Categories
Documentary Features Live Action Movies

Eternal You

Directors – Hans Block, Moritz Reisewieke – 2024 – US – Cert. – 87m

*****

People deal with bereavement with the help of interactive versions of their deceased, loved ones recreated by AI – out in UK cinemas on Friday, June 28th

In a rare visual shot in this mostly verbally based documentary, an aerial shot of a graveyard, with light creating lots of little blocks of shadow as it falls on the ranks of gravestones, resembles a slice of internal computer electronics. It’s a pertinent pictorial moment that stands out from almost everything else here.

“Is there some reason you wouldn’t believe me?,” a woman asks her boyfriend. “You died,” comes the sceptical reply. Joshua, from Ontario, Canada, had to endure the trauma of watching the life support machines that were keeping her alive being switched off. After she died, about two weeks short of high school graduation which she was expected to pass, he got the school to graduate her. He later explains this by written chat to her interactive AI.

Psychiatrist Sherry Turkle talks about the problems people face coping with grief in the modern world, where they often live on their own following the death of a partner and don’t have an extended network of family around them like they would have done in former times.… Read the rest

Categories
Animation Features Movies

The King and the Mockingbird
(Le Roi et L’Oiseau)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Animation Features Movies

Wrinkles (Arrugas)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi Et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi Et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Animation Features Movies

The Wind Rises
(Kaze Tachinu,
風立ちぬ)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi Et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi Et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Features Live Action Movies

The Red Shoes

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1948 – UK – Cert. PG – 135m

*****

A young dancer gives her all to the art of ballet, symbolised by the story’s centrepiece of the Ballet of the Red Shoes, in which the heroine is danced to death by the eponymous footwear – out in UK cinemas on Friday, December 8th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December with a free exhibition The Red Shoes: Beyond The Mirror (booking essential) running until Sunday, January 7th 2024

The second movie by the Archers not to deal with wartime issues in any way, shape or form (the first being Black Narcissus, 1947) deals with art in the story of a young dancer torn between love and her chosen art form. Student Julian Craster (Marius Goring) is outraged to discover, during its debut performance, that his music tutor Professor Palmer (Austin Trevor) has lifted several passages of Craster’s college work to pass them off as part of his latest dance score Heart of Fire. His subsequent interview with ballet company head and creative genius Boris Lermontov (Anton Walbrook, who appeared in four Productions of the Archers and later in The Queen Of Spades, Thorold Dickinson, 1949) secures him a lowly job as music arranger for the prestigious Ballet Lermontov.… Read the rest

Categories
Features Live Action Movies

Nocebo

Director – Lorcan Finnegan – 2022 – UK, Ireland – Cert. 15 – 96m

***

A mother and fashion designer’s stress levels increase when she hires a too good to be true Filipino au pair – on Shudder UK, US and Canada from Friday, February 24th

A nocebo is a negative placebo – a belief that some factor will cause a medical or psychological condition to get worse, which it then does.

Christine (Eva Green), a high-flying fashion designer, and her husband Felix (Mark Strong), who works in advertising, lead pressured lives, and they have a daughter Roberta, known to her friends as Bobs (Billie Gadsdon), at primary school. Deciding which of them is going to drop Bobs off at / pick her up from school is always a challenge.

Christine is in the middle of a shoot involving child models when she receives a phone call with bad news about “they’re pulling out the bodies” and has a nervous breakdown, suddenly experiencing bizarre and horrifying hallucinations, with everyone she sees on the set spouting boils, a fate also visited on a mysterious, blind dog covered in sores. A tiny beetle burrows into her neck, later resulting in an itchy sore.… Read the rest

Categories
Documentary Features Live Action Movies

Lancaster

Directors – David Fairhead, Anthony Palmer – 2022 – UK – Cert. PG – 110m

****

The story of World War Two’s iconic Lancaster bomber aircraft, the missions it flew and the airmen who served as its crews – out in cinemas on Friday, May 27th

The constant drone-like sound, the view looking downwards moving over water, a Lancaster bomber aircraft flying the length of a lake, the camera above it titling down as it passes to reveal it crossing a dam. This sequence, impressive on a big cinema screen equipped with a really good sound system, opens this informative and compelling documentary.

The Lancaster is entrenched in the British psyche from The Dam Busters (Michael Anderson, 1955) and in due course clips from that film and a few others appear here. I can remember seeing it many times on afternoon television as a child in the late 1960s / early 1970s. Present day footage of this amazing aircraft in flight jostles with comments by present day airmen who fly in it, and their enormous affection and respect for the aircraft comes through loud and clear. They are seen touching a plaque by the plane’s entrance doorway commemorating all those who flew her during World War Two as a way of taking the spirits of those people with them on flights today.… Read the rest

Categories
Features Live Action Movies

House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest