Month: October 2023

In need of a companion, Dog builds Robot – but then, disaster strikes – charming, dialogue-free 2D animation is out in UK cinemas Friday, 22nd March following its screenings in the 2023 London Film Festival

The 1980s. Brooklyn. The East Village. Bored with endless, cook from frozen macaroni cheese meals from the fridge and channel hopping or playing both parts of computerised table tennis against himself, Dog longs for a companion. To this end, he buys a DIY self-assembly kit from which he builds Robot. For a short period, the pair are inseparable, walking and eating hot dogs together in Central Park, but then disaster strikes after Robot swims in the sea when the pair visit the beach. When it’s time to go home, his battery power is depleted, and he can’t move.

So Dog has to leave incapacitated Robot there. He buys books on robots from the local bookstore to work out how to repair his friend. Alas, on arrival at the beach, he discovers it’s closed since yesterday was the last day of the Summer season. A less than sympathetic cop won’t listen to his entreaties and sends him packing; Dog later returns with bolt cutters and removed the chain and padlock preventing entry, but is apprehended by the unsympathetic policeman before he can rescue Robot.… Read the rest

Features Live Action Movies

Samsara (2023)

Post author By Jeremy Clarke
Post date 10 October 2023
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Director – Lois Patiño – 2023 – South Korea, Spain – Cert. U –113m

*****

The story of two lives – an old woman dying in Laos and a goat born in Zanzibar – and the connection between them – is out in cinemas in the UK in the new year on Friday, January 26th following its screening in the 2023 London Film Festival

You think you’ve seen everything there is to see in movies, and then along comes a movie that does something unexpected that completely breaks the mould. In the middle of this film, we are invited to close our eyes and not open them again until asked; if we follow this instruction, something extraordinary occurs.

The word Samsara is used in a number of Asian religious systems (notably Hinduism and Buddhism) to denote the idea of a constant cycle of reincarnation: you are born, you die, you are reborn in another form, you die, you are reborn in another form, an so on. This idea is contrary to that of the Judeo-Christian religions in which you are born, you die, once only, and you are judged.

What Samsara does so brilliantly is show us the first of these two systems, showing the end of one life and the beginning of another.… Read the rest

Documentary Features Live Action Movies

Anselm
(Anselm
– Das Rauschen
Der Zeit)

Post author By Jeremy Clarke
Post date 11 October 2023
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(Anselm
– Das Rauschen
Der Zeit)
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Director – Wim Wenders – 2023 – Germany – Cert. PG – 93m

****

An exploration of the work of German artist Anselm Kiefer and the influences which lie behind it – 3D documentary plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, December 8th

Wim Wenders seems to step effortlessly between narrative and documentary feature films, and you never feel that he considers one or the other more important. To him, they are all movies. As with his earlier Pina (2011), similarly about an artist – the choreographer Pina Bausch – this is another portrait of an artist shot in 3D. Wenders’ subject here, again eponymously designated by Christian name, is Anselm Kiefer, a practitioner of the plastic rather than the performing arts.

From the outset, it’s clear that the film needs to be seen in 3D. Wenders’ camera moves deliberately and formally around maquettes that resemble life-sized women wearing dresses, but without the women in them so that they stand as empty objects, often with strange constructions in the space where you would expect their neck and heads to be. The forest setting in which Wenders films them seems almost as significant as the maquettes themselves as we slowly pass by an upright tree trunk between the sculpture and us.… Read the rest

Art Documentary Features Live Action Movies Music

Exhibition on Screen:
Klimt & the Kiss

Post author By Jeremy Clarke
Post date 30 October 2023
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Klimt & the Kiss
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Director – Ali Ray – 2023 – UK – Cert. 12a – 90m

*****

A look at one of the world’s favourite paintings, housed in Vienna’s Belvedere Museum, and the wider body of work of the artist who created it – out in UK cinemas on Monday, October 30th for one day only

All lovers of art have their blind spots. That’s partly why we go to exhibitions, to fill in the gaps in our knowledge. Gustav Klimt’s The Kiss is one of those images everyone knows, since it’s been widely reproduced as prints, while movie buffs know it from the opening museum sequence of Bad Timing (Nicolas Roeg, 1980) and as a major influence on the visuals of The Thief And The Cobbler (Richard Williams, 1993). Beyond that, however, my knowledge of both Klimt and the painting itself are sparse. This latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series about art is therefore most welcome since it proves highly informative about both.

