Tag: unfit mother

Hoard

Post author By Jeremy Clarke
Post date 6 March 2024
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Sticky post

Director – Luna Carmoon – 2023 – UK – Cert. – 126m

****

A young girl’s strange relationship with her rubbish-hoarding mother, cut short in childhood, leads to an equally bizarre bond in adult life – out in UK cinemas on Friday, May 17th, with previews from Friday, May 3rd and exclusively on MUBI from Friday, July 5th

When I first stumbled across the title of this film, and the image used to promote it of a young couple staring into what I took to be a circular hole, which, I realised after seeing the film, was in fact the outline of a communal bin of the type commonly found on an English housing estate, I guessed it was a thriller – two people stumble upon a hoard: a bag of money or otherwise valuable contents. A noun. However, after viewing, I now realise the title could equally well suggest an activity, a verb. To hoard. The act of hoarding. The state of being which is hoarding. The film isn’t really a thriller. To describe it as a drama might be closer to the mark, but that doesn’t prepare the viewer for how utterly strange and alien the experience of watching this is.… Read the rest

Documentary Features Live Action Movies

Catching Fire:
The Story of
Anita Pallenberg

Post author By Jeremy Clarke
Post date 17 May 2024
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The Story of
Anita Pallenberg
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Directors – Alexis Bloom, Svetlana Zill – 2023 – US – Cert. 15 – 113m

***1/2

The chaotic life of the archetypal rock chick, told through her own words and those of her children – out in UK cinemas on Friday, May 17th

After her death in 2017, Anita Pallenberg’s two surviving children Marlon and Angela discovered a manuscript; she had written an autobiography. Marlon worked his way through it as part of his bereavement process and was so taken with the articulate text that he sought out producers to turn it into a film. (He is one of the film’s executive producers himself, while both directors are credited as among the producers). Numerous clips from an interview with him are used in this resultant documentary, along with excerpts from Anita’s manuscript voiced by an actress, along with interview footage with Angela and verbal audio from Rolling Stones band member Keith Richards, Anita’s partner for a decade and the father of her children.

Like many of the young generation who rose meteorically to cultural prominence in the swinging sixties, Anita Pallenberg was a war baby. Her first years were accompanied by the sound of falling bombs; as she puts it, she didn’t learn to walk, but to run.… Read the rest

Tags 1960s, 1970s, acid, actress, addiction, Alexis Bloom, Angela Richards, Anita Pallenberg, archive, art school, authorities, autobiography, bereavement, bereavement process, bio, bombs, Brian Jones, career, celebrity, crib death aged 10 weeks, documentary, drug abuse, drug-taking, drugs, England, falling bombs, France, French-speaking person, Germany, heroin, home movie, hospital, house guest, household, incriminating evidence, interview, Kate Moss, Keith Richards, kidnap a Rolling Stone, London, LSD, manuscript, manuscript; autobiography, Marlon Richards, Mediterranean, model, modelling, modelling career, mothers and children, movie actress, movies, New York, parents and children, police, rage, rebel, relationship, rock chick, roulette, Russian roulette, Scarlett Johansson, separation, South Of France, strong-willed, style icon, Super 8, surviving children, Svetlana Zill, swinging sixties, Switzerland, Tangier, Tara Richards, The Rolling Stones, tidy away, UK, unfit mother, US, Volker Schlöndorff, war baby

Features Live Action Movies

Nobody Knows
(Dare Mo Shiranai,
誰も知らない)

Post author By Jeremy Clarke
Post date 23 February 2023
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(Dare Mo Shiranai,
誰も知らない)

Director – Hirokazu Kore-eda – 2004 – Japan – Cert. 12a – 141m

*****

Four pre-teenage children are abandoned by their mother and left to fend for themselves in their Tokyo apartment. This work of fiction is based on 1988’s real-life Sugamo child abandonment case. Koreeda’s first film with kids is also his first family drama. Twelve-year-old lead Yagira Yuya won Best Actor at Cannes and would go on to a career including Destruction Babies (2016)…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Amazon UK and Curzon Home Cinema.

Trailer (Nobody Knows):

Tags abandon, child abandonment, children, children alone, close-ups, combini, corner shop, family, Hirokazu Kore-eda, Japan, Japanese corner shop, Kenta McGrath, significant objects, Sugamo, Sugamo child abandonment case, unfit mother, Yagira Yuya

Features Live Action Movies

A Far Shore
(Tooi Tokoro,
遠いところ)

Post author By Jeremy Clarke
Post date 6 July 2022
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(Tooi Tokoro,
遠いところ)
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Director – Masaaki Kudo – 2022 – Japan – 128m

****

An underage Okinawa bar hostess attempts to raise her small son while worsening circumstances conspire against her – world premiere in the Karlovy Vary International Film Festival (KVIFF) 2022 which runs from Friday, July 1st to Saturday, July 9th

A man in Okinawa club Night Babylon asks her age of a hostess: “you don’t seem very old”. It turns out the girls in question are under 18 (the legal age limit for working there; in Japan, it’s also illegal to consume alcohol under the age of 20). In fact, these girls are 17 and proud of the fact that in “wild Okinawa”, the hostesses in bars are so young. The hostesses in question are Aoi (Kotono Hanase) and her friend Mio (Yumemi Ishida), and when not working, they like to party hard, for instance to celebrate a friend’s birthday, which involves much drinking and dancing in a club. There don’t appear to be any men in their immediate peer group: they’re all women.

Once she returns home from her club night shift, Aoi calls in on her grandmother to pick up her two-year-old son Kengo (Tsuki Hasegawa).… Read the rest

Tags age limit, alcohol, assault, bar hostess, bathroom, chase, child-rearing, compensation settlement, drinking, drinking club, employment, financial hardship, financial pressures, gambling, grandmother, hiding money, hospital bill, hostess, hostess work, hostessing, hourly rate, illegal, illegal alcohol consumption, Japan, job, Karlovy Vary, Karlovy Vary 2022, Karlovy Vary International Film Festival, Karlovy Vary International Film Festival 2022, Kotono Hanase, KVIFF, legal drinking age, make ends meet, Masaaki Kudo, Okinawa, parents and children, partying, police raid, prostitution, pursued by cops, rent, shirking responsibility, single mother, small child, small son, social services, social services snoopers, Tsuki Hasegawa, underage, unfit mother, unfit parent, violence, wife-beating, work, Yoshiro Sakuma, Yumemi Ishida

Documentary Features Movies Music

Poly Styrene:
I Am A Cliché

Post author By Jeremy Clarke
Post date 2 March 2021
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I Am A Cliché

Punk biopic

Poly Styrene: I Am A Cliché
Directed by Celeste Bell and Paul Sng
Certificate 12a, 96 minutes
Released 5 March at www.modernfilms.com
Viewers can select a participating local cinema to share the revenue of the virtual box office

This documentary about the late Poly Styrene (real name Marion Elliot), the iconic front woman of the 1970s punk band X-Ray Spex, paints a compelling picture of a creative and innovative young woman going against the grain to break new ground in pop music. The band was very much her baby which she put together by advertising for musicians in the music press. She wrote all their material.

Her literal baby is the film’s co-director and co-writer Celeste Bell, who as a young child escaped from her well-intentioned but unfit mother during their time living on the Hare Krishna estate in Hertfordshire. On her mum’s death, Celeste found herself the guardian of Poly’s vast archive. It was five years before she could bring herself to look inside and see what was there… Read more

Full review in Reform magazine.

Trailer: