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Features Live Action Movies

Father Mother
Sister Brother

Director – Jim Jarmusch – 2025 – US – Cert. 12a – 110m

*****

Three separate stories follow visits by three separate sets of adult siblings torespectively, an elderly father, an elderly mother, and a deceased parents’ cleared home – out in UK cinemas on Friday, April 10th

This harks back to a couple of earlier Jarmusch movies which similarly consist of a small number of stories: Night on Earth (1991) with five cabbies on one night in different cities and Mystery Train (1989) with its three linked stories set during one night in Memphis. There’s no suggestion that the three stories in Father Mother Sister Brother – set in rural North America, Dublin and Paris – are taking place simultaneously, international time differences notwithstanding, but they could well be, because all three take place in similarly good weather conditions. The first is rural, with snow on the ground, while the latter two are urban.

All three of FMSB’s stories feature similarities which link them beyond the overall siblings / parent(s) theme. These are both expected – car journeys to the home of the parent or parents, time spent in their presence or absence – and unexpected – skateboarders seen from the can en route, a Rolex watch.… Read the rest

Categories
Documentary Features Live Action Movies

Riefenstahl

Director – Andres Veiel – 2024 – Germany – Cert. 15 – 115m

*****

An unsettling, deep dive into the indisputable artistic talent, evasive personality and self-reconstructed memory of Nazi filmmaker Leni Riefenstahl through her personal archive of some 700 boxes – out in UK cinemas on Friday, May 9th

Sepia / yellow images. A woman walking by the sea. Incidental music suggesting a reaching, a striving. Out of focus images of crowds lining the streets, coming into focus to proclaim, “Heil, mein Fuhrer.” The lighting of the Olympic flame, the firing of a gun at a track event. Leni Riefenstahl, as a young woman, examining hanging strips of 35mm film at the editor’s bench. And then an extract from a talk show: would she do it differently if she could live her life again? What were her mistakes? Her close association with Hitler? She hesitates – you can almost feel her squirming, trying to find a way round the question. She starts talking about her first film as director, The Blue Light (1932), a mountaineering picture in which she did all the rock climbing stunts herself. She didn’t know of Hitler at this point, she says. “If the Fascists saw you”, she was told, “you would become their hero.”… Read the rest

Categories
Documentary Features Live Action Movies

Riefenstahl

Directed by Andres Veiel
Certificate 15
115 minutes
Released 9 May

There is something deeply depressing about the fact that one of the most talented female film directors who ever lived is also without a doubt also one of the most troubling. Leni Riefenstahl (1902-2003) is best known today for the documentaries Triumph of the Will (1935) and Olympia (1938), the first a record of the Nazi Party’s Nuremberg Rally, the second of the 1936 Olympics in Berlin. Both eulogise large scale spectacle, with Olympia in particular celebrating the human body as it undergoes the rigour of sports disciplines. Both celebrate victory, superiority, dominance.

Riefenstahl lived to the ripe old age of 101, claiming over the years that she was an artist who happened to fall in with the Third Reich by dint of birthplace and time; she didn’t really understand what that regime was doing and simply got on with making the films that she made under their patronage.

There have been documentaries about her before, yet what makes this one different is that… [read the rest at Reform magazine…]

[Read my alternative review on this site…]

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