Tag: sex

Categories
Features Live Action Movies

Copilot
(Die Frau
Des Piloten)

Director – Anne Zohra Berrached – 2021 – Germany, France – Cert. 15 – 118m

*****

The romantic and sometimes not-so romantic life of a woman whose husband will take part in an act that will shake the world – out in cinemas on Friday, September 10th, advance screening with director Q&A at Genesis Cinema, Mile End at 6.10pm on Wednesday September 8th

“Without you, I wouldn’t have the strength to follow my path.”

Asli (Canan Kir) sees Saeed (Roger Azar) for the first time in Germany when she is on a wild fairground ride with her friend Juia (Ceci Chuh). She meets him again at a student party. They fool around on the beach and in the sea.

1st Year. Two students in Germany. She is from Turkey and studying science. He is from the Lebanon and studying dentistry, a subject his parents pushed him into – he’d rather be a pilot. He hangs up on his mother when she berates him about this – he’d been hoping to introduce her to Amli, now his girlfriend. She doesn’t even know how to talk to her mother about the fact she’s dating an Arab, never mind the fact that they are living together.… Read the rest

Categories
Features Live Action Movies

Jumbo

Director – Zoé Wittock – 2020 – France – Cert. 15 – 93m

*****

A young woman working at a fairground falls in love with one of the rides, a machine named Move It, which she renames Jumbo – out in cinemas and virtually via Modern Films Virtual Player on Friday, July 9th and streaming on Arrow from Wednesday, September 1st

When her single parent mother Margarette (Emmanuelle Bercot) drops Jeanne Tantois (Noémie Merlant) off for her first day of employment at the local amusement part Jeanne has known all her life, her mother makes a passing remark about Jeanne’s father: “if only he could have been my vibrator”. While that comment is never (ahem) touched on again, the idea is central to the film.

Whatever she says, it isn’t an idea that Margarette can live by. An outgoing bartender, shortly into the narrative she strikes up a relationship with Hubert (Sam Louwick), moving him pretty swiftly into the family home. Jeanne doesn’t seem to like or dislike him much either way as a step-dad… She’s not really interested.

Margarette would like her daughter to bed a nice boy. Someone like her young manager at the fairground Marc (Bastien Bouillon) who both encourages her to enter for the Employee Of The Year contest and is drawn to her physically.… Read the rest

Categories
Features Live Action Movies

Souad
(So’ad,
سعاد)

Director – Ayten Amin – 2021 – Egypt, Tunisia, Germany – Cert. 12a – 96m

***

Home truths are revealed about a 19-year-old, social media-obsessed, Egyptian girl in this small independent film – out in cinemas on Friday, August 27th

Starting and ending with a (different) young woman riding a bus, this slice of life drama takes a look at the lives of teenage girls in Egypt. The older generation live according to traditional, Islamic values, including the subjugation of women to men, while their younger counterparts like many Generation Z-ers around the world have more contemporary Western concerns.

For Souad (Bassant Ahmed), 19, it’s all about fashion, boys and looking cool on and off social media. Riding on the bus, she regales fellow travellers with tales of her boyfriend whose identity changes as she talks to the next woman sitting next to her. She visits a clothes shop and successfully shoplifts an item of headgear.

Having established her as either a teller of tall tales or a pathological liar, we see her giving her younger sister Rabab (Basmala Elghaiesh), 16 going on 17, a pretty unreasonable grilling when the later complains, understandably, that Souad is late picking her up.

When Souad unexpectedly vanishes from the story, her shaken sister travels to Alexandria to meet and get to know better her sister’s former boyfriend Ahmed (Hussein Ghanem) in an attempt to find out more about sides of Souad’s life she didn’t really know.… Read the rest

Categories
Features Live Action Movies

Settlers

Director – Wyatt Rockefeller – 2021 – UK – Cert. 15 – 103m

****1/2

The lives of a one-child family living on a farm on Mars are changed forever by the arrival of a hostile outsider – out on digital platforms from Friday, July 30th

Reza (Jonny Lee Miller from Regeneration, Gillies Mackinnon, 1997; Trainspotting, Danny Boyle, 1996) and his wife Ilsa (Sofia Boutella from Climax, Gaspar Noé, 2018) have emigrated to Mars to take over a farm which they now run with the help of their nine-year-old daughter Remmy (Brooklynn Prince from The Florida Project, Sean Baker, 2017). Growing vegetables and rearing pigs, they seem very happy with their lot, not least because that the Earth the couple left behind was not in a good way… We hear very little about it beyond a conversation where Remmy learns her parents never encountered whales or elephants, only dogs, even as that planet hangs in the sky as a constant reminder of where they came from.

The light has a reddish glow. Everything around the compound is dirt, rocky outcrops and occasional areas of bush and scrub. There is no-one else around apart from the three of them.… Read the rest

Categories
Animation Movies Shorts

A Mind Sang
(A Mãe
De Sangue)

Director – Vier Nev – 2019 – Portugal – 6m 11s

****

In the programme Annecy Awards 2020 – 8 Short Films #2 from the Annecy 2021 Animation Festival hybrid and online editions

This is not a film to watch once. It’s a film to watch over and over and over again. It comprises a series of hugely affecting double images, double meanings. Am I looking at an eye or a person swimming / drowning? A man descending from the sky of a hand pulling a pencil out of water? The profile of a face with eyes and nose of the full length figure of a man sleeping, his head on a pillow?

