Tag: Hong Kong Focus

Work in progress – subject to change. Because I am still watching movies released in 2023, so it’s always possible that a new title could usurp the number one in due course. Before that, I have a lot more movies still to add / sort.

All films received either a theatrical or an online release in the UK between 01/01/23 and 31/12/23.

This version includes re-releases, but those aren’t numbered. It’s hard to imagine movies improving on Powell and Pressburger’s i know where i’m going or The Red Shoes, Powell’s Peeping Tom or Von Trier’s Melancholia.

In addition to re-releases, this version also includes films seen in festivals which haven’t had any other UK release in 2023.

The star ratings may occasionally differ from the star rating I gave a particular film at the time of review.

Beyond the first 25 numbered titles, there may be numerous errors (missing links to reviews where I wrote one, year of release, country, and maybe more). All this will be fixed in time, but I wanted to get something online in the holidays.

Finally, last year’s list is here.

Top Ten Movies (and more) 2023

Please click on titles to see reviews. (Links yet to be added.)… Read the rest

Tags 2023, Albania, Annecy, Australia, Bhutan, Brazil, Canada, Chile, China, Croatia, Czechia, Denmark, Estonia, Finland, France, Georgia, Germany, Greece, Hong Kong, Hong Kong Focus, Hungary, Iceland, India, Iran, Ireland, Israel, Italy, Japan, JPF Touring Programme, Kazakhstan, LEAFF, LFF, Lithuania, LKFF, Morocco, Nepal, New Zealand, North Macedonia, Norway, Philippines, PÖFF, Poland, premiere, Serbia, Slovakia, Slovenia, South Korea, Spain, Sweden, Switzerland, Tibet, Top Ten Movies, UK, Ukraine, US, world premiere

Features Live Action Movies

Nomad
(Lie Huo Qing Chun,
烈火青春)
4K Director’s Cut

Post author By Jeremy Clarke
Post date 15 July 2023
No Comments on Nomad
(Lie Huo Qing Chun,
烈火青春)
4K Director’s Cut
Sticky post

Director – Patrick Tam – 1982 – Hong Kong – Cert. 15 tbc – 92m

*****

A group of young Hongkongers fool around with sex and search for a cultural identity – plays in the UK as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

Opening with a curious conversation in a typically cramped Hong Kong apartment between a man embarrassed about being a father and his own father advising against lowering interest rates before moving swiftly through an equally cramped scene with the dour and concerned families of a young teen and the coquettish girl he has got pregnant, this freewheeling, slices of Hong Kong teenage life drama moves swiftly on to the man’s son Pong (Kent Tong), a lifeguard at the local swimming pool who in a complete switch of tone fails to get a rowdy and playful group of girl swimmers under control with the result that they throw him in the pool and humiliate him by stealing his shorts.

Before that, Pong has a run in with a confident young woman Kathy (Pat Ha) who sits in and refuses to move from his lifeguard seat unless he physically lifts her down.… Read the rest

Features Live Action Movies

Let it Ghost
(Meng Gui 3 Bao,
猛鬼3寶)

Post author By Jeremy Clarke
Post date 13 July 2023
No Comments on Let it Ghost
(Meng Gui 3 Bao,
猛鬼3寶)
Sticky post

Director – Wong Hoi – 2022 – Hong Kong – 100m

***

Three unlikely ghost stories from Hong Kong: an actor shoots a ghost scene with a real ghost, a young man’s girlfriend is possessed by a ‘horny ghost’, and a sweet romance develops as a cute little girl haunts a shopping mall – plays at the NFT on Friday, July 14th at 8.30pm as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

A ghost story shot anywhere else would probably set out to scare and unsettle, but in Hong Kong they have never hesitated to mix up their horror with other, seemingly incompatible genres. The first entry in this compendium of three ghost stories plays with notions of truth, reality and artifice through the time worn device of a film within the film, the second is a lightweight, gender-fluid, sex comedy while the third is a sentimental tale about a cute child and the passing of the era of the 1990s shopping mall.

In the first story, Scary Prison, a real ghost gets involved in the shooting of a TV series episode involving a ghost. The series is The Incarcerated Detective, set in a prison where the eponymous policeman investigates and apprehends evildoers among the inmates with his catchphrase, “Justice… always stands on the side of… Justice.”… Read the rest

Tags actor, anthology, artifice, Ashina Kwok, bailiff, Candice Yu On On, car accident, catchphrase, celebrity, convicts, Cyrus Cheung, director, effects animation, evildoers, fame, film set, film shoot, film within a film, Focus Hong Kong, Focus Hong Kong 2023, gender, gender fluidity, genre, genre bender, ghost, ghost story, girlfriend, homophobia, Hong Kong, Hong Kong Focus, Hong Kong Focus 2023, inmates, justice, Ken Law Ho-Ming, Lam Chin-ting, Leanne Lee, lease, Ling Man Lung, Locker Lam, Ng Cheuk Fai, portmanteau movie, postmodern, prison, public lavatory, reality, road accident, romance, security guard, sex, sex comedy, Sham Ka-ki, shopping centre, shopping mall, So Chi-ho, staycation, Taxi Driver, television series, tenant, tenant shopkeepers, traffic cop, truth, TV series, Wayii Cheng, Wong Hoi

Documentary Exhibitions Features Live Action Movies

Making Waves
– Navigators of
Hong Kong Cinema

Post author By Jeremy Clarke
Post date 16 July 2022
1 Comment on Making Waves
– Navigators of
Hong Kong Cinema
Sticky post

A virtual exhibition of Hong Kong movie unit photography stills

*****

Accessible from Friday, July 8th to Sunday, August 14th in the UK as part of Focus Hong Kong 2022 Making Waves

The online platform hosting the exhibition

Funny things, virtual exhibitions. Like online platforms for viewing movies, they can take a bit of getting used to. In a real life exhibition in a museum, you wander from room to room, either looking at everything or, perhaps, looking at particular exhibits that take your fancy or that you want to study in further depth.

All that happens too in an online exhibition. I guess they can be viewed on a smartphone, but I was looking at this on my PC. There are help instructions on the menu, but I, like many others I suspect, ignored them and worked out how it all worked as I was going round.

I must have seen quite a bit of the whole before I realised that the best way to proceed might well be the ‘previous’ and ‘next’ buttons taking you from exhibit to exhibit. Before that, I’d worked out that if you clicked on a photographic image hanging on the gallery wall, your viewpoint / the screen / the camera would zoom in on the exhibit and frame it perfectly.… Read the rest

Features Live Action Movies

Breakout Brothers
(To Yuk Hing Dai,
逃獄兄弟)

Post author By Jeremy Clarke
Post date 10 July 2022
No Comments on Breakout Brothers
(To Yuk Hing Dai,
逃獄兄弟)
Sticky post

Director – Mak Ho-pong – 2020 – Hong Kong – 12 (Camden Council) – 90m

****

Three prison inmates attempt to escape so that they can attend to various pressing, personal issues– online in the UK as part of Focus Hong Kong 2022 Making Waves from Friday, July 8th to Sunday, July 10^th

The generic side of Hong Kong movies (kung fu, supernatural, swordplay, gangster, horror, comedy) has long been one of the strengths of that territory’s film production. This one has already spawned two sequels (Breakout Brothers 2, 2021 and Breakout Brothers 3, 2022, both Mak Ho-pong). In essence, it’s deceptively simple: three inmates in prison attempt to break out. This is hardly an original concept, however two elements makes it different.

One, it’s conceived and shot as a caper movie. It’s not really a comedy, but it most definitely has a lightweight feel. This is brilliantly established from the get-go with the introduction of the score by Pong Chow and Noel Li, which follows a long tradition of themes in caper movies and TV series typified by Mission: Impossible (composed by Lalo Schifrin, 1966) with its driving yet off-kilter bass-line. In Breakout Brothers, this is accompanied by a striking, graphic,opening title sequence as good as that for Collectors (Park Jung Bae, 2020), the difference here being that Breakout Brothers lives up to the promise of its superlative title sequence whereas Collectors doesn’t.… Read the rest

Features Live Action Movies

A Chinese Odyssey
(Sai Yau Gei,
西遊記)

Post author By Jeremy Clarke
Post date 3 February 2022
No Comments on A Chinese Odyssey
(Sai Yau Gei,
西遊記)

A Chinese Odyssey: Part One – Pandora’s Box (Sai Yau Gei: Yut Gwong Bou Haap, 西遊記第壹佰零壹回之月光寶盒)

A Chinese Odyssey: Part Two – Cinderella (Sai Yau Gei: Sin Leui Kei Yun, 西遊記大結局之仙履奇緣)

Director – Jeffrey Lau – 1995 – Hong Kong – 87 + 98m

***

The Monkey King is banished to earth with loss of memory for a series of encounters with monsters and romantic interludes – screened as part of Focus Hong Kong 2022 Chinese New Year on Saturday January 29th

These two films are the first and second parts of the same story, so it makes sense to screen them together as a double bill. The starting point is the 16th century Chinese novel Journey To The West, which has also spawned such productions as the seminal Chinese animation The Monkey King (Wan Laiming, Cheng Tang; Part One, 1961; Part Two, 1964) and the long-running Japanese TV series Monkey (1978-80). The novel’s plot concerns a monk and his three assistants Pigsy, Sandy and Monkey who journey to the West (i.e. Central Asia and India) to obtain Buddhist texts.

Less an adaptation of the novel than a tangential story that uses the novel’s framework as its starting point, the films are bookended by two sequences, one at the start of Part One, the other at the end of Part Two, which start the tangential story rolling and wrap it up respectively.… Read the rest

Features Live Action Movies

An Autumn’s Tale
(Chau Tin Dik
Tung Wa,
秋天的童話)

Post author By Jeremy Clarke
Post date 24 January 2022
No Comments on An Autumn’s Tale
(Chau Tin Dik
Tung Wa,
秋天的童話)

Director – Mabel Cheung – 1987 – Hong Kong – Cert. 15 – 98m

****

A girl leaves her home in Hong Kong and flies to New York where her boyfriend has dumped her, so her cousin looks after her there instead – screening as part of Focus Hong Kong 2022 Chinese New Year on Tuesday, January 25th, 2022 8:15 pm, NFT2, info here

Young and innocent 23-year-old hopeful Jennifer (Cherie Chung from The Story Of Wu-Viet, Ann Hui, 1981; Wild Search, Ringo Lam, 1989; Once A Thief, John Woo, 1991, all co-starring as here with Chow Yun-fat) takes a one-way, 20 hour flight from Hong Kong to New York where she’s enrolled in acting school, something for which she plans to get whatever work she can in order to pay her way. Her other – perhaps her main – reason for the journey is to be reunited with her boyfriend, but when she goes to meet Vincent (Danny Chan Bak-yeung) off the train, she sees he’s with the more sophisticated Peggy (Cindy Ou / Wu Fu-sheng) and no longer interested in her, Jennifer.

Meanwhile, looking out for her is her Big Apple streetwise cousin ‘Figurehead’ a.k.a.… Read the rest