Categories
Features Live Action Movies

Prometheus

Director – Ridley Scott – 2012 – US – Cert.15 – 124m

*****

UK release date 02/06/2012.

Western social attitudes to women have come a long way since Ripley (Sigourney Weaver) gratuitously stripped down to her underwear prior to fending off the malevolent creature in the finale of Ridley Scott’s seminal sci-fi shocker Alien (1979), but would appear still to have a long way to go.

You might think the glass ceiling has been abolished with the expedition on spaceship Prometheus being run by ice-cool blonde Meredith Vickers (Charlize Theron), but subsequent plot twists (which we won’t reveal) suggest otherwise. Scientist Elizabeth Shaw (Noomi Rapace), impossibly pregnant with a mysterious and rapidly growing embryo, is unexpectedly forced to improvise when the automated medical operations facility with which she had hoped to perform her own Caesarian turns out programmed for male surgery only. If sisters are now doing it for themselves, plenty of male-designed hurdles are still making sure they don’t do it it that easily.

Elsewhere, as Prometheus pre-empts the Alien franchise’s “which one of the crew is an android?” gambit by introducing us to the non-human David (Michael Fassbender) walking around the ship before he awakens first Vickers then her subordinate crew members from hyper-sleep, the android male still appears to possess more final authority than anyone else on board.… Read the rest

Categories
Dance Features Live Action Movies

Climax

Director – Gaspar Noé – 2018 – France – Cert. 18 – 97m

*****

Uppers and downers – either way blood flows. Arthouse enfant terrible Noé combines technical skill and singular focus with some of the most spectacular dancing ever put on film to produce a dark and challenging vision of hell on earth – now available on VoD

Cinema at its purest. Bright white on a screen. A woman starts crawling from the top of the screen. Extreme audience disorientation. We realise she’s crawling through snow. She appears to be in a bad way. Traces of blood. The camera follows her forward movement down the screen. Slowly a tree comes into shot from the bottom. We are watching the same overhead camera movement.

A series of vox pops on a television screen with shelves of books on one side and piles of DVDs on the other. Dancers answer questions on why dance is important to them. Would they do anything in order to make it big? What would they do if they weren’t able to dance?

Then the narrative proper begins. It’s 1996. We’re inside a building with a dance floor watching the most amazing dance routines we’ve ever seen.… Read the rest