Double images like this have always worked well in static art or illustration (there’s a famous one of Sigmund Freud’s face which can be read equally easily as a naked woman) while animation – in this case, 2D animation, but it applies to other forms of the medium as well – has a long tradition of portraying transformation of one object or physical state into another. This clever and subtle little film combines the two legacies.

A woman’s hand drawing becomes a person sitting in a bathtub becomes a woman lying prone (in water?… Read the rest

Categories
Features Live Action Movies

The Killing
Of Two Lovers

Director – Robert Machoain – 2020 – UK – Cert. 15 – 84m

****1/2

A family man separated from his wife who has agreed they can each see other people is consumed with hate for the other man she is now seeing – in cinemas and on Curzon Home Cinema from Friday, June 4th

Morning. She sleeps soundly, a man beside her in bed. A second man stands at the the foot of the bed pointing a revolver at her. The first two are unaware of this. Someone can be heard using the bathroom. The second man leaves through the bedroom window.

Small town America. Welcome to David’s world. He (Clayne Crawford) and wife Nikki (Sepideh Moafi) are experiencing marital problems. They have four kids, a teenage girl and three younger boys. As agreed, David has moved out to live with his infirm, widower dad a hundred yards down the road. The couple have agreed that, while they try and work things out between them, it’s okay for either of them to see other people.

However while David assents to this on an intellectual level, he doesn’t accept it at all on an emotional one. He has discovered his wife is seeing a man named Derek (Chris Coy) and is furious about it.… Read the rest

Categories
Features Live Action Movies

Apples
(Mila,
Μηλα)

Where are we now?

Apples
Directed by Christos Nikou
Certificate 12a, 91 minutes
Greece
Released 07 May on Curzon Home Cinema,
17th May in cinemas

A film whose time has unexpectedly come. People are suddenly losing their memories in a pandemic. A man (Aris Servetalis) nods off on a bus and, when he comes to, can’t remember where he was going, where he came from, or even his name and address. The amnesia is permanent and no one has been known to recover. As in our real life pandemic, the health service is set up to deal with the effects of all this.

The man’s pockets are checked for ID but none found. He is given a number: 18482. In hospital, he chats to the man in the next bed until one day the man has gone – having been identified and claimed by his family. Inevitably, some people remain unclaimed, as is the case for our man… [read more]

Full review in Reform magazine.

Trailer:

Categories
Art Features Live Action Movies

Effie Gray

Director – Richard Laxton – 2014 – UK – Cert. 12a – 104m

****

The eponymous heroine marries art critic John Ruskin who then fails to consummate their relationship – in Virtual Cinemas and on VoD from Monday, April 19th and BD/DVD Special Collector’s Edition from Monday, May 31st

The real life story of Effie Gray provides a fascinating footnote to an episode of English art history. At age 19, she married ascendant critic John Ruskin but for reasons we shall probably never fully know, their sexual relationship was never consummated and she had the marriage annulled six years later. Meanwhile, she had got to know Pre-Raphaelite painter John Everett Millais through Ruskin, marrying him a year after the annulment. Effie’s second marriage was to prove a much happier affair and she bore John eight children.

The story has been dramatised numerous times, mostly either on radio or screen, as well as the odd stage play, short story or novel. Emma Thompson’s slow and deliberate screenplay may be the first time the story has been put on the big screen in a full length feature (one of the very first adaptations was the silent short The Love Of John Ruskin, Van Dyke Brooke, 1912).… Read the rest

Categories
Features Live Action Movies

Promising
Young Woman

Director – Emerald Fennell – 2020 – US – Cert. US R – 113m

*****

A med school dropout seeks revenge on the students and others complicit in her best friend’s rape years before – on Sky Cinema and Now from Friday, April 16th

Cassie (Carey Mulligan) goes to bars, gets wasted and is picked up by men whose intentions are less than honourable. However, all is not what it seems – before you can shout spoiler alert (and we’re not going to because this is the start of the film, given away in the trailer and effectively part of the narrative set up) she’s not wasted at all, only pretending. Depending on exactly how dishonourable these men’s intentions are, she exacts her revenge accordingly.

These acts are premeditated in the sense that she goes out, entraps men and does what she does, but not in the sense that she knows any of the men beforehand. Indeed, they choose her, so you could argue their fate is self-inflicted. And were any of them to behave chivalrously – take her home, put her to bed, not try to take sexual advantage, perhaps phone the next day to check she was okay – she’d probably look favourably on them for doing the decent thing.… Read the rest

Categories
Features Live Action Movies

True Mothers
(Asa Ga Kuru,
朝が来る)

Director – Naomi Kawase – 2020 – Japan – Cert. 15 – 140m

*****

An unmarried mum hands her child over to adoptive parents only to later decide that she wants the child back – Japan’s entry for the 2020/2021 Oscars is screening on Curzon Home Cinema from Friday, April 16th

Naomi Kawase’s new film True Mothers deals with the interface between unwanted teen pregnancy and infertility among married couples and was Japan’s entry for this year’s Best International Feature Film at the Oscars. Sadly, it didn’t make the Academy’s shortlist. However, UK audiences up and down the land will now be able to see it on Curzon Home Cinema. It had a brief UK big screen outing late last year at the London East Asia Film Festival (LEAFF), which, after several months of touch-and-go somewhat incredibly went ahead days before the UK went back into total lockdown.

Former documentarian Kawase has been getting a lot of exposure in the UK in recent years with both Sweet Bean (2015) and The Mourning Forest (2007) released here on Eureka! Video and Still the Water (2014) currently available on MUBI and BFI Player. I like Kawase but I must admit True Mothers sounded like it might be terrible.… Read the rest