Tag: Japan

Categories
Documentary Features Live Action Movies

The Reason I Jump

Director – Jerry Rothwell – 2020 – UK – Cert. 12a – 82m

*****

The inner world of the autistic, explored through the writings and lives of autistic people and innovative cinematography and sound design – in cinemas from Friday, June 18th (Autistic Pride Day)

Originally this was a remarkable book in which autistic teenager Naoki Higashida communicated to the rest of the world in prose what it’s like to be autistic. It had already been widely read in Japan when author David Mitchell and his wife Keiko Yoshida, whose son is autistic, were so taken with it that they undertook an English translation. International acclaim followed. For Mitchell, the book provided the opportunity to understand his son’s interior world like nothing before it.

A film is a very different media from a book. That begs the question, if you wanted to make the book into a film, how would you go about it? Seasoned documentary filmmaker Jerry Rothwell (Deep Water, co-directed with Louise Osmond, 2006; How To Change The World, 2015) had some innovative ideas. One was to use Higashida’s writings as a through line for the film, augmenting it with the experiences of several other autistic people.… Read the rest

Categories
Features Live Action Movies

One Cut Of The Dead
In Hollywood
(Kamera
Wo Tomeruna!,
supin-ofu:
Hariuddo Daisakusen,
カメラ
を止めるな！
スピンオフ
ハリウッド大作戦)

Director – Yuya Nakaizumi – 2019 – Japan – Cert. 15 – 57m

The first 16 minutes **1/2; the rest ***1/2

A zombie film being shot in one long, single take and set in a restaurant in Hollywood is attacked by zombies… or is it? – out as an extra on a One Cut Of The Dead Hollywood Edition Blu-ray on Monday, May 31st

Spoiler alert. The film is basically a copy of the first film, slightly tweaked but not really adding anything much to it. Similarly, this review is basically a copy of the review of the first film.

With a title that translates literally as “Don’t Stop The Camera! Spin-off: a great strategy for Hollywood!”, this is another loving homage to both the movie shot in one take and to the zombie movie. Or so it appears for its first 16 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 16 minutes. “6 Months after the tragedy, Chinatsu is a waitress in Hollywood. Struck dumb, she died her hair blond (sic) and renamed herself Holly.” Thus reads the opening title as waitress Holly / Chinatsu (Yuzuki Akiyama) ignores customer comments about her inability to speak.… Read the rest

Categories
Features Live Action Movies

The Invisible Man
Appears
(Tomei Ningen
Arawaru,
透明人間現る)

Director – Nobuo Adachi – 1949 – Japan – Cert. PG – 82m

****

With a title that seems to proclaim, “look at me, I’ve arrived”, Daiei’s The Invisible Man Appears (1949) is a Japanese manifesto, a statement that they can match American movies. Eiji Tsuburaya‘s effects are as good as anything in Universal’s The Invisible Man (1933) and were almost certainly produced at a fraction of the cost.

Although the concept originates with H.G.Wells’ 1897 novel, images from the Universal version starring Claude Rains are lodged in the popular consciousness. Thinking of The Invisible Man, I immediately recall a hat being removed then bandages being unwrapped from covering a man’s head to reveal… nothing… a shirt collar with no neck inside. The Invisible Man Appears recreates such effects convincingly… [read more]

On a Blu-ray double bill with The Invisible Man Vs The Human Fly (1957). Full review at All The Anime.

Trailer:

Trailer (double bill):

Categories
Features Live Action Movies

The Invisible Man
Vs
The Human Fly
(Tomei Ningen
To Hae Otoko,
透明人間と蝿男)

Director – Mitsuo Murayama – 1957 – Japan – Cert. 12 – 96m

**1/2

The lesser of Daiei’s two Invisible Man movies. Mitsuo Murayama, working from a script by Hajime Takaiwa, delivers not so much a sequel but, much like the different entries in Universal’s Invisible Man series, a different story with a different set of characters built around the concept. Without Eiji Tsuburaya’s guiding hand, the invisibility effects are less memorable but do what they need to. A striking theramin score by Tokujiro Okubo adds an unearthly atmosphere.

