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Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest

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Features Live Action Movies

Dune Part Two

Director – Denis Villeneuve – 2024 – US – Cert. 12a – 166m

*****

Afallen dynastyfights back on a desert planet populated with giant sandworms– out in cinemas on Friday, March 1st

The second part of the adaptation of Frank Herbert’s sprawling novel Dune (1965) – the title Dune Part Two following the title Dune Part One on the print of the previous film – poses the filmmakers a greater adaptation challenge than the first in terms of the magnitude of, exactly what do you leave out to turn it into a strong, two and a half hours plus movie, and what do you keep in.

Villeneuve clearly doesn’t want to repeat himself, because he takes a very different approach adapting the second half of the book than he did for the first, which may or may not serve to make the two halves feel weirdly incongruent when viewed, as they surely will be, back to back. Indeed, it makes you wonder whether there exists a much longer cut of Dune Part Two or a much longer version of the screenplay – it all depends on whether the pruning took place at the scripting stage, the shooting stage, or the editing stage.… Read the rest

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Features Live Action Movies

Driving Mum
(Á Ferð Með Mömmu)

Director – Hilda Oddsson – 2023 – Iceland, Estonia – Cert. 12a – 112m

****1/2

After his mum dies, a man must honour her last wish by driving her to her final resting place… On the way, she talks to him… – out in UK cinemas on Friday, March 1st

The 1980s. Jón (Þröstur Leó Gunnarsson) lives with his mother (Kristbjörg Kjeld) and his faithful dog Brezhnev in a remote part of rural Iceland. Days are spent sitting in the house knitting sweaters and listening to the radio – actually audio cassette recordings of the radio which run out in mid-sentence. These are periodically received in batches in boxes from a visiting trader in a boat in exchange for Jon and his mum’s home-knitted sweaters. Mum regrets never having been to Gullfoss, and Jon points out it’s unlikely to happen now. He is also a keen amateur photographer who operates his own darkroom. Rightly or wrongly, his mum worries about how he will survive after she’s gone.

One morning, he wakes to discover she has died in her sleep. He makes her corpse up as best he can, which leaves much to be desired, since her resultant look is somewhere between a clown and a zombie.… Read the rest

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Animation Features Movies

Lonely Castle
in the Mirror
(Kagami no Kojo,
かがみの孤城)

Director – Keiichi Hara – 2022 – Japan – Cert. – 116m

*****

Seven children are sucked via mirrors in their homes into a mysterious castle perched high above a sea, presided over by a wolf queen, and prowled by a hungry wolf at night – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

Teenager Kokoro Anzai (voice: Ami Touma) can’t face going to school. Her understanding mother (voice: Kumiko Aso) takes her instead to the Classroom of the Heart at an alternative school for a session with friendly teacher Mrs. Kitajima (voice: Aoi Miyazaki). This is to be Kokoro’s new school, but in the end, she can’t face going to that one either, so her mum phones her in as sick.

Moping in her bedroom, she is attracted to lights glowing around the tall mirror there before touching its surface which, like the mirrors in Orphée (Jean Cocteau, 1950) dissolve to allow her to pass through them into another world. On the other side, she finds herself in a castle perched high on a rock above a sea along with six other kids – tall Aki (voice: Sakura Kiryu), soccer player Rion (voice: Takumi Kitamura), computer geek Subaru (voice: Rihito Itagaki), piano player Fuka (voice: Naho Yokomizo), enigmatic Masamune (voice: Minami Takayama), and dumpy Ureshiro (voice: Yuki Kaji).… Read the rest

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Features Live Action Movies

Orphée

Director – Jean Cocteau – 1950 – France – Cert. PG – 112m

*****

Acquitted by mirrors! Rereleased two thirds of a century on, Cocteau’s reimagining of the Greek legend of Orpheus remains as magical as ever – out in the UK on Friday, October 19th, 2018

Jean Cocteau (1889-1963) was a self-styled ‘poet’, a versatile, avant-garde French artist who worked across a number of different media – novels, visual art, design, theatre, cinema as well as poetry. 1950’s Orphée is one of his most celebrated films. And rightly so.

Famed poet Orphée (Jean Marais) is going through a bad creative patch when newcomer rival Cégeste (Edouard Dermithe) is killed by two speeding, leather-clad motorcycle riders. Orphée becomes obsessed with messages transmitted over the radio of the car belonging to Cégeste’s patron the Princess (Maria Casarès) which seem to him better than any lines he’s written recently.

So obsessed with these broadcasts does Orphée become that he fails to pay enough attention to his wife Eurydice (Marie Déa) who becomes increasingly restless. Every night as he sleeps, the Princess – who a voiceover (read by Jean Cocteau himself) informs us is actually Orphée’s death – visits his room through his wardrobe mirror to watch over him.… Read the rest

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Features Live Action Movies

Io Capitano
(Io Capitano)

Director – Matteo Garrone – 2023 – Italy – Cert. 12a – 121m

*****

Two teenage Senegalese boys set out on a journey to Europe and a better life – plays Glasgow Film Festival which runs from Wednesday, February 28th to Sunday, March 10th, and is out in UK cinemas on Friday, April 5th

Garrone’s earlier features (Gomorrah, 2008; Tale of Tales, 2015; Dogman, 2018; Pinocchio, 2019) have a particular, muted look, making considerable use of browns and, to a lesser extent, greys or greyish colours. These were all films set in Garrone’s native Italy, featuring characters with an Italian perspective of one sort or another. This new film eschews all that and, while it’s recognisably the work of the same director, exhibits a completely different colour palette in accordance with its different location. It’s brighter and much less dingy.

