Tag: Seoul

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Features Live Action Movies

The Tenants
(Se-ip-ja,
세입자)

Director – Yoon Eun-Kyung – 2023 – South Korea – LKFF Cert. 12 – 90m

*****

In a black & white, futuristic Seoul, a tenant who sublets his rental apartment to prevent his eviction finds out that this approach has its drawbacks – from LKFF, the London Korean Film Festival 2024 which runsin cinemas from Friday, November 1st to Wednesday, November 13th

An alluring image turns out to be merely an image on a wall, an artifice rather than the paradise we at first assume it to be. This is an image many filmmakers have used to open their movies and, depending on what they’ve seen over the years, it will conjure different films for different viewers. For this viewer, it conjures what I consider one of the funniest films of recent decades, Quick Change (Howard Franklin, Bill Murray, 1990) where the image is revealed as a tawdry New York subway train ad above a clown who will shortly proceed to rob a bank.

The Tenants may not be a comedy, but it shares with that film a sense of urban malaise, a feeling of being trapped in a grim metropolis where everything about the place conspires to prevent the protagonists leaving.… Read the rest

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Features Live Action Movies

Mist
(Angae,
안개)

Director – Kim Soo-yong – 1967 – South Korea – 78m

****

A married man leaves Seoul to visit his dull hometown for a few days, where he embarks on a brief affair with a music teacher from the local school – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Yun Gi-jun (Shin Seong-il from The Barefooted Young, Kim Ki-duk, 1964) is bored with his job. He sits at his desk in a huge office looking at the paperwork, seeing it crawling with insects. But when others enter the office, they don’t see any of that, so it’s clearly all in his head. In many ways, that sets the scene for the mood of this heavily introspective piece which makes much use of voice over and flashback, as Gi-jun takes time out in his hometown of Mujin, for which he claims not to feel much affection but which is nevertheless full of personal history and memories for him.

We see him at home with his wife as she straightens his tie, and later as she brings her rich father over to the house.… Read the rest

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Features Live Action Movies

The Marines
Who Never Returned
(Doraoji
Anneun Haebyong,
돌아오지 않는 해병)

Director – Lee Man-hee – 1963 – South Korea – 110m

***1/2

A small unit of Korean soldiers pushing North in the Korean War adopt an orphaned girl as a mascot before being all but wiped out – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

This opens impressively with what looks like stock footage of armoured cars and infantry coming up a beach. Soldiers race across open ground to a safe shooting position, briefly going back a couple of dozen or so feet to drag two of their wounded comrades forward into comparative safety.

They move on to a derelict, war-torn town. Burning buildings, half-collapsed sections of walls (one of which partially topples as they wait momentarily beside it). One soldier advances across a patch of open ground, gun in hands, grenade at the ready, watched by his expectant comrades from their positions of cover. Time seems to stand still. Eventually he lobs the grenade and the others move up behind him. He drops into a ditch. Ahead of him, a civilian woman comes onto the waste ground with her small daughter.… Read the rest

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Features Live Action Movies

Concrete Utopia
(Konkeuriteu Yutopia,
콘크리트 유토피아)

Director – Eom Tae-hwa – 2023 – South Korea – Cert. 15 – 130m

****1/2

A massive earthquake makes the residents of the sole Seoul apartment block still standing close their doors to survivors outside – out on UK digital platforms on Monday, April 1st

Concrete: a structural material made of aggregate, cement, and water. (Definition from Encyclopedia Britannica.) Harsh. Unyielding. Impenetrable. Opaque. Not alive. Commonly used in today’s world in the manufacture of buildings, and associated with Brutalist architecture.

Utopia: an ideal community whose inhabitants exist under seemingly perfect conditions. (Definition from Encyclopedia Britannica.) The English word derives from two Greek words, the compound meaning of which is nowhere. Hence, “seemingly”. Utopias tend to have some fatal flaw. If they didn’t, any story about them would lack dramatic conflict. Thus, the word carries within it a degree of irony.

The eponymous montage of these two words pits them against each other: an unyielding, dead physicality confronts the optimism of a better world. The title evokes JG Ballard’s novels Concrete Island (1974) and High-Rise (1975), the former about a stranded motorist struggling to survive on a spaghetti junction after a car accident, the latter about a newly built block of flats in which the residents descend through social breakdown towards a new order.… Read the rest

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Animation Documentary Features Live Action Movies

Beyond Utopia

Director – Madeleine Gavin – 2023 – US – Cert. 15 – 115m

*****

North Koreans flee their repressive country over the Chinese border and through several communist countries, where repatriation would mean imprisonment, torture and possibly death – heartstopping documentary is out in UK cinemas on Friday, October 27th

Whether you’re coming to the subject of North Korea cold or whether you already know a little about the subject from the documentary Camp 14: Total Control Zone (Marc Weise, 2012), the animated feature True North (Eiji Han Shimizu, 2020) or Korean War movies like Operation Chromite (John H. Lee, 2016) or Nambugan: North Korean Partisan In South Korea (Chung Ji-Young, 1990), this contemporary take on the North Korean refugee experience throws much fresh light on the subject.

