Category: Features

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Features Live Action Movies

The Card Counter

Director – Paul Schrader – 2021 – US – Cert. 15 – 112m

**1/2

Tormented by internal demons relating to his activities in Abu Ghraib, for which he’s served a prison sentence, a card player bides his time on the professional gambling circuit – out in cinemas on Friday, November 5th

I’m an enormous admirer of Paul Schrader as critic, screenwriter and director. I could go through the component parts of this film and extol the virtues of most of them. And yet, somehow, adding all these elements together the end result here is less than satisfying. I left the preview theatre in shock trying to understand what had gone wrong. Was it the film or was it me?

You could have guessed it was Schrader directing one of his own screenplays from the opening shots. In American Gigolo (1980), it’s various angles on the gigolo’s car. In First Reformed (2017) , it’s various angles on the pastor’s church building. Here, it’s various angles on the card counter’s cards spread out on the green beige surface of a playing table.

Self-styled William Tell (Oscar Isaac) is travelling round the US making money from card games having taught himself to read cards whilst in military prison (the USDB in Fort Leavenworth, Kansas – it’s namechecked but not explained in the film and I had to look it up).… Read the rest

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Animation Features Live Action Movies

Collectors
(Do-gul,
도굴,
lit. Grave Robbery)

**1/2

Director – Park Jung Bae – 2020 – South Korea – Cert. 12 – 114m

A disparate group of tomb raiders attempt to outwit each other to find and obtain a valuable archaeological artifact in this lightweight, comedy caper – from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 4th to Friday, November 19th

A grave hunter probing the earth with a cane-like tool hits an object several feet down. Putting his ear to the Earth, he hears a muffled child’s voice: “help me”. Horrified, he starts to dig the earth with his bare hands.

A strikingly graphic 2D-animated title sequence, in two-tone light ochre and black, with hands reaching out to one another through shafts of light, a boy crawling up an underground tunnel, a boy and girl reunited with an adult, a man crawling between multi-storey buildings by rope, high heeled female legs walking through a museum display of cultural artifacts, lots of modern urban imagery including driving a fast sports car through a city, lots of underground digging / mining imagery and a couple of male characters, one looking suspiciously like Indiana Jones, complete with hat and whip.

Burial alive is just one of the many disparate elements thrown together in this lightweight, comedy caper which combines historical Korean archaeology with grave robbing, double-cross, a super rich, big business villain, ruthless gangsters, Seoul locations, and a happy-go-lucky wheeler-dealer thief hero.… Read the rest

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Features Live Action Movies

Awoke
(Bogji Sigdang,
복지식당)

Directors – Jung Jae-ik, Seo Tae-soo – 2021 – South Korea – 97m

****

Recovering from an accident that’s left him disabled, an honest but naive man falls prey to both social welfare bureaucracy and scam artists – from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 4th to Friday, November 19th

Jae-gi (Jo Min-sang) wakes up in hospital to discover that he’s lost the use of both his left arm and his body from the waist down. Much less disabled fellow patient Bong-su (Song Min-hyuck) assures him he’ll get level 1 or 2 social security assessment – Bong-su has got level 2. Watching his assessment interview, however, it’s clear Bong-su knows how to game the system in his favour, playing limbs as painful, so he can’t move them, not being able to walk even the occasional step. This contrasts with Jae-gi’s assessment, where he tries to be honest and shows everything he can do with maximum effort. This gets him assessed as a woefully inadequate level 5, which means in effect he can’t get the level of help he needs to live in a dignified manner.

His cousin Eun-ju (Han Tae-gyeong) is a single parent mum living in the flat Jae-gi’s mum left him.… Read the rest

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Features Live Action Movies

The Bacchus Lady
(Jug-yeo-ju-neun
Yeo-ja,
죽여주는 여자)

Director – Lee Je-Yong – 2016 – South Korea – 111m

****

An elderly prostitute takes in the child of a woman in trouble with the law – on MUBI as part of their New South Korean Cinema season

After visiting the doctor to discover, not entirely unexpectedly, that she has gonorrhea, elderly woman So-young (Youn Yuh-jung) witnesses his being stabbed by a woman claiming he’s her child’s father. In the ensuing chaos as the woman is taken away by police, she tells her son Min-ho (Choi Hyun-jun) to get away. Taking pity on him, So-young helps the boy evade the police and decides to look after him.

Her condition directly affects her work: prostitution. As she cheerfully tells upstairs landlady Tina (An A-zu), “no work today – the product is out of order.” However, that doesn’t stop her soliciting for blow jobs. The Bacchus of the title refers to an energy supplement, the supply of which is her cover for working at the oldest profession.

What does get in the way, though, is having to look after Min-ho. Sometimes she can get Tina to babysit, sometimes fellow tenant Do-Hoon (Yoon Kye-Sang), sometimes she must take him with her, leaving him on street corners or cheap hotel lobbies while she entertains clients.… Read the rest

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Features Live Action Movies

Woman of Fire
(Hwanyeo,
화녀)

Director – Kim Ki-young – 1971 – South Korea – Cert. 18 – 98m

*****

A married couple’s housemaid seduces the husband, ensnaring him in a love triangle from which there is no escape – 4K Restoration played at the London East Asia Film Festival (LEAFF) (European Premiere) and screens again 6.30 at the ICA on Friday, November 5th book here as part of a strand dedicated to actress Youn Yuh-jung (Best Supporting Actress, Minari) at the London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young is probably better known for his breakthrough film The Housemaid (1960) than any other title. Not only did the film establish him as a maker of dark films about twisted relationships, it also inaugurated something of his trademark style. While a real watershed in Korean cinema generally and Kim’s career in particular, the material was something he felt he could do a lot more with: he remade it directly not once but twice as Woman of Fire (1971) and Woman of Fire ‘82 (1982). Where the highly effective original was shot in both black and white and the old 4:3 Academy format, the two remakes like many of his later films were both colour and scope, and made full use of both, giving them additional qualities lacking in the original.… Read the rest

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Features Live Action Movies

Invasion
Of The Body
Snatchers

Director – Don Siegel – 1956 – US – Cert. PG – 80m

*****

The classic, paranoid SF outing about the residents of a small, American town being replaced by conformist, emotionless duplicates – on BFI Blu-ray from Monday, October 25th

This is an incomplete review, currently in progress…

Made in the middle of Hollywood’s 1950s B-movie Sci-Fi boom, this movie was made by Don Siegel who previously made hard-boiled crime thrillers after cutting his teeth as an editor of montage sequences in, among other things, Now, Voyager (Irving Rapper, 1942) with a striking script and a strong cast headed by Kevin McCarthy and, in her first starring role, Dana Wynter, which also includes Carolyn Jones who would later achieve fame playing Morticia Addams in The Addams Family TV series (creator David Levy, 1964).

Based on a Colliers Magazine serial by Jack Finney, it’s built around the highly potent idea of human beings being replaced by emotionless duplicates who operate as a communal whole rather than individual people. It’s often been read as a metaphor for the anti-Communist McCarthy witch hunts of the period, but as noted in the fascinating documentary Sleep No More, Invasion Of The Body Snatchers Revisited (2006), the left thought it was a satire on the right while the right thought it was a satire on the left.… Read the rest

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Features Live Action Movies

Censor

Director – Prano Bailey-Bond – 2021 – UK – Cert. 15 – 84m

****

In the 1980s so-called ‘video nasties’ era, a BBFC examiner increasingly confuses horror films with reality – on MUBI from Sunday, October 31st

A peculiarly British film in that it pertains to the way so-called ‘video nasties’ were dealt with by the UK censor in the 1980s. With the rise of video technology, a legal loophole meant that while cinema films were given a certificate by the UK censor, films released straight to video were not. A number of horror films far more violent and bloody than the censor would allow for cinema exhibition thus found their way onto VHS videotape, into video stores and onto the nation’s home TV screens via the video player.

