Categories
Features Live Action Movies

Nino
(Nino)

Director – Pauline Loquès – 2025 – France – Cert. 15 – 96m

****1/2

A young man attempts to cope with the news that he has throat cancer in his first weekend following diagnosis – out in UK cinemas on Friday, June 19th

There are some films you watch which are so close to parts of your own life that it’s impossible to be objective about them. This doesn’t happen very often to this writer, but it happened on this film. Over a year ago, completely out of the blue, I was diagnosed with breast cancer. As a UK citizen I’m entitled to free healthcare, and as a cancer patient my treatment is fast-tracked. My initial experience was of being tested for cancer, waiting a week or so for the results to come back, and having the presence of the cancer confirmed. That gave me around ten days to adjust, but it was a terrible shock. Not least because my (mis)understanding was that men didn’t get breast cancer, only women did, so that couldn’t possibly be what I had. And, obviously, it was life-changing.

Cut to the film Nino. A name film, named after its central character. What follows is my own highly personalised reaction as a cancer patient / survivor.… Read the rest

Categories
Features Live Action Movies

The Tenants
(Se-ip-ja,
세입자)

Director – Yoon Eun-Kyung – 2023 – South Korea – LKFF Cert. 12 – 90m

*****

In a black & white, futuristic Seoul, a tenant who sublets his rental apartment to prevent his eviction finds out that this approach has its drawbacks – from LKFF, the London Korean Film Festival 2024 which runsin cinemas from Friday, November 1st to Wednesday, November 13th

An alluring image turns out to be merely an image on a wall, an artifice rather than the paradise we at first assume it to be. This is an image many filmmakers have used to open their movies and, depending on what they’ve seen over the years, it will conjure different films for different viewers. For this viewer, it conjures what I consider one of the funniest films of recent decades, Quick Change (Howard Franklin, Bill Murray, 1990) where the image is revealed as a tawdry New York subway train ad above a clown who will shortly proceed to rob a bank.

The Tenants may not be a comedy, but it shares with that film a sense of urban malaise, a feeling of being trapped in a grim metropolis where everything about the place conspires to prevent the protagonists leaving.… Read the rest