To augment its twin central narratives – two entirely separate stories of North Koreans attempting to escape their country – director Gavin helpfully breaks them up with an intermittent primer on North Korea. Much of this comes from Hyeonseo Lee, who fled the country over 20 years ago and has subsequently talked about it in TED and other public speaking forums. Lee was the producer’s original intended subject for the film, which changed considerably as director Gavin began researching the subject.… Read the rest

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Features Live Action Movies

Past Lives

Director – Celine Song – 2022 – US, South Korea – Cert. 12a – 105m

*****

After emigrating with her family from South Korea to North America, a Korean-American is sought out in New York by her now-adult childhood sweetheart from back in Korea – out in UK cinemas on Friday, Sept 8th

Have you heard the one about the Korean woman sitting between a Korean man and a WASP man in a bar in New York? Is the Korean man her partner? Is the WASP man her partner? Following this unforgettable opening image and a voice-over in which someone tries to work out the loyalties and relationships pictured, flashback 24 years to Korea’s Seoul for a chunk of narrative also involving Canada’s Toronto. Then jump forward 12 years for a further chunk of narrative in both Seoul and New York. Finally, jump forward a further 12 years to the present day for a final chunk of narrative in New York.

Intrigued? You’ll get to know two very Korean kids, who at age 12 or thereabouts in Seoul start dating. The girl, Na Young (Moon Seung-Ah), is already choosing a Westernised name, Nora Moon, in preparation for her family’s emigration to Toronto; the boy Jung Hae Sung (Leem Seung-min) has no such conflict and is firmly locked into a Korean identity.… Read the rest

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Features Live Action Movies

Return to Seoul
(Retour à Séoul)

Director – Davy Chou – 2022 – France, Belgium, Germany, South Korea – Cert. 15 – 118m

****1/2

A woman born in South Korea and fostered by parents in France unexpectedly returns to the land of her birth – on MUBI from Friday, July 7th

Although it looks at first glance like a South Korean movie, this is actually a predominantly European production, and within that, predominantly French. Its central character is South Korean by birth, but adopted at a very young age and raised by foster parents in France, who she considers her parents. She also may look Korean, but considers herself French. She speaks French, and English too, pretty well, but no Korean. (In South Korea, English appears to function as the go-to language for communicating with foreigners.) She feels French. The film takes place in South Korea, and most (but not all) of the characters are South Korean.

Freddie aka Frédérique Benoît (Park Ji-min) sits chatting in the restaurant of the Francophile guest house with her new-found friends Tena (Guka Han) and Dongwan (Son Seung-beom). They explain you don’t pour yourself soju – you wait for your friends to pour it, because if they don’t keep you supplied, what kind of friends would they be?… Read the rest

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Features Live Action Movies

Hot In Day,
Cold At Night
(Naj-eneun Ddeobgo
Bam-eneun Chubgo,
낮에는 덥고 밤에는 춥고)

Director – Park Song-yeol – 2020 – South Korea – Cert. 12 – 90m

**

A young, unemployed, married Seoul couple struggle to make ends meet – from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

Married Seoul couple Young-tae and Jeong-hee (played by screenwriters Park Song-yeol and Won Hyung-ra) are in financial trouble. Neither of them has a secure job with a regular income. They aren’t the only ones: he lends his mate Myung-su the family camera for a week so the latter can do some professional wedding photography to earn some money. If this sounds a bit odd, it sounds odder still when Young-tae finds his calls blocked and can’t get the camera back.

Desperate for money, Young-tae goes for interviews and, after a row with an old friend who purports to be setting up a business but turns out trying to recruit him for a network marketing operation, which Young-tae dismisses as a pyramid scheme, he eventually picks up a job as a cabbie where one night he gets into a row with a customer over taking a quicker, toll road rather than a slower, free road and loses his deposit with the company.… Read the rest

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Features Live Action Movies

House of Hummingbird
(Beol-Sae,
벌새)

Director – Kim Bora – 2018 – South Korea – 138m

***1/2

A teenage girl in Seoul, Korea, 1994, comes to terms with life on a number of levels – personal, family, social, political – plays in Korean Film Nights (KFN) Summer Nights at the Korean Cultural Centre (KCCUK) on Saturday, June 11th

Seoul, South Korea, 1994. Less than ten years since South Korea has become a democracy. The year of the Winter Olympics, the death of North Korean leader Kim Il-sung and the Seongsu Bridge collapse. The latter incident will leave its mark on some characters here.

Teenager Eun-hee’s mum and dad (Jung In-gi and Lee Seung-yeon) run a small food store, sourcing “only the finest ingredients”. On occasion, they deliver to other suppliers and the whole family is roped in to make sure the orders are prepped and sent out on time. They are fiercely proud parents who want only the best for their kids. The best, as they understand it, is doing well in the school and university system, presumably with the idea of getting a well-paid job afterwards.

This message is reinforced by her school. A male teacher has the girls chant, “I will go to / Seoul National University / instead of karaoke”.… Read the rest

Categories
Features Live Action Movies

Microhabitat
(So-gong-nyeo,
소공녀)

Director – Jeon Go-woon – 2017 – South Korea – 106m

****1/2

The price has gone up. Yet again! A woman who wants nothing more from life than to be able to enjoy whisky and smoking enacts a radical plan to combat everyday inflation – on MUBI from Thursday, November 25th as part of their New South Korean Cinema season.

Miso (Lee Som aka Esom), whose name in Korean means both ‘smile’ and ‘micro’, lives in a small, one room, unheated apartment in Seoul. So cold in fact that when she and her boyfriend Hansol (Ahn Jae-hong) start peeling off multiple layers of clothing in the middle of winter that she’s given up by the time she’s down to her slip. It’ll have to wait ’til the Spring.

Having enough money is a constant struggle, but she’s shrewd and always puts aside enough for basic outgoings like food and rent as well as pleasures like smoking and whisky every month. When her landlord tells her the rent is going up, because his landlord is putting his rent up and he needs to pass some of the increase on to his tenants, she realises she’s going to have to cut something.… Read the rest