Tag: restoration

Ken Russell’s
The Devils

Ken Russell’s The Devils

Director – Ken Russell – 1971 – UK – Cert. 18 – 114m

*****

Restored. Remastered. Uncensored. Ken Russell’s notorious masterpiece finally reaches the big screen as he originally intended it to be seen – from the BFI London Film Festival 2026 which runs from Wednesday, October 7th to Sunday, October 18th in cinemas and on BFI Player, a new 35mm film print previews at BFI Southbank from Friday, October 23rd to Thursday 29th, and the film is out in UK and Ireland cinemas Friday, October 30th

NSFW.

To anyone who has seen the version of The Devils released theatrically in the UK with an X certificate in 1971, and put out on DVD by the BFI about ten years ago, watching this new version has about it the sensation of tasting forbidden fruit. (If you’ve never seen that version, all I can say is, start with this one: this is the version that Russell intended.) It’s perhaps instructive to look at what has changed, in other words those scenes which were considered by the BBFC and / or distributor Warner Bros. too shocking for inclusion back in the day.

Writing about the X certificate version on its DVD release, I noted that the four areas in which the film didn’t hold back were sex, religion, politics and torture.… Read the rest

Tags artistic quality, BBFC, BFI, blasphemy, British cinema, British Film Institute, Cardinal Richelieu, Catholic Church, Christian spirituality, Christopher Logue, church history, city walls, concession, convent, decadent, demon-possessed, director's cut exists, distributor, diversion, eerie, experimental, father, France, Graham Armitage, gratuitous, John Trevelyan, Ken Russell, knock down walls, LFF, LFF 2026, London Film Festival, London Film Festival 2026, Loudun, Louis XIII, modern city, Monarch, mother superior, nation, nudity, nun, nunsploitation, Oliver Reed, orgy, Peter Maxwell Davies, political history, politics, power, power base, priest, promiscuity, protector, public lavatory, rape, Rape of Christ, religion, restoration, score, self-governing entities, seventeenth century, sex, sexuality, sister, torture, total freedom, UK, UK censor, Vanessa Redgrave, Warner Bros., X Certificate

Animation Features Live Action Movies

The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest

Features Live Action Movies

The Cheaters

Director – Paulette McDonagh – 1930 – Australia – 95m
***1/2

A criminal gang leader’s lifelong vow for revenge threatens the future happiness of his daughter in this beautifully restored and presented Australian silent -– free to watch on BFI Player as part of the BFI London Film Festival 2020 from 13.00 hrs Sunday, October 11th to 13.00 hrs Wednesday, October 14th

The first thing to say about this film is that it looks in remarkably good nick by any standards. Judging by the restoration trailer, this is an amazing testimony to today’s technology. Much of the footage before had deteriorated to near unwatchable. After the process, it looks fantastic.

As for the silent side of things, the current presentation on BFI Player shows the film windowboxed as you’d expect but then also the keyboard accompanist in locked off shot, keyboards and hands only, also windowboxed in a comparatively tiny image at the bottom left. This proves extremely effective and provides an excellent model for both future online screenings of silents and presentation on home video media such as Blu-ray or DVD.

The film medium has come a long way since 1929, so this film begs the question, is it any good?… Read the rest

Features Live Action Movies

The Wizard of Oz
3D

Director – Victor Fleming – 2014 (1939) – US – Cert. U (A) – 102m

****

UK release April 8th, 2014.

A Hollywood classic gets the restoration / 3D treatment. On the big screen, the effect is something like seeing a stage production in places populated with hordes of extras as the spectacular studio sets are revealed in all their glory as never before. After three quarters of a century, the pre-computer twister effects stand up well too.

Alongside Judy Garland’s girl next door Dorothy, other equally memorable archetypes include three Kansas workmen who become her travelling companions (lion, tin man, scarecrow) on the Yellow Brick Road and Dorothy’s protector and adversary in the form of Glinda the Good Witch and the terrifying Wicked Witch Of The West.

This 3D restoration is as good as you’ll ever see the film, which still packs a punch today.

Reviewed for Film Review Annual 2014-15.

Tags 3D, classic, Hollywood, Judy Garland, Kansas, reissue, restoration, special effects, twister, US, Victor Fleming, witch, Yellow Brick Road