This time, the Invisible Man is not a criminal but on the side of the law. It’s a murder mystery with a bizarre twist… [read more]

On a Blu-ray double bill with The Invisible Man Appears (1949). Full review at All The Anime.

Trailer (double bill):

Categories
Features Live Action Movies

True Mothers
(Asa Ga Kuru,
朝が来る)

Director – Naomi Kawase – 2020 – Japan – Cert. 15 – 140m

*****

An unmarried mum hands her child over to adoptive parents only to later decide that she wants the child back – Japan’s entry for the 2020/2021 Oscars is screening on Curzon Home Cinema from Friday, April 16th

Naomi Kawase’s new film True Mothers deals with the interface between unwanted teen pregnancy and infertility among married couples and was Japan’s entry for this year’s Best International Feature Film at the Oscars. Sadly, it didn’t make the Academy’s shortlist. However, UK audiences up and down the land will now be able to see it on Curzon Home Cinema. It had a brief UK big screen outing late last year at the London East Asia Film Festival (LEAFF), which, after several months of touch-and-go somewhat incredibly went ahead days before the UK went back into total lockdown.

Former documentarian Kawase has been getting a lot of exposure in the UK in recent years with both Sweet Bean (2015) and The Mourning Forest (2007) released here on Eureka! Video and Still the Water (2014) currently available on MUBI and BFI Player. I like Kawase but I must admit True Mothers sounded like it might be terrible.… Read the rest

Categories
Features Live Action Movies

Ishiro Honda
Double Feature
The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)
and
Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争)

The H Man

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

Battle in Outer Space

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Alongside the standalone release of Mothra (1961) comes a double bill of two more Toho science fiction movies directed by Ishiro Honda with special effects by Eiji Tsuburaya: , The H Man (1958) and Battle In Outer Space (1959). The Toho studio is associated more with monster movies than any other genre, notably Godzilla (1954) and Mothra. The superior entries in this cycle tend to be the ones they directed, including the initial 1954 film which ticked all the right boxes to prove a massive success.

When no-one at Toho was quite sure what had made Godzilla work, the pair collaborated on a number of different SF films before everything came together on Mothra. The H Man is a monster film dressed up in gangster trappings while Battle in Outer Space is an epic with space stations, flying saucers, rocket ships, an alien moon base and alien mind control… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda double bill Blu-ray.

Categories
Features Live Action Movies

Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争,
lit. The Great Space War)

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Battle In Outer Space is one of those films that paints on a bigger canvas and sacrifices character development in favour of big-screen visual spectacle, brought to life with state-of-the-art special effects. According to Kalat, the film owes much to the bigger Hollywood 1950s SF feature film films made in colour. These include not only films by former Puppetoon animation creator George Pal such as The War Of The Worlds (1953) and Conquest Of Space (1955) but also This Island Earth (1955) and Forbidden Planet (1956).

Honda’s film wades straight in to alien war scenarios… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda Blu-ray double bill of The H Man and Battle In Outer Space.

Categories
Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest

Categories
Features Live Action Movies

Shape Of Red
(Red)

Director – Yukiko Mishima – 2020 – Japan – Cert. N/C 15+ – 122m

****1/2

A woman trapped in a stultifying marriage experiences freedom and laughter in both returning to work and pursuing an extramarital relationship – played online in the Japan Foundation Touring Film Programme 2021 in the UK

Married to Shin (Shotaro Mamiya) with a six-year-old girl Midori, Toko (Kaho – Our Little Sister, Hirokazu Kore-eda, 2015) is a stay-at-home mum. Shin works with a trading company and judging by the size of the house is not lacking financially. Shin’s mother is a constant fixture in their home and the first time we see Shin come in from work of an evening, he rejects the meal his wife has prepared because he’s “not hungry” only to readily accept a favourite dish his mother has prepared.

That doesn’t bode well for the marriage. In bed she dutifully performs a blow job on him which satisfies him but not her. As she wipes away the results with a tissue, you feel that she’s not so much a wife, more a sort of sexual skivvy.

As his wife, Toko accompanies Shin to various work social events where she similarly appears to be little more than an appendage.… Read the rest

Categories
Features Live Action Movies

One Night
(Hitoyo,
ひとよ)

Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m

****1/2

A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring Film Programme 2021 in the UK

A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.

Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest