Florence Archives - Jeremy C. Processing

Exhibition on Screen:
My National Gallery

Director – Phil Grabsky, Ali Ray – 2024 – UK – Cert. U – 98m

*****

Employees, punters and celebrities choose their favourite painting in London’s National Gallery – out in UK cinemas from Tuesday, June 4th

There have been documentary films about the UK’s National Gallery before, notably the wonderful, three-hour-long National Gallery (Frederick Wiseman, 2014), so, in a way, it’s a brave subject for the Exhibition on Screen people to take on. And yet, as a British production company making movies about art in art galleries, it was inevitable that they would tackle the subject sooner or later. Their version commences with a likeable enough establishing montage of what one might call ‘behind the scenes’ and ‘footfall’ – shots of various National Gallery employees at work opening the door, looking after various aspects of the art housed in the gallery and even putting out tasty-looking croissants in the cafeteria.

There are satisfying little touches throughout. A shot of The Feast Day of Saint Roch, Canaletto, with out of focus people passing in front of it, makes it feel like you’re really there in the scene depicted.

Alan Allison, security officer and gallery assistant (pictured on the front of the trailer, below) wears black clothing with a striking, patterned blue tie.… Read the rest

Exhibition on Screen:
John Singer Sargent
Fashion & Swagger

Director – David Bickerstaff – 2024 – UK – Cert. U – 93m

****

Late nineteenth century society portrait painter John Singer Sargent was fascinated more by their clothing and the possibilities of paint than he was by the women he painted – documentary is out in UK cinemas for selected screenings from Tuesday, April 16th

Based on the exhibition first at the Museum of Fine Arts, Boston (MFA) and now at Tate Britain, this opens with incidental music that conjures a contemporary dance floor, a soundtrack which provokes a strange tension with paintings hanging on walls and costumes displayed in glass cases as the camera moves through the physical spaces in which they are displayed. But then, the title suggests this might be a little different from Exhibition on Screen’s usual fare.

John Singer Sargent’s A Portrait of Miss Elsie Palmer (A Lady In White), 1889-90, shows the energy and intensity of his portraiture. The brushstrokes are arresting and like nothing else being done at the time. The paintings might be perfect, but the people within them most definitely are not: Sargent captures their imperfections in a most compelling way. He looked deeply at people, and some of his sitters were afraid to sit for him because of what he might see.… Read the rest