Tag: priest

Exhibition on Screen:
Mary Cassatt:
Painting
the Modern Woman

Post author By Jeremy Clarke
Post date 8 March 2023
No Comments on Exhibition on Screen:
Mary Cassatt:
Painting
the Modern Woman
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Director – Ali Ray – 2023 – UK – Cert. U – 93m

*****

A look at an often overlooked member of the Impressionists, a US-born, female painter and printmaker who moved from Philadelphia to live in France – out in UK cinemas for one day only on Wednesday, March 8th (International Women’s Day)

I had never heard of Mary Cassatt when I came to this documentary. I’m not really sure why not (apart from the obvious reason, the widespread exclusion of numerous women artists from the annals of art history until recently) and feel indebted to this remarkable study for introducing me to her work. It comes as no surprise that the film was produced by Phil Grabsky for his excellent Exhibition On Screen series about art, although what IS a surprise here is that all the interviewees in this instance are women. Nothing at all wrong with that if they have something of value to say, which they clearly do.

One could argue that the piece has a very strong feminist leaning with its emphasis on women being free to live their lives as they choose. It’s tempting to say that one could forget the gender bias here and simply say that all the interviewees have important insights to share and do a good job.… Read the rest

Tags A Bar At The Folies-Bergère, Ali Ray, America, aquatint, art collection, art exhibition, art gallery, artists, artists’ community, Bronwen Bradshaw, Carravaggio, Cézanne, coiffure, Correggio, Dejeuner Sur L’Herbe, drypoint, Ecouen, Edgar Degas, etching, exhibition, Exhibition On Screen, female experience, feminine, feminism, France, Franco-Prussian War, Gauguin, gender dynamics, Impressionists, Italy, Japan, Japanese print, Japanese woodblock, Manet, mirrors, mother, mother and child, Musée Des Beaux-Arts, museum, Napoleon II, Old Masters, painting, Paris, Parma, Pennsylvania Academy Of Fine Arts, performance, Phil Grabsky, Philadelphia, Pittsburgh, priest, print, printmaking, Salon, Salon Des Refusés, seeing and being seen, Seville, space and mirrors, Spain, the Louvre, theatre, toilette, UK, US, Van Gogh, Washington DC National Gallery, wealth, women artists

Animation Features Movies

Guillermo del Toro’s
Pinocchio

Post author By Jeremy Clarke
Post date 9 December 2022
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Pinocchio
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Directors – Guillermo del Toro, Mark Gustafson – 2022 – US – Cert. PG – 114m

*****

Created as a puppet by a bereaved, religious woodcarver father, a little wooden boy must make his way in a world of ruthless show business, Fascism and war – stop-frame puppet movie is out on Netflix on Friday, December 9th

Co-helmed by Will Vinton alumnus Gustafson, del Toro’s Carlo Collodi adaptation sees him return to the theme of the Catholic Church collaborating with Fascism that he previously explored in Pan’s Labyrinth (2006). The story roughly follows the familiar template of Disney’s Pinocchio (1940), even down to punctuating the action with songs, but with the loosely defined place and time of a fairytale shifted to a very specific Italy before (briefly) and during World War II, with Pleasure Island replaced by a boys’ military training camp. The emphasis has shifted, too, from the notion of the narrator cricket character as conscience to coming to terms with mortality, although the idea that just because things appear to be fun they may not necessarily be good is knocking around in there too.

A narrator who will later identify himself as Sebastian J. Cricket (voice: Ewan McGregor) introduces us to churchgoing woodcarver Gepetto (voice: David Bradley), who is working on a statue of Jesus Christ crucified for the local church, raising dutiful son Carlo (voice: Gregory Mann), an equally religious child with a true sense of wonder at the world around him, including planes in the sky.… Read the rest

Tags accent, action, adaptation, afterlife, anteroom, assistant, bad contract, bereavement, blue fairy, blue wood sprite, bring to life, Burn Gorman, Burn!, burning, Carlo Collodi, Cate Blanchett, Catholic, Catholic Church, Catholicism, child, Christoph Waltz, church, churchgoer, conscience, contract, cricket, crucified, David Bradley, death, drunk, drunk parent, earnings, Ewan McGregor, fairytale, fascism, fathers and sons, feet, Finn Wolfhard, fish, Frank Passingham, fun, goodness, Gregory Mann, Guillermo del Toro, home, island camp, Italy, James Bond, Jesus Christ, Jim Henson’s Creature Shop, local church, maltreat, Mark Gustafson, miniature, miniature sets, model, model animation, monkey, monster, mortality, musical, narrator, nose, one night releasing the last of their bomb, parent, planes, politician, politics, priest, puppet, puppet animation, puppetry, religion, right and wrong, Ron Perlman, school, sea, showman, sky, snake tail, soldier, songs, statue, stop-frame, stop-frame animation, stop-motion, stop-motion animation, Tilda Swinton, torso, training, travelling, tree, US, war, Will Vinton, wonder, wood, wood sprite, woodcarver, World War Two

Features Live Action Movies

Father Stu

Director – Rosalind Ross – 2022 – US – Cert. 15 – 124m

***

A boxer turned actor who fancies a Catholic girl is drawn into first the church and then the priesthood – out in cinemas Friday, May 13th

Stuart Long (Mark Wahlberg) is stuck. His career as a boxer has been going nowhere for three years, then comes the news from his doctor that he needs to pack it in. That’s okay, though – he always wanted to be an actor, so he moves to LA and lands himself a job serving on a supermarket meat counter. This seems to him as good a place as any to get discovered. That doesn’t go anywhere, but what DOES happen is that he sees a girl he likes, Carmen (Teresa Ruiz).

