Director – Alex Tsitsilin – 2014 – Russia – Cert. U – 81m
*
Sequel to The Snow Queen is a lacklustre CG effort, with script as perfunctory and animation as lacking in character as the worst video game. Orm the troll returns to Troll City following his vanquishing of The Snow Queen in the first film, where he pretends to be a valiant hero to marry the kingdom’s troll princess before getting tricked by his own reflection. The uninspired UK dub scarcely helps. Produced by the Night Watch franchise’s director Timur Bekmambetov, but of little note otherwise.
Director – Thomas Napper – 2023 – UK – Cert. 15 – 90m
****
A nineteenth centuryFrench widow innovates in the male-dominated world of champagne production – out in UK cinemas on Friday, August 23rd
In the early nineteenth century, Veuve Clicquot established itself as something of an innovation in the world of champagne. You would imagine that if anyone were to make a period picture about it, it would be the French, but as may well be guessed from the English language translation title here, this is a British production using English actors speaking English.
There’s nothing whatsoever wrong with that, but given that France has a sizeable movie industry which, among other things, often makes period costume dramas, watching a film about an historical period in that country in English feels decidedly odd. Perhaps if there were more of an epic sense of scale (think: Napoleon, Ridley Scott, 2023) it might feel less so. The screenplay is based on a book by North American writer Tilar J. Mazzeo.
Perhaps it’s explained with greater clarity in the book, but the film assumes a familiarity on the part of the audience with the ins and outs of the Napoleonic Wars, which take place in the backdrop of the film and on the edge of the narrative, affecting it from a distance, as it were.… Read the rest
A Ukranian-born, Associated Press video journalist and his stills photographer go to Mariupol where they report on Russia’s assault and invasion of that city – out in UK cinemas on Friday, October 6th
There are some films that are incredibly tough to watch which you nevertheless know you need to watch. This documentary is one of those films. The experience of watching it clearly pales beside the actual experience of being in the Ukranian city of Mariupol during the first 20 days of the attack and subsequent siege by Russian armed forces, more so beside the actual experience of being trapped there. And I am British, so Ukraine is not my country; I find it almost incomprehensible to imagine what it would be like if what has happened to Mariupol were to happen in my home town. (If you’re an urban Brit, insert the name of your city at this point.)
I’m not convinced that the credited director Mstyslav Chernov, a Ukranian-born, Associated Press video journalist who has reported on conflicts around the globe since joining AP in 2014, set out to make a feature film. He was just (just!)… Read the rest
Director – Sam Peckinpah – 1977 – UK, Germany – Cert. 15 – 132m
Movie ***1/2 4K Blu-ray *****
A German corporal on the WW2 Russian front takes exception to an aristocratic officer’s attempts to take credit (and a medal) for a dead officer’s bravery – out in a 4K restoration on UHD Steelbook, Blu-ray & DVD from Monday, July 31st
The Taman Peninsular on the Russian Front in World War II. German army Corporal Steiner (James Coburn) leads his small reconnaissance unit in a successful attack on a German position, taking captive an underage Russian recruit rather than killing him. His war-weary senior officer Colonel Brandt (James Mason) and assistant Captain Kiesel (David Warner) are joined by enthusiastic Captain Stransky (Maximilian Schell) who was previously in France and has come to Russia determined to earn an Iron Cross to impress his aristocratic, Prussian family.
In his first encounter with Steiner, Stransky orders him to shoot the teenager captive, as they have been ordered to take no prisoners. Steiner instead hides the boy among his unit, letting him go during a Russian attack on the base, hoping the boy can return to his own forces, but alas the boy is shot by advancing soldiers on his own side.… Read the rest
Work in progress – subject to change. Because I am still watching movies released in 2022, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add.
All films received either a theatrical or an online release in the UK between 01/01/22 and 31/12/22. Prior to 2020, I’d never included online releases (well, maybe the odd one or two as a special case) but that year saw the film distribution business turned upside down by COVID-19. The movie business is still changing, and the dust hasn’t yet settled.
This version excludes re-releases (Psycho, Paris, Texas and Pickpocket, not to mention the first six Bond movies, would top everything here). It has been an amazing year for re-releases including one or two incredible, old movies being released in the UK for the first time on Blu-ray. This is the year I get to rank all 25 Eon Bond movies, and why not? A link to that longer list will be added here in due course.
In addition to re-releases, this version also excludes films seen in festivals which haven’t had any other UK release in 2022.… Read the rest
Director – Thorold Dickinson – 1949 – UK – Cert. PG – 95m
****1/2
A Russian army officer seeks the occult secret of playing cards that will earn him a vast fortune, but has not bargained for the dark, supernatural forces involved – 4K restoration is out in UK cinemas on Friday, December 23rd and on Blu-ray, DVD and Digital on January 23rd
1806, St. Petersburg. Unlike his well-connected aristocrat contemporaries in the army, Captain Goeman Suvorin (Anton Walbrook) sees no opportunity for advancement. In a bookstore, he chances upon an arcane volume which the store owner suggests will offer various opportunities for personal betterment fraught with danger. Reading up on “people who have sold their soul”, he learns that the Countess (Pauline Tennant) made her fortune in a gambling den with the secret of three unbeatable playing cards for which she agreed to sell her soul after one of her lovers stole her considerable personal allowance, taking advantage of her needing him to leave quickly in order to prevent her husband’s discovering his presence in her bedchamber, which stolen monies she then needed to find a means of replacing.
