Category: Live Action

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Features Live Action Movies

Shock Wave 2,
(Chai Dan
Zhuan Jia 2,
拆彈專家 2)

Director – Herman Yau – 2020 – Hong Kong – Cert. N/C 15 – 120m

****

A former bomb disposal expert suspected of a terrorist atrocity must prevent a terrorist organisation from destroying the Hong Kong International Airport and taking numerous innocent lives in the process – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Hong Kong, Reimagined strand until Wednesday, May 12th

If you’ve seen Shock Wave (Herman Yau, 2017) you’ll know that a sequel with Andy Lau reprising his character wouldn’t be possible. Both director and star clearly wanted to capitalise on the first film, however, so they’ve simply dumped character names and most of what happened in the first film, reinvented the main character and started all over again with a completely different story. This has the effect of making the audience feel that they’re seeing another film in the series but at the same time seeing something that’s brand new, not at all a carbon copy.

Except that in the broadest outline it IS a carbon copy: once again, Andy Lau plays an heroic member of the Hong Kong Police’s Explosive Ordnance Disposal Bureau (EOD) with Philip Keung as a friend and colleague in the force, this time round named Lee Yiu Sing, while the plot involves the potential huge bombing of an important Hong Kong landmark – here the Hong Kong International Airport which is blown up at the start only for a voice-over to explain that this terrorist atrocity has been prevented thanks to one man.… Read the rest

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Features Live Action Movies

Ilo Ilo
(爸妈不在家,
lit. Mom And Dad
Are Not Home)

Director – Anthony Chen – 2013 – Singapore – Cert. 12 – 99m

****

A Filipino maid must contend with the unruly son of a working Singaporean couple in a time of economic difficulty – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Debut Spotlight strand until Wednesday, May 12th

1997, the Asian financial crisis is looming (see Default, 2018, Choi Kook-Hee) and the Leng family is under pressure. Secretary Hwee (Yeo Yann Yann) works for a shipping company that has hit difficult times: one of her jobs is to type up redundancy letters for staff who are about to be called into the manager’s office. She believes she and her immediate admin colleagues are safe. Her husband Teck (Chen Tian Wen) is a sales executive, but on the evidence of his pitching ‘unbreakable’ glass to a buyer – it breaks – is not that good at it.

The couple are expecting a second child. They’ve been so focused on work, though, that they perhaps haven’t spent as much time as they should with their son Jiale (Koh Jia Ler) who has the worst behaviour record in his school and is frequently the recipient of corporal punishment by the discipline teacher.… Read the rest

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Art Features Live Action Movies

Effie Gray

Director – Richard Laxton – 2014 – UK – Cert. 12a – 104m

****

The eponymous heroine marries art critic John Ruskin who then fails to consummate their relationship – in Virtual Cinemas and on VoD from Monday, April 19th and BD/DVD Special Collector’s Edition from Monday, May 31st

The real life story of Effie Gray provides a fascinating footnote to an episode of English art history. At age 19, she married ascendant critic John Ruskin but for reasons we shall probably never fully know, their sexual relationship was never consummated and she had the marriage annulled six years later. Meanwhile, she had got to know Pre-Raphaelite painter John Everett Millais through Ruskin, marrying him a year after the annulment. Effie’s second marriage was to prove a much happier affair and she bore John eight children.

The story has been dramatised numerous times, mostly either on radio or screen, as well as the odd stage play, short story or novel. Emma Thompson’s slow and deliberate screenplay may be the first time the story has been put on the big screen in a full length feature (one of the very first adaptations was the silent short The Love Of John Ruskin, Van Dyke Brooke, 1912).… Read the rest

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Features Live Action Movies

The Reckoning

Director – Neil Marshall – 2020 – UK – Cert. 15 – 111m

***

A woman accused of witchcraft finds herself pitted in a battle of wills against her witchfinder torturer at the time of the Great Plague – on digital from Friday, April 16th and Shudder UK from Thursday, 13th May

On the one hand, this explores the historical time period of the Great Plague and links that directly with women being burned at the stake for witchcraft by way of a widespread, social scapegoating process. On the other, it depicts a horribly misogynistic society where, for the most part women are regarded as inferior and treated really badly. Two sides of the same coin.

The film itself is mixed. Parts feel hackneyed, parts will have you on the edge of your seat. The cliché-ridden opening, for instance, cross-cuts chocolate box-y photography of a cottage-dwelling couple’s idyllic, married existence in the constantly sunlit countryside with the wife digging a grave in torrential rain after finding her husband has hanged himself from a tree at night.

It transpires that farmer Joseph Haverstock (Joe Anderson) stopped off for a pint at the local tavern and accidentally drank the beer of a plague victim, contracting the disease.… Read the rest

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Features Live Action Movies

True Mothers
(Asa Ga Kuru,
朝が来る)

Director – Naomi Kawase – 2020 – Japan – Cert. 15 – 140m

*****

An unmarried mum hands her child over to adoptive parents only to later decide that she wants the child back – Japan’s entry for the 2020/2021 Oscars is screening on Curzon Home Cinema from Friday, April 16th

Naomi Kawase’s new film True Mothers deals with the interface between unwanted teen pregnancy and infertility among married couples and was Japan’s entry for this year’s Best International Feature Film at the Oscars. Sadly, it didn’t make the Academy’s shortlist. However, UK audiences up and down the land will now be able to see it on Curzon Home Cinema. It had a brief UK big screen outing late last year at the London East Asia Film Festival (LEAFF), which, after several months of touch-and-go somewhat incredibly went ahead days before the UK went back into total lockdown.