However, Carmen is a Catholic and won’t date anyone who isn’t. So, to make something happen, he first of all finds her church and attends services there just to see her, then pretty soon he’s signing up to classes to get baptised into the faith. This seems to have the desired effect and they become a couple with marriage on the horizon sometime in the future. It has a further effect on Stuart that he didn’t bargain for: being around religious people and studying what Catholics believe, he starts to become one himself and develop a genuine faith.… Read the rest

Features Live Action Movies

Bad Luck Banging
or Loony Porn
(Babardeală
Cu Bucluc
Sau Porno
Balamuc)

Post author By Jeremy Clarke
Post date 26 November 2021
No Comments on Bad Luck Banging
or Loony Porn
(Babardeală
Cu Bucluc
Sau Porno
Balamuc)
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Director – Radu Jude – 2021 – Romania – Cert. 18 – 106m

*****

A teacher becomes the subject of controversy after her husband’s private sex tape is posted online – on BFI Player Subscription from Friday, April 1st

Park your prejudices at the door! The opening three or so minutes of this will surprise or possibly even shock you – basically, hard core, live action genital sex images of a man and a woman, no holds barred. Real, not simulated. And real in other senses too – banging… knocking… (oh God, double entendres, can’t see how to avoid them here) on the door as our couple go at it… Her mother, one imagines, heard through the wall… “Emi, are you asleep” – Emi’s reply, “please leave us alone” – her mother again, “the little one hasn’t sanitised”…

Yes, it’s the world of immediate, post-lockdown pandemic, with people wearing masks and social distancing (or not, if they don’t get it). That wasn’t in the script but when director Jude was shooting in Bucharest: Romania was coming out of lockdown, and he decided to incorporate that into his film. Most contemporary films pretend we’re in a world where Covid-19 never happened or isn’t happening, so we just carry on as normal.… Read the rest

Features Live Action Movies

Once Upon A Time
In China
(Wong Fei Hung,
黃飛鴻)

Post author By Jeremy Clarke
Post date 3 April 2021
No Comments on Once Upon A Time
In China
(Wong Fei Hung,
黃飛鴻)

Director – Tsui Hark – 1991 – Hong Kong – Cert. 15 – 135m

****1/2

Groundbreaking, period martial arts epic features some of the most spectacular stunt sequences ever filmed, spawned five sequels and made Jet Li a star – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

The real life Wong Fei Hung (1847-1925) was a Chinese practitioner of martial arts and medicine who lived in Foshan and has been the subject of over a hundred films. Tsui Hark’s 1991 production is one of the best known and spawned a series of six movies in total, four of them with Jet Li as Wong, arguably his most iconic role.

Militia-laden American and British and French ships anchored in the harbour put Foshan in an uneasy position and Wong is concerned, as well he might be since it turns out in the course of the narrative that the Americans under a man named Jackson (Jonathan Isgar) are not only tricking local men into debt via getting them to pay for their passage to San Francisco but also trafficking Chinese women into prostitution in the New World. The film isn’t particularly interested in these misdemeanours except as providing motivation for its villain.… Read the rest

Features Live Action Movies

By The
Grace Of God
(Grâce À Dieu)

Post author By Jeremy Clarke
Post date 7 September 2020
No Comments on By The
Grace Of God
(Grâce À Dieu)

Abuse in church

By the Grace of God (Grâce à Dieu)
Directed by François Ozon
Certificate 15, 137 minutes
London Film Festival, 5 and 6 October
Released 25 October

First published in Reform magazine. Now on Amazon and Curzon Home Cinema.

Over two hours long, this gripping and hugely topical affair dramatises the scandal of child abuse at Catholic summer camps over 20 years ago in the diocese of Lyon, France. The case has shaken the Church there since it became public in recent years. Despite Father Bernard Preynat (Bernard Verley) admitting his guilt, his superior, Cardinal Barbarin (François Marthouret) failed to curtail Preynat’s access to children thereby enabling his abuse of more victims in the ensuing years.

At a press conference, the cardinal uses the phrase ‘by the grace of God’ about the statute of limitations on many of the abuse cases. He is immediately criticised for the comment but it reveals how Barbarin is concerned more with protecting the institution of the Catholic Church than in caring for his flock.

Writer-director François Ozon constructs his narrative around three survivors… Read the rest

First published in Reform magazine. Now on Amazon and Curzon Home Cinema.

Trailer:

Tags abuse survivors, atheist, Catholic, child abuse, church, faith, France, guilt, Lyon, parishioner, priest, prosecution, religion, suopport, transparency

Features Live Action Movies

Yes, God, YES

A plea for honesty

Yes, God, YES
Directed by Karen Maine
Certificate 15, 77 minutes
Released digitally on 17 August

Despite its provocative title suggesting a racy sex comedy about religion, this is actually a gentle independent film exploring the everyday inadequacies of American teenagers growing up within a conservative Catholic tradition. Essential life issues, including sex, truth telling, lying and religion, come up.

There’s a rumour going round Alice’s Catholic high school that she (Natalie Dyer) has been “salad tossing”. Having no idea what this means, she spends much of the film trying to find out. Impressed that Nina (Alisha Boe) has been on a four-day camp and seems to have her life together, Alice signs up.

The camp takes place at a Catholic retreat centre staffed by a nun and Father Murphy (Timothy Simons). Alice is immediately attracted to Chris (Wolfgang Novogratz), the camp leader and school football team captain. When Nina asks Alice to surrender her watch and mobile phone “because you’re on Jesus’ time”, Alice keeps her phone hidden to play games on it… [Read the rest]

I review Yes, God, YES for Reform.

Available to view on Amazon Prime and iTunes.

Trailer: