Categories
Live Action Series Television

Hellbound
(Jiok,
지옥,
lit. Hell)

Director – Yeon Sang-ho – 2021 – South Korea – 6 x 50m

*****

Angels state the time of death then demons come and cart people off to hell, generating a circus of fundamentalist, religious activity – series airs on Netflix from November 19th – reviewed for All The Anime

The new Netflix series Hellbound (2021) from South Korea’s Yeon Sang-ho, creator of zombie outings Seoul Station (2016) and Train To Busan (2016), began life as a webtoon some 11 minutes in length back in 2002. The first three x 50-minute episodes (out of six) have played a number of international film festivals.

Those first three episodes – screened at the London Film Festival where this writer saw them – explore notions of sin, eternal punishment and damnation. As in Belgian director Jaco Van Dormael’s hilarious and highly inventive comic, religious satire The Brand New Testament (2015), people are sent the date and time of their death then dazedly watch the moment approach on their mobile phones. After its announcement, when the time comes, three black and white, Hulk-like demons turn up to pound the person into a pulp, suck out their life force and burn the corpse… [Read more]

I review Hellbound (eps 1-3) for All The Anime.… Read the rest

Categories
Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.

Categories
Animation Features Movies Series Television

Black Cat Detective
(Heimao Jingzhang,
黑猫警长)

Director – Dai Tielang – 2010 – China – Cert. N/C U – 76m

Parental Warning: Although this drawn animation has a (completely legitimate) recommended UK U certificate, it contains a lot of gun and knife violence and, in the subtitles, one swear word.

****

Black Cat Detective and his fellow police protect everyday citizens from nefarious criminal animals including a mouse mastermind – available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

A purple mole proudly shows the children sacks of supplies stocked in his granary for the coming Winter. Unfortunately, an evil criminal mastermind mouse (backed by music with a stinger cue ripped off the opening of Bernard Herrmann’s score for Psycho, Alfred Hitchcock, 1960) has his eye on these stocks and breaks in with his gang who get drunk on red wine and oil before passing the sacks out of the granary window, which action alerts the mother mole whose attempt at stopping them is thwarted by their throwing enough sax onto her to pin her down.

The cops led by Black Cat Detective turn up to shoot at the mice, one of whom they hit, and arrest the mole children on the premises, quickly realising their mistake and releasing the latter.… Read the rest

Categories
Live Action Series Television

A Day-Off
Of Kasumi Arimura Ep. 1
(Arimura Kasumi
No Satsukyu,
有村架純の撮休 第1話)

Director – Hirokazu Kore-eda – 2020 – Japan – 42m

****

In the first episode of director Hirokazu Kore-eda’s TV series A Day-Off Of Kasumi Arimura, the actress Kazumi Arimura plays herself in a fictionalised version of her life – on BFI Player as part of the BFI London Film Festival 2020 from 13:00 Saturday, October 10th to 13:00 Tuesday, October 13th

This is a curiosity, one-off festival screening that admirers of contemporary Japanese cinema are going to want to see. Kore-eda (Shoplifters, 2018) is one of the highest profile, contemporary directors in Japan and like many other directors around the world in between his theatrical cinema films he also works in small screen television. This is the first of eight episodes of the TV series A Day-Off Of Kasumi Arimura in which actress Kazumi Arimura plays herself in a fictionalised version of her life. As the subtitle of the end title indicates, this drama is fictional. It has nothing to do with Kazumi Arimura’s real life. 

There’s a little pre-amble in which Kazumi learns that tomorrow’s shoot is cancelled because someone has gone down with the ‘flu. Which you might think makes the episode rather close to or currently perilous pandemic times, but it doesn’t really.… Read the rest