Tag: manga

Categories
Animation Features Movies

Detective Conan
The Million-Dollar Pentagram
(Meitantei Konan
Hyakuman Doru
no Michishirube,
名探偵コナン
100万ドルの五稜星)

Director – Chika Nagaoka – 2024 – Japan – Cert. 15 – 111m

****

Spin-off from a hugely populardetective mystery manga and anime franchise – and Japan’s biggest box office success of 2024 – impresses on the level of eye-candy provided you don’t attempt to follow the overly convoluted plot – out in UK cinemas on Friday, September 27th

Japanese property Detective Conan is huge, running as a serialised manga in Weekly Shonen Sunday for 30 years, and turned into an anime series two years after that. By 2024, the manga has been collected into over a hundred volumes, while the franchise has spawn both animated and live action features among other things. The current film is the 27th animated feature, and at the time of writing is the biggest film at this year’s Japanese box office.

It may not be a good place to start with the franchise. Unlike Spy x Family Code: White (Kazuhiro Fusuhashu, Takashi Karagiri, 2023), which does a surprisingly effective job at getting the newcomer up to speed on a well-established anime franchise, Detective Conan: The Million-Dollar Pentagram doesn’t bother to explain its characters and their complex network of relationships, so you may find yourself completely lost before it starts throwing its increasingly convoluted plot developments at the viewer (as it does almost immediately with disorienting speed).… Read the rest

Categories
Animation Features Movies

The King and the Mockingbird
(Le Roi et L’Oiseau)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Animation Features Movies

Wrinkles (Arrugas)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi Et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi Et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Animation Features Movies

The Wind Rises
(Kaze Tachinu,
風立ちぬ)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi Et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi Et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Features Live Action Movies

Mondays:
See You ‘This’ Week!
(Mondays/
Kono Taimu Ruupu,
Joshi ni Kizukasenaito Owaranai,
MONDAYS／
このタイムループ、
上司に気づかせないと
終わらない)

Director – Ryo Takebayashi – 2022 – Japan – Cert. – 82m

****

A comedy in which a group of office workers must find a way to escape the week-long time loop in which they find themselves trapped – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

A dream. A Friday night conversation with the client she’s always wanted to work for and with whom she starts a job next Monday. Monday, October 25th. Akemi Yoshikawa (Wan Marui) wakes up in the office where she and advertising her co-workers have just pulled an all-nighter to get the presentations done for the client. They are exhausted, necks in travel pillows as they kip on the floor. A hapless bird strikes the window. Their middle-aged boss Mr. Nagahisa (Sports Makita) saunters in after a restful weekend.

Now Yoshiwaka must get working on that Miso Soup Soda Tablet product launch that the client wants to sound like something out of the ordinary. But then, the two guys at the next desk try to tell her that they are trapped in a time loop. They, as in, everyone in the office. She doesn’t really have the time to listen.… Read the rest

Categories
Animation Features Movies Music

Blue Giant
(BLUE GIANT)

Director – Yuzura Tachikawa – 2023 – Japan – Cert. 12a – 120m

*****

Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st

Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie The First Slam Dunk, Takehiko Inoue, 2022) but on another is extraordinary. Blue Giant is about music, specifically jazz, even more specifically teenager Dai Miyamoto (voice: Yuki Yamada; musicianship: Tomoaki Baba) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji Tamada (voice: Amane Okayama; musicianship: Shun Ishikawa).

Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka Kinoshita), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.… Read the rest

Categories
Animation Features Movies

The First
Slam Dunk

All images: © I.T. PLANNING, INC. © 2022 THE FIRST SLAM DUNK Film Partners

Director – Takehiko Inoue – 2022 – Japan – Cert. 12a tbc – 124m

*****

A high school basketball team sets out to defeat the seemingly unstoppable league champions – plays Annecy International Animation Festival from Wednesday, June 14th: Edinburgh Film Festival from Wednesday, August 22nd-23rd; out in UK and Ireland cinemas on Wednesday, August 30th

The coastal town of Shohoku. 11-year-old Ryota Miyagi (voice: Miyuri Shimabukuro) lives in the shadow of his 14-year-old, elder brother and school basketball star Sota (voice: Gakuto Kajiwara). One evening, Sota takes his younger sibling out for a practice at the local court, playing as hard as he can to push Ryota, which makes the youngster want to push himself harder still. Sota then alienates Ryota by going on a fishing trip with his peer group rather than respond to Ryota’s demand to extend their practice session. When his elder brother is tragically killed at sea, Ryota must both step into both the role of man of the house and prove himself in the school basketball team.

