Tag: LFF

Categories
Features Live Action Movies

Last Night in Soho

Director – Edgar Wright – 2021 – UK – Cert. 18 – 116m

*****

The dream life of a present day fashion student takes her to the Soho of 1965 where a young woman is trying to make it as a singer – in cinemas from Friday, October 29th

Dreaming of being a fashion designer, 1960s-obsessed Eloise (Thomasin McKenzie) leaves the house of her gran (Rita Tushingham) in Redruth, Cornwall after getting accepted as a student at the London College of Fashion. Charlotte Street halls of residence turn out to be an introvert’s nightmare, with parties replacing sleep at night and extrovert roommate Jocasta (Synnøve Karlsen) taking an immediate dislike to Eloise. The morning after spending her first night wrapped in her duvet in the corner of a party room, sleep deprivation almost prevents her getting to roll call on time. As it is, she looks foolish when her name is called, and she asks, “what’s the question?”

Eloise chances on a room to rent notice that’s fallen on the floor below a notice board and secures the room at the top of 8 Goodge Place from eccentric, ageing landlady Miss Collins (Diana Rigg) whose rules include “no smoking, no male visitors”.… Read the rest

Categories
Animation Features Movies

The Crossing
(La Traversée)

Director – Florence Miailhe – 2021 – France, Germany, Czechia – 84m

*****

Two children undergo a series of adventures as they flee an ethnic cleansing pogrom in this animated feature made with oil paint on glass – from the BFI London Film Festival 2021 which runs from Wednesday, October 6th to Sunday, October 17th in cinemas and on BFI Player

Kyona and Adriel live with their mother, father and younger siblings in their village. One day, soldiers and dark, hooded shadow men arrive to massacre the locals Yelzid people. Somehow the family escape and board a train, but it’s stopped by soldiers for Control and their parents and younger siblings are detained on the platform. Kyona and Adriel must continue on alone and cross the border to safety.

This stakes its place in cinema history as the first feature to be realised using the time-worn animation technique of oil paint of glass. This technique makes the film analogous to watching a moving oil painting, but director Miailhe marshalls her serial images with a strong sense of narrative and additional filmic technique which hold the whole together.

Kyona loves to draw. Her sketchbook, which accompanies her everywhere, opens and closes the film, providing a perfect jumping off point to enter the oil on glass produced narrative.… Read the rest

Categories
Features Live Action Movies

Money Has Four Legs

Director – Maung Sun – 2020 – Burma – 98m

***

The progress of a first time film director from whose production money seems to flee like a four-legged animal – in cinemas as part of the BFI London Film Festival 2021 from Wednesday, October 6th

An hilarious opening confronts film director Wai Bhone (Okkar (Dat Khe)) with the man from the Burmese censorship office, a bureaucrat with little sense of storytelling beyond the prohibitive. Lots of people are smoking. Could he tone down that word to furthermucker? Cut down the drinking scenes. We cannot let criminals escape. What is the point of this film? Then there are street scenes bursting into colour. All of this makes it into the attractive trailer.

On the set of his film, Wai is confronted by an actress who hasn’t learned her lines properly, so she’s reading them off her hand. Then there’s a location where a guard hasn’t turned up with the key to admit him and his crew. So he climbs over the wall with the camera only to get shut down by another guard. And his overly careless brother-in-law Zaw Wyint (Ko Thu) talks him into letting him appear in the film only to damage the camera when Zaw gets overenthusiastic about shooting a stunt.… Read the rest

Categories
Animation Features Movies

WolfWalkers

Subdue the forest

Wolfwalkers
Directed by Tomm Moore and Ross Stewart
Certificate PG, 100 minutes
Previews from 26 October, released 30 October, then on Apple TV from 13 December

The tree cutters attempting to clear the forest around the walled town of Kilkenny, Ireland, live in fear of wolves. They also believe in WolfWalkers – human by day, wolf by night – who appear in daylight to call off wolf attacks on humans. Ireland is under English rule, administered by the God-fearing Lord Protector (Simon McBurney) through his northern English officer Bill Goodfellowe (Sean Bean), charged with clearing the forest of wolves. Bill’s young daughter Robyn (Honor Kneafsey) dreams of slaying wolves with her crossbow. However, children are barred from leaving the city.

This prohibition doesn’t prevent Robyn from sneaking out to the forest, however, where her wolf hunting goes disastrously wrong… Read the rest

Review for Reform magazine.

See also my BFI London Film Festival 2020 review.

Previews from 26 October, released 30 October, then on Apple TV from 13 December.

Categories
Documentary Features Live Action Movies Music

Delia Derbyshire:
The Myths
and Legendary
Tapes

Director – Caroline Catz – 2020 – UK – 98m

*****

Docudrama explores the ten years the legendary electronic musician spent at the BBC Radiophonic Workshop – on BBC iPlayer from Sunday, May 16th for a year

Part documentary, part drama and part performance art, this is a fascinating examination of Delia Derbyshire, the woman who between 1962 and 1973 worked in the BBC Radiophonic Workshop. The film does examine her life and career before and after that, but only briefly. After studying mathematics and music at Cambridge, she became interested in music as an expression of mathematics and, as such, knew that the Radiophonic Workshop was the place she wanted to be.