Former documentarian Kawase has been getting a lot of exposure in the UK in recent years with both Sweet Bean (2015) and The Mourning Forest (2007) released here on Eureka! Video and Still the Water (2014) currently available on MUBI and BFI Player. I like Kawase but I must admit True Mothers sounded like it might be terrible.… Read the rest

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Features Live Action Movies

Promising
Young Woman

Director – Emerald Fennell – 2020 – US – Cert. US R – 113m

*****

A med school dropout seeks revenge on the students and others complicit in her best friend’s rape years before – on Sky Cinema and Now from Friday, April 16th

Cassie (Carey Mulligan) goes to bars, gets wasted and is picked up by men whose intentions are less than honourable. However, all is not what it seems – before you can shout spoiler alert (and we’re not going to because this is the start of the film, given away in the trailer and effectively part of the narrative set up) she’s not wasted at all, only pretending. Depending on exactly how dishonourable these men’s intentions are, she exacts her revenge accordingly.

These acts are premeditated in the sense that she goes out, entraps men and does what she does, but not in the sense that she knows any of the men beforehand. Indeed, they choose her, so you could argue their fate is self-inflicted. And were any of them to behave chivalrously – take her home, put her to bed, not try to take sexual advantage, perhaps phone the next day to check she was okay – she’d probably look favourably on them for doing the decent thing.… Read the rest

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Features Live Action Movies

Tracey
(翠絲)

Director – Li Jun – 2018 – Hong Kong – Cert. N/C 15+ – 119m

*****

It’s complicated. Upon hearing of the death of his oldest and dearest friend, a fiftysomething questions the edifice of family life he has constructed around himself over the decades – screened online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Tung Tai-hung (Philip Keung – A Witness Out Of The Blue, Fung Chi-Keung, 2019) is wakened from a dream by a phone call. In the dream, he’s a teenager hanging out with his friends Ching (Wong Yat-ho) and Jun (Sham Ka-ki) by a local waterfall. The phone caller informs him of Ching’s death. For years Tai-hung has been using the loo at work to change into the ladies undergarments he never wears at home where it’s unlikely he’d be able to hide their wearing from his misophobic wife Anne (Kara Wai) who recently shocked their son Vincent (Ng Siu Hin – A Witness Out Of The Blue, Fung Chi-Keung, 2019, Mad World, Wong Chun, 2016) by badmouthing the maid Parti (Candy Knutzen Darwati) after going through the latter’s things and finding a packet of condoms.… Read the rest

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Live Action Movies Shorts

Taste Of Tomato
(蕃茄田)

Director – Li Ho – 2019 – Hong Kong – Cert. N/C 15+ – 30m

***1/2

A human finger fragment turns up inside a tomato in an out of town vegetable plot – FREE TO VIEW in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Four characters in a vegetable garden out of town, three men and one woman. No names are exchanged. Some pretty basic living conditions. It’s not exactly clear what they do for a living, but snatches of conversations give hints. One talks about removing two kidneys from a man who, when they opened him up, turned out to have four. So he took out two as a favour, because the guy would probably have died had he left them in. There’s a pre-title sequence in which a man drives through a long underpass, parks at a garden in the dark then starts digging. Intimations of cloak and dagger lifestyles.

Events start to leave a strange taste in the mouth when one of them bits into a tomato and summons the others to show them it contains about an inch’s worth of dead human finger (the bit with the fingernail).… Read the rest

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Live Action Movies Shorts

Ali And Me
(我和阿里的故事)

Director – Lam Ting-hin – 2015 – Hong Kong – Cert. N/C 12+ – 25m

****

A cricket-obsessed Chinese-Indian, Muslim boy and a Chinese music student get to know each other after being put on neighbouring desks in class – FREE TO VIEW online in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Here’s a Hong Kong movie with a difference. It’s about two very different families with one thing in common: both have a boy at school That’s not the difference. The difference is that one of the families – the one with which the film starts – is Indian Muslim, which isn’t something you see represented in that territory’s cinema very often. Sent out by his mum to get Soy Sauce from the shop, he can’t resist taking his beloved cricket bat with him and joining his mates for a game. (I can’t remember the last time I saw cricket in a Hong Kong movie, if ever.)

Instructed by his teacher to introduce himself to his new classmates, he calls himself a Muslim who loves to play cricket. The class wag promptly pipes up, “Wow!… Read the rest

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Features Live Action Movies

Beyond The Dream
(Huan Ai,
幻愛)

Director – Kiwi Chow – 2021 – Hong Kong – Cert. N/C 15+ – 120m

***

A recovering schizophrenic man falls in love with his psychiatric counsellor, who has relationship issues of her own – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

An opening a sequence throws you off guard: a woman, clearly distressed, starts removing her clothes in a busy street. Soon she is sitting huddling on the pavement naked. One passer-by stops to take pictures (the video will later go viral). A second woman (Cecilia Choi – Detention, John Hsu, 2019) and a young man (Lau Chun Him), who both know the first woman as Ling, come to her aid. Between them, they find a dull red blanket and wrap her in it in an attempt to preserve her dignity, and soon an ambulance arrives.

Having set up Ling as a character, she never appears again. Instead, the two main characters are the young man and a woman who meet in the lift as it ascends their housing block: she lives on the floor above, and he returns the blanket, which is now inexplicably a dull blue.… Read the rest