocks, is a former record label executive who has decided to go back to the workplace now that her son is on the verge of going abroad.

She originally got out of the business at the insistence of her husband following a miscarriage. She was something of a workaholic, necessitated by her job of looking after talent, babysitting stars to the extent that juggling career and potential motherhood was well nigh impossible.… Read the rest

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Deep Water
(2022)

Director – Adrian Lyne – 2022 – US – Cert. US-R – 115m

****

A man is jealous of the lovers of his beautiful but promiscuous wife who start mysteriously dying one by one – out on Prime Video in the UK on Friday, March 18th

Vic (Ben Affleck) is devoted to his wife Melinda (Ana de Armas from No Time To Die, 2021, Cary Joji Fukunaga) for whom he would do anything, including give her her freedom. Since she doesn’t like being tied down to just one man, this means the freedom to sleep with any man she wants. She drinks a lot too and often stays out all night, refusing to tell Vic where she’s been in the morning. The trouble is, some time ago she slept with a man named MacRae and he vanished. Disappeared. No-one knows what happened to him.

Then one night, at a party he’s hosting, Vic scares Melinda’s current lover Joel (Brendan C. Miller) by confessing to the crime, by way of a joke. Or is it? Joel is inclined to think Vic the murderer. After a job offer causes Joel to leave the area, Melinda starts meeting a piano teacher Charles (Jacob Elordi).… Read the rest

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Sopyonje
(서편제)

Director – Im Kwon-Taek – 1993 – South Korea – 113m

****

Free to view in the Korean Film Archive as part of

Korean Film Nights Online: Trapped! The Cinema of Confinement

(Friday, July 17th – Thursday, August 27th)

Viewing links at bottom of review.

Itinerant pansori singer Yoobong (Kim Myung-gon) travels between small country towns to practice his trade, entertaining audiences on the streets and in their houses after meals. Travelling with him are his two small children, Songhwa and her little brother Dong-ho. In the town where first we meet him and his family, he’s involved in a passionate relationship with a woman.

However not long after we (and indeed little Dong-ho, who the couple assume to be asleep when he isn’t) watch the couple make love, she is seen in the equally ecstatic if clearly painful throes of a childbirth which kills her and from which no living child is born. Yoobong, arriving at the scene after her death, is stricken with grief and holds her body in his arms to weep over it.

What follows in basically a three-hander, with the father raising the two kids as practitioners of pansori, a traditional form of Korean folk music waning in popularity between the 1940s and 1970s when the film is set.… Read the rest