By the time Ryota is 17 (voice: Shugo Nakamura), he is one of the players on the Shohoku school basketball team which itself faces challenges: specifically, if it is to win the national championships, it must defeat the the seemingly unstoppable reigning champions the Sannoh school basketball club and their star player Masashi Kawata (voice: Mitsuaki Kanuka), Ryota’s opposite number (both wear their team’s no.… Read the rest

Categories
Animation Features Movies

The Tunnel
To Summer,
The Exit
Of Goodbyes
(Natsu
E No Tunnel,
Sayonara
No Deguchi,
夏へのトンネル、
さよならの出口)

Director – Tomohisa Taguchi – 2022 – Japan – Cert. – 83m

****

Damaged boy meets damaged girl one summer to discover a tunnel in which time passes much faster and innermost desires are fulfilled – from the 2023 Annecy International Animation Festival in the Official Competition section and out in UK cinemas on Friday, July 14th

A rural railway platform in the rain. Puddles on the platform. The tannoy states that the train is delayed by half an hour because it has collided with a deer. The standing boy explains to the sitting girl who isn’t from around these parts that that often happens in this region and offers her his umbrella. At first, she refuses thinking him a bit of a creep, but then comes round. They swap names and numbers on their phones so that she can return his umbrella. They read each other’s names out loud: she reads Tano Kaoru; he reads Hanashiro Anzu.

Next day, Kaoru (voice: Ouji Suzuka) takes the train to high school where the class is introduced to a new girl: it’s Anzu (voice: Marie Iitoyo). Like her initial coldness towards Kaoru, she ignores various girls attempts to be sociable and has a run in with the girl class bully Kawasaki (voice: Arisa Komiya), punching the latter in the face and causing a nosebleed when Kawasaki “accidentally” drops the old manga in which Anzu is engrossed onto the floor.… Read the rest

Categories
Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Tokyo Stories

Director – David Bickerstaff – 2023 – UK – Cert. 15 – 90m

*****

Japan generally and Tokyo specifically are viewed through that city’s art and photography – out in UK, Irish and worldwide cinemas on Tuesday, May 23rd

The refreshing thing about this latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series is that it breaks the mould. Like Vermeer The Greatest Exhibition (David Bickerstaff, 2023), it is centred around a particular art exhibition, in this instance 2022’s Tokyo: Art + Photography show at Oxford’s Ashmolean Museum. That event sought to give a perspective on the country of Japan generally and the city of Tokyo specifically through its art, both historical and contemporary. The Ashmolean is well-placed to do this, given that it already houses a wide-ranging, historical Japanese collection. Sadly, it means that if this film whets your appetite and makes you want to visit the exhibition, you can’t then do so because it’s been and gone. In a way, though, that’s not so dissimilar from the Vermeer exhibition, which had sold out before the documentary about it appeared.

While the film is swift to acknowledge areas of Japanese culture as diverse as manga (one of the first shots of Tokyo features a giant image of manga and anime favourites Dirty Pair) and traditional Japanese music (a stringed and a woodwind instrument are shown being played by musicians without any explanation or even naming of the instruments), such elements remain largely in the background.… Read the rest

Categories
Animation Features Live Action Movies

Sensei,
Would You
Sit Beside Me?
(Sensei,
Watashi
No Tonari
Ni Suwatte
Itadakemasenka?,
先生、
私
の隣に座って
いただけませんか？)

Director – Takahiro Horie – 2021 – Japan – 119m

****1/2

Believing her manga artist husband is having an affair with their publisher, a manga artist wifedraws a new manga in which she embarks on an affair with her driving instructor – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

When another story assignment for their editor Chika (Nao aka Nao Honda) comes to an end for wife and husband manga artists Sawako (Haru Kuroki) and Toshio Hayakawa (Tasuku Emoto), Sawako lets Toshio drive Chika to the station, listening to them talk after shutting the door behind them because she’s convinced (correctly) that the pair are having an affair. Shortly afterwards, she gets a phone call telling her that her mother (Jun Fubuki) is ill, and the urban couple drive to her home in the countryside to be there for her as she recuperates. She is walking around on a single crutch but seems in good shape.

That is, however, more than can be said for this married couple’s relationship. To keep up appearances, they share a bedroom at her mother’s place, something they haven’t done at home for years.… Read the rest