Accompanied by a perfectly judged piano score of sequences of notes rising and falling, it opens on out of focus images of gold surfaces before showing us a detail of the two heads in the painting viewed not, as you might expect, straight on, but from a side angle.… Read the rest

Tags Academy style, Ali Ray, anti-Semitism, art exhibition, art gallery, art history, Art Nouveau, artists, artists’ community, Beethoven, Beethoven exhibit of 1902, Belvedere Museum, birth of Modernism, Charles Rennie Mackintosh, cultural historian, curator, Eastern European church icons, embrace, Emilie Flöge, exhibition, Exhibition On Screen, fashion designer, female experience, feminine, France, frieze, Gavin Plumley, gold, golden lacquer Japanese work, Gustav Klimt, Impressionism, Impressionists, Ivan Ristić, James McNeill Whistler, Japan, John Singer Sargent, Joseph Maria Olbrich, Jugendstil, kiss, Klimt Foundation, lecturer, Leopold Museum, lesbian, LGBTQ, life partner, Mag. Sandra Tretter, Mag. Stephanie Auer, Margaret Macdonald Mackintosh Jan Toorop, Matisse, Max Klinger. Beethoven’s 9th Symphony, medieval art, Modernism, motto, museum, mythology, naked, nude, nudity, offence, overwhelming, painting, Paris, partially clad, Phil Grabsky, porn, Rodin, Sabine Weiber, sculpture, Secession Building, Secession exhibition, sex, The Kiss, The Secession, the style of youth’, turn of the century, UK, University of Glasgow, Van Gogh, Vienna, working class women, World War 1, World War One, WW1

Features Live Action Movies

National Security
(Namyeong-dong 1985,
남영동 1985)

Post author By Jeremy Clarke
Post date 27 October 2023
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(Namyeong-dong 1985,
남영동 1985)
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Director – Chung Ji-Young – 2012 – South Korea – LEAFF Cert. 15 – 106m

*****

An activist is arrested and tortured into making a confession, although it’s unclear whether his torturers have any interest in getting him to spout truth rather than lies – plays as part of a strand showcasing director Chung Ji-Young at the 2023 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 18th to Sunday, October 29th

In 1985, South Korea was a right-wing military dictatorship (in contrast to North Korea, which was then and remains today a left-wing military dictatorship). Determined to build a prosperous economy, the authorities would stop at nothing to quell any form of dissent, and this repression included torture. Activists fighting for a more liberal society were considered to be in league with North Korea, and thus any means of suppressing them could be used.

The film is based on the experiences of later Minister of Health and Welfare Kim Geum-tae (here played by Park Won-sang), who as a pro-democracy activist in 1985 complied with a request to visit the local police station only to find himself bundled into a car and driven to a torture facility (later revealed to be the eponymous Namyeong-dong) where he would spend the best part of a month.… Read the rest

Tags Chung Ji-young, Korea, LEAFF, LEAFF 2023, London East Asia Film Festival, London East Asia Film Festival 2023, North Korea, South Korea

Features Live Action Movies

Peeping Tom

Post author By Jeremy Clarke
Post date 27 October 2023
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Director – Michael Powell – 1960 – UK – Cert. 15 – 101m

*****

“It’s just a film – isn’t it?” The obsessive home moviemaker who lives in the attic is photographing women as he kills them, leaving an inexplicable look of abject terror on his victims’ faces as they die – back out in UK cinemas on Friday, October 27th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December

What would have happened to Michael Powell if he and Emeric Pressburger had never met each other? Powell cut his teeth making ‘quota quickies’ in the 1930s British film industry: low budget films whose function was to ensure British talent got a chance in an international industry dominated by product from Hollywood. His final film before he and Pressburger began working together is the impressive The Edge Of The World (1937) about a remote Scottish island. One of his first after they went their separate artistic ways was Peeping Tom (1960), now widely regarded as his strongest solo outing.

