Tag: parents and children

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23 Walks

Director – Paul Morrison – 2020 – UK – Cert. 12a – 102m

****1/2

A man over sixty meets a woman of around the same age over 23 walks with their respective dogs – in cinemas from Friday, September 25th

Walk 1. Dave (Dave Johns) is out walking his Alsatian Tilly (Sheila) in a narrow, muddy alleyway one day when he runs into Fern (Alison Steadman) walking her terrier Henry (Dennis). Not that either they or we know their names at this stage – he is the bloke with the big dog without a lead that she has to get past, and she’s not impressed. He should have a lead, she says. He’s deeply apologetic.

Walk 2. He now has a lead and apologises for the previous day. They walk, they talk. Thus begin the eponymous 23 walks, with interruptions after a while mostly on Dave’s side of the story but a few on hers too. Both are in difficult relationship situations – his wife is catatonic and residing in a care home, the cost of which is putting him behind on the rent of his long-standing council home, her husband has run off with a younger model, his secretary. When we finally, briefly meet her husband, he appears cruel and uncaring in his treatment of his ex.… Read the rest

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Monsoon

Director – Hong Khaou – 2019 – UK – Cert. 12a – 85m

****1/2

A man who has lived in England for 30 years returns to Saigon and Hanoi to discover the Vietnam his late parents left behind – in cinemas and on Vimeo, BFI Player, Curzon Home Cinema, Amazon and elsewhere from Friday, September 25th

Saigon, present-day Vietnam, when bicycles and motorbikes swarm along the roads like purposeful, scurrying ants. Kit (Henry Golding) returns there in an attempt to discover the Saigon and Hanoi of his childhood before his now deceased parents left for England 30 years ago. He checks into the posh area of town, putting the wooden box containing his mother’s ashes on a bare shelf in his sparsely furnished, luxury apartment.

High tech housing blocks give way to the less affluent and more traditional blocks where most urban Vietnamese live. Kit meets with Lee (David Tran), with whom he remembers playing as a child and to whose family Kit’s mother loaned a considerable sum of money to help them start a small business, now a small mobile phone shop. Lee wants to repay the loan to Kit.

Kit goes on an English language tour in an attempt to track down some of the places from his childhood, but so many locations have changed or disappeared.… Read the rest

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Hurt By Paradise

Director – Greta Bellamacina – 2019 – UK – Cert. 12a – 85m

***1/2

A single parent mum poet and her upstairs lodger actress pursue their dreams in London’s Fitzrovia and Margate – in cinemas from Friday, September 18th

A strangely likeable, meandering little movie, this concerns single mum Celeste Blackwood (director and co-writer Greta Bellamacina) who writes poetry from her flat in London’s Fitzroy Square, in the immediate shadow of the BT Tower. Her out of work actress upstairs lodger Stella Mansell (co-writer Sadie Brown) helps out with the childcare.

Celeste’s father left when she was five and she hasn’t seen him since. However, she has a plan to go through al Blackwoods in the telephone directory until she finds him. Stella, meanwhile, is approaching a year of chatting nightly over the internet to a man she’s never met. But, as Stella says, you can tell so much about someone from their writing.

Throughout the film, which feels heavily improvised and consists mostly of scenes with both of one of other of the women in situations with Celeste’s little boy and / or other people, like a short series of sketches. Early on, Celeste visits a publisher (Nicholas Rowe) with her poetry manuscript only to be told that poets never make any money unless they meet death in a particularly nasty way, at which point their sales go through the roof.… Read the rest

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The Roads Not Taken

Director – Sally Potter – 2020 – US – Cert. 15 – 85m

*****

A man drifts through separate existences and times while his daughter struggles to look after him in present day New York City – in cinemas from Friday, September 11th

This is something of a disorienting experience because it slips and shifts effortlessly between separate realities. Molly (Elle Fanning) is taking the day off work in New York to spend time with her dad Leo (Javier Bardem) who lives in a crummy apartment the front access door of which opens onto a busy main street. Her plan is to get him to appointments at the dentists and the opticians in the morning, then be in work for an important meeting in the afternoon. However, it doesn’t work out like that.

At the start, the phone rings and the buzzer goes repeatedly. Molly is in a taxi and his Leo’s maid Xenia (Branca Katic) is outside his front door. Eventually they’re inside, Molly having presumably forced their way in. “Everything is open”, he says to her as he lies, in a daze, in bed. “It’s not, actually, dad,” she replies. “The front door is closed.” She brings him the photo of his late and beloved dog Nestor from the mirror across the room.… Read the rest

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Melancholic
(メランコリック)

Melancholic

Director – Seiji Tanaka – 2018 – Japan – Cert. 15 – 114m

*****

Melancholic

Director – Seiji Tanaka – 2016 – Japan – Cert. 15 – 15m

*****

On Dual Format Blu-ray/DVD, rental on Apple TV and Amazon from Monday, September 7th

Quiet, unemployed Tokyo University graduate Kazuhiko (Yoji Minagawa, also the film’s producer) lives with his similarly introverted parents. When one night his mum prematurely empties the family hot tub, he pays his first visit to the local bathhouse where he runs into chirpy classmate Yuri (Mebuki Yoshida) who talks him into attending their upcoming high school reunion.

At that event, he’s a fish out of water while everyone else gathers around the nondescript student Tamura (Yuta Okubo) who has since made good as a businessman and investor. Then Yuri rescues Kazuhiko and the pair sit conversing deeply on the staircase ignored by everyone else. A series of dinner dates follows, romance blossoms and before you know it he’s staying overnight at her flat.

Encouraged by Yuri, Kazuhiko gets himself one of two attendants’ jobs at the bathhouse run by the genial Mr. Azuma (Makoto Hada). Kazuhiko never wanted to go to work for a top company like most graduates and the work suits his temperament.… Read the rest

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Koko-di Koko-da

Director – Johannes Nyholm – 2019 – Sweden, Denmark – Cert. 18 – 86m

***

Streaming exclusively on BFI Player (extended free trial offer here) and released on Blu-ray from Monday, September 7th

A bizarre procession through the woods. A man in a light summer suit, spats and a boater (Peter Belli) cheerfully and enthusiastically sings a song about “my rooster is dead, never again will he sing, koko-di, koko-da” (‘da’ is pronounced ‘day’). Behind him walk a tall, black-haired woman (Brandy Litmanen) with a dog on a lead and a thick set man (Morad Khatchadorian) carrying a dead dog. The man with the boater’s attitude is one of delight yet here he is singing about the death of a bird. Most unsettling.

This procession will later intrude on the lives of the central characters, couple Tobias (Leif Edlund) and Elin (Ylva Gallon). Their daughter Maja (Katarina Jakobson) is attracted to a traditional toy that plays the same nursery rhyme that the procession sings.

The family go to a holiday resort with entertainers. In the restaurant, mum gets sick. Food poisoning? Allergic reaction to mussels? She’s airlifted to hospital and slowly recovers. In the hospital, on the morning of Maja’s birthday, Maja doesn’t wake up.… Read the rest

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Sócrates

Director – Alexandre Moratto – 2018 – Brazil – Cert. 15 – 71m

*****

In selected UK cinemas and digital rental platforms including Barbican Cinema on Demand, BFI Player, Curzon Home Cinema and Peccadillo Player from Friday, September 4th

It’s morning in coastal São Paulo. Sócrates (Christian Malheiros), 15, goes in to see his mum in her room. But she doesn’t wake up. He is consumed with grief. The lady social worker talks to him, but his emotions are so consuming he can’t hear her. She tells him, if a guardian can’t be found, he’ll be put in a home.