Sections of the UK press ran stories of ‘video nasties’ suggesting that seeing such videos would corrupt children and impressionable members of society. One or two Tory MPs campaigned for changes to the law, resulting in the 1984 Video Recordings Act. Now videos came under the BBFC’s remit (it changed its name from the British Board Of Film Censors to the British Board Of Film Classification) and video titles were examined then passed, passed with cuts or banned.… Read the rest

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Features Live Action Movies

Last Night in Soho

Director – Edgar Wright – 2021 – UK – Cert. 18 – 116m

*****

The dream life of a present day fashion student takes her to the Soho of 1965 where a young woman is trying to make it as a singer – in cinemas from Friday, October 29th

Dreaming of being a fashion designer, 1960s-obsessed Eloise (Thomasin McKenzie) leaves the house of her gran (Rita Tushingham) in Redruth, Cornwall after getting accepted as a student at the London College of Fashion. Charlotte Street halls of residence turn out to be an introvert’s nightmare, with parties replacing sleep at night and extrovert roommate Jocasta (Synnøve Karlsen) taking an immediate dislike to Eloise. The morning after spending her first night wrapped in her duvet in the corner of a party room, sleep deprivation almost prevents her getting to roll call on time. As it is, she looks foolish when her name is called, and she asks, “what’s the question?”

Eloise chances on a room to rent notice that’s fallen on the floor below a notice board and secures the room at the top of 8 Goodge Place from eccentric, ageing landlady Miss Collins (Diana Rigg) whose rules include “no smoking, no male visitors”.… Read the rest

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Features Live Action Movies

Support The Girls

Director – Andrew Bujalski – 2018 – US – Cert. 15 – 93m

*****

The general manager of the Double Whammies sports bar must contend with all human life in the course of a particularly trying day – now on BFI Player

General manager Lisa (Regina Hall) unlocks the premises for another day’s work at the Double Whammies sports bar. Maci (Haley Lu Richardson) tells Lisa there’s a strange banging sound coming from the room with the safe. Maybe a trapped possum? Lisa will investigate. Meanwhile, though, she’s got to interview some young women for waitress posts. And she needs to get Danyelle (Shayna McHayle) to sweet talk Jay (John Elvis) from Sounds Town into lending them a sound system for tonight’s big fight on cable. On top of that, she’s running a car wash fundraiser under the moniker “Support The Girls” to help out Shaina (Jana Kramer) who’s in trouble.

Welcome to the world of Double Whammies. It’s an essay on boundaries. Lisa continually refers to Double Whammies as a “family place” and the institution walks a fine line between bare-midriffed young women in skimpy tops sporting curves and cleavage bearing the words “Double Whammies” and something altogether far dirtier.… Read the rest

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Features Live Action Movies

Death,
Desire
And Rat Poison

An introduction to the films of Korea’s late and, lamentably, largely unknown director Kim Ki‑young – originally published in Manga Max, Number 8, July 1999. Reprinted here to coincide with London East Asia Film Festival (LEAFF)’s screening of Woman of Fire (1971) on Friday, October 29th. If you missed it, the restoration screens again on Friday, November 5th as part of a strand dedicated to actress Youn Yuh-jung at London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young

It seems unthinkable that the world could have failed to recognise a director whose 2.35:1 widescreen visuals compare favourably with Seijun Suzuki and John Boorman and whose marriage of technique with subject matter is as terrifying as anything by Dario Argento or Alfred Hitchcock. Nevertheless, when 1997’s Pusan International Film Festival (PIFF) ran a retrospective season of films by Kim Ki-young (the first of a proposed series of annual events showcasing Korean directors) it quickly became clear to astonished audiences that the unthinkable had indeed happened. Sadly, on February 4th 1998 – within six months of his new-found international acclaim – Kim and his wife died in a fire in Korean capital Seoul.… Read the rest