Tag: mystery

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Master Cheng
(Mestari Cheng)

Director – Mika Kaurismäki – 2019 – Finland – Cert. PG – 114m

*****

A Chinese chef turns up at a restaurant in a remote Finnish village and impresses the locals with his cooking – charming romantic drama is out in cinemas on Friday, March 11th

A restaurant in a remote part of the Finnish countryside. Cheng (Chu Pak Hong from My Prince Edward, Norris Wang, 2019) and small boy Niu Niu (Lucas Hsuan) walk into the local restaurant where the former asks for Fongtron. The owner Sirkka (Anna-Maija Tuokko) hasn’t heard of Fongtron and can’t help. He asks customers the same question, but they don’t know either. Cheng barely speaks Finnish, which scarcely helps. He doesn’t look like he’s going away, and when he asks if there’s a hotel, Sirkka points him towards a room that’s available. She attempts to feed the pair before closing up, but the mobile phone-obsessed Niu Niu won’t touch her Finnish sausage and mash.

And he’s not the only one: When a day or so later, a coachload of Chinese tourists turn up, they’re not very interested either. Cheng, sitting at a table, immediately springs to Sirkka’s aid and parleys with the Chinese.… Read the rest

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Memoria

Director – Apichatpong Weerasethakul – 2021 – UK, Colombia, Thailand – Cert. 12 – 126m

****1/2

A British woman travelling around Bogotá, Colombia, is troubled by a strange banging sound and goes on a quest to investigate it – out in cinemas on Friday, January 14th

This is a film to approach with caution: I confess to never having previously got on with a Weerasethakul film; perhaps I’ll go back and revisit some after this. His work – or at least his feature films – have been described as Slow Cinema (of which, more shortly).

This is light years away from Hollywood cinema with its determination to grab your attention and hold it by throwing stuff at you at frequent intervals. The director is Thai, however his films don’t seem to sit alongside any Thai movies or wider Oriental movies I’ve seen. Even locating it in art house cinema, it doesn’t really look like anything else. I am reminded of what has been said about the French director Jean-Luc Godard: if cinema hadn’t existed, he would have invented it. Although his movies are nothing like Godard’s, the same could be said of Weerasethakul’s movies.

Actually, the feature films are only the tip of the iceberg: he makes far more short films than he he does features, an output that immediately puts him at odds with the feature film-oriented world of theatrical cinema distribution.… Read the rest

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Finding Angel
(Cheonsaneun Baileoseu,
천사는 바이러스)

Director – Kim Seong-jun – 2021 – South Korea – Cert. 15 – 114m

****

Who is the mysterious so-called ‘Angel’ who every Christmas delivers a box containing a large sum of money to a needy local resident of a small, rural town? – out in cinemas on Friday, November 26th

For the last seventeen years at Christmas, the ‘Faceless Angel’ has visited the town of Rohsong in Jeonju City, South Korea to leave a box containing money for a local person in need. Last year, an old woman received the money she needed for a knee operation. Who this person might actually be has remained a mystery, but the locals are glad the Angel is there doing what he or she is doing.

Wishing to solve the mystery and with the journalist’s scent of a good story, newspaperman Kim Ji-hoon (Park Sung-il from Samjin Company English Class, Lee Jong-pil, 2020) arrives in the town in December as the temperature plummets. He makes enquiries at the town office but the girl on the front desk (Lee Ga-kyung) stonewalls him. His attempts at talking to the townspeople don’t get him very far until he talks to old Miss Ok-bun (Moon Sook) about renting a room and she promptly puts him up in her freezing upstairs bedroom.… Read the rest

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Ring
(Ringu,
リング )
(Collection)

Ring

Director – Hideo Nakata – 1998 – Japan – Cert. 15 – 96m

*****

Spiral (Rasen)

Director – Joji Iida – 1998 – Japan – Cert. 15 – 97m

** 1/2

Ring 2

Director – Hideo Nakata – 1999 – Japan – Cert. 12 – 95m

*****

Ring 0

Director – Norio Tsuruta – 2000 – Japan – Cert. 15 – 99m

***1/2

Ring plays in the BFI Japan 2021 season October / November at BFI Southbank, also currently streaming on BFI Player as part of the BFI Japan 2021 programme. Ring and Ring 2 are on Shudder.

You watch a short, scary video on the VCR. Then your phone rings… you have a week to show it to someone else – or die! Ring (1998) took the world by storm.

A single parent, TV journalist investigates a cursed videotape…

I review Arrow’s Ring Collection for All The Anime.

Ring plays in the BFI Japan 2021 season October / November at BFI Southbank, also currently streaming on BFI Player as part of the BFI Japan 2021 programme. Ring and Ring 2 are on Shudder.

Trailer:

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The Collini Case
(Der Fall Collini)

Director – Marco Kreutzpaintner – 2019 – Germany – Cert. 15 – 123m

Film ****

Film trailer * (because: spoilers)

An apparently cut and dried murder case, with a young public defender caught in a conflict of interests, turns out to be far more complex – out in cinemas on Friday, September 10th

Berlin. A man enters a top hotel, makes his way to one of the rooms, is let in and kills the occupant. Then he returns to the lobby trailing bloody footprints, collapses in a chair and is questioned by one of the staff. “He’s dead,” he says, “presidential suite.”

Young public defender Casper Leinen (Elyas M’barek) goes to Court and is introduced by the judge (Catrin Striebeck) to seasoned state prosecutor Dr. Reimers (Rainer Boch). The latter two think it’s an open and shut case: the defendant obviously committed murder. Fabrizio Collini (Franco Nero) was born in 1934 and has lived in Stuttgart for 30 years. His victim was Jean-Baptiste Meyer (Manfred Zapatka). They go down to the basement holding cell to meet Collini, who doesn’t say a word when Leinen questions him.

