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Features Live Action Movies

The Killing
Of Two Lovers

Director – Robert Machoain – 2020 – UK – Cert. 15 – 84m

****1/2

A family man separated from his wife who has agreed they can each see other people is consumed with hate for the other man she is now seeing – in cinemas and on Curzon Home Cinema from Friday, June 4th

Morning. She sleeps soundly, a man beside her in bed. A second man stands at the the foot of the bed pointing a revolver at her. The first two are unaware of this. Someone can be heard using the bathroom. The second man leaves through the bedroom window.

Small town America. Welcome to David’s world. He (Clayne Crawford) and wife Nikki (Sepideh Moafi) are experiencing marital problems. They have four kids, a teenage girl and three younger boys. As agreed, David has moved out to live with his infirm, widower dad a hundred yards down the road. The couple have agreed that, while they try and work things out between them, it’s okay for either of them to see other people.

However while David assents to this on an intellectual level, he doesn’t accept it at all on an emotional one. He has discovered his wife is seeing a man named Derek (Chris Coy) and is furious about it.… Read the rest

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Live Action Movies Shorts

GoGo Club
(梁韻怡)

Director – Rei Leung Wan-yi – 2019 – Hong Kong – Cert. N/C 15+ –25m

*****

The progress of a former nightclub employee following his fortuitous encounter with a girl in a panda suit – FREE TO VIEW online in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

At age six, Yin (Matt Jiu Kai Laam) was brought by his mother (Gaga Tse Ka Wai) to the Golden Rose nightclub where she worked as a live-in cleaner and odd job person as the grown up Yin describes in voiceover narration. He doesn’t mention her suavely suited manager (Tony Ho Wah Chiu – Our Time Will Come, Ann Hui, 2017; Infernal Affairs, Andrew Lau, Alan Mak, 2002; Dead Or Alive: Final, Takashi Miike, 2002) is a permanent fixture propping up the enquiries desk window counter. At age 26, Yin (Shaopin Tsui) is told by the manager that today is his last day. In fact it’s also the manager’s last day because the Golden Rose is closing down. Enquiring about his missing back pay, Yin is given the company’s very expensive car to sell for profit which turns out to be an old van covered in dust. … Read the rest

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Features Live Action Movies

The Gangster,
The Cop,
The Devil
(Akinjeon,
악인전)

Director – Lee Won-Tae – 2019 – South Korea – Cert. 15 – 109m

****

Better the devil you know. A no-nonsense cop and a ruthless gangland boss join forces to catch a serial killer in this South Korean thriller – on BBC Four Sunday, March 7th 22.00 and for one year after

Violent motorist Kang Kyung-ho (Kim Sungkyu) tailgates cars then after he and they have both pulled over stabs their unsuspecting drivers to death. One night, he picks mob boss Jang Dong-su (Ma Dong-seok) who fights back and gets away, inflicting wounds on the killer despite being first stabbed in the back. Meanwhile, his nemesis, cop Jung Tae-suk (Kim Mu-Yeol), is pursuing the same serial killer. Cop and gangster enter into an uneasy alliance to catch the murderer.

As South Korean gangster and crime movies have developed in recent decades, they’ve generally become slicker and, on one level, technically more proficient. Yet on another level, earlier South Korean gangster movies, while rougher around the edges, often have a lot more going on underneath the surface. This one however, while covering everything with the contemporary, superficially fast-paced and slick veneer with lots of impressive car chases and extremely violent one-on-one or group fights, achieves much more interesting dynamics beneath the slick, mass produced veneer.… Read the rest

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Features Live Action Movies

Sheep Without
A Shepherd
(Wu Sha,
误杀)

Director – Sam Quah – 2019 – China – Cert. 15 – 112m

*****

A family stands together when their daughter kills the local police chief’s son who is both a rapist and blackmailer – available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland.

This opens with a prison break in which the escapee ends up interred in a coffin next to the corpse of the man who was trying to get him out. That turns out to be a story told by Li Wiejie or Jie for short (Xiao Yang), an insatiable watcher of detective and crime thrillers. The film lays its cinematic cards on the table almost immediately by referencing Hitchcock, montage, sound effects, excitement and The Shawshank Redemption (Frank Darabont, 1994). Sheep Without A Shepherd is in thrall to the West’s suspense movies and plays out like one while at the same time retaining its distinctive Chinese character with its emphasis on the importance of family ties and loyalty.

Jie and his wife (Tan Zhuo) run a small store in Thailand. Their daughter Ping known in the family as PingPing (Audrey Hui) persuades dad to fund her to go to summer camp where she is drugged and videoed being gang-raped by privileged brat Su Cha (Beety) and his pals.… Read the rest

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Features Live Action Movies

Real

Director – Aki Omoshaybi – 2019 – UK – Cert. 15 – 78m

***

Boy meets girl but both are embarrassed by their economic circumstances so pretend to be much better off than they are – in cinemas and on BFI Player and Sky Store from Friday, September 11th

Kyle (director Aki Omoshaybi) and Jamie (Pippa Bennett-Warner) first meet in a newsagents in the city centre. Her credit card is stopped. He helps her out and pays the bill. She works in a local community centre, he in a solicitor’s. Actually, both of them are lying, desperate to make a good first impression and reluctant to reveal their true circumstances for fear of judgement.

They start dating. Jamie is the first to crack. She admits she has a child Felix (Taye Matthew). And works in a convenience store. However,  Kyle can’t bring himself to come clean. Unfortunately for him, Jamie’s best mate Tash (Amy Manson from Run, Scott Graham / 2019) has had dealings with him and knows he’s an ex-offender. So it’s only a matter of time before Jamie finds out.