He doesn’t want that, but if he’s to stay where he is, the rent has to be paid. He works his mum’s literally crappy job cleaning lavatories with a co-worker, but the boss won’t give Sócrates his mum’s money, she must collect it in person. He prints out fliers of his resume, negotiating a three payments of 50 cents deal with the shop manageress, and hands them out. He gets a lead on a shop that’s hiring and lies about his age on the form, an untruth that will disqualify him for the job when they fact-check.

A thick, red comb in the bathroom holds some of his mother’s hair.… Read the rest

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Sopyonje
(서편제)

Director – Im Kwon-Taek – 1993 – South Korea – 113m

****

Free to view in the Korean Film Archive as part of

Korean Film Nights Online: Trapped! The Cinema of Confinement

(Friday, July 17th – Thursday, August 27th)

Viewing links at bottom of review.

Itinerant pansori singer Yoobong (Kim Myung-gon) travels between small country towns to practice his trade, entertaining audiences on the streets and in their houses after meals. Travelling with him are his two small children, Songhwa and her little brother Dong-ho. In the town where first we meet him and his family, he’s involved in a passionate relationship with a woman.

However not long after we (and indeed little Dong-ho, who the couple assume to be asleep when he isn’t) watch the couple make love, she is seen in the equally ecstatic if clearly painful throes of a childbirth which kills her and from which no living child is born. Yoobong, arriving at the scene after her death, is stricken with grief and holds her body in his arms to weep over it.

What follows in basically a three-hander, with the father raising the two kids as practitioners of pansori, a traditional form of Korean folk music waning in popularity between the 1940s and 1970s when the film is set.… Read the rest

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Love You Forever
(Wo Zai Shijian
Jintou Deng Ni,
我在时间尽头等你)

Director – Yoyo Yao Tingting – 2019 – China – Cert. PG – 115m

***1/2

Exclusively in cinemas from Tuesday, August 25th (Chinese Valentine’s Day this year).

Hands write in a notebook. In a voice-over, Lin Ge (Lee Hongchi) describes himself as “a man who doesn’t exist… No memories of me in this world.” He will repeat these words later on. He talks of the past and we see the images of the day in 1991 when his mum died, he got beaten up by a bunch of other little boys and he was rescued by little girl Qiu Qian who became his playmate that summer.

Ge loses a marble in a pond and, looking for it, finds an old, stopped watch. He and Qian start playing the game of “Wolf, Wolf, what’s the time?” until one day her family moves and he runs after the departing car until his little legs will run no more.

As a teenager to the horror of both his teacher and his bereaved father he and two friends set up a business selling “magic bottles”, running breathlessly along multi-storey school walkways to avoid being caught until they / he chance(s) upon a group of boys blocking a gangway, looking at the beautiful new girl recently transferred to the school and doing ballet training.… Read the rest

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Perfumes
(Les Parfums)

Director – Grégory Magne – 2019 – France – Cert. tbc – 100m

****

In Cinemas and on Curzon Home Cinema from Friday, August 21st

GuGuillaume (Grégory Montel) is a chauffeur. His boss Arsène (Gustave Kervern) is thoroughly fed up with him, so gives him a job with a known difficult customer Mademoiselle Walberg. Guillaume is currently trying to get 50/50 custody of his daughter, so needs his job. And must put up with any nonsense his client comes up with. Like throwing his cigarette packet out of the car window. Or insisting he help her change the hotel bedsheets because she doesn’t like the smell of the chambermaid’s perfume.

The reclusive Anne Walberg (Emmanuelle Devos) is a ‘nose’. She combines smells to create perfumes and had a stint with the Dior company before her career took a wrong turn. These days, all her agent can get her is recreating the smells of caves or making the fumes from unpleasant factories smell nice. But she longs to make perfumes again.

This is a stylish and charming movie with unusual, olfactory subject matter. You can’t smell in movies, so this element is instead conjured by verbal description. In a trip to a cave – the real cave, not the duplicate nearer the highway for which she must compose the smells, Anne feels, rubs and sniffs cave interior surfaces, getting Guillaume to write everything she says in a notebook.… Read the rest