The victim turns out to be also known as Hans Meyer, the leading industrialist. Leinen is horrified to discover this, as Meyer mentored him growing up.… Read the rest

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Ieoh Island
(Iodo,
이어도)

Director – Kim Ki-young – 1977 – South Korea – Cert. 18 – 110m

*****

An acquitted murder suspect visits the island birthplace of his alleged victim to learn about the latter’s life and the strange, ritualistic, matriarchal society that still exists there – from the London Korean Film Festival 2019

Environmental journalist Chun Nam-seok (Choi Yoon-seok) is sent by his editor on a boat trip junket. Both men are unaware that it’s promoting a proposed Ieoh Island hotel. Chun Nam-seok was born and raised on Parang-do island, off the coast of Jeju island. On Parang-do, Ieoh Island was regarded with a terrible awe owing to the water spirits alleged to live there and believed to take the fishermen from their boats during storms at sea. The island is populated by women who mostly work as divers and their children, the men having been lost at sea on fishing vessels or having left the island for other reasons.

Aware of Chun Nam-seok’s environmentalist credentials, but not of his past associations with the island, company man Sun Woo-hyun (Kim Jong-cheol), whose brainchild the proposed Ieoh Island hotel is, expresses a desire to colleagues to get rid of him and engages with a drinking contest with the man on deck during which Chun Nam-seok goes missing, presumed drowned.… Read the rest

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The Vast of Night

Director – Andrew Patterson – 2019 – US – Cert. 12 – 91m

*****

A radio DJ and a young switchboard operator discover strange noises in the ether which may possibly be of great significance to the small US town where they live in the fifties – on Amazon Prime since Friday, May 29th 2020

Bookended with a curious and somewhat redundant framing device which sets up an episode of black & white, fifties TV show Paradox Theater called The Vast of Night, to which the otherwise colour film periodically and pointless returns from time to time, this is an enigmatic little tale set in the small rural US town of Cayuga where the local high school is set to host a basketball team for a match.

Older teenager Everett (Jake Horowitz) is trying to sort out technical problems before the game gets under way: Sam reminds him that last time this happened, it was a squirrel that had chewed through a wire and the wire was still in its mouth. This story seems to crop up every few minutes as yet another character relates their own abridged telling of it. And 16-year-old Fay Crocker (Sierra McCormick) wants him to show her how the tape recorder she’s just bought works.… Read the rest

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Till We Meet Again
(Sheng Qian
Yue Si Hou,
生前约死后)

Director – Steven Ma – 2019 – Hong Kong – Cert. N/C 15+ – 97m

****1/2

A young man succumbs to a debilitating psychosis in the decade following his mother’s death – online in the UK as part of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

When Wai Wong Oli, Moritz) was three, his mother Mui (Josephine Ku) told him she’d always be there. Ten years ago, she died of cancer and Wai (Steven Ma) blames himself. He’s never been able to get past this, making himself dangerously ill. He gave up a job for a restaurant job near his parents’ home just so he’d be able to look after her. He’s a conscientious and efficient worker, so his boss gives him time off to see his mother whatever he wants, and when that doesn’t work out his grateful colleagues cover for him.

Sometimes, though, he doesn’t take the meds prescribed for him by Dr. Fung (Jennifer Yu) and goes completely to pieces. Fortunately, his schoolfriend Chi (Himmy Wong) is there for him. Thoughts of guilt and suicide are never far away.

The narrative proceeds on its course, flashing back and forth in time through Wai’s memories from when he was younger, including himself (Fong Chit Lun) at age 10 and himself in the decade leading up to his mum’s passing, in the company of both his mum and his bus driver dad Chung (Ling Hiu Wah).… Read the rest

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Conditioned

Director – Chan Kam-hei – 2015 – Hong Kong – Cert. N/C 15+ – 24m

****

A schoolgirl pretends to be a boy at home because her mother can’t deal with her being a girl – online and Free To View in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

Teenager Nam takes off a feminine top and changes into his/her boy’s school uniform. As a boy, s/he calls in on her grandpa to pick up a plate, waiting ’til she’s out of sight of the house to dispose of the contents in a dumpster, then proceeds home to where her mother has turned the apartment upside down ina hunt for earring. Her mother is only interested in her own looks. Does she look okay? He likes me in earrings, she says.

At night, Nam sneaks round to her friend’s, a boy who lets her wash her smalls – bra, knickers – in bowls in his bedsit sink. Only at thisa point does it become clear Nam is a she. She helps him with homework. He jokes, asking her to move I with him or can he walk her home.… Read the rest

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Creepy
(Kuripi:
Itsuwari No Rinjin,
クリーピー 偽りの隣人)

Director – Kiyoshi Kurosawa – 2016 – Japan – Cert. 15 – 130m

****

Currently on BFI Player as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

The following review originally appeared in Funimation UK.

Kiyoshi Kurosawa’s new crime thriller Creepy draws on Vertigo, Psycho and Audition.

The latest film by Kiyoshi Kurosawa to receive a UK cinema release is an extraordinary and highly original crime thriller with more than a passing nod to two better known Alfred Hitchcock films. Its opening reworks that of Vertigo (1958) while certain later narrative elements owe much to Psycho (1960) although not the parts of that film which are usually aped or recycled in other movies. It also recalls Takashi Miike’s notorious Audition (1999) in its overall structure. Yet despite these clear influences, Creepy is very much its own film.

Vertigo‘s first scene opens with the rung of a ladder grasped moments afterwards by a human hand. This develops into a chase sequence in which the vertigo of Detective ‘Scottie’ Ferguson (James Stewart) causes a cop to fall to his death. Creepy‘s first scene opens with bars over a window.… Read the rest