The different look very much fits with the different intent. Garrone wanted to deal with migrants crossing the Mediterranean from Africa to Europe, but portray the journey from the migrants’ perspective rather than that of their destination countries. So this starts with two teenage, Senegalese boys who want to run away to Europe and is made in various African dialects, with the main one spoken by the two boys being recognisable as French.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Painting
the Modern Garden
– Monet to Matisse

Director – David Bickerstaff – 2016 – UK – Cert. U – 93m

***1/2

The relationship of Claude Monet’s late water lily paintings to the history of horticulture, along with a few other artists and their gardens – out in UK cinemas for one day only on Tuesday, February 27th

Originally made to coincide with the Royal Academy’s 2016 exhibition of the same name, this basically does what it says on the tin. With Exhibition on Screen’s excellent series of documentaries about art and artists receiving brief cinema outings in recent years, this entry from the back catalogue is given a big screen outing. While the exhibition has long since been and gone, French Impressionist painter Claude Monet is one of those figures from the history of art who is incredibly popular, especially the late garden or water lily paintings, so a documentary about those late paintings ought to be a fairly easy sell.

Those Monet works and the garden he built at his house in Giverny – rented from 1893, owned from 1900 thanks to a loan from his dealer – are very much the spiritual centre of the film, along with Monet’s skill as a horticulturalist, which is explored at quite some length.… Read the rest

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Features Live Action Movies

Perfect Days

Director – Wim Wenders – 2023 – Germany, Japan – Cert. PG – 123m

*****

A cleaner for The Tokyo Toilet Company takes great pleasure in his everyday routineplays UK cinemas from Friday, February 9th

There is a pecking order in society. Right at the lowest level is anything to do with human waste. Nowhere is this more evident than towards the end of this film when his sister, who drives a large, impressive looking car and is making a rare visit to her sibling, asks, incredulously, “are you really cleaning toilets?”

In this remarkable film, Wenders turns this notion on its head. Welcome to the world of Hirayama (Koji Yakusho), employee of The Tokyo Toilet Company, who has been doing the job for five or six years and takes great pride in it. He is part of a two-person detail, however his young co-worker Takashi (Tokio Emoto) doesn’t share his enthusiasm, often arriving late for his shift and looking at his mobile phone on the job.

Hirayama drives a small van and has invested in various tools to help him carry out the job; Takashi rides a motor scooter. Hirayama takes great pleasure in his audio cassette collection (The Animals, Lou Reed, Patti Smith) which he listens to on his van’s cassette player driving to and from work.… Read the rest

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Features Live Action Movies

The Moon Thieves
(Dou Yeut Ze,
盜月者)

Director – Yuen Kim-wei – 2024 – Hong Kong – Cert. 15 – 107m

**

A gang including a counterfeit watchmaker and an amateur safe cracker attempt to steal a watch worn by an astronaut on the 1969 moon landing – out in UK cinemas on Friday, February 23rd

This heist movie is built around three members of hugely popular Cantopop boy band Mirror: Anson Lo, Edan Lui and Keung To. Vincent Ma (Lui) is a watchmaker who builds counterfeit (i.e. non-brand name) watches out of genuine parts. He takes great pride in his work and his watches are very reliable as a result. Yoh (Lo) desperately needs money to pay for the operation that will save the ailing eyesight of his mom Ms. Hong (Luna Shaw), so he signs up to work with the ruthless young crime boss heir known simply as Uncle (Keung) despite the fact that Yoh’s elder brother was previously killed by gangsters, so he ought to know better.

Uncle has enlisted Ma to look at three watches in Tokyo that might be worth stealing – he is to take them apart, examine their insides and confirm as to whether or not they are genuine.… Read the rest

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Features Live Action Movies

Klokkenluider

Director – Neil Maskell – 2022 – UK – Cert. 15 – 84m

*****

A couple have seen something; two men are assigned to look after them as they wait in the middle of nowhere for a journalist to come and interview them – a subscription exclusive on BFI Player from Thursday, February 22nd

Mr. Appleby (Amit Shah) and Mrs. Appleby (Sura Dohnke) arrive at the house on the outskirts of a small village in Belgium they’ve booked for a party. Appleby is not their real surname, and nor will there be a party. He is what the Dutch call a ‘klokkenluider’ or bell ringer, slang in that language for whistleblower. He has approached a newspaper and is following instructions. They are at the house awaiting the arrival of a journalist to interview them.

Meanwhile, Brits Kevin (Tom Burke) and Ben (Roger Evans) are driving to meet them. They have guns in the boot. We don’t really see them at first. For the first few minutes, they are shown only in little details cropped or in shade so as to be almost unrecognisable – a fragment of a detail in a wing mirror here, a view beyond a car window part obscured by a reflection there – and they choose their words carefully so as not to give away anything more than they need to.… Read the rest