Kyle has become homeless, so begs his alienated mum (Karen Bryson) to let him stay at hers for a while.… Read the rest

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Features Live Action Movies

Fish Story
(フィッシュストーリー)

Director – Yoshihiro Nakamura – 2009 – Japan – Cert. 15 – 112m

*****

I review Fish Story for All The Anime.

A comet threatens to destroy life on Earth. Three years earlier a religious cult attempts a ferry hijack. In the 1970s a punk band records and disbands before the Sex Pistols do. Welcome to the bizarre and quirky vision of Yoshihiro Nakamura’s Fish Story (2009). As well as being the screenwriter of Dark Water, Nakamura is also a prolific writer-director whose films include the likeable See You Tomorrow, Everyone. Fish Story had a DVD release back in 2009 and distributors Third Window are now putting out a Blu-ray with a lovely new transfer and a heap of excellent albeit standard definition extras.

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The story is touted as how a song by a punk band can change the world… which, while a good bit of PR spin, makes this highly entertaining and enjoyable film sound far more focused than it actually is.

I review Fish Story for All The Anime.

Trailer:

https://www.youtube.com/watch?time_continue=20&v=vC5E4-LRrTk&feature=emb_logo
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Books Features Live Action Movies

The Birds
(BFI Film Classics)

Author – Camille Paglia – 2020, 1998 – BFI / Bloomsbury – £11.99

****

I immediately warmed to Camille Paglia in her 2020 introduction to the new edition of her book about Alfred Hitchcock’s avian shocker The Birds (1963), originally written in 1998, when she lambasted academic film criticism as “egregiously unhelpful, failing in the crucial humanistic mission of interpretation and enlightenment”. She talks about a shift in audiences from wanting to see film in a cinema as essential experiences in the sixties and seventies to films as one of a range of possible technological entertainments in our own time.

She then goes on to talk about her issues with #metoo and the problem of expecting great artists to live exemplary lives as a premise of Victorian moralism. And discusses in passing the one minor change she would make to the book were she to write it today. (Really? Only one?) Which is to do with interpreting one character in the film as gay.

In addition to watching the film multiple times, it’s clear that Paglia has read many of the books and articles written about the film itself of Hitchcock’s wider body of work. Robin Wood keeps coming up and there are honourable mentions for, among others, Francois Truffaut and Elizabeth Weiss.… Read the rest

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Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review was originally published in the Arts Centre Group‘s member’s newsletter. See also my review for What DVD.

All stills from Crash apart from the one from Videodrome.

Canadian film director David Cronenberg has a reputation for filming the unfilmable. Formerly dubbed The King Of Venereal Horror (“a small kingdom but I’m happy with it”), his debut (commercial) feature Shivers / The Parasite Murders / They Came From Within (1977) is a low budget horror outing in which high rise tenants are invaded/possessed by little slug-like creatures resembling a bloody cross between phallus and faeces.

For renowned British producer Jeremy Thomas (Bad Timing, The Last Emperor, First Love) he has adapted and directed books considered impossible to turn into movies, notably William Burroughs’ Naked Lunch (in 1991) and J.G.Ballard’s Crash.

I was first drawn to Cronenberg’s work from the special effects angle, specifically an article on prosthetics expert Rick Baker which contained some amazing production stills (the shape of a hand-held gun pushing through the unbroken membrane of a television screen) from Videodrome (1983). An image suggesting television can kill?… Read the rest

Categories
Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review of the UK DVD was originally published in What DVD. See also my review for the Arts Centre Group’s member’s newsletter.

Sold as a sex and car crash (and by implication action) movie, Crash is in reality something very different: intelligent, grown-up science fiction. The former description being an easy sell, especially with the added (ridiculous) controversy surrounding the film’s (eventual) UK release, the inevitable resultant popcorn sensation‑seeking mass audience was largely disappointed.

That said, for those viewers prepared to engage brain, deal with tough subject matter and go the distance, it’s a masterpiece. But if you’re someone to whom the concept of sex scene as narrative device sounds too much like hard work, you probably shouldn’t touch it.

On the other hand, admirers of director Cronenberg (The Brood, Scanners, Dead Ringers, eXistenZ) or novelist J.G.Ballard (Empire of the Sun) will appreciate the film’s uncompromising vision. Although Crash is not especially unnerving by Cronenberg standards, it’s extremely shocking by those of mainstream movies and has the potential to confuse or overwhelm an average audience.

While it brims with sex scenes, they’re not particularly arousing in tone being close to the emotionally cold experience of watching laboratory experiments.… Read the rest

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Features Live Action Movies

Wet Season
(Redai Yu,
热带雨)

Director – Anthony Chen – 2019 – Singapore – 103m

****1/2

A Singaporean schoolboy becomes obsessed with his Mandarin language teacher – from the BFI London Film Festival and the London East Asia Film Festival (LEAFF) 2019.

It seems to be constantly raining in urban Singapore. Ling (Yeo Yann Yann) is forever sitting in her parked car injecting insulin. She has a job teaching Mandarin to a class in a local boys secondary school. Half a dozen of them are such poor students that she sets up a remedial class after hours to get them up to speed, but while they’re made to attend, they really aren’t interested. With one exception.

Wei-lun (Koh Jia Ler) will be in trouble with his parents if he doesn’t do well in Mandarin. As the other boys bunk off the remedial class with the slightest excuse, it pretty quickly develops into Ling teaching Wei-lun on a one-on-one basis. He doesn’t live that far from her home, so she often gives him a ride home in the car afterwards, unaware that behind her back he has for a long time been taking pictures of her with his mobile phone in class.

Ling has been trying to have a baby with her husband Andrew (Christopher Lee Ming-Shun) for some eight years.… Read the rest