As the Countess is now an old woman (Dame Edith Evans), Goeman resolves to get close to her by romancing her ward Lizavyeta Ivanovna (Yvonne Mitchell) using words for love letters suggested by contemporary aristocratic officer Andrei Andreyonov (Ronald Howard) with neither of them aware that they are actually interested in the affections of the same girl.… Read the rest
Director – Kirill Serebrennikov – 2021 – Russia – Cert. 18 – 145m
*****
The stream of consciousness existence of an urban, Russian comic book artist who has the ‘flu – out on VoD on Tuesday, June 28th
Despite being under the weather with the ‘flu, city dweller Petrov (Semyon Serzin) is trying his best to carry on as normal. Not so easy when you’re out of it. His nightmare starts with a bus journey. A nine-year-old girl kindly offers him her seat, but before he’s sat down, someone else seems to have taken it. A misogynist old man talks to the girl, telling her that often girls her age are married off and possibly already cheating on their husbands.
Before the old misogynist knows it, someone has had the bus stopped so the he can be thrown off, losing his false teeth in the process which Petrov picks up and which subsequently function like an intermittent Greek chorus, albeit one that doesn’t make any particular sense, throughout the remainder of the narrative. Then Petrov’s mate Igor (Yuri Kolokolnikov), who’s been pursuing the bus in a hearse, complete with coffined corpse, stops it to commandeer Petrov off the bus and into shooting an automatic rifle at victims as part of an impromptu firing squad.… Read the rest
Directors – David Fairhead, Anthony Palmer – 2022 – UK – Cert. PG – 110m
****
The story of World War Two’s iconic Lancaster bomber aircraft, the missions it flew and the airmen who served as its crews – out in cinemas on Friday, May 27th
The constant drone-like sound, the view looking downwards moving over water, a Lancaster bomber aircraft flying the length of a lake, the camera above it titling down as it passes to reveal it crossing a dam. This sequence, impressive on a big cinema screen equipped with a really good sound system, opens this informative and compelling documentary.
The Lancaster is entrenched in the British psyche from The Dam Busters (Michael Anderson, 1955) and in due course clips from that film and a few others appear here. I can remember seeing it many times on afternoon television as a child in the late 1960s / early 1970s. Present day footage of this amazing aircraft in flight jostles with comments by present day airmen who fly in it, and their enormous affection and respect for the aircraft comes through loud and clear. They are seen touching a plaque by the plane’s entrance doorway commemorating all those who flew her during World War Two as a way of taking the spirits of those people with them on flights today.… Read the rest
Director – Juho Kuosmanen – 2021 – Finland – Cert. 15 – 107m
*****
A student taking a long, sleeper train from Moscow to the Arctic finds herself sharing a compartment with a drunken male slob – out in cinemas on Friday, April 8th
Finnish archaeology student Laura (Seidi Haarla) lives in Moscow with her life of the party, professor lover Irina (Dinara Druckerova) in the latter’s Moscow flat where life is a constant round of social gatherings and parties. Irina’s busy schedule causes her to drop out of a proposed visit to Murmansk to see the petroglyphs, so Laura takes the Artika train(Artic train) alone and finds herself sharing her first class, two person sleeper cabin with Lhoja (Yuriy Borisov from Petrov’s Flu, Kirill Serebrennikov, 2021) who knocks back the vodka and leaves half-eaten packets of food all over the shared table. She takes an immediate dislike to him.
And that’s the setup of the film: not so much a road movie as a rail movie, the bulk of what follows taking place on the train (a fascinating location in itself) with off-train episodes at various stops en route including St. Petersburg (which places the year at 1991 or after when the city was renamed from Leningrad) and a finale in Murmansk.… Read the rest
A pencil-thin ballerina becomes involved with a rough, stocky boxer. Some things seem destined not to be… And yet… – nominated for Best Animated Short in the 2021/22 (94th) Oscars
Olya and Evgeny live near each other’s flats. When running to catch the subway train, tall, thin ballerina Olya’s movements are grace personified, the epitome of precision timing. The world of shorter, stocky boxer Evgeny, whose face is a patchwork of scars from his career in the ring, couldn’t be more different. Should she object to the hands of her choreographer on her leg when he’s showing her the position she needs to achieve? Is he being a little overly fresh? She’s unaware of Evgeny buying booze from the local shop and drinking it at home.
Then one day, he sees her in distress and rescues her cat from a tree. She invites him in for a cup of tea, but his embarrassment there causes him to know a cup off the table, breaking it. She takes him to an art gallery, a shooting gallery, roller skating. He retrieves her bag after she’s robbed in broad daylight. He goes to watch her at the ballet, but sees her drive off with her choreographer.… Read the rest