It was made the same year Hitchcock released Psycho, but where that film about a psychopathic killer worked wonders for Hitch’s career in Hollywood, this one saw Powell vilified by contemporary critics.… Read the rest

Tags Anna Massey, Carl Boehm, Cinema Unbound: The Creative Worlds Of Powell + Pressburger, Emeric Pressburger, Michael Powell, Moira Shearer, The Archers, UK

Features Live Action Movies

Typist Artist Pirate King

Post author By Jeremy Clarke
Post date 27 October 2023
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Director – Carol Morley – 2022 – UK – Cert. 12a – 106m

****1/2

Road movie in which her psychiatric nurse drives an artist with mental health issues from London to an open entry exhibition in the North – in cinemas from Friday, October 27th following premieres in the 2023 Raindance Film Festival (UK premiere) and 2022 Tallinn Black Nights Film Festival (world premiere)

In these days of US-style promotion, branding and media, it’s easy to think of artists as high profile, rich and successful. While some are, that’s not what an artist is: an artist is, quite simply, someone who makes art. (If they’re a good artist, they make good art. Whatever that is.) The subject of Morley’s new road movie is the artist Audrey Amiss (1933-2013) who, although she exhibited her work a number of times during her lifetime, received scarcely any recognition in that period. She suffered from mental health issues and was in and out of mental hospitals throughout her life.

Audrey (Monica Dolan) is regularly visited in her London flat by psychiatric nurse Sandra (Kelly Macdonald). One day, she asks Sandra to drive her to an exhibition which has an open call for artists, as she’s never exhibited and feels the time has come.… Read the rest

Features Live Action Movies

One Of Our Aircraft
Is Missing

Post author By Jeremy Clarke
Post date 22 October 2023
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Is Missing
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Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1942 – UK – Cert. PG – 103m

*****

Forced to bail out following an otherwise successful mission in which one engine is disabled, a British bomber crew must find their way across occupied Holland to return to the safety of Britain – part of major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger from Monday, October 16th at BFI Southbank, also on BFI Blu-ray; other films in the season can be found on BFI Player

Made at the height of World War II, the first Powell and Pressburger / The Archers movie to deploy that verbal credit as such – but without their later trademark opening shot of an arrow striking its target – is in essence a propaganda exercise in the guise of a narrative feature film made to bolster wartime morale at home. However, the pair pull the whole thing off with such verve and inventiveness that it feels less an exercise in propaganda and more a rattling good yarn (without compromising either way).

It opens like a bizarre ghost story (as bizarre as the curse upon the Lairds of Kiloran in the castle ruins of “i know where I’m going!”… Read the rest

Tags aircraft, aircraft engine, airman, Bernard Miles, bomb, bomber, Britain, Catholic, church, church service, Cinema Unbound: The Creative Worlds Of Powell + Pressburger, country, cross-country, Emeric Pressburger, Emrys Jones, engine, Eric Portman, farmhouse, Frank Sherry, front gunner, Germany, Godfrey Tearle, Googie Withers, gunner, harbour, Holland, Hugh Burden, Michael Powell, Nazi, Nazi spies, night raid, observer Hugh Williams, Pamela Brown, Peter Ustinov, pilot, plane, propaganda, quisling, RAF, rear gunner, Robert Helpmann, Royal Air Force, rural, sea, small boat, spies, Stuttgart, swing bridge, The Archers, The Netherlands, Tom Earnshaw, UK, wartime, wartime propaganda, wireless op., wireless operator, World War 2, World War II, World War Two, WW2

Animation Documentary Features Live Action Movies

Beyond Utopia

Post author By Jeremy Clarke
Post date 25 October 2023
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Director – Madeleine Gavin – 2023 – US – Cert. 15 – 115m

*****

North Koreans flee their repressive country over the Chinese border and through several communist countries, where repatriation would mean imprisonment, torture and possibly death – heartstopping documentary is out in UK cinemas on Friday, October 27th

Whether you’re coming to the subject of North Korea cold or whether you already know a little about the subject from the documentary Camp 14: Total Control Zone (Marc Weise, 2012), the animated feature True North (Eiji Han Shimizu, 2020) or Korean War movies like Operation Chromite (John H. Lee, 2016) or Nambugan: North Korean Partisan In South Korea (Chung Ji-Young, 1990), this contemporary take on the North Korean refugee experience throws much fresh light on the subject.

To augment its twin central narratives – two entirely separate stories of North Koreans attempting to escape their country – director Gavin helpfully breaks them up with an intermittent primer on North Korea. Much of this comes from Hyeonseo Lee, who fled the country over 20 years ago and has subsequently talked about it in TED and other public speaking forums. Lee was the producer’s original intended subject for the film, which changed considerably as director Gavin began researching the subject.… Read the rest