We see Delia (writer-director Caroline Katz) interviewed for a job at Decca Records only to be told that women don’t work in the technical department but there are openings for secretaries. It’s easy to see that as sexism now, but at that time such attitudes were commonplace. She wonders if her interviewer was the person who turned down the Beatles. We see interviewed Dutch video artist Madelon Hoodykas with whom she collaborated in The Netherlands after her BBC period and there’s some brief footage of the LYC museum set up by Li Yuan-chia near Hadrian’s Wall where she spent some time after a disastrous marriage to a man with whom she had little in common with beyond drinking.… Read the rest

Categories
Features Live Action Movies

Memoir
Of A Murderer
(Salinjaui
Gieokbeob,
살인자의 기억법)

Director – Won Shin-yeon – 2017 – South Korea – 118m

***

A K-thriller with a memorable premise: serial killer with Alzheimer’s suspects man dating his daughter is also a mass murderer – at the London Film Festival 2017 and London Korean Film Festival 2018

At the start of Memoir Of A Murderer, Kim Byung-su (Sul Kyoung-gu) walks dazedly out of a dark tunnel into a white, wintry landscape. Like so much in this convoluted South Korean thriller, that might be highly significant or symbolic, a metaphor, a journey, a state of mind. Or it might not. It’s undeniably a visually striking and arresting starting point. In the manner of frame stories or flashbacks in so many films, we return to this sequence towards the end. But it’s not clear at the start that this is a flashback, and it’s no clearer at the end when this scene recurs.

That’s indicative of some of the games screenwriter Hwang Jo-yoon (co-screenwriter of Park Chan-wook’s Oldboy, 2003) and director Won Shin-yun want to play with their audience. They’re plugging into a long cinematic tradition of films dealing with impossible memory and that peculiar subset thereof most notably represented by Memento (Christopher Nolan, 2000) in which a main character suffers from amnesia or memory loss.… Read the rest

Categories
Features Live Action Movies

Wrath Of Silence
(Bao Lie Wu Sheng,
暴裂无声)

Director – Xin Yukun – 2017 – China – 120m

***

Fist of parental fury: mute villager fights hard to find his missing son in rural China, in a film teeming with extraordinary social commentary and… fighting!!! From the BFI London Film Festival 2017

The young boy Zhang Liu tends sheep on a hillside in Northern China not far from a mine where lorries come and go. One day he doesn’t come home. His mother, already in debt for various medical treatments for her swollen legs, is at her wits’ end. The boy’s mute father, the miner Zhang Baomin (Song Yang), has a way of solving problems. Fisticuffs. He beats up people in the local mine. In the village restaurant he plunges a broken meat bone into the eye of the local organiser of signatures to sign away the village mining rights for which he’s holding out but everyone else in the village has signed. He goes around showing a picture of the missing Liu in the hope that someone has seen the boy.

This takes him to a local mining site where he’s inside eating with the foreman when thugs turn up in vans and jeeps to tell the miners a new company has bought out the mine and their service are no longer required.… Read the rest

Categories
Documentary Features Live Action Movies

The Reason I Jump

Director – Jerry Rothwell – 2020 – UK – Cert. 12a – 82m

*****

The inner world of the autistic, explored through the writings and lives of autistic people and innovative cinematography and sound design – in cinemas from Friday, June 18th (Autistic Pride Day)

Originally this was a remarkable book in which autistic teenager Naoki Higashida communicated to the rest of the world in prose what it’s like to be autistic. It had already been widely read in Japan when author David Mitchell and his wife Keiko Yoshida, whose son is autistic, were so taken with it that they undertook an English translation. International acclaim followed. For Mitchell, the book provided the opportunity to understand his son’s interior world like nothing before it.

A film is a very different media from a book. That begs the question, if you wanted to make the book into a film, how would you go about it? Seasoned documentary filmmaker Jerry Rothwell (Deep Water, co-directed with Louise Osmond, 2006; How To Change The World, 2015) had some innovative ideas. One was to use Higashida’s writings as a through line for the film, augmenting it with the experiences of several other autistic people.… Read the rest

Categories
Features Live Action Movies

Nomadland

Director – Chloé Zhao – 2020 – US – Cert. 12a – 107m

****1/2

A poor widow drives around the US in her van picking up casual work where she can get it, meeting and making friends with other vandwellers – on VoD, in cinemas from Monday, May 17th

There’s a restlessness about Nomadland. In most films, the characters live in fixed abodes – houses or flats. Perhaps parts of villages, towns or cities. Not so here.

“I’m not homeless”, explains Fern (Frances McDormand) at one point to a daughter of a friend she’s not seen for years and runs into in a hardware store, ” I’m houseless. There’s a difference.” Indeed there is. 

Following the rapid economic collapse of Empire, the town where she lived, explained in a throwaway introductory title at the start, and the death of her husband, Fern has taken off in an RV and now moves from place to place, getting paid work where she can find it, meeting people and, frankly, enjoying the freedom this mobile and rootless lifestyle affords her. 

The property was originally a non-fiction book by journalist Jessica Bruder who documented the lives of so-called vandwellers living on the road following the US economic depression of 2007-2009.… Read the rest

Categories
Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest