Category: Live Action

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Villain
(Akunin,
悪人)

Director – Lee Sang-il – 2010 – Japan – Cert.15 – 140m

*****

Unrequited love, a murder mystery and two lovers on the run – UK DVD release date 05/12/2011

This remarkable Japanese movie (which picked up 15 Japanese Oscars and won five) has stayed with and haunted me since its UK theatrical release last year. At once a crime thriller and a romantic drama, it’s a tale of love requited and otherwise, of petty callousness, goodness and evil. Its tale of two fugitive lovers throws into question the morality of its two secondary leads – a murdered girl and her murder suspect. As the trailer asks, who is the real villain?

Construction worker Yuichi (Satoshi Tsumabuki – Shape Of Red, Yukiko Mishima, 2020) dutifully lives with and cares for his elderly grandparents in a mundane fishing village. Burning the candle at both ends, he drives his fast, flashy car into the city to see office worker Yoshino (Hikari Mitsushima – Love Exposure, Sion Sono, 2008), the girl he met on an internet dating site. But she is only using him for sex, setting her sights instead on disinterested, rich college kid Masuo (Masaki Okada), climbing into his car when opportunity presents itself within eyesight of Yuichi – who follows the car.… Read the rest

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Departures
(Okuribito,
おくりびと)

Director – Yojiro Takita – 2008 – Japan – Cert. 12a – 130m

*****

An unemployed cellist finds himself working on the encoffination of corpses prior to their cremation – in cinemas Friday, December 4th 2009

Winner of 2009’s Best Foreign Film Oscar (and numerous other awards besides), this Japanese entry is a rarity in that it deals head on with death not in its horrific or violent aspects (as in numerous horror and action movies) but in a life ritual as significant as birth. Death being the last great contemporary Western taboo, we in the West ought to pay attention.

Daigo (Masahiro Motokii – Gemini, Shinya Tsukamoto, 1999) loses his new job as a cellist when the Tokyo orchestra employing him is dissolved, leaving him with a young wife to support and repayments on an expensive cello to find. Selling the instrument, the couple move back to his small home town where Daigo’s late mother has left him a house in her will.

Seeking work, he answers an ad dealing with ‘departures’, believing it a travel agency. The ad should however have read ‘the departed’, because he’s required to deal with the encoffination of corpses prior to their cremation, preparing the bodies for entry into the next life.… Read the rest

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A Good Year

Director – Ridley Scott – 2006 – US – 12A – 118 mins

***1/2

A ruthless, successful Square Mile bond trader travels to Provence to sort out the estate he’s inherited from his late uncle – UK release date 27/10/2006

Back in the 1980s, British TV commercials spawned a number of hugely successful feature film directors, with Scott arguably the most talented. A great visual stylist, his impressive filmography includes the seminal (Alien, 1979; Blade Runner, 1982; Thelma & Louise, 1991), the blockbuster (1492: Conquest Of Paradise, 1992; Gladiator, 2000; Kingdom Of Heaven, 2005) and the forgotten (Black Rain, 1989; White Squall, 1996; G.I. Jane, 1997). Scott is perhaps the archetypal ‘style over content’ director: his impressive visuals often threaten to overpower everything else, yet his sense of style invariably makes anything he does worth a look. A film-maker, in other words, of extreme contradictions.

The end of that same era saw highly regarded London advertising man Peter Mayle relocate to the South Of France to pen a series of books about that region starting with the bestselling A Year In Provence.

Scott and Mayle have known each other since the eighties advertising boom.… Read the rest

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The Isle
(Seom,
섬)

Director – Kim Ki-duk – 2000 – South Korea – Cert. 18 – 89m

***

Review originally published in What’s On In London to coincide with the film’s UK theatrical release.

Latest UK release from Korean maverick director Kim Ki-duk (Bad Guy; Spring, Summer, Autumn, Winter…and Spring) has a unique setting: an isolated lake upon which float small chalets on rafts available for hire by punters. The proceedings never leave these immediate surroundings, which include the shack with a jetty on the shore – from which proprietress Hee-Jin (Im Suh Jung) hires out the chalets and sometimes her body – and a mysterious isle in the lake’s centre.

She embarks upon a relationship with life-weary punter and ex-cop Hyun-shik (Kim Yoo-suk), bringing unexpected changes to them both.

This is not a film for the faint-hearted, containing as it does some pretty unsettling imagery involving physical sexual activity and fish hooks, even if much of this is suggested rather than shown.

What we’re seeing here has been slightly pruned at the request of the UK censor the BBFC, notably of scenes involving the slicing off of a live fish’s sides before the camera which have been removed on grounds of animal cruelty.… Read the rest

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Secretary

Secretary

Director – Steven Shainberg – 2002 – US – Cert. 18 – 106m

*****

A Snake Of June (Rokugatsu No Hebi, 六月の蛇)

Director – Shinya Tsukamoto – 2002 – Japan – Cert. 18 – 77m

*****

Double DVD review originally published in Third Way, February 2004.

The cover image (rear view of a female figure in tight, short skirt and stockinged legs, bent down, hands grasping ankles) suggests titillation, but the American production Secretary is actually a serious drama – albeit one laced with a healthy dose of black humour – about a sadomasochistic relationship. But beneath its fetishistic surface, it is something else – an exploration into why two specific people (and why they in particular rather than any others) make one flesh. And how that works for them if the two people are initially in some way damaged (as we all are).

Although from a very different culture, its Japanese counterpart A Snake Of June – made by the experimental cyberpunk auteur Tsukamoto (of Tetsuo: The Iron Man fame) – explores much the same territory. Being small, low budget productions frees both films from mass, multiplex mainstream audience demands, allowing their directors to instead tackle (inter)personal relationship issues in depth.… Read the rest

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The Lord
Of The Rings:
The Return
Of The King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m

*****

(NB Extended Edition, in cinemas July 2020, 252m version released on DVD 2004)

This review was originally published in What’s On In London.

A much longer review appeared in Third Way.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Peter Jackson and co-screenwriters Boyens and Walsh rise admirably to the considerable challenges posed by The Lord of the Rings’ third and last volume. Gandalf comments early on that Saruman no longer has any real power, jettisoning that evil wizard (and Christopher Lee) plus related Scouring Of The Shire plot strand to make Tolkien’s lengthy section following the Mount Doom climax more manageable

However all the book’s requisite material is here, brilliantly condensed. The Mount Doom scene itself – far too quick in Tolkien after the incredible build up preceding it – is expanded and so given the necessary dramatic weight. Liberties taken with The Paths Of The Dead likewise serve the narrative well. Jackson’s opening is as unexpected and stunning as that of The Two Towers, while his finale effectively pictures Tolkien’s closing metaphor for life after death.… Read the rest

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The Lord
Of The Rings

The following article was written for Sussed magazine in 2001 before The Lord Of The Rings: The Fellowship Of The Ring (2001) had been screened to press.

Elsewhere on this site: a short review for What’s On In London and a longer review also discussing TLOTR trilogy for Third Way of The Lord Of The Rings: The Return Of The King.

FANTASY OBSESSIVE: JACKSON DOES TOLKIEN

Jeremy Clarke explores The Lord Of The Rings and the upcoming film’s director Peter Jackson

Harry Potter might be the obvious franchise of the moment, but anyone who knows anything about the fantasy genre knows one book towers above the rest. The Lord of The Rings by J.R.R.Tolkien came out in three volumes: the first The Fellowship of The Ring was published in 1954. The Sunday Times review divided people into “those who have read The Lord of The Rings and those who are going to.”

By the sixties, it had become obligatory reading. Most fantasy derives from it, including today’s bestsellers Terry Pratchett and J.K.Rowling. It details the archetypal struggle against good and evil, set in Tolkien’s incredibly detailed world of Middle-earth populated with all manner of original creatures – hobbits, humans, elves, ringwraiths and trolls.… Read the rest

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The Luzhin Defence

Director – Marleen Gorris – 2000 – UK – Cert. 12 – 109m

****

An unscrupulous teacher tracks a grown-up, former child Chess prodigy to Italy and attempts to exploit him for further gain – in cinemas from Friday, September 8th 2000

Adapted from the novel by Vladimir Nabokov (Lolita), this is ostensibly set for the most part in and around a Chess tournament in Northern Italy in 1929. Ostensibly because parallel plot strands flash back in time to the childhood of one of the contestants, Russian Master Alexander Luzhin (an unkempt, shambling and top form John Turturro).

The boy Alexander (Alexander Hunting) fares badly at school and suffers terribly as an all-round failure until it’s realised that he’s good at Chess. And not just good – his world-class genius is soon being exploited for financial gain by unscrupulous schoolteacher Valentinov (Stuart Wilson) only to be dumped the moment he stops winning. Valentinov has tracked Luzhin down to the 1929 tournament, determine to trample upon his former charge’s independently achieved fame and success.

However, he’s reckoned without the is young and marriageable aristocrat Natalia (Emily Watson, also on top form) who, instead of being wooed as intended for eligible bachelor Stassard (Christopher Thompson), is swept off her feet by the socially clumsy and clearly unsuitable Luzhin.… Read the rest

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Videodrome

Director – David Cronenberg – 1983 – Canada – Cert. 18 – 87m

*****

This review originally appeared in What’s On In London during the film’s revival at the ICA. See also my review for London Calling Internet.

In a career-defining performance from 1983, the young James Woods is Max Renn, glutted on the diet of video porn he watches as buyer for a Cable TV station. Everything he sees is “too soft”. “I’m looking for something tough,” he proclaims, “something to break through the market.”

In the station’s basement, his technician assistant Harlan (Peter Dvorsky) finds the very thing. Videodrome. Women strung up and beaten to death. No cuts. One locked off camera. Nil production values. Here, indeed, is something tough.

Welcome to a world of media personalities like Brian O’Blivion (Jack Creley), a man who no longer exists as flesh but merely as viewable video images. Like Nikki Brand (Debbie Harry), who agrees with Renn on a TV chat show slot that her red dress is a come on, later vanishing after declaring she should audition for the Videodrome show.

A world where hands mutate into guns, men literally bury their heads in eroticised television screens and one person loads a videocassette into another’s stomach to programme him.… Read the rest

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Sleepy Hollow

Director – Tim Burton – 1999 – US – 15 – 105 mins

***

A nineteenth century policeman must solve a series of gruesome murders allegedly by a headless horseman wielding a sword – in cinemas from Friday, January 7th 2000.

Tim Burton’s last few movies have been a real treat, but this adaptation of Washington Irvine’s classic American tale is a disappointment. Murder scene-hardened, late nineteenth century policeman Ichabod Crane (Johnny Depp) is sent to isolated hamlet Sleepy Hollow to solve a mysterious series of murders. As the locals and his own eyes keep telling him, the murderer is no mystery but a headless horseman riding around decapitating victims with his sword.

Splendidly creepy visual designs from regular collaborator Rick Heinrichs (Nightmare Before Christmas, 1993, Edward Scissorhands, 1990) looks as good as any previous Burton, if not better. The proceedings can commendably be accused of neither gratuitous gore nor shirking the necessary quantity or quality of decapitations. But Sleepy Hollow has major flaws. Namely, that one doesn’t feel for Ichabod Crane the way one felt for Johnny Depp playing prior Burton protagonists Edward Scissorhands or Ed Wood. Crane is supposedly a nineteenth century investigator who uses twentieth century investigative methods, yet Burton never properly gets to grips with this essential background material.… Read the rest